I’ve just gotten the proofreading galleys for my new Hub story “Make Hub, Not War” from Analog, and they indicate that the story will be included in the November 2013 issue. I checked with the folks at Analog and they confirmed it. Now, the current issue is July/August, and apparently came out earlier this month, which would suggest that the November issue will be out in maybe 4 months, around September, give or take. Which happens to be around the same time Only Superhuman comes out in paperback! So that’ll be a big month (give or take) for my original fiction.
In other news, I’ve just updated my website with some preliminary discussion of Star Trek: Enterprise — Rise of the Federation: A Choice of Futures, though there’s little there that I haven’t already said here on the blog.
Empire Magazine‘s site has posted a feature on Pocket’s Star Trek novel line, focusing mainly on the series that expand the universe beyond the aired shows:
This includes some series that I’ve been a part of; Department of Temporal Investigations gets a whole page, and their “if you read only one” recommendation for Titan is my Over a Torrent Sea. Plus there’s an oblique reference to The Buried Age on their page for The Lost Era, though they don’t mention it by name. I do wish they’d spelled my last name correctly, but otherwise I appreciate the attention, both on my behalf and that of my colleagues.
This is interesting… a fan called Nikk Roy has put together book trailers for the segments of Star Trek: Myriad Universes — Infinity’s Prism, including my own Voyager-centric tale Places of Exile. How do you make a video trailer for an alternate-timeline book featuring events that never happened onscreen? Here’s how:
Pretty clever. There are also trailers for Bill Leisner’s A Less Perfect Union (thanks to Bill for bringing this to my attention) and James Swallow’s Seeds of Dissent. I think those were a little harder to find appropriate footage for, though.
Simon & Schuster has now posted the cover image and blurb for Star Trek: Enterprise — Rise of the Federation: A Choice of Futures.
A new nation has arisen from the ashes of the Romulan War: the United Federation of Planets, an unprecedented union of diverse species cooperating for the good of all. Admiral Jonathan Archer—the former captain of the Earth starship Enterprise, whose efforts made this union possible—envisions a vibrant Federation promoting galactic peace and a multispecies Starfleet dedicated to exploring strange new worlds. Archer’s former crewmates, including Captain T’Pol of the U.S.S. Endeavour and Captain Malcolm Reed of the U.S.S. Pioneer, work with him to secure that bright future. Yet others within the Federation see its purpose as chiefly military, a united defense against a dangerous galaxy, while some of its neighbors view that military might with suspicion and fear. And getting the member nations, their space fleets, and even their technologies to work together as a unified whole is an ongoing challenge.
When a new threat emerges from a force so alien and hostile that negotiation seems impossible, a group of unaligned worlds asks Starfleet to come to its defense, and the Federation’s leaders seize the opportunity to build their reputation as an interstellar power. But Archer fears the conflict is building toward an unnecessary war, potentially taking the young nation down a path it was never meant to follow. Archer and his allies strive to find a better solution…but old foes are working secretly to sabotage their efforts and ensure that the great experiment called the Federation comes to a quick and bloody end.
Admittedly, the cover image is a little inaccurate. Archer’s in the Earth Starfleet dress uniform he wore as a captain in the series finale “These Are the Voyages,” rather than the Federation Starfleet admiral’s uniform he wears in the novel. But this is as close as Pocket’s art department could come with the available and approved photo references, apparently.
Anyway, I returned the final galley corrections to my editor yesterday morning, so the text of the novel is now pretty much locked, and it’s scheduled to go out to the printers on Tuesday. Hopefully we caught all the mistakes. The book will go on sale in about two months now. In the meantime, I’ll be getting back to work on Book 2.
The contracts are signed, the outline approved, and the writing underway, so I’ve been cleared to announce that my next Star Trek novel, following this July’s Rise of the Federation: A Choice of Futures, will be a sequel entitled Star Trek: Enterprise — Rise of the Federation: Tower of Babel. That’s right — the buzz for Book 1 has apparently been so strong that I’ve already been asked for Book 2 (indeed, I got the invitation about a week before I even turned in the manuscript for ACoF!). It’s always been my hope that ACoF would be the first of a series, but for the past few months I’ve had to tiptoe around confirming that it now will be.
