I’ve added a new paragraph to my earlier post “ONLY SUPERHUMAN reader question: Measuring the Green Blaze’s powers,” since I realized there was one aspect of Emerald Blair’s superstrength that I forgot to address, one that occurred to me as a result of watching The Six Million Dollar Man on DVD. Here’s what I added:
It’s occurred to me to wonder: How high could Emry jump? Of course, that depends on the gravity, so let’s assume a 1g baseline. According to my physics textbook, the maximum height of a projectile is proportional to the square of its initial velocity (specifically, the velocity squared times the square of the sine of the launch angle, divided by twice the gravity). So if we use my earlier, very rough assumption that Emry’s speed relative to an unenhanced athlete goes as the square root of her relative strength, that would cancel out the square, and thus jumping height (for the same gravity and angle) would increase linearly with strength. If she’s four times stronger than the strongest human athlete today, then, it follows she could jump roughly four times the world record for the high jump. Except it’s more complicated than that, since we’re dealing with the trajectory of her center of mass. The current world record is 2.45 meters by Javier Sotomayor. But that’s the height of the bar he cleared, not the height of his center of mass. He used a technique called the Fosbury flop, in which the body arcs over the bar in a way that keeps the center of mass below it. So his CoM was probably no more than about 2.15 meters off the ground, give or take. And he was pretty much fully upright when he made the jump. since he’s 1.95 meters tall to start with, and the average man’s CoM height is 0.56 of his total height (or about 1.09 m in this case), that would mean the world-record high jump entailed an increase in center-of-mass altitude of slightly over one meter. So if we assume that Emry is doing more of a “bionic”-style jump, keeping her body vertical and landing on her feet on whatever she’s jumping up to, then she might possibly be able to raise her center of mass up to four meters in Earthlike gravity. Which means she could jump to the roof of a one-story building or clear a typical security fence — comparable to the jumping ability of Steve Austin or Jaime Sommers.
And just a reminder: I’m open to more reader questions about Only Superhuman or my other writing.
This just in from Space.com:
Astronomers have discovered direct evidence of water on the dwarf planet Ceres in the form of vapor plumes erupting into space, possibly from volcano-like ice geysers on its surface.
Using European Space Agency’s Herschel Space Observatory, scientists detected water vapor escaping from two regions on Ceres, a dwarf planet that is also the largest asteroid in the solar system. The water is likely erupting from icy volcanoes or sublimation of ice into clouds of vapor.
This is big news. It’s a major scientific breakthrough, proof of something that’s only been suspected about Ceres up to now, and it comes a year earlier than I expected, since the Dawn probe won’t reach Ceres until early 2015. It also has important ramifications for our future in space. In Only Superhuman, I established Ceres as the primary source of water and organic molecules for space habitats throughout the Main Asteroid Belt and inner system. This was based on astronomers’ estimates that Ceres might potentially have more fresh water on it than Earth does (since most of ours is salt water). Now we have verification for that, and it confirms (or at least makes it far more likely) that future space colonists and asteroid miners will have access to abundant sources of water without needing to lug it up out of Earth’s gravity well or go clear out to the moons of Jupiter and Saturn.
It’s also nice to get confirmation that what I put in my novel wasn’t wrong. Although it never occurred to me to mention a water-vapor atmosphere or cryovolcanoes in my descriptions of Ceres. Just as well, I suppose, since the volcanoes are unconfirmed. If and when I get to do a sequel, hopefully the timing will be right to work in Dawn’s findings. Hmm, the article says it’s more likely just sublimation, but I’m hoping for icecanoes (to use the Doctor Who term). Those would be cooler to write about. (Literally…)
I recently received a few questions about Only Superhuman from Brandt Anderson via a Facebook message, and I thought I’d address them here. Brandt wrote:
I enjoy most super hero novels such as Ex-Heroes, Paranormals, Devil’s Cape, etc., and one of the things that is always forefront on my mind is stats. I like knowing exactly how strong or how fast the super-powered character is. So, I was hoping you wouldn’t mind giving an approximation on how enhanced Emerald Blair is. Her strength, speed, reflexes, senses, healing factor and durability if you don’t mind. Also, I apologize for this amount of nitpicking, would you able to tell me what her superhuman attributes be at without any of the enhancements she has? And lastly, in your world, how strong is the average super-being and what is the normal human level at?
Those are interesting questions, though to be honest, I haven’t really worked out that many of the details. It’s worth thinking about if I get to do further novels, though, so I’ll try to offer some answers.
I did address Emerald Blair’s strength level in the novel when I had Eliot Thorne mention that she could “bench-press a tonne in one gee,” i.e. standard Earth surface gravity. That led me to the following analysis from my novel annotations:
From what I can find, the current world record for an unassisted or “raw” bench press (without the use of a bench shirt, a rigid garment that supports the muscles and augments the amount they can lift) for a woman in Emry’s weight class seems to be held by Vicky Steenrod at 275 lb/125 kg. Assuming Thorne was referring to what Emry could lift raw, that would make her 8 times stronger than Ms. Steenrod, at least where those particular muscles are concerned. And Emry’s training isn’t specialized for powerlifting but is more general, so that would probably make her even stronger overall. Not to mention that Thorne seemed to be talking about her typical performance, not a personal record. So as an adult Troubleshooter, with bionic upgrades on top of her Vanguardian mods, Emry might be at least 10 times the strength of an unenhanced female athlete of her size and build. That may be conservative, given some of what I’ve read about the possibilities of artificial muscle fibers. On the other hand, there are limits to how much stress the organs of even an enhanced body could endure.
By the way, the all-time raw bench-press world record is 323.4 kg by Scot Mendelson, who’s 6’1″ and over twice Emry’s weight. The assisted world record (with a bench shirt) is 487.6 kg by Ryan Kennelly, who’s about the same size and whose unassisted record is much lower. So going by what I figured before, that would make Emry nearly 4 times as strong as the strongest human beings alive today, and that’s without the added assistance her light armor would provide her (though she’d need to add sleeves to her armor to get the full effect). And that’s the lower limit. In any case, given all the bionic enhancements she’s added to her native strength, she might well be the strongest person in Solsys in proportion to her weight class, or at least right up there with the record-holders of her day.
According to my character profiles, by the way, Emerald’s height is 168 cm (5’6″) — at least in one gee or thereabouts, since people gain a bit of height in low or microgravity due to their skeletons being less compressed — and her mass is 69 kg (153 lb), which is a bit heavy for her size, but that’s because of the added weight of her bionics and reinforcements, as well as her dense musculature.
So that’s strength. What about speed? Well, I established in Chapter 6 that Javon Moremba, who’s specialized for running, could run at 60 km/h, which is just one and a third times the world record set by Usain Bolt in 2009. I’m not really sure how much it’s possible to increase human running speed without substantially restructuring human anatomy, since we’re already kind of specialized for running by evolution — although we’re specialized more for endurance running than speed, which was how our ancestors were able to be successful hunters and trackers. Javon’s anatomy is altered from the human norm, with atypically long legs and powerful joints and enlarged lungs. Emerald’s proportions are more normal, and her legs aren’t especially long; plus she’s not exactly lean. She’s built more for strength than speed. On the other hand, the athlete I modeled her physique after, tennis star Serena Williams, can be an astonishingly fast mover on the tennis court due to her sheer strength — though not as fast as her leggier sister Venus.
Okay, so we can safely assume that the teenage Emry couldn’t run as fast as Javon. She’s only 84% his height and less of it is legs, so let’s say she has 75% of his stride. I actually have her down as only 72% of his mass, though; I think I based Javon’s statistics on the aforementioned Mr. Bolt. I guess the question is, what’s the comparative ratio of total muscle mass to push with and total body mass to be pushed? I think I’ll avoid any complicated math and just go with visual intuition, which tells me that Emry has proportionally more excess bulk to deal with; but once she’s bionically enhanced, that might compensate.
So let’s say that with just her raw muscle, no cyborg upgrades, she’s got a minimum of 75% of his running speed, which would be equal to Bolt’s world record. But how much do her upgrades boost her strength? Well, we know that she was always strong enough in her adolescent years to match or overpower any man, and judging by those weightlifting figures above, a man’s maximum strength might be something around 2.5 times a woman’s, all else being equal. But many of those men would be mods themselves, so we’d need to up that. Still, I don’t want too much of her strength to be innate, since the bionics should contribute a lot. So let’s say that she started out roughly 3.3 times the normal strength of a woman of her build and had it tripled by her Troubleshooter bionics.
How does that apply to her running speed? This is probably oversimplifying like hell, but it seems to me that if you exert three times the force on the same mass, then by Newton’s second law you get three times the acceleration. Now, for a given distance, the time needed to cover it goes as one over the square root of the acceleration; and the rate is the distance over the time. So that would suggest, unless I’m doing something very wrong, that if she has three times the acceleration for each thrust of her leg muscles pushing her forward, then her speed would be increased by roughly the square root of three, or 1.73. So if her running speed without bionics was 45 km/h, then with bionics it’d be nearly 80 km/h (50 mph). Though she’s probably capable of bursts of even faster speed when she supercharges her nanofiber implants, as we saw when she made her skyscraper jump in Chapter 11. This would make her about 5/6 the typical speed of Steve Austin, the Six Million Dollar Man, and half the top recorded speed of Jaime Sommers, the Bionic Woman. But let’s call that her sprinting speed. For endurance running, she’d probably average out a bit slower — let’s say 64 km/h (40 mph), which translates to a 1.5-minute mile — which would put her at better than two and a half times the female world record for the mile. It would also put her slightly above Javon’s indicated speed, but that was for a Javon who was out of training. (Oh, and keep in mind that this is assuming she’s in a full Earth gravity or close to it.)
There are other ways of measuring speed, though. How fast can she dodge a blow or throw a punch? That gets us into the next question, reflexes. Well, at one point in chapter 16 (p. 284 in the paperback), I say “Her enhanced reflexes made her dodge the shockdart before she was consciously aware of it, but her mind quickly caught up.” So her reaction time is certainly accelerated considerably beyond the norm, so much that it outpaces her conscious thought at times. And while her foot speed is not too much above normal, her dodging speed can be literally faster than a speeding bullet. Well, a speeding dart. If we assume the dart had a speed of around 300 m/s, comparable to an air rifle pellet and close to a 9mm bullet, and if she was maybe 15 meters away from the shooter, that would give her a twentieth of a second to react, or 50 milliseconds. That’s maybe twice the fastest recorded human reaction time for movement, and nearly four times the typical reaction time for a visual stimulus. And that’s just the reaction time she’d need to begin moving to dodge that particular dart. Add in the time it would take to move far enough to miss and she’d have to be even faster. Now, I found a factoid somewhere saying that Usain Bolt moves a foot every 29-odd milliseconds, which is about one centimeter per millisecond, so if we draw on the above comparisons to Bolt’s running speed (which is a horribly rough comparison, but it’s all I’ve got), the Green Blaze might be able to move 1.5-2 cm per millsecond, and her torso is maybe c. 32 cm at its widest point, so to dodge a dart fired at center mass she’d need maybe 8-11 ms. So she’d need to start moving within 40 ms or less, which would be 5 times average human reaction time. Just for a margin of safety and round numbers, let’s say her reaction time is 6 times average and 3 times maximum.
Edited to add: It’s occurred to me to wonder: How high could Emry jump? Of course, that depends on the gravity, so let’s assume a 1g baseline. According to my physics textbook, the maximum height of a projectile is proportional to the square of its initial velocity (specifically, the velocity squared times the square of the sine of the launch angle, divided by twice the gravity). So if we use my earlier, very rough assumption that Emry’s speed relative to an unenhanced athlete goes as the square root of her relative strength, that would cancel out the square, and thus jumping height (for the same gravity and angle) would increase linearly with strength. If she’s four times stronger than the strongest human athlete today, then, it follows she could jump roughly four times the world record for the high jump. Except it’s more complicated than that, since we’re dealing with the trajectory of her center of mass. The current world record is 2.45 meters by Javier Sotomayor. But that’s the height of the bar he cleared, not the height of his center of mass. He used a technique called the Fosbury flop, in which the body arcs over the bar in a way that keeps the center of mass below it. So his CoM was probably no more than about 2.15 meters off the ground, give or take. And he was pretty much fully upright when he made the jump. since he’s 1.95 meters tall to start with, and the average man’s CoM height is 0.56 of his total height (or about 1.09 m in this case), that would mean the world-record high jump entailed an increase in center-of-mass altitude of slightly over one meter. So if we assume that Emry is doing more of a “bionic”-style jump, keeping her body vertical and landing on her feet on whatever she’s jumping up to, then she might possibly be able to raise her center of mass up to four meters in Earthlike gravity. Which means she could jump to the roof of a one-story building or clear a typical security fence — comparable to the jumping ability of Steve Austin or Jaime Sommers.
