The official Shore Leave schedule hasn’t gone up on the site yet, but here’s a list of the panels I expect to be on:
Comedy of Sci-Fi — 8 PM, Hunt Ballroom
I don’t know if I’m officially on this panel, but I’ve requested it as a chance to talk about my Hub series of comedy novelettes in Analog. Also featuring Aaron Rosenberg, Russ Colchamiro, Peter David, and Lorraine Anderson.
Tor Books : The Year Ahead — 9 PM, Hunt Ballroom
I don’t think I’ll actually be on this panel this time, since I don’t have anything new for Tor yet, but I figure I should mention it anyway, since I’ll at least be around for it. Tor editors Marco Palmieri and Greg Cox will give what’s become their regular preview of next year’s SF/fantasy slate from Tor, which I really wish I were on, but I’m not. Well, maybe next year.
Meet the Pros — 10 PM, Hunt/Valley Corridor
The annual 2-hour mass signing event where all the author guests will be available to autograph whatever you bring or buy.
Star Trek Novels: Writing in the Movie Era — 10 AM, Derby Room
Pretty self-explanatory. I’ll be the only one representing the post-TMP era of Ex Machina, The Darkness Drops Again, and Forgotten History, while the other panelists all represent the post-Final Frontier period: Dayton Ward (In the Name of Honor), Peter David (The Rift), and Greg Cox (the upcoming Foul Deeds Will Rise).
Sixty Years of Godzilla — 11 AM, Hunt Ballroom
Also self-explanatory, and also featuring Greg Cox and myself along with Jeffrey Lang, Andrew Gaska, Bob Greenberger, and Richard C. White. Greg, of course, wrote the novelization of the recent Godzilla movie, while Bob wrote a 2005 nonfiction book about the franchise. I’m there just because I’ve seen and reviewed most of the films within the past couple of years, as Written Worlds followers are aware.
Writing Action Scenes — 4 PM, Concierge Lounge
Something I have some experience with, particularly through Only Superhuman. With myself, Keith R.A. DeCandido, Kirsten Beyer, David Mack, Danielle Ackley-McPhail, and Eric Bakutis.
Series in the Sandbox — 5 PM, Derby Room
This one’s a little harder to explain. It’s basically devoted to single-author or single-team ongoing series in Trek and tie-in literature, with myself (representing Rise of the Federation), Kirsten Beyer (Voyager), the Vanguard/Seekers trio of David Mack, Dayton Ward, and Kevin Dilmore, and Stargate: SG-1/Atlantis novelist Jo Graham.
Unfortunately, both the Sunday panels I wanted to be on are too late for me to attend, since I’m flying in and out this year for the first time, and I need to leave in mid-afternoon to get to the airport in time. So I probably won’t be on any panels on Sunday. But I’ll be generally around, and I’ll try to spend an hour in the Author Chimney at the book vendor’s table down below the escalators, so folks can drop by and find me.
And no, I’m not doing a personal Q&A panel this year. I don’t have enough going on this year to justify it, and the couple I did before were not well-attended. But I’ve tried to get on panels that will let me discuss my various works, so those would be the places to ask questions or just generally lavish praise upon me.
If any of this information is changed once the official schedule goes up, I’ll update this article. But there’s not much time to go!
This is my first Shore Leave with a smartphone, and I’m finding it useful for entering my schedule and important notes into. I’ve even entered my panels into the calendar app. It should also help me keep up with e-mail and Internet during the con, and to look up information if I need to (I’ve already got the Shore Leave page and the Baltimore Light Rail schedule bookmarked). And I’m remembering to bring my backup charger pack.
This is interesting… In checking my blog’s statistics page, I see that on the list of search engine terms that led online searchers here to Written Worlds, there were two hits for “fan art for only superhuman.” I was intrigued to think that two people might be looking for Only Superhuman fan art, but I realized it was probably a single search that led to two different pages here, most likely the posts containing my sketches of Emerald Blair and Psyche Thorne. Still, it’s nice to know that someone out there is interested in OS fan art. Unfortunately, I did the same search myself and found nothing that fit the description. That’s a pity, since I’d love it if there were fan artists out there invested enough in the Green Blaze’s world to undertake some artwork. (Feel free to consider that an invitation.)