Tower of Babel will move the story of the Federation’s early years forward into 2164, and the title offers a hint about its subject matter. I can’t tease much about it yet, since there’s a lot about Book 1 that hasn’t even been publicized yet. But it will continue to develop the main story and character threads of Book 1 and will add some new ones, both following up on Enterprise and laying the groundwork for the world of The Original Series, and featuring more exploration of new worlds (at least, new to the characters, and not well-explored in canon or literature to date) than I managed to fit into Book 1. I don’t yet know what its publication date will be, but considering that the manuscript due date is about seven and a half months after the previous one, I daresay it’ll probably be sometime in early 2014.
As for A Choice of Futures, I was hoping the cover would be available sometime around now, but apparently there’s been some delay in the process, so nothing yet, alas.
I’ve been sent the galleys of Rise of the Federation: A Choice of Futures (the text formatted as it will appear in the final book) for my perusal, and I’ve been going over them. They were sent to me as a PDF file, and I’ve been checking the text against the last revised and copyedited draft of the manuscript, looking at them in side-by-side windows on my monitor to compare them line by line. And in looking over my Adobe Reader’s menu options, I discovered that it comes with a function called “Read Out Loud,” which will recite a highlighted paragraph or selected page in a synthesized voice. I thought I’d give it a try — maybe listening to the PDF while reading along in the manuscript would be an easier way to compare than darting my gaze back and forth between them every few words. It’s not a perfect system, since I still need to keep an eye on punctuation here and there (though it’s pretty consistent at rendering periods and commas with intonation and pause duration). I think it’s slower going than my own reading would be, even with reading two texts at once; it’s not really worth doing with short paragraphs.
But it’s been worth it just for the entertainment value. The synthesized voice it uses is like a cross between Ben Stein and Eeyore — this slow, deep voice that usually just drones but sometimes puts a really hilarious, depressed-sounding intonation on the end of a line, kind of like Tim Conway’s old-man character from The Carol Burnett Show. Which can be a lot of fun when it’s reading a line like “I can’t maintain more than warp three-point-two” (or as it reads it, “warp three-point-twoooo,” descending a perfect fifth on the final syllable). It also does weird things with pronunciation — it renders “navigational” as “nah-vih-gah-tee-on-al” despite having no problems with other “-tion” words, and “redesignated” with a short a. Surprisingly, an ordinary word like “important” comes out as “imper-tahnt.” It thinks T’Pol is named Paul (well, no, there’s a barely audible T sound at the start), except “T’Pol’s” becomes “tee-single-quote-paul-single-quote-ess.” Hoshi Sato is “hawshee suhtoe.” And “NX-class” becomes “N-X-C-L-A-S-S.” On the other hand, it’s done surprisingly well with the alien and technical words I’ve tossed at it so far. In particular, there’s an alien outpost that I named Qhembembem (because I was in a silly mood), and it handled it fairly nicely, having no problem with the “Qh,” though it gave it the interesting pronunciation of “Kem-bem-eem.”
Still, I’m not sure I’ll keep using it. It could wear out its welcome after a while, and I’m concerned its quirks may be more a distraction than an aid. Maybe I’ll use it intermittently depending on the scene and my mood. But it’s helped add some fun to the tedious proofreading process.
UPDATE: One particularly weird glitch of this voice-synth program — it pronounces the word “point,” and only that word, as though it were French. “Phlox pointed out” becomes “Phlox pwaahn-ed out.”
While I’m at it, I’ve found that there are pre-order links available for Star Trek: Enterprise — Rise of the Federation: A Choice of Futures as well. Here ya go:
Still no cover art available, though. I don’t know when to expect that or what it might look like. Currently I’ve got the copyedits in hand, and those are due back on Friday. I’m also told that the manuscript has been officially approved by CBS, so I should be getting the remainder of my advance shortly!
I’ve also just turned in the outline for my next Trek novel, which I can’t talk about yet. I’ve got until the end of July to write it, so once I’m done with the copyedits on ACOF, I’m planning to shift focus for the next month or two and work on some original short fiction.
The interview I did for the Cincinnati Edition radio show is now online. Here’s the link:
And a reminder — my book signing is tomorrow, Tuesday January 15 at 7 PM at the Joseph-Beth Booksellers in Rookwood Pavilion, Cincinnati.