So let’s move on to senses. We know from Ch. 3 that 13-year-old Emry’s “enhanced vision” let her make out the movements of the townspeople of Greenwood from some distance away, far enough that the curve of the habitat gave her an overhead view. Now, Greenwood is a Bernal sphere meant to simulate a rural environment with farmland and presumably forest. It should have a fairly low population density, and my notes give it a population around 3000 people. If we set the population density at maybe 30 people per square kilometer, that gives a surface area of 100 square km, for a radius of about 5 km and a circumference of 31.4 km. Now, just eyeballing it with a compass-drawn circle and a ruler, I’d say she’d need to be 1.5 to 2 km away to get the kind of raised angle described in the text. Now, being an assiduous researcher, I went out and braved the cold to visit my local overlook park to see if I could spot human figures at anything resembling that range. The farthest I was able to spot a human being was at a place that I estimate was about a mile/1.6 km away, with the park’s elevation, despite being a respectable 300 feet or so higher, too small to add significantly to the distance. But I just saw the faintest speck of movement. The scene indicates that Emry could see enough detail to make out body language and attitude. I’d say her resolution would have to be at least 3-4 times greater than mine (with glasses). Although we’re not talking about bionic eyes with zoom lenses, so it’s probably more a matter of perception of detail. Assuming my prescription is still good enough to give me 20/20 vision in at least one eye (which I probably shouldn’t assume), that would make Emry’s visual acuity something like 20/7 or 20/5 if not better; the acuity limit in the unaided eye is 20/10 to 20/8 according to Wikipedia. (20/n means the ability to see at 20 feet what an average person needs to be n feet away to see.) Hawks are estimated to have 20/2 vision. Emry isn’t specialized for eyesight, so let’s not go to that extreme. Let’s give her a baseline visual acuity of 20/5, say, about twice the human maximum.
So what do her bionics add? For one thing, they broaden her visual spectrum to the infrared. This is apparently something she can turn on and off. Now, it should be remembered that TV and movies tend to misrepresent infrared vision as being able to see through walls. Actually that usually wouldn’t work, since walls are generally designed to insulate, so heat — and thus IR light — doesn’t pass through them easily. And as I said in the book, glass is generally opaque to IR. So this wouldn’t be the equivalent of “x-ray vision,” except when dealing with less well-insulated things like human bodies. It could enable her to read people’s emotional states through their blood flow, though, or to track recent footprints and the like. She also has an inbuilt data buffer that’s shown recording images from her eyes and letting her replay, analyze, and enhance them later, projected on the heads-up display built into her retina. So that might give her sort of a “digital zoom” ability, to enlarge part of a recorded image, but not to increase its resolution beyond what her eyes could detect. And her implants might up her acuity to maybe 20/4.
As for her hearing, I haven’t established anything beyond the fact that it’s better than normal. She can probably hear a somewhat larger dynamic range than most people and has somewhat more sensitivity, but I’m not sure it could be enhanced too much without a substantial alteration to the anatomy of the ears. But she could have bionic auditory sensors that could allow her to amplify sounds further as needed. As for scent, I establish in Ch. 20 that Emry can track by it, though not as well as someone more specialized for the task like Bast or Psyche. So her sense of smell is, again, somewhat above normal but not massively so. Which would enhance her sense of taste accordingly as well. It’s possible she’s a supertaster, like a lot of real-life people. (In fact, looking over the list of foods that supertasters dislike, I think I might be one!) As for her sense of touch, it’s no doubt unusually sensitive, which is why she’s so hedonistic and easily stimulated. Although her pain sense is no doubt diminished in comparison to her other tactile perceptions. I gather that redheads are normally more sensitive to pain than most, but it stands to reason that her nociception would have been somewhat suppressed.
“Healing factor” is a tricky one; I’m not sure how to codify it. But she does have a fast metabolism and thus probably heals a bit faster than normal, and her bionics include a “nanotech immune-boosting and injury repair system,” as stated in her character bio. She can’t heal nearly instantly like Wolverine in the movies, since there would be physical and metabolic limits on how fast repairs could realistically be done, but she could probably heal, at a guess, 2-4 times faster than normal depending on the type of injury and whether she’s able to rest and replenish or has to heal on the run. (That’s complete guesswork, since I’m not sure where to find information on human healing rates, what the recorded maximums are, or what mechanisms could enhance them.) She’s also got an augmented immune system, both inborn and nanotech-enhanced; she’s probably got little or no experience with being sick, though she might be susceptible to a sufficiently potent bioweapon. She has toxin filters to protect her from poisoning and drugs. Alcohol would probably have little effect on her, but if she is a supertaster, she wouldn’t like the taste of it anyway. And it’s not like she needs help relaxing her inhibitions, since she hardly has any to begin with.
Durability, though, is something the Green Blaze has in abundance, thanks to her “dense Vanguardian bone” and the nanofiber reinforcements to her skeleton and skin. She’s not easy to hurt. She takes a good deal of pounding in Only Superhuman, but the only skeletal injury she suffers is a hairline wrist fracture which is compensated for by her nanofiber bracing. She rarely sustains more than cuts, bruises, and strains. She’s not exactly bulletproof — she needs her light armor for that — but there are enough reinforcements around her skull and vital organs that it would take a pretty high-powered rifle to inflict a life-threatening injury. Her skull reinforcements are probably comparable to a military ballistic helmet, so shooting her in the head would probably cause surface bleeding and a moderate concussion at worst, and more likely just make her mad. And of course her light-armor uniform gives even more protection, strength enhancement, and the like. (Note that this is as much a matter of micrometeorite protection as bullet protection.)
One power Brandt didn’t ask about is intelligence. Emerald Blair embraces her physical side more than her intellectual side, but her intelligence is easily at genius level. She’s definitely smarter than I am, since I have plenty of time to figure out the solutions that she comes up with on the fly. She’s far more brilliant than she realizes yet, and when and if she catches on and begins developing that potential, she could be a superbly gifted detective and problem-solver.
Brandt’s final question is, “And lastly, in your world, how strong is the average super-being and what is the normal human level at?” Well, the normal, unmodified human level is the same as it would be in real life, although people living in lower-gravity conditions would be less strong than Earth-dwelling humans. As for mods, I’m not sure there’s such a thing as an average one, since they’ve specialized in diverse directions. Only some are augmented for physical strength, like Vanguardians, many Neogaians, and Mars Martialis… ans… whatever. Honestly, I’m not sure to what extent physical strength would be needed as a human enhancement in Strider civilization. Combat in the future will be mostly the purview of drones and robots, or soldiers in strength-enhancing exoskeletons. So enhancing individual strength would be more a choice than a necessity, probably more likely to be done for athletics than anything else. Still, in a setting like Strider civilization, where mods have embraced superhero lore as a sort of foundational mythology, there would be an element of sports and celebrity to crimefighting or civil defense. More fundamentally, in a culture where human modification is embraced, physical strength could be seen as a desirable “biohack” just for the sense of power it provides. It’s like how some people like high-performance muscle cars even though they don’t need that much power to commute to work. I think in the Vanguardians’ case it was about exploring the limits of the human animal, finding how far we could be augmented in every possible way, both as a matter of scientific curiosity and as a symbolic statement to inspire others to mod themselves — and thumb their noses at Earth’s resistance to such things. The average Vanguardian might be somewhere around Emry’s pre-bionic strength level, maybe 3-3.5 times normal muscle strength for a given build, though they vary widely in their builds. Still, I think that Beltwide, only a certain percentage of mods would be tailored for strength, with others emphasizing endurance, senses, reaction time, intelligence, adaptation to particular environments, etc. (on top of the radiation resistance that everyone living in space would need).
So, to sum up the Green Blaze’s powers:
- Strength: c. 10x normal for a woman of her build or 4x baseline-human maximum
- Speed: up to 80 km/h (50 mph) in c. 1g environment
- Reaction time: c. 6x average or 3x human maximum
- Vision: c. 20/4 visual acuity, infrared vision, visual recording and enhancement
- Other senses: Moderately above human maximum range and sensitivity
- Healing: Somewhat accelerated healing and cellular repair; very strong immune system and toxin resistance
- Durability: Considerable resistance to abrasion, contusion, laceration, and broken bones; bullet resistance comparable to a human in moderate body armor
- Intelligence: Genius-level but underdeveloped
Note, however, that these are her innate power levels, not counting the further enhancements her light armor would provide to her strength, durability, and speed. But figuring those out would be a whole other essay.
Wow, I got a pretty long essay out of this. It was fun, and it could be useful for future adventures, hopefully.
So I’ll open the door. If anyone has further questions about Only Superhuman that haven’t been addressed already on my website, or more generally about my work, feel free to post them in the comments or on Facebook. Easy questions asked in the comments will probably be answered there, while more involved questions may spawn more essays. We’ll see how it goes.
Recently I came across this article about an experiment to reconcile quantum physics with gravity, the one fundamental force that hasn’t yet been explained in quantum terms:
The problem with reconciling gravity (which is explained by Einstein’s General Theory of Relativity) and quantum physics is that they seem to follow incompatible laws. Quantum particles can exist in superpositions of more than one state at a time, while gravitational phenomena remain resolutely “classical,” displaying only one state. Our modern interpretation suggests that what we observe as classical physics is actually the result of the quantum states of interacting particles correlating with each other. A particle may be in multiple states at once, but everything it interacts with — including a measuring device or the human observer reading its output — becomes correlated with only one of those states, and thus the whole ensemble behaves classically. This “decoherence” effect makes it hard to detect quantum superpositions in any macroscopic ensemble, like, say, a mass large enough to have a measurable gravitational effect. Thus it’s hard to see quantum effects in gravitational interactions. As the article puts it:
At the quantum scale, rather than being “here” or “there” as balls tend to be, elementary particles have a certain probability of existing in each of the locations. These probabilities are like the peaks of a wave that often extends through space. When a photon encounters two adjacent slits on a screen, for example, it has a 50-50 chance of passing through either of them. The probability peaks associated with its two paths meet on the far side of the screen, creating interference fringes of light and dark. These fringes prove that the photon existed in a superposition of both trajectories.
But quantum superpositions are delicate. The moment a particle in a superposition interacts with the environment, it appears to collapse into a definite state of “here” or “there.” Modern theory and experiments suggest that this effect, called environmental decoherence, occurs because the superposition leaks out and envelops whatever the particle encountered. Once leaked, the superposition quickly expands to include the physicist trying to study it, or the engineer attempting to harness it to build a quantum computer. From the inside, only one of the many superimposed versions of reality is perceptible.
A single photon is easy to keep in a superposition. Massive objects like a ball on a spring, however, “become exponentially sensitive to environmental disturbances,” explained Gerard Milburn, director of the Center for Engineered Quantum Systems at the University of Queensland in Australia. “The chances of any one of their particles getting disturbed by a random kick from the environment is extremely high.”
The article is about devising an experiment to get around this and observe a superposition (potentially) in a “ball on a spring” type of apparatus. What interests me, though, is a more abstract discussion toward the end of the article.
Inspired by the possibility of experimental tests, Milburn and other theorists are expanding on Diósi and Penrose’s basic idea. In a July paper in Physical Review Letters, Blencowe derived an equation for the rate of gravitational decoherence by modeling gravity as a kind of ambient radiation. His equation contains a quantity called the Planck energy, which equals the mass of the smallest possible black hole. “When we see the Planck energy we think quantum gravity,” he said. “So it may be that this calculation is touching on elements of this undiscovered theory of quantum gravity, and if we had one, it would show us that gravity is fundamentally different than other forms of decoherence.”
