I realized it’s been nearly three years since I last posted a list of the word counts of my published works. I’m curious to see how much I’ve added since then. This is counting everything I’ve sold and finished writing to date, so there are a couple that haven’t yet been published.
- Only Superhuman: 115,000
ORIGINAL SHORT FICTION
- “Aggravated Vehicular Genocide”: 12,000 words
- “Among the Wild Cybers of Cybele”: 9400
- “The Hub of the Matter”: 9300
- “The Weight of Silence”: 7600
- “No Dominion”: 7900
- “Home is Where the Hub Is”: 9800
- “Make Hub, Not War”: 9800
Total original fiction count: 180,800 words
- X-Men: Watchers on the Walls: 83,500
- Spider-Man: Drowned in Thunder: 71,000
Total Marvel novel count: 154,500 words
STAR TREK NOVELS
- Ex Machina: 110,000
- Orion’s Hounds: 105,000
- The Buried Age: 132,000
- Places of Exile: 55,000
- Greater Than the Sum: 78,500
- Over a Torrent Sea: 89,000
- Watching the Clock: 125,000
- Forgotten History: 85,500
- A Choice of Futures: 80,500
- Tower of Babel (pending): 84,000
Total ST novel count: 944,500 words
STAR TREK SHORT FICTION
- “Aftermath”: 26,000
- “…Lov’d I Not Honor More “: 12,000
- “Brief Candle”: 9800
- “As Others See Us”: 9100
- Mere Anarchy: “The Darkness Drops Again”: 28,900
- “Friends With the Sparrows”: 10,300
- “Empathy”: 11,000
- Typhon Pact: “The Struggle Within”: 25,000
- “The Collectors” (pending): 35,000
Total ST short fiction count: 167,100 words
STAR TREK MAGAZINE ARTICLES
- “Points of Contention”: 1040
- “Catsuits are Irrelevant”: 1250
- “Top 10 Villains #8: Shinzon”: 820
- “Almost a Completely New Enterprise”: 800
- “The Remaking of Star Trek“: 1350
- “Vulcan Special: T’Pau”: 910
- “The Ultimate Guide: Star Trek: Voyager Season 3″: 1170 (not counting episode guide)
- “”Star Trek 45s #11: Concerning Flight”: 1000
Total article count: 8340 words (Counting only paid articles — excluding articles written for websites)
- Novels: 1,214,000 words
- Short fiction: 347,900 words
- Nonfiction: 8,340 words
Total fiction: 1,561,900 words
Total overall: 1,570,240 words
So since last time, I’m up 365,000 words in novels, I’ve more than doubled my short fiction count, and I’ve gained a measly 2,170 words in paid articles. In total, in the past three years, I’ve increased my published (or soon-to-be-published) word count by over 50 percent!
Note that I’ve now written over 1 million words of published (or nearly-published) Star Trek fiction. My next novel, Rise of the Federation: Uncertain Logic — which I’ve just been cleared by CBS to begin writing — is contracted to be 80-100,000 words, so that will put me over a million words in Star Trek novels alone. That’s one more milestone to look forward to.
Now that the contracts have gone through (after some delay), I’m finally able to announce my next three Star Trek projects.
First, probably sometime later in 2014, is my return to the Department of Temporal Investigations series, in an e-novella exclusive entitled The Collectors. That’s right, it’s not a full-length novel and it won’t be on paper, but at 35,000 words it’s a pretty hefty novella. And it’s a story I had a great deal of fun writing, delving deeper into two elements from Watching the Clock that I’ve been eager to explore in more depth: The Eridian Vault, where the DTI stores dangerous temporal artifacts (sort of a Warehouse 13 for time travel), and the mysterious Agent Jena Noi of the 31st-century Federation Temporal Agency. Unlike WTC or Forgotten History, The Collectors isn’t about weaving together time-travel episodes from the TV shows, although it does feature one significant onscreen guest star in addition to established DTI characters like Lucsly and Dulmur. Instead, this was my chance to tell an original story driven by the DTI characters and concepts themselves, to just cut loose with them and play with the potentials of a time-travel narrative unfettered by the need to fill in the blanks of this episode or that movie. It was enormously fun to write, and I hope it’s as much fun to read.