Today I went down to the building where my father used to work and recorded a radio interview which will be airing this weekend on Cincinnati Edition, a newsmagazine program that airs locally at 7 AM Saturdays and Sundays on NPR affiliates WVXU in Cincy and WMUB in Oxford, OH — just in time to tout my book signing next Tuesday. I had a nice talk with the show’s host Mark Perzel, who had very nice things to say about Only Superhuman, and who even knew my father before his retirement, something I either never knew or had forgotten. Anyway, the interview, which covers my Star Trek work as well as OS, should be up on their website as a podcast by Monday, I’m told, and I’ll post the link when it’s available.
Simon & Schuster/Pocket is about to put out several e-book omnibuses (yes, that is the correct plural) each combining three related Star Trek novels into one volume. One of them, Star Trek: The Original Series: The Continuing Missions, Volume 1, includes my own DTI novel Forgotten History along with Greg Cox’s The Rings of Time and Dayton Ward’s That Which Divides. In this case, the books aren’t really related, more just a trio of recent standalone TOS adventures, although Rings and FH both involve time travel and there’s a slight bit of cross-reference between them. (Maybe TWD also fits with the general theme of space-time phenomena because it involves a pocket universe, though that’s reaching.) But what the hey, it’s a new edition of one of my books. And the FH cover is being used as the cover for the whole volume:
I admit, FH is kind of an odd choice for inclusion here, since it’s not entirely a self-contained TOS novel but ties into DTI: Watching the Clock as well. Still, I wrote it so that it could work as a TOS novel guest-starring some guys from the future. And who knows? Maybe this omnibus will help bring the story to at least some TOS readers who didn’t take note of it when it was published under the DTI banner. Again, though, this is only being released in e-book form as far as I know.
And yeah, it looks as if all TOS prose tales from now on are going to be subtitled The Original Series, presumably to distinguish them from the new movies.
UPDATE: Oops, sorry, forgot to mention — the publication date is on or around January 29, 2013.
Just a little while ago, I e-mailed the manuscript for Rise of the Federation: A Choice of Futures to my editor at Pocket. And a great sense of relief descended upon me.
I do wish I’d had a few more days to consider and refine things. But I was able to make some major improvements in the two revision passes I had time to get through. For instance, I realized that one character I introduced kind of disappeared afterward, but I didn’t have room to add another scene with him; but it occurred to me that if I put him in place of an associated character in a certain scene, it would actually make that scene work better in several ways, in addition to giving that character more “screen” time. Also, I realized I’d forgotten to make clear how one key decision in the story was a reaction to an earlier event, so I put in a bit of dialogue to tie them together better. And so on. I also had to trim some extraneous material to make room for all that, but I didn’t find much I could remove. I knew going in that I was under a tight word limit (80,000), so I was pretty concise throughout. Still, I managed to nibble away enough to make it fit, give or take a few hundred words.
And the timing is good, because my Star Trek complete soundtrack box set is out for delivery from my local post office, according to the tracking information, so it should be here within hours! Between that and finally being free from deadlines (at least for now), this is looking like a good day for me.
Keith DeCandido’s interview of me from New York Comic-Con in October is now up on The Chronic Rift’s webpage:
It’s mainly about Only Superhuman, but also covers my Trek novels, other original stuff, and my reviews on this blog, among other things. Naturally, the Star Trek project I couldn’t talk about then is Rise of the Federation.
Just a little while ago, I reached the end of the first draft of Star Trek: Enterprise — Rise of the Federation: A Choice of Futures, with four days to spare before my deadline. That’s not as much time as I’d hoped to have for revision and refinement, but I should be able to make maybe 2-3 passes through the manuscript, get a feel for how it flows as a whole, and smooth out the kinks.
The manuscript comes out to just about the maximum of my target length range, so unless I do some serious trimming in the editing phase, I won’t have room to slip in another couple of things I was thinking about trying to add. But that’s okay; they aren’t strictly necessary, and I don’t have that much time to add things anyway. As it is, I had to streamline some things from the outline here and there — combine some scenes, drop a few others, particularly in the denouement — to get it to the target length. But it still accomplished what was important. In the event that there’s a sequel, maybe I can work some of the abandoned ideas in there.