On the other hand, one of the search terms on today’s list is “only superhuman torrent.” I’m disappointed in you, whoever you are. I made little enough profit from this book as it is — I need whatever I can get.
The overwhelmingly dominant search terms that people use to find WW are things like “doctor who last words,” “first words of new doctor,” “last words of the [nth] doctor,” and so on, all leading to what I thought was a fairly random, frivolous compilation of The Doctor’s first and last lines, but which has turned out to be by far the most popular post in the history of my blog. I also get surprisingly many search terms leading folks to my “How to dismember a recliner chair” post, which is really not an advice column of any sort. But aside from the Doctor Who post, the most frequent category of searches leading here are those pertaining to Mission: Impossible. I’ve even come across the occasional searches like “mission impossible christopher bennett review [episode title]” — there are people out there actively searching for my M:I reviews by name. That’s gratifying. (And yes, I’ll be completing that series with my reviews of the movies in the days ahead.) And people sometimes search for Written Worlds by name, which is also nice.
Here are some more unusual ones I find in the list:
“re-atomizing human body by medbeds” — Hm. Must be a reference to my Elysium review, in which I did mention the term “medbed,” which is the term I use in the Only Superhuman universe for what Larry Niven called an autodoc. I’m surprised someone else would search for it by that term. Maybe a fan of my work? Or is the term in more general use than I’m aware of?
“anamated cartoon hot hensei girls in bikinis showing their bodies” — Ummm. Oh…kay, I have no idea how that led someone to my blog. “Hot composition girls?” That’s what “hensei” means. Kind of hard to search for Japanese cartoon porn if you don’t even know how to spell it.
“dune books in chronological order” — I don’t think I ever talked about those books here.
“karolina wydra eye” and “karolina wydra eye pupil” — I seem to have gotten things like this a few times that I know of, no doubt connecting to my Europa Report review. Not sure who’s so fascinated by her eye, though.
“how was your drive home” — Err, thanks for asking, but who would ask that of Google?
“teacher at aloha johnson” — No idea.
“acts 6:2 why does the holman use financial rather than wait on tables” — Did a human being type that?
“lesbian scene from massion impossible” — If only, man. If only.
“Target Earth” is an oddly sci-fi name for an episode of this series, but it’s written by former Star Trek scribe Stephen Kandel — also the only writer other than Walter Brough to contribute to both the original and revival series, having been the seventh season’s story editor and scripting the excellent “The Deal” and “The Question” as well as the more disappointing “Incarnate” and “The Fountain,” plus the okay “Movie” and “The Fighter.”
We’re back in Australia again, at what’s supposedly the Outback launch site of the first privately built and operated space shuttle — although the private shuttle looks exactly like the American one so they can use the stock footage. There’s a weird shot panning down what looks like a life-sized wall mural of the shuttle (visibly 2-D) to where a blonde woman, Alina (Gosia Dobrowolska), is dragging an unconscious man under the shuttle’s rockets. Alina then goes to Mission Control, where they’re puzzled that the pilot is missing this important test firing, and she cheerfully orders the rocket ignition that vaporizes that very pilot.
Jim’s briefing today is by Robert Louis Stevenson, or at least that’s where he finds it shelved once a librarian directs him there. The shuttle, called Frontier One and operated by the Eurospace Consortium (whose initials are ESS for some reason), is carrying a powerful laser for destroying orbital debris, taking mineral samples, and nice stuff like that, but the IMF suspects that the disappearance and suspected murder of the pilot was part of a plan to take over the shuttle for terrorist purposes. They don’t know of a specific group or individual behind this, they’re just speculating, but they’re still sending in Jim’s team to find out, an oddly nebulous mission profile for them. And I hope the self-destructing disc didn’t start a fire in the book stacks.