My other, probably less surprising, announcement is that I’ve been signed for two more Enterprise — Rise of the Federation novels to follow this April’s second installment in the series, Tower of Babel. Book 3, tentatively titled Uncertain Logic, will be out in early 2015, and Book 4 will probably arrive in early 2016 (there’s a 10-month gap between the due dates for the two manuscripts, so the interval between publication dates may be about the same). The two books will each stand on their own but have a common story arc connecting them, with the latter story arising from the consequences of the former. (That’s why I got contracted for the two books together. I thought I’d have to talk my editor into that, but she was just, “Sure, I’ll start the paperwork.”) And both books will continue to flesh out ideas from Enterprise, reveal the origins of elements from The Original Series and beyond, and feature original worldbuilding and exploration as well.
In this case, I haven’t started the manuscript yet; indeed, I turned in the outline for Book 3 just last night, and the outline for Book 4 is in more skeletal form, to be fleshed out more once Book 3 is written. But I feel pretty confident about where I’m going with the storyline, which will continue to challenge, deepen, and evolve the characters and hopefully bring some surprises. Oh, and the good news is that I’ll have more room for it. The first two RotF books were in the 80 to 85,000-word range, but these will be heftier tomes; I’m free to go up to 100,000 words. (Which means I should be able to include a subplot I had to cut out of Book 2 for length. Technically I’ve already got 4000 words of Book 3 written!)
I’ve now updated my website with the Rise of the Federation: Tower of Babel cover and preliminary/non-spoiler discussion about the genesis and writing process of this book (much of which is already known to readers of this blog, but there’s some new stuff):
The page also includes ordering links, hint, hint.
Hey, I just realized how much this cover resembles the cover of the latest Analog I was in:
StarTrek.com has just released the cover for Star Trek: Enterprise — Rise of the Federation: Tower of Babel .
This is a distinct improvement over the rather, err, understated cover to Book 1. That cover wasn’t what I’d been hoping for, so I asked my editor, Ed Schlesinger, if there was a chance we could get Doug Drexler to do a portrait of Endeavour for Book 2, maybe with Pioneer too. Ed said they could do that and the wheels were already in motion. I guess we were thinking along the same lines. And now Book 2 has a Doug Drexler cover of Endeavour and Pioneer together.
Here’s the cover blurb:
The United Federation of Planets has weathered its first major crisis, but its growing pains are just beginning. Admiral Jonathan Archer hopes to bring the diverse inhabitants of the powerful and prosperous Rigel system into the Federation, jumpstarting the young nation’s growth and stabilizing a key sector of space. Archer and the Federation’s top diplomats journey to the planetoid Babel to debate Rigel’s admission… but a looming presidential race heats up the ideological divide within the young nation, jeopardizing the talks and threatening to undo the fragile unity Archer has worked so hard to preserve.
Meanwhile, the sinister Orion Syndicate recruits new allies of its own, seeking to beat the Federation at its own game. Determined to keep Rigel out of the union, they help a hostile Rigelian faction capture sensitive state secrets along with Starfleet hostages, including a young officer with a vital destiny. Captain Malcolm Reed, Captain T’Pol, and their courageous crews must now brave the wonders and dangers of Rigel’s many worlds to track down the captives before the system is plunged into all-out war.
I’ve just been informed (by Keith R.A. DeCandido on Facebook) that Ian Coomber of the site What Culture has posted a list of the top 5 Star Trek tie-in novelists:
Number 1 is Una McCormack, #2 is David Mack, #3 is Keith, and #4 is yours truly! (#5 is a tie for the actors who’ve written or co-written tie-in novels: Armin Shimerman, Andrew Robinson, and J.G. Hertzler.) I made the list specifically for DTI: Watching the Clock, which he describes as “a novel whose ambition is only surpassed in its accomplishments” and “borderline epic.” Not bad for a novel that I only pitched as an afterthought.
Thanks to Ian for the recognition!
…And I haven’t yet had my language confounded or been scattered abroad, which is a good sign.
No, that’s something else. What I mean to say is, I’m currently working on the final proofreading pass of Star Trek: Enterprise — Rise of the Federation: Tower of Babel, and for efficiency’s sake and to keep it interesting, I’m combining it with writing the first draft of my annotations for the novel, to be posted once the book is released in April. This is actually useful for the revision process, since it encourages me to examine the text critically and double-check references, so I’ve caught a few things I overlooked before.