This has been a very stressful month or two for me, since I was late getting started on the manuscript and at times was having a lot of trouble getting in gear, so I was worried about being able to finish on time. Which combined with my worrying about the performance and critical reception for Only Superhuman, so I was doubly stressed. Even when it became clear to me over the weekend that I would definitely be able to finish with time to spare, I was still feeling pretty stressed out. Once I reached that point, I just gave myself a day off, figuring I had the time — but then the next day I could barely bring myself to get back to work. I felt like I couldn’t even think about the book without anxiety. And I didn’t know why, because by that point I had no more cause for distress. I guess it was just a residual effect. Or maybe it was that I’ve also been dealing with some pain that I caused myself by over-exercising, and which was perhaps itself a consequence of being stressed out. But fortunately I could spare the time, so although I lost another day, I was able to get back to work the day after that, and it’s gone smoothly since then. It always goes faster once I reach the climax, and it’s just downhill through the denouement. Actually there was one major sequence, the climax of one of the main plotlines, that I didn’t really get a handle on until this morning, but I wrote it then, and the rest just kept coming from there. I managed around 5400 words today, which I think is about the maximum I’ve managed in a single day on this project, though I managed to get in nearly as much on the day just before I took that break (which was why I felt it was safe to take the break at that point). That pretty much makes up for the time I lost — although it would be nice if I had more time to refine the manuscript.
And this morning, I felt much better than I have in a while. Perhaps because I realized I was finally in the home stretch, combined with the pain subsiding, but I’ve been in a much brighter mood today. And now I had to go and depress myself again by writing about how stressed I’ve been up to now. Nah, that’s okay. I’m sure it’ll pass. I’ve met my deadline, the burden is eased (aside from revisions), and in a few days I’ll be able to relax and be free of obligations for a little while. And shortly after that, I’ll be receiving my copy of the Star Trek: TOS Soundtrack Collection, aka The Greatest Thing Ever — a 15-CD box set of every note of music ever recorded for the original series, even some that wasn’t used and has never been heard before (or at least everything that counted as soundtrack rather than dialogue; Kevin Riley’s rendition of “I’ll Take You Home Again, Kathleen” is regrettably, or perhaps mercifully, absent, but all the other songs and source music are there). And now that the cloud of stress has lifted, I’m finally able to feel giddy and excited about that, as I should’ve felt all along.
I think I’ve earned the rest of the day off, and I have a Netflix DVD to watch tonight, Sherlock Holmes: A Game of Shadows — and with Elementary also on tonight, I guess I’m in for a Holmesian evening. Then I’ll start revising the MS tomorrow and continue over the weekend. Revisions always go much faster than the first draft, so I should be able to make at least a couple of passes through the book in that time. All in all, given how much I was delayed getting started, it’s turned out fine.
I just wrapped up a really good day of writing on Rise of the Federation: A Choice of Futures. I started during breakfast and kept at it on and off throughout the day, finishing just now at about quarter to ten in the evening. I got more than 5000 words done and worked on six scenes encompassing two major plotlines, and several sub-threads within the main one of the two. And I even found time to go for a walk and pick up some groceries (though I forgot I’m almost out of cheddar).
This has been a reassuring day for me, given how close my deadline looms. The more days I have like this one, the more time I’ll have for revisions before the due date.
Unfortunately I had to stay home this Thanksgiving rather than go spend it with family as I’ve done the past couple of years, since my deadline on Star Trek: Enterprise — Rise of the Federation: A Choice of Futures (or STEROTFACOF, I guess) looms near and I simply don’t have the luxury to take a trip. But staying here had its advantages, because it was a very nice day today, getting to an unseasonably high upper sixties. I went out for a walk this afternoon to do some thinking about the scene I had to write today, and as I saw how empty the streets were, I realized it would’ve been a perfect day to ride my bike over to campus. Unfortunately, I’ve gotten too much out of the habit of bike riding lately, and my tires are no doubt completely flat by now. Also, since I’m so out of practice at it, I feared that if I did go back, get my bike, walk it to the bike shop, fill the tires, and then ride around campus for a while, I’d be too worn out to write when I got back. Still, it would’ve been nice. I should really try to get back into riding again — I need to get back into better shape. It’s just that the streets around here aren’t very good for it. And the university’s only a good place to ride on Sundays or holidays when it isn’t crowded.