Stamp is developing what he calls a “correlated path theory” of quantum gravity that pinpoints a possible mathematical mechanism for gravitational decoherence. In traditional quantum mechanics, probabilities of future outcomes are calculated by independently summing the various paths a particle can take, such as its simultaneous trajectories through both slits on a screen. Stamp found that when gravity is included in the calculations, the paths connect. “Gravity basically is the interaction that allows communication between the different paths,” he said. The correlation between paths results once more in decoherence. “No adjustable parameters,” he said. “No wiggle room. These predictions are absolutely definite.”
Now, this got me thinking. Every particle with mass interacts gravitationally with every other particle with mass, so there would be no way to completely isolate them from interacting. For that matter, gravity affects light too. So if gravity is an irreducible “background noise” that prevents stable superpositions, that would explain why quantum effects don’t seem to manifest with gravitational phenomena.
And that does sort of reconcile the two. The decoherence model, that classical states are what we get when quantum states interact and correlate with each other, basically means that classical physics is simply a subset of quantum physics, the behavior of quantum particles that are in a correlated state. So the “classical” behavior of gravity would also be a subset of quantum physics — meaning that relativistic gravity is quantum gravity already, in a manner of speaking. We just didn’t realize they were two aspects of the same overarching whole.
Now, this reminds me of another thing I heard about once, a theory that gravity didn’t really exist. It might have been the entropic gravity theory of Erik Verlinde, which states that gravity is, more or less, just a statistical artifact of particles tending toward maximum entropy. Now, what I recall reading somewhere, though I’m not finding a source for it today, is that this — or whatever similar theory I’m recalling — means that particles tend toward the most probable quantum state. And statistically speaking, for any particle in an ensemble, its most probable position is toward the center of that ensemble, i.e. the center of mass. So I had the thought that maybe what we perceive as gravity is more just some sort of probability pressure as particles tend toward their most likely states.
Now, if Stamp’s theory is right, then Verlinde’s is wrong; there must be an actual force of gravity, or rather, an interaction that correlates the paths of different particles. But it occurs to me that there may be some basis to the probabilistic view of gravity if we look at it more as a quantum correlation than an attraction. To explain my thinking, we have to bring in another idea I’ve talked about before on this blog, quantum Darwinism. The idea there is that the way decoherence works is that the various states of a quantum particle “compete” as they spread out through interaction with other particles, and it’s the more robust, stable states that prevail. Now, what I’m thinking is that as a rule, the most stable states would be the most probable ones. And again, those would tend to be the positions closest to the center of mass, or as close as feasible when competing with other particles.
So if we look at gravitation not as an attractive force per se, but as a sort of “correlational field” that promotes interaction/entanglement among quantum particles, then we can still get its attractive effect arising as a side effect of the decoherence of the correlated particles into their most probable states. Thus, gravity does exist, but its attractive effect is fundamentally a quantum phenomenon. So you have quantum gravity after all.
But how to reconcile this with the geometric view of General Relativity, that gravity is actually a manifestation of the effect that mass and energy have on the topology of spacetime? Well, that apparent topology, that spatial relationship between objects and their motions, could be seen as a manifestation of the probabilistic relationships among their position and movement states. I.e. a particle follows a certain path within a gravitational field because that’s the most probable path for it to take in the context of its correlation with other particles. Even extreme spacetime geometries like wormholes or warp fields could be explained in this way; an object could pass through a wormhole and show up in a distant part of space because the distribution of mass and energy that creates the wormhole produces a probability distribution that means the object is most likely to be somewhere else in space. Which is analogous to the quantum tunneling that results because the peak of a particle’s probability distribution shifts to the other side of a potential barrier. And for that matter, it has often been conjectured that quantum entanglement between correlated particles could be caused by microscopic wormholes linking them. Maybe it’s the other way around: wormholes are just quantum tunneling effects.
One other thought I’ve had that has a science-fictional impact: if gravitation is a “correlational quantum field” that helps the most probable state propagate out through the universe, that might argue against the Many-Worlds Interpretation of quantum decoherence. After all, gravity is kind of universal in its effect, and the correlation it creates produces what we see as classical physics, a singular state. It could be that coherent superpositions would only happen on very small, microscopic scales, and quantum Darwinism and gravitational correlation would cause a single consensus state to dominate on a larger scale. So instead of the whole macroscopic realm splitting into multiple reality-states (timelines), it could be that such splitting is only possible on the very small scale, and maybe the simmering of microscale alternate realities is what we observe as the quantum foam. It could be that the MWI is a consequence of an incomplete quantum theory that doesn’t include gravity, and once you fold in gravity as a correlating effect, it imposes a single quantum reality on the macroscopic universe.
Which would be kind of a bummer from an SF perspective, since alternate realities are useful story concepts. I’d just about come around to believing that at least some alternate realities might be stable enough to spread macroscopically, as I explained in my quantum Darwinism essay linked above. Now, I’m not so sure. The “background noise” effect of gravity might swamp any stable superpositions before they could spread macroscopically and create divergent timelines.
However, these thoughts might be applicable to future writings in my Hub universe (and as I’ve discussed before, I’ve already given up on the idea of trying to reconcile that with my other universes as alternate timelines). The Hub is a point at the center of mass of the greater galaxy — i.e. the system that includes the Milky Way proper, its satellite galaxies, and its dark-matter halo — that allows instantaneous travel to any point within that halo. I hadn’t really worked out how it did so, but maybe this quantum-gravity idea provides an answer. If gravity is quantum correlation, and all particles’ probability distributions tend toward the center of mass, then maybe the center of mass is the one point that allows quantum tunneling to the position of every other particle. Or something like that. It also provides some insight into the key McGuffin of the series, the fact that nobody can predict the relationship between Hub vectors (the angle and velocity at which the Hub is entered) and arrival destinations, meaning that finding new destinations must be a matter of trial and error. If the Hub works through quantum gravity and correlation with all the masses within the halo, then predicting vectors would require a complete, exact measurement of the quantum state of every particle within the halo, and that would be prohibitively difficult. It’s analogous to how quantum theory says that every event in the universe is already part of its wave equation, but we can’t perfectly predict the future because we’d need to know the entire equation, the behavior of every single particle, and that would take an eternity to measure. So it’s something that’s theoretically deterministic but functionally impossible to determine. The same could be true of Hub vectors.
Although… we’re only talking about one galaxy’s worth of particles, which is a tiny fraction of the whole universe. So maybe it’s not completely impossible…
Anyway, those are the musings I’ve had while lying awake in bed over the past couple of early mornings, so maybe they don’t make much sense. But I think they’re interesting.
In the past few days I’ve seen two recent movies that took an unusually realistic approach to portraying spaceflight: Sebastián Cordero’s Europa Report (which I watched on my computer via Netflix) and Alfonso Cuarón’s Gravity (which I watched in the theater). It’s very rare to get two movies in such close succession that make an attempt to portray space realistically, and I hope it’s the beginning of a trend. Although both movies did compromise their realism in different ways.
Europa Report is a “found-footage” movie presented as a documentary about the first crewed expedition to Jupiter’s moon Europa to investigate hints of life. It’s rare among such movies in that not only is the found-footage format well-justified and plausibly presented, but it’s actually thematically important to the film. On the surface, the plot follows the beats of a fairly standard horror movie: characters come to an unfamiliar place, start to suspect there’s something out there in the dark, and fall prey to something unseen one by one. But what’s fascinating about it is that it doesn’t feel like horror, because these characters want to be there, are willing to risk or sacrifice their lives for the sake of knowledge, and see the discovery of something unknown in the dark as a triumph rather than a terror. And that elevates it above the formula it superficially follows. It’s really a nifty work of science fiction in that it celebrates the importance of the scientific process itself, and the value of human exploration in space even when it comes at the cost of human lives.
The depiction of the ship, its flight, the onboard procedures, and the behavior of the astronauts is all handled very believably, with a well-designed and realistic spaceship relying on rotation to create artificial gravity. The actors, including Sharlto Copley, Daniel Wu, Anamaria Marinca, Christian Camargo, House‘s Karolina Wydra, and Mission: Impossible — Ghost Protocol‘s Michael Nyqvist, are effectively naturalistic and nuanced. The film’s low budget means they can only manage a limited number of microgravity or spacewalking shots, but what we get is reasonably believable. I do have some quibbles about procedures, though, like the lack of spacesuit maneuvering units during the spacewalk, and the decision later on Europa to send one crewperson out on the surface alone without backup. Really, a lot of the bad things that happened seemed to be avoidable. But I’m willing to excuse it since this was portrayed as a private space venture and the first of its kind. Now, I’m a big supporter of private enterprise getting into the space business, since history shows that development and settlement of a frontier doesn’t really take off until private enterprise gets involved and starts making a profit from it. And I’m sure that private space ventures in real life take every safety precaution they can. But for the sake of the fiction, it’s plausible that a novice organization might let a few safety procedures slide here and there.
The one thing about the film that really bugged me is one that’s pervasive in film and TV set in space and largely unavoidable: namely, once the crew landed on Europa, they were moving around in what was clearly full Earth gravity. Europa’s gravity is 13.4 percent of Earth’s, a few percent less than the Moon’s gravity, so they should’ve been moving around like the Apollo astronauts. Unfortunately, it seems to be much harder for Hollywood to simulate low gravity than microgravity. I’ve rarely seen it done well, and all too often filmmakers or TV producers are content to assume that all surface gravity is equal. In this case I suppose it’s a forgivable break from reality given the film’s small budget, but it’s the one big disappointment in an otherwise very believable and well-researched portrayal of spaceflight. Still, it’s a minor glitch in a really excellent movie.
Gravity is a very different film, much more about visual spectacle and action. Indeed, I’d read that it definitely needed to be seen in 3D to get the full impact, so I decided to take a chance. See, nearly 30 years ago I had some laser surgery for a melanoma in my left eye, and that left my vision in that eye distorted, on top of my congenitally blurry vision in that eye. So normally my depth perception isn’t all that great, and I tend to be unable to perceive 3D images like those Magic Eye pictures that were a fad not long after my surgery. So I’ve always assumed that I wouldn’t be able to experience 3D movies. But a few years back, I talked to a friend who had similar eye problems, and he said he could occasionally get some sense of depth from a 3D movie. So for this case, I decided to give it a try. And lo and behold, it worked! I could actually perceive depth fairly normally, though mainly just when there was a considerable difference in range, like when something passed really close to the camera, or in the shots of Sandra Bullock receding into the infinite depths of space (which were the key shots where you pretty much need 3D to get the full impact). I’m not sure if someone with normal vision could perceive more than I did, but it worked pretty well, considering that I wasn’t sure if it would work at all. There were occasionally some shots where I got a double image when something bright was against black space, but the double image persisted when I closed one eye, so I think it was a matter of the glasses filtering out the second image imperfectly. Anyway, it’s nice to know I can see 3D movies (and I didn’t get a headache or nausea either), though it costs a few bucks extra, so I’ll probably use this newfound freedom judiciously — for movies where the 3D is really done well and serves a purpose, rather than just capitalizing on a fad or being sloppily tacked on.
Anyway, as for the movie itself, it’s a technical tour de force, one big ongoing special effect that uses remarkably realistic CGI to create the illusion of minutes-long unbroken shots of George Clooney and Sandra Bullock floating in space and interacting seamlessly with each other and their environs. The technical aspects of NASA procedures and equipment and so forth seem to be very realistically handled as well. And best of all, the movie states right up front in the opening text that in space there’s nothing to carry sound, and it sticks by that religiously, never giving into the temptation to use sound effects in vacuum no matter how cataclysmic things get and how many things crash or blow up. The only sounds we hear when the viewpoint astronauts are in vacuum are those that they could hear over their radios or through the fabric of their suits when they touch something. It’s utterly glorious. Every science-fiction sound designer in Hollywood needs to study this film religiously.