Meanwhile, I’ve been shown the novel’s cover, which will probably be released pretty soon. It’s a definite improvement over the Book 1 cover, I feel. But I can’t say more about it yet.
I’ve also been making some good progress on my outline for my next Trek novel, which I should be clear to announce very soon, since the contract is signed and executed. Two of the main plotlines are in place and I now have a good idea of what the remaining one will be; I just need to work out the specifics. Indeed, it was just this morning that I had an idea that really helped the plot come into focus. And I’ve got another two and a half weeks to finalize the outline. Last time, I had trouble figuring out the outline and struggled to get it done by my deadline, but this time it’s going much more smoothly.
One thing that may be helping is that I’ve increasingly gotten into the habit of keeping my cell phone on my bedside table and using its voice recorder to dictate story notes. All too often in the past, I’ve had a good idea before I got out of bed or while I was going for a walk, but by the time I got around to writing it down, I’d forgotten much of it. I think dictating notes has helped me work more efficiently. Although I’m getting a little tired of listening to my own recorded voice, especially since I’m often sleepy and mumbling when I record these notes. I’ve been trying to put more animation into my voice, like I do when I give interviews, just so I don’t bore myself so much. Also, today I finally got around to copying my accumulated notes onto my computer, and was pleased to find that the format for the audio files (.amr) is playable with my existing media software. So I don’t have to worry about losing my notes if something happens to my phone. I’ve been thinking of getting a new cell phone anyway — I’ll have to make sure I get one with a similar recording function.
I’ve got some other irons in the fire writing-wise as well, but nothing I’m ready to talk about. Hopefully there will be some progress on those fairly soon. But expect another Trek update very soon.
The Trek Mate Family Network in the UK has just released a podcast of an interview I did for their “Captain’s Table” feature in which they interview Star Trek prose authors. The discussion covers my Trek work, my Marvel novels and their audio adaptations, and Only Superhuman. You can find it here:
I really ought to post something about New York Comic-Con, but I’ve been too busy or too tired. I’ll try to keep it concise.
I ended up driving after all due to the cost of plane fare after waiting so long to buy tickets. I planned out my route carefully this time, so it went fairly smoothly — but I set out too early on the second day and had a hard time staying alert. I didn’t really feel recovered until after lunch. So on the way back, I think I’ll spend the morning of the second day in the motel just resting, then get a good lunch, then drive the rest of the way home.
I’ve been staying with friend and fellow author Keith R.A. DeCandido, his fiancee, a family friend, several cats, and a large Golden Retriever. I was nervous about the latter, but he’s a friendly dog and I’ve been getting used to having him around. Indeed, there’s something reassuring about knowing a dog that big is sleeping outside your bedroom door, on sentry duty as it were.
The two days I spent at the con are kind of a blur right now, so to sum up: both my signings on Friday went pretty well. The GraphicAudio booth is in a good location and drew a lot of attention from passersby, and we got to sell a number of copies of my audiobooks, along with free copies of the prose books as a bonus — courtesy of Tor in the case of Only Superhuman, plus a few Spider-Man; Drowned in Thunder copies which I provided myself. I was expecting Tor to be offering the paperback, but their giveaway copies (half of which I took over to GA, the rest of which I signed for them to give out at Tor’s booth) were hardcovers instead. I guess that makes sense — they want to use up the stock now that people will mostly be buying the MMPB. But it made it more of a slog to carry them over to the GA booth through the Comic-Con crowd. Anyway, the giveaway copies moved pretty well, I was told. My A Choice of Futures signing at the SImon & Schuster booth went well too; this time people actually came to see me specifically rather than just happening to pass by.
I got to talk with a number of colleagues — Keith, of course, and the GA people, and fellow Trek author Kevin Dilmore, who works for Hallmark and was manning their display. It was nice to catch up with him. Unfortunately my former Trek editor Marco Palmieri, now at Tor, was too busy to talk much. I also had fun meeting Lilly, a friend of Keith’s who’s a professional balloon artist, and who performed at his booth to attract passersby. It’s an interesting craft, improvisational yet requiring a lot of meticulous manual control and precision.
Today I just stayed in and rested while Keith et al. went in to the con. I needed a day of quiet to recover before undertaking the drive home tomorrow. I did go down to the local pizza place for lunch, though, and had an excellent slice of white pizza with spinach.
That’s all for now. Maybe I’ll mention more details later, if any come to mind.