Still, I did at least walk over to campus, and took advantage of the near-total emptiness of the place to get some good thinking done. I revisited a place that used to be my favorite spot when I was in college, something I always thought of as “the Alcove,” though I knew that wasn’t the right word for it. I suppose it’s more properly a small courtyard. It’s a place that used to be a sort of a porch outside the eastern side door of the Old Chemistry building — I know because there’s a porch with the same architecture on the opposite side — but that was walled in when Brodie Plaza was built next to it decades ago, with the plaza level being a story above the porch level. So what was a porch became a sunken area, and what had been the steps down from the porch were walled off and turned into a planter, with a bench of thick wooden planks built across the gap where the steps were, and another bench along the side at right angles — plus a stairway going up to the plaza level. I always found it a nice place to sit or pace around and do some thinking by myself, or occasionally to hang out with a friend. I don’t get back there very often these days, but sometimes I like to go there when I need to do some thinking.
When I got there today, though, I was a bit saddened to discover that the benches were gone. I’m not sure when, but I’d say it wasn’t too long ago, since there still seemed to be a pattern of moss or residue or something on the top of the low stone wall that one of the benches was built around/over, conforming to the shape of its slats. And I’m not sure why they were taken out, but I’m hoping it’s just because the wood was rotting or something and they wanted to replace them. I certainly hope it’s not the first step in something more drastic. “The Alcove” has been a favorite spot of mine for over a quarter-century now, and I’d hate to lose it — even if I’ve only been there a few times in the past decade.
Anyway, I felt I came up with some promising ideas for how to resolve a key scientific/technical plot point in the novel, but realized that it would help me to do some more research, so I headed back home so I could use the computer. But on the way home, I questioned one of the assumptions I’d been making in my outline about how this subplot would play out, and I realized that the plot point I was trying to work out how to do — which involved figuring out how to use concept A as an analogy that would inspire a character to solve a problem with concept B — was actually unnecessary and even kind of hokey. And once I was free of the need to connect A and B, I realized there was a much simpler and less contrived way to resolve the problem with B. So by the time I got home, I had, in fact, solved my story issue by realizing I didn’t need it at all. Which saves me some work, and makes the story a bit better.
My makeshift Thanksgiving dinner was one I got the fixings for a few days ago at the store — the same 90-second turkey-and-stuffing microwave entree that’s one of my staples these days, but with a single-serve cup of microwave mashed potatoes and an ear of corn that I steamed in the husk — followed a couple of hours later by a bowl of Graeter’s pumpkin ice cream in lieu of pumpkin pie. Fairly simple, but good.
And now I’m sleepy.
I’ve finally been cleared to announce the new Star Trek project I’ve been working on for the past few months, which is something entirely new for me and for just about everyone else. It’s called Star Trek Enterprise — Rise of the Federation: A Choice of Futures. The Romulan War saga of the previous Enterprise novels concluded with the founding of the United Federation of Planets in 2161. I’ve been chosen to tell the next phase of the story. How did an alliance forged in wartime become the peaceful union we know? How did its founding members balance their differing views of what the Federation should become? What did they each contribute to the UFP government and Starfleet? How did that Starfleet end up being so similar to the United Earth Starfleet, and what familiar elements owe more to the Vulcans, Andorians, and Tellarites than we might have realized? What challenges did this fledgling union face in dealing with neighboring powers unsure of its intentions or threatened by its unity? What new enemies arose in the wake of the Romulans?
This is a followup to the Star Trek Enterprise — The Romulan War duology, but it’s also a fresh beginning, picking up about a year after the Federation’s founding. The war is over, Enterprise herself is in mothballs, and Admiral Jonathan Archer, his former crew, and his allies including Shran and Soval have moved on to new phases in their lives, playing new roles in the Federation and its combined Starfleet. The novel will feature many familiar characters from the era, a few new crewmates for the familiar cast, and some unexpected names as well. It’s called Enterprise for branding/marketing reasons, but I see it more as a sequel to Enterprise — and a prequel to the original series.