The behavior of objects and fluids in microgravity is moderately well-handled too, although I’m not convinced the fire in the ISS would spread as quickly as shown, since fires in space tend to snuff themselves out with no convection to carry away the carbon dioxide buildup. But there were glimpses of what seemed like ruptured gas canisters spewing blue flame, so maybe they were oxygen canisters feeding the fire? I also wasn’t convinced by the scene where Bullock’s character wept and the tears sort of rolled away from her eyes and drifted off. I think surface tension would cause the tears to cling around her eyes unless she brushed them away.
One thing that both films handle quite realistically is the coolness of trained professionals in a crisis. In both Europa Report and Gravity, for the most part the astronauts keep a calm and level tone of voice as they report their crises. In real life, professionals generally don’t get all shouty and dramatic when bad things happen, but they fall back on procedure and training and discipline and rely on those things to see them through. And that’s what we mostly get in both these movies, although Sandra Bullock’s character in Gravity has more panicky moments because she’s not as well-trained as the other astronauts. I’m not sure it’s entirely plausible that they would’ve let her go into space without sufficient training to accustom her to it, but it’s balanced by Clooney’s calm under pressure.
However… all that realism of detail in Gravity masks the fact that the basic premise of the movie requires fudging quite a bit about the physics, dimensions, and probabilities of orbital spaceflight. The crisis begins when an accidental satellite explosion starts a chain reaction that knocks out all the other satellites and creates a huge debris storm that tears apart the space shuttle and later endangers the ISS. Now, yes, true, orbital debris poses a serious risk of impact, but we’re still talking about small bits spread out over a vast volume. In all probability a shuttle or station would be hit by maybe one large piece of debris at most, not this huge oncoming swarm tearing the whole thing to pieces. And the probability of the same thing happening to two structures as a result of the same debris swarm? Much, much tinier. Not to mention that I really, really doubt the fragments as shown could impart enough kinetic energy to these spacecraft to knock them into the kind of spins we see. It’s all very exaggerated for the sake of spectacle. And by the climactic minutes of the film it’s starting to feel a bit repetitive and ridiculous that everything just keeps going so consistently wrong over and over. (The film also simplifies orbital mechanics a great deal, suggesting you can catch up with another orbiting craft just by pointing directly at it and thrusting forward. Since you and it are already moving very fast on curved paths, it’s really not that simple.)
Gravity has a huge edge over Europa Report in its budget and thus its ability to portray microgravity; I wish ER had been able to use this level of technology to simulate Europa’s 0.134g in its surface scenes. But as impressive as Gravity‘s commitment to realism is in some respects, it’s ultimately a far shallower film than ER and cheats the physics in much bigger ways for the sake of contrived action and danger. It’s essentially a big dumb disaster movie disguised with a brilliantly executed veneer of naturalism. Gravity has the style, while Europa Report has the substance.
Now what we need is for someone to put the two together, and we could really be onto something.
Nearly a year ago, I posted about the minor periodontal surgery I had to deal with the receding gumline on my lower front teeth. I said there might be a second procedure to graft gum tissue from my palate into the receded area (to protect the roots of the front teeth), but I was hoping that wouldn’t be necessary. It soon enough became evident that it would be necessary, but I put it off as long as I could, until finally the peridontist’s office called me last month to schedule the procedure, which was done yesterday.
Turns out that putting it off worked out well, though, because in the interim, the doctor began doing a new version of the procedure which he offered me as an alternative. Instead of taking gum tissue from my upper palate, he could implant an artificial graft, basically just a scaffold of collagen (porcine in origin — I guess from pig hooves or something, but carefully purified and sterilized) that my own fibroblasts would grow into, forming new gum tissue to replace what was lost, with the collagen eventually breaking down and being “resorbed” into my body. So instead of taking existing gum tissue and moving it elsewhere, it’s enabling me to grow new gum tissue where the old tissue was lost.
The high-tech nature of the procedure appealed to me, as did the fact that it would simplify the operation and let me avoid the cutting into my upper palate. But I still took care to ask questions and read the documentation about the graft. There didn’t seem to be any significant drawbacks and there were definite advantages, so I agreed to the new procedure. It wasn’t very pleasant getting Novocaine stuck into my gums (though he used the sonic wand that temporarily numbed my nerves to ease the pain of the needle going in) and having him go in and pull things back and stitch things in, but it was easier than it would’ve been before the new grafts became available.
And now it’s the same drill as last time — ice packs and ibuprofen, soft foods and nothing hot for the first day or so, then no biting with the front teeth for about a month. Last time I found I was able to get by with a pretty normal diet so long as I cut things into small pieces, but I think I’ll still be having fewer sandwiches and more pasta salad for a while.
And within a couple of months or so, as long as I’m careful to avoid putting too much pressure on the area and crushing the collagen matrix so the cells can’t grow into it, I’ll have a nice new intact gumline there. I wish there were other parts of my body I could regenerate like that. Hopefully, by the time I need to, medical science will have made it possible.
Yesterday was the start of the new year 2012… in the current version of the Gregorian calendar used in much of the world. In the old Julian calendar, yesterday was December 19, 2011. In the Hebrew calendar, we’re about three months from the end of the year 5772. In the Indian civil calendar, we’re a similar distance from the end of 1933 Saka Era. In the Islamic calendar, we’re early in the second month of 1433 AH. To astronomers, yesterday was the Julian day 2455927. In the traditional Chinese calendar, we’re a few weeks from the end of the year 28 (Year of the Metal Hare) of Cycle 78 (or Cycle 79 depending on whether you date from the beginning or the end of the reign of Emperor Huangdi).
The point is, calendrical divisions are arbitrary human constructs. The Earth just moves continuously through its rotation and orbit from one moment to the next. Some people make a huge deal out of the start of a new year in their particular calendar. That’s fine, but it’s just an excuse for a party, not something that has any objective significance where the universe — or even the entirety of the human race — is concerned. Worth keeping that in mind just for a sense of proportion.
Now, about this silly Mayan meme that’s going around… I wish we would stop blaming the Maya for this dumb apocalyptic prophecy. The Maya (a more proper term than “Mayans”) had no apocalyptic tradition of any kind. What they had was a calendar that worked very well, and that they used to date events in their own lives and up to a few generations in the future. They probably never gave much thought to the year we call 2012, although they had a couple of written predictions/prophecies about events taking place long after that date. A lot of the jokes and cartoons you see circulating posit that the “Mayans” actually manufactured calendars going up to this year and then stopped. That’s not so. They didn’t bother making calendars more than a few centuries ahead. But the thing about calendars is, they’re cyclical. They can easily be extrapolated forward indefinitely. And the Maya calendar was really cyclical, since that was their view of time, that everything was a series of nested cycles that continued forward indefinitely.
So what happened was this: the actual Maya/Mesoamerican calendar fell into disuse many centuries ago. More recently, in the mid-20th century, Western researchers reconstructed it and projected it forward into their own era, something the Maya themselves didn’t really bother to do, since why would they need to? Those modern researchers discovered that one of the longer cycles of the Mesoamerican calendar, the 13th baktun cycle, would come to an end within their lifetimes, in the year 2012. In 1966, a guy named Michael Coe wrote a book wherein he interpreted that as a Maya prophecy of what he called “Armageddon.” But of course Armageddon is a Biblical concept, and later scholars have consistently debunked Coe’s interpretation. There was nothing in Maya writings to suggest they saw the end of the 13th baktun as the end of the world — merely as the end of one cycle and the beginning of the next. In other words, New Year’s Day writ large, an excuse for a huge party but nothing more. Coe had imposed his own Western religious traditions onto his interpretation of a foreign culture — an elementary mistake for an archaeologist. But that didn’t stop other 20th-century Westerners who believed in a looming Apocalypse from latching onto Coe’s mistake and building a whole eschatological cottage industry out of it.
So there is no “Mayan” prediction of the end of the world. They don’t deserve the blame. End-times theology is a distinctly Christian belief system and has been for thousands of years. Many Christians since Biblical times have been convinced the world would end in their lifetimes, and they’ve always looked for “evidence” to justify the latest eschatological forecast. The Maya calendar just had the bad luck of getting co-opted by that process and misinterpreted to fit it. So please, let’s stop blaming the Maya for our own Western preoccupations.
After my earlier post on quantum teleportation, I’ve been wondering about whether I wanted to include it in my science fiction in some way, but first I wanted to get some handle on whether it was feasible in practice to teleport a macroscopic object rather than just individual particles or a Bose-Einstein condensate in a single coherent quantum state. Finding detailed discussions online is a bit tricky just using Google, but I found a discussion thread that goes into a fair amount of depth:
Granted, BBS threads, even on science forums, aren’t the best way to get information about the subject, but I’m in no mood to try to wade through a bunch of technical papers, and I’m only looking at it from the perspective of a fiction writer, so for now I’m content to let other people do the interpreting for me, though I still have to try to filter out the informed posts from the less informed ones.
It sounds like there may be some fundamental limitations that would prohibit teleporting humans or the like. Apparently what gets teleported are discrete properties like spin or charge. Teleporting a continuous variable, like the relative positions of multiple atoms or their momentum, would require infinite amounts of data, so one of the posters says. Another poster countered that some measurement of continuous states was possible, citing a paper on Arxiv.org, but the first replied that it was a limited, classical-resolution measurement and not precise enough to allow replicating a macroscopic object accurately. (Kind of like how Star Trek replicators have only “molecular resolution” and not “quantum resolution” so they can recreate nonliving matter but not living beings, because the error rate would be fatally high.)
Then there’s this thread at the Bad Astronomy and Universe Today Forum (which seems to have been started by the same poster under a different username), in which it’s pointed out that a macroscopic object can never be truly isolated from its environment, which again would suggest that the amount of information you’d need to define its state exactly would be effectively unbounded.
And this thread from the same forum (which is definitely by the same poster since it has the same original post as the Physics Forums thread above) clarifies that thermal effects in the body would interfere with getting a precise scan; ideally you’d need to freeze the subject to extremely near absolute zero, which isn’t exactly conducive to survivable teleportation.
Another factor raised in this article from Null Hypothesis: The Journal of Unlikely Science is a simple matter of bandwidth: even if you didn’t need infinite information to transmit continuous states, you’d still need to transmit so much data to replicate a human body that it would take a great deal of time and energy to send — billions of years at our highest current transmission rate. And if you could get a much higher transmission rate, according to the link in the previous paragraph, you’d need to send such intense energy that it would become unfeasible — you’d basically be firing a very powerful beam of gamma radiation at the receiving station, and that’s more a death ray than a transporter beam. At the very least, in most instances it would take less time and energy just to travel physically than to send a teleport signal.
So the question this raises for me is: how “exact” do you actually need to get? It could be feasible using advanced nanofabrication technology to “print out” a human body that’s a good molecular-level match for the original person. As long as you recreated the DNA and RNA in the cells accurately, you could probably settle for just knowing how many of which type of cell the body had, and where they were located, so you could reduce the amount of data that needed to be sent by using these “generic” substitutions. You could even improve on the body, say, write out excess fat or burgeoning tumors, or rewrite defunct hair follicles as functioning ones, or add extra muscle, or even make more radical changes. (See Wil McCarthy’s The Queendom of Sol tetralogy for an illustration of this.)
Aside from matching (or refining) the genetic and epigenetic data, then, the key information you’d need to transmit a person with their identity intact would be an accurate brain scan. Otherwise you’ve just created an identical twin rather than duplicated the original person. So the question is, just how accurate would it have to be? As far as science is able to determine, thought and memory are classical-scale processes. According to this page which I used as a reference for quantum theory in DTI: Watching the Clock:
In quantum terms each neuron is an essentially classical object. Consequently quantum noise in the brain is at such a low level that it probably doesn’t often alter, except very rarely, the critical mechanistic behaviour of sufficient neurons to cause a decision to be different than we might otherwise expect. The consensus view amongst experts is that free-will is the consequence of the mechanistic operation of our brains, the firing of neurons, discharging across synapses etc. and fully compatible with the determinism of classical physics.
Sure, there are some theorists who argue that consciousness is based on quantum processes, and you hear a lot of talk about “microtubules” in the neurons operating on a quantum level, but there’s no experimental support yet, and the general consensus is that quantum effects in the brain would decohere well before they reached the scale at which the neurons’ activity occurs. So it might be possible to faithfully duplicate the entire mental state of a human brain using classical-level accuracy, so that mechanism in the research paper mentioned above might be applicable.