In my last post, I voiced some concern about whether my New York Comic-Con tickets (or badges, I should call them) would arrive in time. I actually e-mailed their customer service over the weekend to ask about the delay, but I only got a response this morning, telling me that they’d been mailed last week and would arrive “any day now.” And a few hours later, there they both were in the mail. So if I’d just been a little more patient… Oh, well. I got a few extra hours of reassurance out of it.
So now I know I can get into the con, and I registered the badges so they can be replaced if I should lose them, so as long as I don’t have any travel problems, I’m now confident that I’ll be there for my signings on Friday the 11th (GraphicAudio, Booth 838, 11 AM and Simon & Schuster, Booth 1828, 4 PM). I’m still waffling a bit on whether to fly or drive, but I’ll probably fly, since it’s a rather long drive. The main advantage of driving — aside from getting to avoid airport security, which is awfully tempting — is that it’s cheaper. But I got my final advance check for Rise of the Federation: Tower of Babel today, and I have some other work lined up that I can’t talk about yet, so money isn’t particularly tight for me at the moment.
Speaking of tightness, apparently part of the reason NYCC was so unbearably crowded last year was rampant badge counterfeiting and lax security that let lots of people sneak in without badges. That seems to be why badges were in such short supply this year — they’ve really tightened up access. Also they’ve put RFID chips in every badge as a security feature against counterfeiting, hence the online registration. Hopefully this means the crowds will be more manageable this year, but it has put some limits on access. Apparently I’m not the only professional creator who missed their chance to get a pro badge because they ran out prematurely. They should work to refine the system so that doesn’t happen again.
Well, it’s been a bit of a mess trying to make arrangements for New York Comic-Con, since apparently they didn’t have enough tickets or something. They actually sold out of professional passes prematurely, before I could get one, so I had to buy regular tickets, and all they had left were Thursday and Friday tickets. So I’ll only be in attendance at NYCC on those two days — well, assuming my tickets ever arrive. The paperwork said they’d begin mailing them in mid-September, but I haven’t gotten mine yet. But there’s still two weeks to go, so I’m hopeful.
Anyway, I have two signings tentatively scheduled, both on Friday, October 11.
11 AM, Booth 838: GraphicAudio hosts a combined signing for the Only Superhuman audiobook, which will be on sale at the booth, and the mass-market paperback. which will be a free giveaway. There might be copies of the Spider-Man: Drowned in Thunder audiobook on hand too, though I’m not sure.
4 PM, Booth 1828: Simon & Schuster’s booth hosts a Star Trek signing, which was hoped to be a group signing but so far is just me. I assume I’ll be signing copies of Rise of the Federation: A Choice of Futures.
There won’t be any scheduled event for me at the Tor booth (2223), which is why I’ll be doubling up on the MMPB and audiobook at the GraphicAudio event (and I’m very grateful to the GA folks for accommodating me). But I’ll surely be hanging around the Tor booth for a fair amount of time on Thursday and Friday, and there will be signed copies of Only Superhuman there as giveaways. No doubt I’ll drop by the S&S and GA booths on Thursday as well. Ticket gods willing, that is.
If there are any changes to the schedule, I will of course announce them promptly.
This is going back quite a ways, but I just came across this really detailed and thoughtful review of Ex Machina on “The m0vie blog”:
It’s hard to pick just one pull quote, so I’ll go with the wrap-up paragraph:
Ex Machina is a worthy and joyful celebration of an esoteric and oft-overlooked period of Star Trek history, at once an ode to a by-gone age and yet a clever modernisation of some of the franchise’s core qualities. It’s a clever and fun debut from Christopher L. Bennett, and one well worth checking out for anybody who likes a bit of social commentary in their Star Trek or even just occasionally wonders what an expanded version of The Motion Picture might look like.
I’m really impressed — the blogger, “Darren,” makes a lot of extrapolations about the motives and reasoning behind my creative choices, which can be a risky thing to do and runs the risk of projecting the reviewer’s own interpretations onto the writer; but in this case the reviewer is largely on the mark (although maybe that’s because I’ve written so much about my thinking in my annotations and such). Although he perceives a stronger connection to The Wrath of Khan than I’d intended.