I was intrigued when my editor at Pocket offered me this opportunity, since the early Federation era is virtually untouched. We have very limited information about this period from canon, and only one book, Starfleet: Year One, has ever been set in this era. But that novel was soon superseded by Enterprise, and its focus was principally on Starfleet and not the wider Federation. (The only other novel that’s even come close was Killing Time by Della van Hise back in the ’80s. It gave us a brief glimpse of a version of the Federation’s founding ceremony, but that was it.) So the period is very nearly a blank slate, which is both a great opportunity and a great challenge for me. Worldbuilding in Trek fiction is usually relatively easy since there’s so much backstory and continuity to build on, but in this case it was a lot more challenging to strain out the tiny fragments of information we have about people, events, and institutions from this period. I’ve had to do a lot of extrapolation. But I’m picking up some threads from ENT, the series, that I felt were worth expanding on, and I’m building toward the Trek universe as we know it in the original series, so at least I know my starting and ending points. The worldbuilding has been a lot of fun — figuring out how the early UFP government was organized, how the member races cooperated in the joint government and combined fleet, and what the various member races contributed to Starfleet and how it evolved toward the form we know, in terms of design and technology. I’ve even come up with a design for the original Federation Starfleet uniform. Plus, of course, there’s the challenge of moving the ENT characters (regular and recurring) forward in their lives and careers. There are a few whose futures we have some foreknowledge of, but the rest are blank slates.
Another cool thing about this is that it completes my grand slam: I will now have written tie-ins for every onscreen Trek series, as well as several book-only ones. At first, admittedly, I was a little wary about taking on Enterprise, which I was lukewarm about in its first run. But upon rewatching the series as research for this book, I’ve gained a much greater appreciation for it. When I watched ENT in its original run, my perceptions were filtered through “Oh, that’s not what I expected” or “That’s not how I would’ve done it,” and that colored my reactions, as I think it did for a lot of us. But on revisiting the series, I was able to accept that this was how it was and evaluate it on its own terms. And I think it held up pretty well overall. It certainly has its share of duds and mediocre episodes, but overall I like how it turned out. The first season does a great job at conveying a flavor of exploration and discovery, a sense of wonder and novelty and fascination with the unknown. Sometimes the characters were a little too naive and reckless, but I liked the sense of experimentation, of pioneers trying everything for the first time and figuring stuff out as they went. Few Trek series have ever done as well at capturing that feeling of exploring the strange and unknown. And I appreciate the first-season producers’ attempt to take the storytelling in a smaller, more intimate and character-driven direction, going for an “everyday shipboard life” flavor in much the same way the early first season of TOS often did. (It often felt they were emulating M*A*S*H, with things like movie night and Dr. Phlox’s letters to Dr. Lucas.) There’s also a nice sense of an arc in the first season, a number of evolving plot and character threads that tie it together; the relationship of Archer and T’Pol and how it evolves from mutual hostility into deep trust and friendship is really quite engaging. The second season was weaker overall, maybe because the producers gave into pressure to do more actiony and high-concept episodes, and didn’t have as much of a sense of direction or focus, but it still had its share of satisfying episodes.
I have mixed feelings about the Xindi/Expanse arc of season 3, since it brought in a lot of implausible and fanciful ideas, but it was an admirably ambitious undertaking to tell one grand season-long epic, and the overall story it told was complex and compelling. In particular, I think it handled death more maturely than any other Trek series. In previous shows, captains would sulk over the deaths of redshirts for a few moments and then be laughing and joking by the end of the hour — or at least we wouldn’t see the effects of the crew losses in any later episodes. But when crewmembers died in ENT’s third season, it was always a big deal, something that stayed with the other characters and whose impact was really felt. The first two seasons were implausibly devoid of crew deaths, but that was because the writers didn’t want to trivialize it, didn’t want it to happen unless they could really face its consequences and give it the solemnity it deserved — which they did very successfully in season 3. They really are entitled to high marks for that.
As for season 4, it was impressive as well, though like every other season it had a few duds. I loved its innovative mix of 1, 2-, and 3-parters, allowing a lot more flexibility with the storytelling and letting them do novelistic mini-sagas that were as long as they needed to be. And it did a good job with the continuity porn, showing the beginnings of the Trek universe we know. My main problem with it is that there was hardly any exploring in it; nearly the whole thing was about NX-01′s crew dealing with diplomatic or political crises or battling criminals and terrorists. What I’m hoping to do in Rise of the Federation is to continue season 4′s emphasis on worldbuilding and laying the foundations of the TOS era while also bringing back season 1′s focus on exploration and the pioneer spirit, as well as its focus on character development.