So the key issue that remains is the one that was the focus of my previous post: Is there continuity of consciousness between the original and the duplicate? What I reasoned there is that what creates our perception of ourselves as continuous beings is the ongoing interaction, and thus the quantum entanglement/correlation, among the particles of our brains. The specific particles may be expended and replaced, but the correlations within the entire overall structure give us our sense of continuity. So if the original subject and the teleported replica are quantum-entangled, that would make them the same continuous entity on a fundamental level even if separated in space and time. The question is, would that same principle apply even if the entanglement were between the original and a body that was not an exact quantum duplicate? I.e. if you used classical-level fabrication to synthesize a duplicate of a person and only quantum-teleported partial information about the state of the brain? You’d synthesize a brain and body that were almost exact replicas, and then transmit enough quantum data about the brain to essentially cancel out the discrepancies and make it effectively the same brain, with the entanglement providing the continuity. Thus you have a replica of the body but preserve a single continuous consciousness.
So the original body would not need to be scanned to destruction but the brain would. Remember, teleporting quantum state information requires changing the original state. You’d essentially be teleporting just the brain/mind into a new, possibly modified body, and leaving the old body behind as a corpse with a destroyed brain. Ickier than the ideal situation. But it still precludes the possibility of creating a viable “transporter duplicate.”
But the question is, how much “cheating” can you get away with? How small a percentage of the information defining you needs to be quantum-teleported rather than classically copied in order to ensure that your consciousness survives intact? How could science measure the difference between a synthesized replica that thinks it’s you and one that actually contains your original consciousness? How much entanglement, how much equivalence, is enough for continuity? Even if we assume the teleportation of the brain states alone is enough to make it the same brain, we run into the mind/body problem: the two are more linked than we have traditionally tended to think, and it may be premature to define consciousness as something that resides solely in the brain. The entire nervous and hormonal systems may play a role in it too. Still, if you were to have your legs amputated and replaced with prosthetics, that wouldn’t destroy your consciousness. So maybe teleporting just the brain states is enough.
But then there’s a simple mathematical question: does that really reduce the amount of data by a significant amount? The mass of the brain is about 2 percent of the total mass of the body, so that’s only reducing the amount of data by roughly two orders of magnitude. So it would take 2 billion years to transmit instead of 100 billion, say. To make it feasible, you’d have to “compress” the data still further — and we’d need a much deeper understanding of how the brain works before we could estimate how little of its structure we could get away with teleporting at a quantum level versus substituting with “generic” cellular/structural equivalents. (Of course it’s a total myth that “We use only 10% of our brains; fMRI scans show conclusively that we make use of just about all the brain’s volume over the course of a day. But on a cellular level, a lot of that may be underlying substructure that could be “generically” replicated. Or maybe not. I don’t know enough about neurology to be sure.) Even so, I doubt the threshold percentage would be low enough to reduce the amount of data by even one order of magnitude, let alone many.
And there’s still the thermal problem. There’s a lot of molecular motion in the brain, not just from its temperature but from the constant chemical exchange among neurons. You might not be able to get a detailed quantum scan of a living, active brain as opposed to a deep-frozen corpse, and I don’t have enough confidence in cryonics to believe a person could be frozen to near absolute zero and then revived.
Still… depending on what fictional universe I’m in and how much I’m willing to bend the rules, I might be willing to fudge things enough to include quantum teleportation if I have a good enough story reason for it, using the ideas discussed above to make it relatively more plausible. Maybe there are ways to transmit data at far higher rates than we can now conceive, and with less energy expenditure. And come to think of it, having a requirement that a subject has to be frozen solid before teleportation adds an interesting twist. Though it would rule it out as a routine commute as it is in Star Trek or Niven’s Known Space.
The big science news today is the announcement of the latest results from the Large Hadron Collider”s search for the elusive Higgs boson, and while the results are far from conclusive so far, they’re actually mildly encouraging. Two independent detectors got pretty much consistent results suggesting the possibility of a particle with a mass somewhere around 125 GeV. (That’s giga electron volts — since E=mc^2, physicists measure particle mass in units of energy.)
Here’s the New York Times piece on the news, including links to the raw data published on a site called TWiki (whose motto is probably not “bidi-bidi-bidi”). Here’s a more detailed article from New Scientist. However, the most useful link I’ve come across is this Higgs FAQ from the blog of particle physicist Matt Strassler. I’ve never quite understood what all this Higgs field/particle business was all about until recently, but I’m starting to get a handle on it now. The FAQ does a good job of explaining the Higgs field and its role, and why not finding the Higgs particle would be just as intriguing and useful a result as finding it. (Because the particle isn’t the key, it’s just the simplest and only known way of detecting the Higgs field, which is the thing that’s actually important. And if there were no particle, it would just mean the field is different than the simplest model suggests, or that it works in a different way, not that it didn’t exist.)
So nothing conclusive today, but interesting hints that will be pursued further. Apparently they’ll be able to confirm or deny this evidence by next summer, and if it doesn’t pan out, they’ll try something else when the LHC reaches full power in 2015.
I’ve been mulling over another subject that was suggested by the recent NOVA miniseries “The Fabric of the Cosmos,” hosted by physicist Brian Greene based on his book of the same name. I felt some of the ideas it put across were too fanciful, putting sensationalism over plausibility or clarity, and one of them was the topic of its concluding episode, “Universe or Multiverse?”
The premise of that episode was that, if the Big Bang happened as the result of localized symmetry-breaking in an ever-inflating realm of spacetime, then our universe could be just one “bubble” in a perpetually expanding cosmic foam, with other universes being separate “bubbles” with their own distinct physics and conditions, forever out of reach because the space (how many dimensions?) between us and them is forever expanding. Now, that’s okay as far as it goes. It’s a somewhat plausible, if untestable, notion given what we currently know. But what Greene chose to focus on was a rather outre ramification of this: the idea that if the multiverse is infinite, if there’s an infinite number of other universes alongside ours, then probability demands that some of them will be exact duplicates of our universe, just happening by random chance to have the exact same combination of particles and thus producing the same galaxies, stars, planets, species, inviduals, etc. — kinda like how the famous infinite number of monkeys banging on an infinite number of typewriters will inevitably produce all great literature by chance. Thus, so the claim went, there could be other universes out there that are essentially parallels to our own with duplicates of ourselves, except maybe for some minor variations. (Or maybe universes where duplicate Earths and humans exist in different galaxies, or where a duplicate Milky Way coexists with a different configuration of galaxies, or all of the above.)
Note that this is entirely different from the concept of parallel timelines, the usual way of generating alternate Earths in science fiction. Parallel timelines aren’t separate universes, despite the erroneous tendency of SF to use the terms interchangeably. They’re coexisting quantum states of our own universe. The idea is that just as a single particle can exist in two or more quantum states at the same time, so can the entire universe. These alternate histories would branch off from a common origin, and thus it’s perfectly reasonable that they’d have their own Earths and human beings and the same individuals, at least if they diverged after those individuals were born. And there’s at least the remote possibility of communication or travel between them if nonlinear quantum mechanics could exist. What we’re talking about here is something else altogether, literal other universes that just happen by random chance to duplicate ours because it’s inevitable if there’s an infinite number of universes. While parallel timelines would be facets of the same physical universe we occupy, and would thus essentially be overlapping each other in the same place, these duplicate universes would be unreachably far away, except maybe by some kind of FTL or wormhole technology if such a thing could ever exist. And they might predate or postdate our own universe by billions of years.
But I think it was a flawed conceit to dwell on that aspect of the multiverse idea, and I have my problems with the reasoning employed. For one thing, it’s purely an ad hoc assumption that the multiverse is infinite rather than finite. If it’s finite, then there’s no guarantee that there would be other universes that exactly duplicate ours. Certainly there could be ones with compatible physical laws, with their own stars and galaxies and planets and life forms, but odds are they’d be different planets, different species, different individuals. No duplicate Earth, no duplicate Lincoln or Kennedy or Jet Li.
And if the multiverse is infinite, then sure, you could argue that with an infinite number of tries, it’s inevitable that our universe would be exactly duplicated somewhere. But the flip side to that argument is that if there’s an infinite number of universes, then the odds that any given universe would duplicate ours would be n divided by infinity, or effectively zero. In practical terms, if we found a way to visit other universes via wormholes or something, then we could search for an infinite amount of time before finding one that had its own Earth and human race and history duplicating ours except for having more goatees or whatever. Thus, by any realistic standard, such duplicates would be effectively nonexistent. (This is the problem with infinity as a concept in science — it tends to lead to absurdities and singularities. Physicists generally try to avoid infinities.) So while that result (the existence of duplicate universes) might be a logically sound consequence of the premise of an infinite multiverse, it’s also a trivial result, one that has no practical meaning and can’t be proven or falsified. So it’s not science, just sophistry. It’s angels dancing on the head of a pin. And that makes it a waste of time to focus on in a program that’s supposed to be about science.
Besides, it’s boring. The show presented us with the prospect that there could be an infinite number of possible forms for universes to take, whole other sets of physical laws, an unlimited range of possibilities… and all they wanted to talk about was duplicates of the world we already know? What a staggering failure of imagination — or what a staggering triumph of self-absorption. I would’ve been far more interested in hearing about the endless variety of universes that weren’t just like ours. Why not dazzle the viewers with some discussion about what physics would be like in a universe with more than three spatial dimensions? Or one with a higher or lower speed of light? That would’ve been so much cooler and more enlightening than the silly, dumbed-down examples they gave, like Earth with a ring around it or Brian Greene with four arms.
I suppose the one appeal of the infinite-monkeys premise is metafictional: You can use it to argue that if every remotely possible combination or interaction of particles is inevitable, then every fictional universe really happens somewhere. So, for instance, I could claim that my various fictional universes — my default/Only Superhuman universe, the Hub universe, the “No Dominion” universe, whatever else I might eventually get published — all coexist in the greater multiverse, and their different physical rules, different principles of FTL and whatever, could be explained by subtle variations in the laws of physics of their distinct universes (and yet somehow don’t prevent the fundamental interactions, dark energy, and so forth from having the exact same values so that stars and planets and life can form the same way). And it’s handy for fans who want to believe that, say, a crossover between Star Trek and Transformers, or Star Wars and Firefly, or whatever might be possible despite the huge differences in those universes’ histories and physics. But I’m not sure I find it desirable. To me, if there’s some planet in some unreachably distant universe that exactly duplicates Earth’s evolution and history, and has a duplicate of myself who’s writing this post at this equivalent point in his Earth’s orbit (which might be billions of years in the past or future relative to my “now,” if such a thing could even be meaningfully measured), I wouldn’t really think of him as me, or his Earth as being my Earth. So it wouldn’t really feel to me that those other fictional universes connected to my world’s history, and that would make them less meaningful.
Or would it? I mean, just going in, I know these fictional universes don’t have the same physical laws as our universe, that the specific characters or alien races or whatever that exist in them don’t exist in our world. So I know going in that they’re already separate realities from my own. Their versions of Earth and its history may correspond almost exactly to ours, yet they’re still separate entities. So maybe it’s no worse to think of my various written worlds (blog name drop!) as coexisting realms in an infinite multiverse than it is to think of them simply as independent fictional constructs.
And sure, sometimes I think it would be nice to have some sort of grand unified theory linking my universes together. I already tend to think of “No Dominion” as being in a parallel quantum timeline of my Default universe, because it has no visible discrepancies in physics or cosmology and has a lot of similar technological and social developments; it’s just that some technologies develop decades too early to be compatible with my published or soon-to-be-published Default-universe fiction. That won’t work for something like the Hub, though, since it has distinct differences in physical law. And yeah, I admit I’ve tried to think of a way to fit my universes together into a unified multiverse, at least in passing. I suppose the “infinite monkeys” idea could give me a means to do that.