Well, it’s been an eventful few days, with little time to post anything. The drive to Baltimore was agreeably uneventful, except for the night I spent in a very cheap motel with no amenities and spiders in the tub and corners. (Could’ve been worse. Spiders are basically harmless and keep other pests at bay.) And except for the sore shoulder I’m dealing with in the wake of my marathon writing session to finish Tower of Babel.
I got into the hotel around noon on Friday and promptly ran into Greg Cox, who, like me, was waiting for his room to be ready. We spent a while catching up, having a good long chat. Later that afternoon, he and I went to dinner with Marco Palmieri, Klingon language expert Lawrence M. Schoen (who just signed a book contract with Tor), and fellow Tor novelist (and one-time Star Trek: Strange New Worlds contributor) Rod Belcher, and we talked Tor for a while. I had a really nice hummus-and-pita appetizer followed by a pretty good spaghetti with tomato-and-basil sauce. Then we went to my first panel, announcing Tor’s recent and upcoming schedule — basically the same thing Marco and his fellow editor Margaret Clark used to do for Star Trek books, but now for Tor’s much broader line of books, including the upcoming mass-market paperback of Only Superhuman. David Mack helped run the slide show, and in return he was granted the opportunity to announce the exciting new Trek project reuniting him with his Vanguard collaborators Dayton Ward and Kevin Dilmore, Star Trek: Seekers, which you can read about here.
After that came the annual Meet the Pros book-signing event, which was pretty well attended this year, since William Shatner was at the con and thus it drew a larger crowd. I got to catch up with several of my fellow authors/friends. I only managed to sell one copy of OS that night, though, but I also managed to sell one of the copies of Spider-Man: Drowned in Thunder that I brought with me.
Saturday, after having breakfast in my room and finally figuring out how to get onto the Internet from the hotel, the first thing I did publicly was to visit the book dealers’ table, where I did the traditional one-hour shift in what Marco Palmieri (IIRC) has now dubbed the Author Chimney — a narrow space between two brick pillars, just wide enough for one person to sit and sign books for passersby. It’s right near the concession stand where they sell burgers and hot dogs (the only relatively inexpensive place to eat in the hotel now, since the cafe closed when the hotel changed owners recently), so I had my lunch there. I think I moved two copies of OS and convinced a couple of others to check out the e-book.
Then I had my marathon of panels, the topics of which I covered in my previous post. That’s all kind of a blur, but it went pretty well. As a bonus, for the panel “Did Man of Steel Tarnish Superman?”, Dave Mack and I had the privilege of being joined by a surprise guest, Paul Kupperberg, who’s written and edited many Superman comics and was more qualified than either of us to discuss the topic. The consensus: No, Superman’s untarnished since he still exists in many media, but the movie rather screwed up his depiction. I was glad to move from there to the Legend of Korra panel, which was a lot of fun. But by the time the final panel rolled around, I was feeling pretty worn out and punchy. Before it, I’d tried to get a granola bar from the vending machine in what was left of the cafe, but I misread “E5″ as “F5″ and got animal crackers instead, which I didn’t want. Then, after the panel, I got a microwave entree out of the carousel vending machine, but the microwaves in the cafe were too low-power to heat it adequately, as I found out when I got it back to my room. After another couple of tries, I just gave up on it and threw it away, and went out to try to find some other place to eat. A fellow guest, Steve Wilson (writer of a couple of my favorite DC Trek comic issues) reminded me that the grocery store across the road had a good deli, so I drove over, got a pasta salad, and finally, finally got to retire to my room for the evening.
Sunday began with the traditional authors’ brunch, and then I attended a talk that NASA scientist Paul Abell — husband of Trek author Amy Sisson — held about the Chelyabinsk meteor explosion last year. Turns out he’s one of the team members involved with detecting potential Earth-threatening asteroids, a division called “planetary defense.” But he tells me their offices do not particularly resemble the Hall of Justice.
Speaking of which…
EDIT: Here’s that scan:
Oh, here’s a funny sign I saw at the con and had to photograph:
After getting a hot dog and chatting with Greg and Keith DeCandido during the latter’s stint in the Author Chimney, I joined Paul for a panel on the science and fiction of asteroids, comparing what I did in OS with his real-life knowledge of the field — although, since this is me, there was nearly as much science on my side as his. The next panel in the same room, which mistakenly got left off the schedule grid, was on writing Star Trek: TOS and the challenge of finding something new to say. I ended up joining the panelists for that one and talking about my post-TMP work. Finally came my solo Q&A panel, which was rather poorly attended, since people were going home by that point. But the few people who were there got to be the first to whom I showed the cover for the upcoming Drowned in Thunder audiobook (which I’d downloaded onto my laptop just minutes before):
Which I think is a panel from the same comics scene that Marco wanted the novel’s cover artist to use for inspiration. (It’s not the exact same page, but it’s clearly by the same artist (John Romita, Jr.) and looks like an earlier panel in the same sequence.) I also got to talk for a while about my upcoming Analog novella “Make Hub, Not War,” which should be out in a month or so.