Naturally I’m hoping Rise of the Federation will be a multi-book series, hence the subtitle A Choice of Futures for this volume. But for now it’s just the one book, which does tell a complete story within itself, yet also sets the direction for potential sequels. The book is scheduled for July 2013, so it’ll be out in time for next year’s Shore Leave convention.
Now I just need to finish writing the darn thing…
I just got back from running some errands, starting with depositing the advance check I just received for my current Star Trek novel — which I’m still not cleared to reveal any specifics about, as far as I know. It’s the second book advance I’ve gotten in as many weeks, which is a nice state of affairs.
After that, I went to the local Joseph-Beth Booksellers store so I could see my book on the shelf:
And hey, I’m almost right next to a book by my NYCC co-panelist Amber Benson!
I also introduced myself to a store manager there and tried to get a sense of how the book was doing, but that was inconclusive. They had 10 copies in stock at that store, which I’m hoping is a good sign, since at Books by the Banks (which Joseph-Beth supplied the books for), there were dozens of copies on hand. But it’s hard to be sure.
On the way out of my parking space at Joseph-Beth, my car was almost bumped into by a minivan with a Romney-Ryan bumper sticker, because its driver wasn’t paying attention. Which seems very fitting to me.
Anyway, after that came the roughest part of my trip, which was trying to take my nonfunctioning vacuum cleaner in to the local warranty service center. I wasn’t sure whether the vacuum had broken or both batteries had simultaneously died, so I hoped to get some help figuring that out and maybe getting replacement batteries if that was the issue, as well as getting the old ones recycled. But first off, I found it hard to find a parking place near the store, and had to do some extra driving and turning around and stuff to find a place I could legally park, which was a bit of a walk from the store. Then the store clerk told me he basically couldn’t do anything for me where that particular model was concerned except sell me a new one, which was only about 10 bucks more than a replacement battery would’ve cost anyway, so he said. (I checked online, and if you take tax and shipping into account, I’d say he was just about right.) My floor wasn’t getting any cleaner, so I gave in and bought the new one (which, to my disappointment, came with only one battery instead of the two my previous one came with, so I hope there’s still some life left in the old batteries after all). I’m upset that I wasn’t able to recycle the old vacuum, but at least I have some spare pieces in case I need them.
So that wasn’t too satisfying, but at least I have a functional vacuum again (hopefully). And on the way home, I noticed I was approaching a Big Boy restaurant. I’d just been thinking, not long ago, that it had been too long since I’d been to Big Boy and had one of their Buddie Boy ham sandwiches, which I quite liked. So I went in and did that, and it was very good, as were the baked apples I had on the side. Plus I saw they were advertising their pumpkin pie, and I remembered that they had a wonderful pumpkin pie, so I had a piece of that for dessert, and it was wonderful. So that was a lovely bit of serendipity and I feel very satisfied now — though it didn’t help with my efforts to lose some weight and get back into shape.
UPDATE: I just tried the new vacuum’s battery in the old vacuum, and it worked. So I only needed a new battery after all, not a new vacuum. I wonder if it’s worth it to return the vacuum and just order a replacement battery. Or maybe it’s a good idea to keep the new vacuum on hand just in case the old one does break down.
Today was the Books by the Banks festival for authors from the Cincinnati region, and I spent six hours at the convention center downtown hawking my wares. In addition to a big pile of Only Superhuman, the bookstore providing merchandise for the event also had a bunch of copies of Forgotten History, a small supply of Watching the Clock, three copies of the Mere Anarchy trade paperback, and one lonely copy of Spider-Man: Drowned in Thunder — which wasn’t lonely for long, since it was the first book I sold. By the end of the event, I’d sold out of Mere Anarchy as well and was down to one WtC, and I’d moved seven copies of OS and at least a few of FH. Plus a few people who didn’t buy OS then and there nonetheless indicated they intended to buy it online or as an e-book. All in all, while I could’ve wished for better, it was a pretty decent performance considering that this was a general book festival, not specifically SF-oriented. I seem to recall that at my first BbtB, where they only had Titan: Over a Torrent Sea for sale, I didn’t sell that many copies. So I’m satisfied with how this event turned out. Plus I made a couple of new contacts and set things in motion for a book signing event that will hopefully materialize fairly soon.