But I don’t think I find it appealing, because it just multiplies the variables to such an insane degree. If these universes are just infinitely separated samples of an infinitely expanding metacosmos, then that doesn’t really unify them in any way, does it? They’re so far apart, so mutually unreachable, that the “connection” doesn’t really count as a connection at all. (After all, given the underlying physical premise, there’s no realistic chance of any kind of wormhole link or inter-universe crossover anyway.) It’s a trivial and useless result fictionally for the same reasons it is physically. And if they’re specks in an infinite sea of universes, it makes them all feel kind of irrelevant anyway. So why even bother? It’s simpler just to treat them as distinct fictional constructs and not bother trying to unify them. Besides, even if I know intellectually that the humanity and Earth and Milky Way of my fictional universes aren’t the same as my own, it’s more satisfying to pretend they are, to construct a satisfying illusion for the readers that they’re reading about an outgrowth of our own reality, than to pretend that they’re some totally separate duplicates in universes unreachably distant from ours. No point going out of my way to create a premise that alienates me and my audience from the universes they’re reading about. Granted, judging from some conversations I’ve had in the past, there are some people out there who wouldn’t have a problem with that. But it doesn’t really work for me.
A recent episode of NOVA‘s miniseries The Fabric of the Cosmos, based on Brian Greene’s book of that name and hosted by Greene, featured a discussion of quantum teleportation, and it got me thinking about the subject again. I’ve considered it as a possible far-future technology for my science fiction, but I’ve been resistant to the idea of using it as a means for teleporting sentient beings, because of the question of whether the self survives. The question is, if your body is destroyed and an exact duplicate is created elsewhere, is that really the same you? The being who steps out of the teleporter on the other end has all your memories and personality and considers herself to be the same person who stepped into the transmitting station, and nobody else might be able to tell the difference, but it might still be that the original person’s awareness ceased forever the moment she was destroyed by the teleporter to create her duplicate. Nobody else could tell the difference, but she could tell — or rather, she could if she hadn’t ceased to exist. The question is, is there an actual scientific way of resolving this dilemma, or is it doomed to be a matter of philosophy and personal belief forever? Because I’m not stepping in one of those things — or having one of my beloved characters step into one, at any rate — unless I can be persuaded that there’s a continuity of self-awareness from one end to the other.
But I’ve done a lot of reading about quantum theory over the past couple of years as research for my Star Trek: Department of Temporal Investigations books, and just other reading in general before that about the idea of decoherence as an explanation for how the quantum world becomes “classical” at a macroscopic scale. And upon reconsidering quantum teleportation within that context, I’ve realized there’s a possible way to resolve this question, one that actually allows defining the self and its continuity in scientific rather than metaphysical terms and thus allows getting a more concrete handle on the problem.
The key is to look within the question itself and evaluate its unexamined assumptions. The question is, will my own sense of myself as a continuous, self-aware consciousness be carried through the teleportation process? To answer that, we must ask the deeper question, what is that sense of self-continuity in the first place? How does it come about? A brain is actually an ensemble of trillions of quantum particles, each in its own superposition of multiple states. What makes all those separate particles function as a continuous whole? Current quantum theory suggests that it’s their interaction. By interacting with one another, they become quantum-entangled: that is, as their multiple overlapping states interact, some of those states will correlate with one another. As those particles interact with still more particles, their states will correlate as well, and you’ll eventually get a whole ensemble of entangled particles whose quantum states are correlated with one another, functioning as a single whole. (Those other states that don’t correlate either fizzle out to insignificance under the Quantum Darwinism model or branch off into alternate timelines under the Many-Worlds model, but that’s irrelevant here.) It’s that collective, mutual correlation among all the different particles that creates what we think of as a macroscopic, classical reality. (This is why it appears to us that measuring a quantum particle collapses its wavefunction into a single state. ”Measurement” is simply a process by which we correlate the states of our own quantum particles with a particular state of the measured particle, so that the ensemble of particles that we call ourselves reacts only to that state and doesn’t perceive the others.)
So when I perceive my mind as a continuous whole, an entity with an unbroken existence in time and space (at least the space within my skull) rather than just a collection of quarks and leptons, that sense of continuity exists because of the interaction and entanglement among my brain’s particles creating a correlation among their states. Even when I’m not being teleported, I rely on quantum entanglement to give me a continuous sense of existence.
So what happens when someone is quantum teleported? Her particles are thoroughly scanned along with the particles of a reference object, both of their states measured precisely and defined in relation to one another. The Heisenberg Uncertainty Principle doesn’t let you measure the position and momentum of her particles exactly at the same time, but the reference object lets you get around that: you don’t have to know the specific positions and momenta, you just have to know how they differ from those of the reference particles. (In my Star Trek fiction, I’ve explained the “Heisenberg compensator” of the transporter as being based on this principle.) Now, presumably that interaction between our subject and the reference object creates a correlation, an entanglement, between them. (I’m actually not entirely sure of that part, but I think it stands to reason.) Now, the reference object is already pre-entangled with a matter supply at the receiving end, and some of the state information of our subject is transmitted instantaneously through that entanglement link while the remainder is transmitted “classically” (i.e. without direct entanglement) via a speed-of-light signal (although theoretically it could be stored and delivered on a hard drive, I imagine, if the storage capacity were high enough). Then that information — the exact quantum information of the original subject, who’s now been disintegrated (since you can’t record quantum states exactly without changing them) — is superimposed on the receiver station’s matter supply, transforming it into that exact, indistinguishable duplicate of the original.
So what this means, or so it seems to me, is that the subject who steps into the teleporter station to be disintegrated and the one who steps out after being assembled are not only exact, indistinguishable duplicates, but share a quantum entanglement with one another. Just like the different parts of her brain and body were entangled and correlated with each other all along, thereby giving her a sense of herself as a continuous being. So if entanglement/correlation is what creates our perception of continuous classical existence, then it stands to reason that by any meaningful definition, the subject who steps out of the receiving station is continuous with the subject who stepped into the transmitting station. Even though there’s a separation in space and time, they’re still the same unbroken whole, because it’s the quantum entanglement that creates a “whole” out of a bunch of individual particles in the first place, and entanglement is independent of separation in spacetime. Two entangled particles separated by 50 light years will still be just as directly linked as they would be if they were physically adjacent. So the classical view that the teleported person ceases to exist for a time and is then reconstructed somewhere else is irrelevant on the quantum level that underlies reality. It’s still the same continuous self for the same reason that the self exists as a continuous thing in the first place.
So for my purposes, at least as it applies to fiction, I’m now reasonably convinced that quantum teleportation would preserve the continuity of self — that your own self-awareness, your consciousness, would be preserved and unbroken through the process even if you were physically nonexistent for years between transmission and reception (say, if you were beamed across an interstellar distance, or if the hard drive containing your classical data got lost for a while). It may seem unlikely, but only until you realize that what we perceive as a continuous reality is something of a quantum illusion to begin with, simply a coherent, large-scale correlation among certain states of a bunch of interacting particles.
Although there are still some massive obstacles to consider. Like, how does the teleporter actually work? How does it measure all the 10-to-the-29th-power particles in a human body at once? Given that doing so would require completely disintegrating the subject, that would require a lot of energy, essentially a lot of heat. It would basically be vaporization. If it weren’t done instantaneously, wouldn’t that heat and energy rather radically affect the states of the adjacent particles you hadn’t gotten around to scanning yet? You’d need to scan fast enough to capture the complete information of an intact person. Conversely, if you did it more gradually, say, by using nanotech or pinpoint lasers to disintegrate a body bit by bit (a la TRON), there’s a question of timing. If you scan different parts of the brain at different times, then there will be a time lag between the different parts when you reassemble them, and that will alter their relation to one another. It would be like taking a blurred photo of a moving object because you left the shutter open too long. (Or more like using slit-scan photography to stretch out an image.) So even if the brain that came out the other end contained the same continuous mind that went in, the transition would still alter its mental state. Would that just be a minor hiccup in awareness, or would it actually alter your mind somehow? Probably the brain’s activity is dynamic enough that it would be temporary, but what about the physiological changes from one part of the body to the other if the scan takes too long, or the reassembly does? The human body is a jellylike, wibbly-wobbly thing on the inside. If the process is too slow, then the different ends of an neural connection or a capillary might not line up right because they moved during the scan or the reconstruction stage.
Still, I suppose if you had a powerful enough quantum computer, it might be able to record that amount of state information pretty quickly, and be able to employ corrective algorithms to compensate for any delays in the scanning or reconstruction process. It might be necessary to be sedated before transmission in order to avoid the discomfort of being disintegrated/reassembled or the sudden alterations of mental state that might occur as a result of scanning lag.
So I’m not going to jump right into using QT in my fiction without trying to get some handle on these practical questions first. It might not turn out to be better than the alternatives available in a given universe. It might be more practical or cost-efficient for teleporting small and simple objects or raw materials rather than sentient beings. But at least I no longer consider the continuity-of-self question to be insurmountable, and that was the most important objection I had. So the door is open now.
I’ve just read a very interesting paper reassessing the idea of a Galactic Habitable Zone. This notion came along about a decade ago, and it was based on the idea that there were limiting factors on potential habitability based on a star system’s location in the galaxy. The idea was that if you were too close to the galactic center, there’d be too many supernovae happening near your planet and they’d repeatedly sterilize it before complex life could form; whereas if you were too far from the galactic center, the metallicity of stars in that region would be too low for the formation of terrestrial planets large enough to support life. Some scientists concluded that habitable worlds were only likely to be found in a narrow band a couple of thousand parsecs wide, with the Sun being just about in the middle of that range.
Now, I was always skeptical of this. It seemed to me that all the science really showed was that habitable planets would be less likely or less common outside the “GHZ,” not that they’d be completely nonexistent. I figured it would make more sense to call it a Galactic Temperate Zone rather than a Habitable Zone.
So I’m pleased with the findings of this new paper, “A Model of Habitability Within the Milky Way Galaxy” by Michael G. Gowanlock, David R. Patton, Sabine M. McConnell (arXiv:1107.1286v1). The abstract reads:
We present a model of the Galactic Habitable Zone (GHZ), described in terms of the spatial and temporal dimensions of the Galaxy that may favour the development of complex life. The Milky Way galaxy is modelled using a computational approach by populating stars and their planetary systems on an individual basis using Monte-Carlo methods. We begin with well-established properties of the disk of the Milky Way, such as the stellar number density distribution, the initial mass function, the star formation history, and the metallicity gradient as a function of radial position and time. We vary some of these properties, creating four models to test the sensitivity of our assumptions. To assess habitability on the Galactic scale, we model supernova rates, planet formation, and the time required for complex life to evolve. Our study improves on other literature on the GHZ by populating stars on an individual basis and by modelling SNII and SNIa sterilizations by selecting their progenitors from within this preexisting stellar population. Furthermore, we consider habitability on tidally locked and non-tidally locked planets separately, and study habitability as a function of height above and below the Galactic midplane. In the model that most accurately reproduces the properties of the Galaxy, the results indicate that an individual SNIa is ~5.6 \times more lethal than an individual SNII on average. In addition, we predict that ~1.2% of all stars host a planet that may have been capable of supporting complex life at some point in the history of the Galaxy. Of those stars with a habitable planet, ~75% of planets are predicted to be in a tidally locked configuration with their host star. The majority of these planets that may support complex life are found towards the inner Galaxy, distributed within, and significantly above and below, the Galactic midplane.
Basically, it’s saying two things: One, that the sterilizing effects of supernovae in the inner galaxy aren’t as pervasive as formerly claimed (this study actually modelled individual stars rather than going for a statistical aggregate), and two, that the sheer number of stars in the inner galaxy is so great in proportion to the outer galaxy that it more than cancels out the supernova effect. That is, it’s true that a much higher percentage of habitable planets get sterilized the closer you get to the center of the galactic disk (and it only covers the disk, not the central bulge), but the number of stars is so much greater that said percentage still comes out to a much larger amount. For instance, at a galactic radius of 2.5 thousand parsecs (kpc) you might have 10% of 7.5 million candidates = 750,000 habitable worlds, while at 12 kpc you might have more like 70% of 1 million candidates = 700,000 habitable worlds. Although the numbers actually add up so that maybe half the life-bearing worlds in the model are between 2.5-4 kpc, partly because star formation began earlier in the inner galaxy so there’s been time for more habitable worlds to develop life (assuming a uniform rate of life emergence comparable to Earth’s, which is a huge and rather arbitrary assumption, but we don’t have any other examples yet).