After that, I left the con and drove to the DC suburbs to stay with cousins Barb and Mark, and I’m typing from their guest room. I’ve just gotten back from my visit to GraphicAudio’s studio, which was very cool and which I think deserves its own post. To be continued…
Okay, first the good news: I turned in the manuscript for Rise of the Federation: Tower of Babel on time yesterday. Honestly, it was a close one. Even though I gave myself plenty of time, I had difficulty getting a handle on this one. I was sick when I put the outline together and it was very rough, so it was hard to get a grip on the story. I also made the story rather complicated, covering a lot of different places and events, which slowed me down because I had to create a lot of separate worlds and situations, and beginnings are the slowest parts because I have to take time to figure everything out first. Kind of like in film/TV — every new set needs to be designed and constructed, so the more sets you have, the more time and effort you have to expend. Anyway, I finally got a handle on it, refined and fleshed out the story, and made the deadline, but there may still be some polishing to do. And I drove myself so hard toward the end there that the stress and heavy typing have left me with a very sore and inflamed shoulder, so as soon as I turned in the MS I went to see the doctor and got a prescription for the pain. But last night I got the best, most relaxing night’s sleep I’ve had in months. (I even had a dream about my beloved old cat Tasha! Awwww.)
So hopefully my shoulder will be better in time to drive to Shore Leave in a couple of days. To that end, I should go easy on the typing and get on to the schedule that’s just been posted. Not sure if this is completely final, but here are the panels/appearances I’m scheduled for at the moment:
Tor Books: New and Upcoming — 9 PM, Hunt Ballroom
This will mostly be Tor editors Marco Palmieri and Greg Cox talking about the new books they have coming out over the next year, but I’ll be there to shill the upcoming mass-market paperback of Only Superhuman.
Meet the Pros — 10 PM, Hunt/Valley Corridor
The annual 2-hour mass signing event where all the author guests will be available to autograph whatever you bring or buy.
The Future History of Star Trek’s Past in Prose — 1 PM, Chase Ballroom
A panel about explorations of the Trek universe’s history in prose. Mainly an excuse for me to talk about Rise of the Federation, but it’ll also feature Michael Jan Friedman (author of Starfleet: Year One, the previous attempt to cover the beginnings of the Federation, which was overwritten by Enterprise) and David Mack (who dealt with the ENT era memorably in Destiny). I was hoping we could also get Greg Cox, who’s done so much with Gary Seven, Khan, and the like in his books, but he’s got a Superheroes on Film panel at the same time.
From Tie-in to Original — 2 PM, Chase Ballroom
The third annual panel letting us tie-in authors shill our original work, this time with me, Ann C. Crispin, Peter David, Keith R.A. DeCandido, and Jo Wymick.
Did Man of Steel Tarnish Superman? — 3 PM, Chase Ballroom
My third consecutive hour in Chase, and I was hesitant to sign up for this one, but yeah, I have some unusually strong opinions about Man of Steel and I guess this’ll be me and Dave Mack and the audience talking about it for an hour.
The Legend of Korra: Let’s Review — 4 PM, Salon F
Yayy, I finally get out of Chase! And I get to chat with Marco Palmieri and the audience about the glory that is Korra. (Good thing I just DVRed the whole series. I can spend the day catching up on the show and resting my shoulder.) Although I expect a very small audience since William Shatner will be in the big ballroom at the same time.
Writing Alien Aliens! — 5 PM, Belmont Room
My Saturday marathon wraps up as Rigel Ailur, Mary Louise Davie, and I talk about the science of creating interestingly exotic alien species and characters.
Science Fiction of Asteroids — 1 PM, Belmont Room
A rare crossover of the SF and science guests. I wrote a book set in the asteroid belt, and science guest Paul Abell is an asteroid expert, so I thought, let’s get together and talk ‘stroids! We’re joined by author Melissa Scott as well.