I’ve just been updated on what’s hopefully my finalized schedule for New York Comic-Con this week. It’s pretty light, actually:
Thursday Oct. 11, 5:00-6:00 PM: “Justice is Served” panel, Room 1A14
Cops, P.I.’s, government agents and regular Joe’s fight for all that is good and just in these Science-Fiction and Fantasy tales, even if the villains are vampires, telepaths and the magically gifted. These protagonists solve crimes, kick-ass and don’t let anyone–supernatural or otherwise–stand in the way of justice. Featuring Myke Cole (CONTROL POINT), Thomas E. Sniegoski (Remy Chandler Novels), Jacqueline Carey (Dark Currents), Christopher Bennet (Only Superhuman), G.T. Almasi (Blades of Winter), Amber Benson (Calliope-Reaper Jones Novels) and Kim Harrison (Into the Woods). Moderated by Michael P. Spradlin (Blood Riders).
Friday Oct. 12, 1:15-2:15 PM: “Justice is Served” signing event, Autographing tables 2, 3, 4
Friday Oct. 12, 5:00-6:00 PM: Only Superhuman signing, Tor booth (#920)
Holy cow, I’m going to be on a panel and a signing with Amber Benson! I didn’t even know that.
Other than that, my schedule’s open, though I’ll probably be hanging around the Tor booth a fair amount. And though there aren’t any specific Star Trek-related events that I’m involved with, I’ll probably spend some time around the Simon & Schuster booth as well. That’s booth #829, and it’s just one aisle back and one aisle over from the Tor booth.
General info is here: http://www.newyorkcomiccon.com/
I’m a creature of habit in many ways, and as such I’ve continued to use WordPerfect as my word processor of choice long after MS Word became the standard. I even set my later editions of WP to the old-style keyboard command interface, since it’s what I was used to and what I preferred to the more Word-like interface of the later editions. My editors all use Word, of course, but I habitually write my documents in WP format and then save them in RTF or DOC format before submitting them. It’s not just a matter of what I’m used to; I also don’t like being forced to conform, so I resisted giving in to Microsoft along with everyone else.
But lately it’s been giving me problems, since the edition of WP I have is now a decade old and it’s having trouble integrating with modern software, or vice versa. Ever since I got my new printer and its drivers were installed in WP, the program has frozen up for as long as a minute (or thereabouts) whenever I opened a new file. And this past week, I discovered that certain documents in WP, ones with embedded images, were causing more problems for my computer, in one case preventing it from reawakening after hibernation and giving me a “corruption” error. It was okay if I shut down fully and restarted, but keeping the program’s settings in a hibernation file (or whatever you call it) somehow made the system unstable.
So I figured it was time I stopped using that version of WP. Now, I could’ve tried buying a newer edition of the same program, but that would’ve cost over 100 bucks, and its interface probably wouldn’t be that different from Word, which I already have installed anyway and have gotten somewhat used to using in the course of editing manuscripts in the past year or two (since there have been cases where I’ve been expected to edit using Word’s Track Changes feature). Which meant I might as well just start using Word full-time. So yes, I’ve finally been assimilated.
But I have to admit, so far it’s an improvement. I’m still getting used to the interface, but it does have a lot of functions my decade-old WP didn’t, although it’s missing a couple of features that I’ll be sad to do without, and some of its quirks are annoying and inconvenient to me (for instance, if I set one folder to display files in date order with newest first, it displays the whole directory tree that way, instead of letting me do each one case-by-case). The programs all load quickly, which is a major plus. And I should finally be free of one persistent glitch that I tolerated in my WP program — namely, that it froze up whenever I tried to enter an ordinal number like “2nd” or “25th.” It defaulted to shrinking the letters to a superscript, which is bizarre — who actually does that? — but when I tried to turn it off, it started freezing up. So I’ve had to train myself to either spell out ordinals or avoid them altogether. Now I don’t have to do that anymore — though I still haven’t figured out how to turn off the automatic superscripting in Word.
Of course, I needed to convert some of my more elaborately formatted WP files to Word, notably my personal Star Trek chronology file, which is a pretty complicated set of tables with color coding and the like, so I was concerned that it wouldn’t be easy to convert to a new format. I tried that once with an earlier edition of Word than I have now, and it didn’t work. But fortunately, my current edition of Word was able to handle it, and I only needed to make some minor fixes to the document once I’d converted it. So I’m pretty much good to go now.
Still… end of an era.