Anyway, the exact numbers aren’t very meaningful due to all the assumptions and conjectures (and the paper shows the differing results of four separate galactic models it used), but the overall trend is what’s significant. It suggests that inhabited worlds could be found just about anywhere in the galactic disk, much more broadly than past studies have suggested. So the “Galactic Habitable Zone” is pretty much the whole disk.
So to get speculative here, what might it be like for intelligent life in the inner disk? Well, neighboring intelligences would probably be closer together than out here. They’d occupy a smaller percentage of the stars, but the stars would be packed more tightly. And that might make it easier for them to expand and colonize, to hopscotch across the star systems and reach one another. (After all, this paper only considers worlds where life evolved independently. Once you throw colonization into the mix, all bets are off.) So it might be easier to form a robust interstellar community in the inner galaxy. Particularly since there’d be a much higher number of uninhabited worlds for every inhabited world — hence more resources and territory to go around, reducing the pressure for conflict.
Conversely, maybe the earliest species to develop would’ve had an easier time colonizing the more densely packed inner galaxy, settling other habitable worlds before they could develop their own indigenous sentience, or finding indigenous intelligences so far behind them that they could be easily dominated and crowded out. So maybe the inner galaxy would be characterized by regions that were dominated by the descendants of a single species each. No telling what might happen when two such regions impinged on one another.
In either case, though, the paper estimates that life in the inner disk has maybe a 2 billion year headstart on us, on the average. So why haven’t they made their way out here? That’s a trickier question to speculate about. I think I’ll let it go for now.
From Centauri Dreams:
A new paper has revised our estimates of how wide the habitable zone would be around a red dwarf star. This comes from taking into account the difference in spectrum between a red dwarf and a Sunlike star. Compared to the Sun, red dwarfs give off a higher percentage of their EM radiation in longer wavelengths like red and infrared, wavelengths that aren’t reflected as much by snow and ice as shorter wavelengths are. So while in our system, a planet covered in snow and ice would reflect a lot of heat back into space and thus reinforce its own freezing (runaway glaciation), in a red-dwarf system it would retain a higher percentage of the star’s heat and could stay unfrozen at a larger proportional distance than we’d thought. This could make red-dwarf habitable zones 10-30 percent wider than we thought, and increase the potential number of habitable planets around them. Sure, those HZs are pretty narrow to begin with, but red dwarfs constitute maybe 70-80 percent of the galaxy’s stars, so it adds up.
Be sure to read the comments. There’s a lot of interesting discussion about other factors that would go into habitability around a red dwarf. It’s a lively and ever-evolving subject in astrophysics today.
Here’s a fascinating article about octopus intelligence and the ways in which it’s profoundly different from ours:
As a science fiction fan and author, I’m always fascinated by research revealing that other sapient species probably exist right here on Earth — be it apes, dolphins, elephants, whatever. And the “smarter than we ever imagined” club keeps broadening. Now it’s grown to encompass birds and cephalopods like octopus and squid. (And yes, the plural of octopus is octopus, octopuses, or octopodes, not “octopi.” It’s from Greek, not Latin; -pus means “foot” and its plural is -podes.) This article is particularly interesting to me as an alien-builder in its discussion of how radically different the octopus’s senses and perceptions are, and how different are the reasons behind its evolution of intelligence. It might be premature to read consciousness into the octopus’s behavior, but it might be so alien that it’s hard to define what is or isn’t conscious.
Although it’s kind of heartening that, even across such a gulf, the article describes such a bond of affection between human and octopus. Even though octopus aren’t particularly social, and often fight with rival octopus, some of them do seem to show affinity or at least interest toward certain humans. We often assume in SF that the gulfs between different sapient species might be too great to surmount if they’re different enough (see Orson Scott Card’s Ender novels, for instance). But I tend to think maybe the opposite might be true. We often get along better with other species than we do with our own kind. Like the way dolphins are famously benevolent and protective toward humans even though they’re often quite aggressive toward other dolphins. I think it’s because members of other species are rarely our rivals in the same way that members of our own species can be, so there’s less incentive for fear and hostility. And I think it’s because intelligent minds have a natural tendency to reach out to other intelligent minds. At least that’s true with mammalian and avian species, whose intelligence arises from the need for complex social interaction and communication. But this article says that octopodan intelligence didn’t come from social needs, but may instead have come from the need to be adaptable in strategies for pursuing various forms of prey, fleeing various forms of predator, and dealing with the changing environment of the sea. So what, in that case, could be the incentive driving this form of intelligence to connect with others? Perhaps simple curiosity. Perhaps an intelligent mind can recognize that another intelligent mind, particularly an alien one, is something it can learn new things from. And if a species’ intelligence arises from the need to adapt and innovate in order to survive, then surely there would be a survival imperative to seek new knowledge, new insight. Even if we have nothing else in common with another intelligence, we may have curiosity and the willingness to learn in common. That could be the basis for understanding with even the most alien intelligences.
In any case, this article makes me rethink my assumption that all intelligent species would be social species. Certainly many would be, and those would be the aliens that we could probably get along with the most easily, the ones most likely to join into interstellar federations and commonwealths and leagues and whatnot. But there could be others as well, species that evolved a less social form of intelligence. It’s doubtful that they’d have much in the way of civilization, though, if they couldn’t cooperate and organize. But maybe they’d find a way. It’s certainly interesting to think about.
I’ve read a couple of articles lately about a new book by Harvard social scientist Steven Pinker, who’s done research showing that, contrary to what a lot of people and a lot of dystopian science fiction tends to assume, human society has actually become less violent over time. Here are some excerpts from an article in New Scientist:
I was struck by a graph I saw of homicide rates in British towns and cities going back to the 14th century. The rates had plummeted by between 30 and 100-fold. That stuck with me, because you tend to have an image of medieval times with happy peasants coexisting in close-knit communities, whereas we think of the present as filled with school shootings and mugging and terrorist attacks.
Then in Lawrence Keeley’s 1996 book War Before Civilization I read that modern states at their worst, such as Germany in the 20th century or France in the 19th century, had rates of death in warfare that were dwarfed by those of hunter-gatherer and hunter-horticultural societies. That too, is of profound significance in terms of our understanding of the costs and benefits of civilisation.
…How do you explain the decline in violence?
I don’t think there is a single answer. One cause is government, that is, third-party dispute resolution: courts and police with a monopoly on the legitimate use of force. Everywhere you look for comparisons of life under anarchy and life under government, life under government is less violent. The evidence includes transitions such as the European homicide decline since the Middle Ages, which coincided with the expansion and consolidation of kingdoms; the transition from tribal anarchy to the first states. Watching the movie in reverse, in today’s failed states violence goes through the roof.
Do you think commerce helps too?
Commerce, trade and exchange make other people more valuable alive than dead, and mean that people try to anticipate what the other guy needs and wants. It engages the mechanisms of reciprocal altruism, as the evolutionary biologists call it, as opposed to raw dominance.
What else has contributed to the decline?
The expansion of literacy, journalism, history, science – all of the ways in which we see the world from the other guy’s point of view. Feminisation is another reason for the decline. As women are empowered, violence can come down, for a number of reasons.
I’m not entirely sure about all his points. I’ve gathered that pre-agrarian, hunter-gatherer societies tend to be fairly peaceful on the whole, the idea being that it’s when we settle down and don’t need to hunt for food as much that our predatory instincts go unfulfilled and get misdirected into war, conquest, oppression, rape, etc. Also I wonder if he’s reading too much into percentages — the percentage of the population touched by violence may be declining simply because there are so many more people around.
Still, I think there’s a lot of merit to his position, at least with regard to the period since civilization began. I’ve had the same impression myself for a long time: that states and societies in the past were far more prone to resort to killing, torture, and the like, and that these things are a lot less acceptable now as we’ve developed better alternatives, more ethical justice systems and bodies of law. When people in the past would resolve disputes with duels to the death, today they’d resolve them with litigation or smearing their opponents in the media. Either of which can get ugly, but it’s better than the alternative.
What’s nice about this model is that it’s nonpartisan. It says government helps reduce violence, which should make lefties happy, but it also says commerce and business do the same, which should satisfy those on the right. Which fits what I believe, that it’s a healthy balance between the two institutions, government and business cooperating and curbing each other’s excesses, that works the best. Both can certainly be abused and mishandled, but both have the potential to do great good with the right approach.
So why does it seem to us that the world is so much more violent? Pinker says that as violence becomes more uncommon, those acts of violence that do occur stand out more and are more shocking. They don’t blend into the noise the way they once would have.
Pinker says the changes are more likely social/environmental than evolutionary, which makes sense, since it’s only been a few thousand years since civilization began, hardly a blink of an eye in evolutionary terms. Still, it seems to me that if a society has come to see violence as unacceptable, then that could influence evolution, because people more prone to violent behavior could come to be seen as less desirable mates. Not to mention that people leading more violent lives might be more likely to get themselves killed off, or locked away without access to prospective mates, and thus would make less of a contribution to the gene pool. So it might not be a factor now, but if civilization continues along these lines for long enough, then it could affect our evolution over the next few millennia or so. (Which also says something about alien civilizations in science fiction. If they’ve been civilized for tens or hundreds of millennia, they could also have evolved to be less aggressive.)
This is heartening for me to read about, since it reinforces what I’ve always believed about humanity’s potential to improve. It makes the optimistic future seen in Star Trek, and the one I seek to depict in my original fiction, more credible. Maybe it will persuade other SF writers to explore more optimistic futures as well, or at least not be so quick to default to dystopias. And who knows? Maybe if people in general can recognize that civilization is heading in a positive direction, it will inspire them to work for further improvement.
We finally got a news conference from the Dawn team reporting on their preliminary findings from the survey orbits of Vesta. Here’s a link to the video (I don’t seem to be able to embed it properly):
Summary of the findings that stood out to me:
- The huge impact basin that takes up most of the southern hemisphere of Vesta is actually two huge impact basins. The main one with the big mountain at the center, which is called Rheasilvia Basin, is overlapping another, slightly smaller and somewhat older impact basin. So Vesta’s southern hemisphere was struck by a huge impactor not just once, but on two separate occasions. The older basin and the mountain in Rheasilvia haven’t been named yet; the mountain is currently just called the “Central Complex” of Rheasilvia.
- The mysterious grooves that gird most of Vesta’s equatorial region are some kind of “ripples” resulting from the impacts. There are two sets of grooves, the main one that circles 2/3 of the planetoid, and an older set in the northern part of the other 1/3. The older set seems to be roughly centered on the older southern impact basin, and the younger equatorial ridges roughly center on Rheasilvia.
- There’s a wide variety of different materials visible on the surface, suggesting a complex geologic history, but no hard evidence yet that Vesta’s mantle is exposed in the impact basins. However, it could be buried under looser regolith (i.e. “soil”). But the geologists are excited at how well Vesta’s surface has retained a record of its complicated history.
So how does this affect what I wrote about Vesta in Only Superhuman? Well, I didn’t really say that much about the planetoid itself, but there is one sentence in Chapter 4 that I’ll definitely have to reword in copyedits, a description of the southern polar “crater” that’s no longer accurate. Hopefully they’ll at least coin a name for the big mountain before the text gets locked down.
What’s surprising to me is how little attention the Vesta mission is getting in the news. It’s been hours since the press conference ended, and it’s very hard to find coverage of it, even on the science news sites. And at the conference itself, even though it went out live over the Internet, there were only a few questions and a lot of dead air during the Q&A period. I mean, this is exciting stuff! Vesta is one of the weirdest, coolest worlds we’ve seen, with all sorts of fascinating features.
As weird as it may seem, one model describes almost all mammal coloration patterns. All it takes to make an animal a certain color is the interaction of a couple of chemicals with the skin. One chemical stimulates melanin, causing darker coloration in the skin and fur of mammals, while another keeps melanin from being produced. These spread outwards through the body of the animal in the same way in every mammal….