Christopher Bennett — 4 PM, Salon A
Yup, just me for an hour. I’ll be there to talk and answer fan questions about Rise of the Federation, Only Superhuman, the upcoming audiobook of Spider-Man: Drowned in Thunder, my upcoming “Make Hub, Not War” in Analog, and anything else I’ve done.
FYI — there will be a replica of the ’66 Batmobile – aka the only true Batmobile — at the con. I will definitely be there at some point and will probably want to be photographed in it. (I hope someone gets a photo of Shatner sitting in the Batmobile. That might cause a critical mass of geek nostalgia and tear a hole in the space-time continuum, but it will be worth it.)
Just saw this on The Trek Collective: Amazon is now listing a release date for Tower of Babel, my second installment in the Star Trek: Enterprise — Rise of the Federation series. The date given is March 25, which means it’s technically the April 2014 release.
And my deadline for finishing the dang thing is only 29 days from now, so I’d better get back to work.
I’ve just gotten the proofreading galleys for my new Hub story “Make Hub, Not War” from Analog, and they indicate that the story will be included in the November 2013 issue. I checked with the folks at Analog and they confirmed it. Now, the current issue is July/August, and apparently came out earlier this month, which would suggest that the November issue will be out in maybe 4 months, around September, give or take. Which happens to be around the same time Only Superhuman comes out in paperback! So that’ll be a big month (give or take) for my original fiction.
In other news, I’ve just updated my website with some preliminary discussion of Star Trek: Enterprise — Rise of the Federation: A Choice of Futures, though there’s little there that I haven’t already said here on the blog.
Empire Magazine‘s site has posted a feature on Pocket’s Star Trek novel line, focusing mainly on the series that expand the universe beyond the aired shows:
This includes some series that I’ve been a part of; Department of Temporal Investigations gets a whole page, and their “if you read only one” recommendation for Titan is my Over a Torrent Sea. Plus there’s an oblique reference to The Buried Age on their page for The Lost Era, though they don’t mention it by name. I do wish they’d spelled my last name correctly, but otherwise I appreciate the attention, both on my behalf and that of my colleagues.
This is interesting… a fan called Nikk Roy has put together book trailers for the segments of Star Trek: Myriad Universes — Infinity’s Prism, including my own Voyager-centric tale Places of Exile. How do you make a video trailer for an alternate-timeline book featuring events that never happened onscreen? Here’s how:
Pretty clever. There are also trailers for Bill Leisner’s A Less Perfect Union (thanks to Bill for bringing this to my attention) and James Swallow’s Seeds of Dissent. I think those were a little harder to find appropriate footage for, though.
Simon & Schuster has now posted the cover image and blurb for Star Trek: Enterprise — Rise of the Federation: A Choice of Futures.
A new nation has arisen from the ashes of the Romulan War: the United Federation of Planets, an unprecedented union of diverse species cooperating for the good of all. Admiral Jonathan Archer—the former captain of the Earth starship Enterprise, whose efforts made this union possible—envisions a vibrant Federation promoting galactic peace and a multispecies Starfleet dedicated to exploring strange new worlds. Archer’s former crewmates, including Captain T’Pol of the U.S.S. Endeavour and Captain Malcolm Reed of the U.S.S. Pioneer, work with him to secure that bright future. Yet others within the Federation see its purpose as chiefly military, a united defense against a dangerous galaxy, while some of its neighbors view that military might with suspicion and fear. And getting the member nations, their space fleets, and even their technologies to work together as a unified whole is an ongoing challenge.
When a new threat emerges from a force so alien and hostile that negotiation seems impossible, a group of unaligned worlds asks Starfleet to come to its defense, and the Federation’s leaders seize the opportunity to build their reputation as an interstellar power. But Archer fears the conflict is building toward an unnecessary war, potentially taking the young nation down a path it was never meant to follow. Archer and his allies strive to find a better solution…but old foes are working secretly to sabotage their efforts and ensure that the great experiment called the Federation comes to a quick and bloody end.
Admittedly, the cover image is a little inaccurate. Archer’s in the Earth Starfleet dress uniform he wore as a captain in the series finale “These Are the Voyages,” rather than the Federation Starfleet admiral’s uniform he wears in the novel. But this is as close as Pocket’s art department could come with the available and approved photo references, apparently.
Anyway, I returned the final galley corrections to my editor yesterday morning, so the text of the novel is now pretty much locked, and it’s scheduled to go out to the printers on Tuesday. Hopefully we caught all the mistakes. The book will go on sale in about two months now. In the meantime, I’ll be getting back to work on Book 2.
The contracts are signed, the outline approved, and the writing underway, so I’ve been cleared to announce that my next Star Trek novel, following this July’s Rise of the Federation: A Choice of Futures, will be a sequel entitled Star Trek: Enterprise — Rise of the Federation: Tower of Babel. That’s right — the buzz for Book 1 has apparently been so strong that I’ve already been asked for Book 2 (indeed, I got the invitation about a week before I even turned in the manuscript for ACoF!). It’s always been my hope that ACoF would be the first of a series, but for the past few months I’ve had to tiptoe around confirming that it now will be.
Tower of Babel will move the story of the Federation’s early years forward into 2164, and the title offers a hint about its subject matter. I can’t tease much about it yet, since there’s a lot about Book 1 that hasn’t even been publicized yet. But it will continue to develop the main story and character threads of Book 1 and will add some new ones, both following up on Enterprise and laying the groundwork for the world of The Original Series, and featuring more exploration of new worlds (at least, new to the characters, and not well-explored in canon or literature to date) than I managed to fit into Book 1. I don’t yet know what its publication date will be, but considering that the manuscript due date is about seven and a half months after the previous one, I daresay it’ll probably be sometime in early 2014.
As for A Choice of Futures, I was hoping the cover would be available sometime around now, but apparently there’s been some delay in the process, so nothing yet, alas.
I’ve been sent the galleys of Rise of the Federation: A Choice of Futures (the text formatted as it will appear in the final book) for my perusal, and I’ve been going over them. They were sent to me as a PDF file, and I’ve been checking the text against the last revised and copyedited draft of the manuscript, looking at them in side-by-side windows on my monitor to compare them line by line. And in looking over my Adobe Reader’s menu options, I discovered that it comes with a function called “Read Out Loud,” which will recite a highlighted paragraph or selected page in a synthesized voice. I thought I’d give it a try — maybe listening to the PDF while reading along in the manuscript would be an easier way to compare than darting my gaze back and forth between them every few words. It’s not a perfect system, since I still need to keep an eye on punctuation here and there (though it’s pretty consistent at rendering periods and commas with intonation and pause duration). I think it’s slower going than my own reading would be, even with reading two texts at once; it’s not really worth doing with short paragraphs.
But it’s been worth it just for the entertainment value. The synthesized voice it uses is like a cross between Ben Stein and Eeyore — this slow, deep voice that usually just drones but sometimes puts a really hilarious, depressed-sounding intonation on the end of a line, kind of like Tim Conway’s old-man character from The Carol Burnett Show. Which can be a lot of fun when it’s reading a line like “I can’t maintain more than warp three-point-two” (or as it reads it, “warp three-point-twoooo,” descending a perfect fifth on the final syllable). It also does weird things with pronunciation — it renders “navigational” as “nah-vih-gah-tee-on-al” despite having no problems with other “-tion” words, and “redesignated” with a short a. Surprisingly, an ordinary word like “important” comes out as “imper-tahnt.” It thinks T’Pol is named Paul (well, no, there’s a barely audible T sound at the start), except “T’Pol’s” becomes “tee-single-quote-paul-single-quote-ess.” Hoshi Sato is “hawshee suhtoe.” And “NX-class” becomes “N-X-C-L-A-S-S.” On the other hand, it’s done surprisingly well with the alien and technical words I’ve tossed at it so far. In particular, there’s an alien outpost that I named Qhembembem (because I was in a silly mood), and it handled it fairly nicely, having no problem with the “Qh,” though it gave it the interesting pronunciation of “Kem-bem-eem.”
Still, I’m not sure I’ll keep using it. It could wear out its welcome after a while, and I’m concerned its quirks may be more a distraction than an aid. Maybe I’ll use it intermittently depending on the scene and my mood. But it’s helped add some fun to the tedious proofreading process.
UPDATE: One particularly weird glitch of this voice-synth program — it pronounces the word “point,” and only that word, as though it were French. “Phlox pointed out” becomes “Phlox pwaahn-ed out.”