The key to the differences in coloration is the fact that the chemicals spread outward in waves at different phases during the gestation period. Some start their move when the embryo is still tiny. Some start when it’s nearly fully grown. If the animal is tiny, no pattern will form, which is why there aren’t a lot of tiger-striped mice out there. If it’s huge, the chemicals jumble outwards and back, interfering with each other until they form a uniform color. This is why there aren’t any tiger-striped elephants.
And tigers? Their chemical waves move out at just the right time to form a series of peaks and valleys that lead to striped patterns on their fur. Leopards, though smaller than tigers, get hit with the waves at an embryonic stage at which they’re a little bigger than the tigers. The waves interfere enough to form spots on their bodies. Giraffes get hit at a bigger stage and form the large brown patches that we see on them.
Also, it depends on the shape and size of the body part, which is why spotted cats have striped tails. The original report is here:
This is really cool to know, that something as beautiful as the stripes on my beloved cat Tasha are an expression of math and physics, an interference pattern between chemical waves. And it might explain something about her brother Shadow. When he was a very small kitten, he had faint stripes of lighter and darker gray, but as he got older, the stripes vanished and he became a solid (and totally gorgeous) dark gray. Maybe the interference process was still ongoing.
It’s also useful to me as an SF writer and alien-creator to know this. This specific formula only applies to mammals, but the original article says that similar math can explain butterfly wings and striped fish. So maybe if I create some giant alien creature in a future novel or story, I’ll take care not to give it stripes or spots.
I seem to go through phases in my writing — sometimes I get in a groove and the words just pour out of me, but then I inevitably lose it and end up at a point where it’ s a struggle to figure out a single sentence and I just slog forward, and I keep getting distracted by other things. I’ve been in the latter phase lately, though I’ve been making a bit more progress since the start of the month (I have to, since my deadline’s the end of the month). I’ve had a couple of decent-to-good days so far, but today wasn’t shaping up to be one of them. I was at a point where I wasn’t sure what came next, since the outline was vague on it. I managed to piece about a 900-word scene together, but I didn’t know how to move forward from it, and my mind resisted focusing. So I’d reached the point where I was ready to just give up for the day and watch more Mission: Impossible.
But I decided to wash the dishes first, since I had two days’ worth accumulated in the sink. And while I was doing that, which took quite a while, I started to think about what I would do in the next scene, presumably tomorrow. And I had an idea or two, and with those seeds it started to coalesce a little. So I decided I’d sit down and write down at least those bits I’d come up with. So I did that, but once I had the beginning, it gave me a foundation to build on and I kept going. And so I finished the whole scene. And then I was going to stop but I already had in mind how to start the next scene, so I wrote the start of it, and then I kept going. And by the time I was done, an hour and a half had passed and I’d added another 1600 words to the count. And I’m through that whole vague portion of the outline and ready to get on with the next bit.
The only downside is that it’s now 11:30 PM, later than I wanted to stay up. I’ve been having trouble getting to sleep the past few days, and I was just starting to get over it last night. Now I might’ve thrown off my sleep cycle again. Which means I should stop typing and go to bed.
In the library the other day, I happened upon a DVD of a movie called Agora, which caught my interest because it was about Hypatia of Alexandria, the philosopher/astronomer who’s the most (and probably only) famous female scholar of the Hellenistic age, and whose murder has been cited by some as the downfall of that age and the beginning of the Dark Ages. I’ve been interested in Hypatia’s story ever since I learned about her from Carl Sagan’s Cosmos, and apparently so was the film’s director, Alejandro Amenábar. He started out wanting to make a film about the history of astronomy from Hypatia to Einstein, but ended up focusing specifically on Hypatia and the Alexandria she lived in, but as a microcosm representing a much larger story.
The film is a Spanish production, but has a multinational cast and crew and is in English. It stars Rachel Weisz as Hypatia, beginning in her youth as a lecturer at the Library of Alexandria (or rather, the Serapeum, where the surviving texts were brought when the original Library was burned in Caesar’s time), where she lectured and taught disciples of both pagan and Christian faiths, and was caught in the middle as tensions between the faiths erupted into violence, ultimately leading to the trashing of the Library by decree of the (Christian) Roman emperor. It then jumps forward to the final years of her life, in which she was a chief advisor to the city’s prefect Orestes (Oscar Isaac) and thus came under challenge by Bishop Cyril (Sammy Samir), who objected to a pagan (and according to the film, a woman) advising the now-Christian city’s ruler. Ultimately Hypatia was killed by a mob, and her teachings, like the contents of the Library, were lost to posterity.
The film does a marvelously researched and detailed job recreating 4th/5th-century Alexandria, as is fascinatingly discussed in the DVD’s hourlong making-of feature, and is made with considerable naturalism and verisimilitude. But it should not be mistaken for an accurate account of Hypatia’s life and death. As I said, the film uses these events as a microcosm or symbol of the history of science and the transition from the Hellenistic era to the Dark Ages, so a lot of historical liberties are taken. The timeline is compressed, the main characters not significantly aging even though the two halves of the film represent events that came some 24 years apart. Hypatia’s friend Synesius (Rupert Evans), whose letters represent the principal historical source for Hypatia’s life, is present in the film until the end even though the real Synesius died two years before her. Orestes is consolidated with another, unnamed figure from history, a suitor whom Hypatia rejected in a rather infamous way that’s depicted in the film. The second lead, Max Minghella, plays a fictional character, Davus, who starts out as Hypatia’s adoring slave and then joins the Christians and pretty much goes through the film not being sure what side he’s on; if anything, he’s sort of a personification of the zeitgeist of Alexandria itself, a viewpoint character through whom the audience can follow the shifting political and cultural forces pulling the city in multiple directions. Most of all, Hypatia herself is shown anticipating millennia of scientific progress, starting out a firm believer in the Ptolemaic geocentric model of the universe but gradually coming around to Aristarchus’s heliocentric model and even making Kepler’s breakthrough, realizing that the orbits of the planets are ellipses rather than circles, only to be killed before she can pass the insight on to posterity. (The film’s POV periodically rises into space, looking down on the Earth, reminding us of the cosmic truths that Hypatia seeks and the other characters in the film remain ignorant of.)
Is this too great a break from reality? Not necessarily, though it’s a stretch. Hypatia’s work and writings were lost to history, as many insights of the ancient Greeks were lost to the Western world for thousands of years (though the Muslim world retained and expanded on a lot of it — it’s important to remember that the Dark Ages were a phenomenon of Western Europe, not the entire world). Hypatia’s expertise in astronomy and geometry gave her the necessary grounding, so if anyone in the period could’ve figured it out, it’s believable that she could have. What gives me the most pause is the scene showing her conducting an experiment to prove the existence of inertia, supporting the idea that the Earth could move and we couldn’t detect the motion because our frame of reference moves with it. The thing is, the main reason Hellenistic science fell short of the modern breakthroughs it was on the verge of reaching was that it was a slavery-based society. The intellectuals who did the thinking considered actually doing things, building things and performing work and so forth, to be the business of slaves, beneath their notice, so they didn’t have the mindset to consider practical experimentation useful as a means of testing their hypotheses. And the movie does portray Hypatia as taking the institution of slavery for granted. Then again, the crux of its portrayal of the character is her ability to question her preconceptions, so maybe she could’ve overcome that prejudice along with her Ptolemaic prejudices.
And that’s pivotal. The film’s portrayal of Hypatia anticipating Kepler isn’t meant to be historically accurate, but symbolic. For one thing, it symbolizes all the unknowable works, writings, and insights of the ancients that were tragically lost when the Library of Alexandria was sacked, when Hellenistic knowledge was condemned as paganism and destroyed, when great minds like Hypatia were persecuted and killed. With so much of their work lost to posterity, who knows what they might have discovered? More fundamentally, it symbolizes the theme of the film. All around Hypatia, throughout Alexandria, characters of all faiths are preoccupied with the purity and perfection of their beliefs to the degree that they feel driven to persecute, expel, or murder those who believe differently, and thereby completely miss the point of their beliefs. And yet Hypatia’s scientific quest leads her to realize that the surface we stand on may not be fixed, that our perceptions may be relative to our frame of reference, and that there may be more than one center of all things. Her discoveries in the film may be anachronistic, but they symbolize the film’s message about the folly of dogmatism and intolerance, and they echo her own willingness, even need, to question and move beyond what she believes.
Apparently some have denounced the film as anti-Christian, but I don’t think that’s true. Pagans, Christians, and Jews are all shown persecuting and attacking people of other faiths, and there are decent characters of all faiths who are defined by their willingness to look beyond religious categories and accept those who disagree. So it’s not against any one religion, it’s against the abuse of religion as an excuse for intolerance and persecution. Indeed, the film is full of morally ambiguous characters, people who are capable of the best and worst of humanity. A key example is Ammonius (Ashraf Barhom), leader of a Christian group called the Parabalani, who goes from standing by while his followers toss a pagan into a firepit in one scene to encouraging Davus to give food to the starving beggars in another. Even Hypatia, whose portrayal is largely hagiographic (Amenábar even admits to painting her as a secular Christ figure), has the flaw of accepting slavery, and even though she’s mostly kind to her slave Davus, it’s her casual condescension that ultimately drives him to join the Christian mob. The one character who isn’t ambiguous is Bishop Cyril, the main antagonist of the film’s second half. He comes off as menacing, manipulative, and hateful, a man who lives to persecute those who don’t fit his standards of purity and keeps narrowing those standards until he’s turning against fellow Christians for not being pure enough. Indeed, he’s even given a speech wherein he condemns a Jewish attack on the Parabalani by declaring, a bit metatextually and heavy-handedly, that the Jews must be exiled and condemned until the end of time. Now, what I’ve read about Cyril and his role in the expulsion of the Jews from Alexandria and the murder of Hypatia doesn’t exactly incline me positively toward him, but there are plenty of characters in this film who commit horrendous acts and still have a sympathetic side, while even the idealized Hypatia is given one or two flaws. This isn’t a film about good vs. evil, but about human fallibility, about people struggling to figure out the right thing to do and often screwing it up massively. So the one-dimensionally villainous portrayal of Cyril seems out of place.
Overall, though, I think Agora is an excellent film, so long as you don’t take it as accurate history but make the effort to do the research and listen to the commentary (which is in Spanish with subtitles — I just turned off the commentary audio and read the subtitles along with the film’s regular audio track) and understand where and why the film diverges from known history. Rachel Weisz is superb as Hypatia, a woman who’s cool and logical as would befit a woman filling a traditionally male role in 4th-century Alexandria, but who still has a restrained passion and joy about science that captivates the viewer. At least, I found it exciting to watch her discovering inertia and figuring out elliptical orbits, but I enjoy watching the scientific process. (And they did mostly avoid the House, MD school of random epiphany substituting for deductive reasoning; there were a couple of scenes where Hypatia had a sudden insight based on something she or someone else said in a conversation, but at least the conversations were about reasoning through the problems she was trying to crack.) The director said he saw her story as a love story between Hypatia and the universe, and Weisz plays that well (albeit to the dismay of her merely human suitors who are unable to compete with the stars). The rest of the cast is strong as well, particularly Ashram Barhof, who makes Ammonius a lively and funny character who’s appealing despite the awful acts he performs (though really, I’d think someone with such a rich sense of humor about his faith wouldn’t be so dogmatic about it). The production values are excellent, particularly the recreation of classical Alexandria on a scale that’s remarkable for a modestly-budgeted film (I was surprised to learn from the making-of feature how much of the city was actually built rather than digitally created). And basically it’s cool to see a film that’s about both science and history, two of my primary interests, and particularly to see a film about Hypatia, to get a conjectural glimpse of what this pivotal yet little-known figure from history might have been like.
The latest news from the Dawn probe at Vesta: NASA has posted a video showing a full rotation of the protoplanet, compiled from Dawn photographs. I don’t seem to be able to get the embed code to work, so here’s a link:
It’s fascinating to watch, with so many complex features. I’m really wondering what caused those parallel striations around the equator. I’m also wondering if that big mountain in the southern hemisphere is really what scientists have assumed it was, the central bulge of a crater so big it pretty much flattened out the rest of the hemisphere. It doesn’t really look like there’s a crater there. Maybe it’s so old that the edges have been worn away, but maybe the mountain is something else. And that would mean I’d have to do a bit of rewriting in Only Superhuman.