The apartment scene establishes that Jim has done something I’ve often thought would be a good idea: Instead of having everyone just show up on the same day, he’s already had Grant and Shannon embedded at the ESS center for three weeks by the time he briefs Nicholas and Max — Grant as one of the scientists, Shannon as one of the two candidates for replacement pilot, with Grant coaching her through her radio earring. Jim goes in as a NASA observer, Max as a technician, and Nicholas as a doctor (or something) who’ll approve the winning candidate. Shannon has her hair pulled back in a severe bun to play a cool, competent professional, and I’ll be damned if it isn’t one of her sexiest looks yet. Anyway, her main competition is Rhine (Lewis Fitz-Gerald), and for some reason they’re competing in a piloting simulation in the actual shuttle cockpit, with Grant helping Shannon cheat to win. The simulation involves dodging asteroids, a situation that any space shuttle pilot would have little chance of ever encountering. It’s really unclear what the plan was going to be once they got Shannon the job; evidently they had no intention of having her actually fly the thing into space. Because they’re all shocked when Alina takes control and remotely launches the shuttle — which for some reason was fully fueled and powered up for launch even though it was just a simulation. Shannon Reed becomes the first IMF agent in space (that we know of!), and Rhine turns out to be a traitor, working for Robard (Eli Danker), a beret-wearing, chain-smoking revolutionary of unspecified origin whose band of soldiers storms in and takes over the command center. Robard is mad that Alina sent Shannon up with Rhine. She explains she figured Shannon was useful for her (cover identity’s) laser expertise, but Robard still kills Alina for taking initiative without clearing it with him.
Rhine uses the laser to blow up a communication satellite drifting past the shuttle’s viewports, even though those orbit 22,000 miles higher than any shuttle has ever gone. Robard threatens the world on TV, saying he’ll blow up all communications satellites unless America cedes control of a weapons satellite he intends to use to defend the borders of his own nation, which he doesn’t bother to identify. Cut to NORAD, where a general who’s poorly hiding his Australian accent orders a missile strike on the space center if they can’t resolve the problem otherwise.
Grant communicates with Shannon to get her to sabotage the laser, and she has to find ways to respond without tipping Rhine off that she’s talking to someone. (I remember when I first saw this episode, I had the idea that if I ever wrote an undercover agent in that kind of a situation, I’d have her, or him, establish a habit of muttering to herself under her breath, so that it wouldn’t seem suspicious when the need to communicate arose. I don’t think I’ve ever gotten around to using that idea, but it’s interesting what you remember after so long.) Anyway, the sabotage works, so Rhine makes her spacewalk to fix it — something her cover identity is trained in, but Shannon isn’t. Jim says Shannon is “gutsy enough,” as if that alone were sufficient qualification for performing an EVA. But her “spacewalk” consists of tiptoeing slowly across the set of the top of the shuttle — I guess it’s the old magnetic-boots dodge — and then standing next to the laser to fix it. After which her tether gets snagged (I guess it didn’t get the memo about guts equalling competence) so she has to unhook it, whereupon Rhine swings the laser around to knock into her (dude, you’re just gonna break it again!), and she goes spinning off into space like Sandra Bullock in Gravity. Except that when we come back from commercial, she’s suddenly stabilized, despite a complete lack of thrusters, and perfectly oriented so that purging her oxygen valve will jet her back to the shuttle. (I wonder, are spacesuits even designed to be able to purge oxygen? Seems kind of counterproductive.)
Meanwhile, Jim and Max have planted the notion that there are loose radioactive materials on the base — none of the techs bother to question this, perhaps because they sense these guys are helping them, or more likely because they’re extras who aren’t being paid to do dialogue. They fake a radioactive steam leak next to Robard, get him into the bio lab for decontamination, and use a rigged cigarette to knock him out so that Nicholas can impersonate him using the mask generator that Grant just happens to have with him even though they didn’t know they’d need it. Nicholas-as-Robard orders the troops to follow Max to a “bunker” against the missile strike, so Max can lock them up. Once Shannon knocks Rhine out by purging the airlock to suck him into it (more wasted oxygen) and locking him inside, she uses the shuttle’s relay to patch Jim into NORAD, where he gives his “government cryptonym” — US Alpha 716 Charlie — and tells the general the base is secure. (The general doesn’t actually confirm the cryptonym with anyone first, though.) Then it’s just a matter of Shannon single-handedly flying the shuttle home, which she somehow does effortlessly.
Okay, so the spacey stuff is rather ridiculous, the special effects are cheesy as hell, and Earth is never actually a target, unless you count the part of Earth that the ESS base was on, which was targeted by people on another part of Earth. Still, despite all that, this is a fairly good format-breaking episode of the type seen mainly in the fifth season, where the original mission (ill-defined though it was) is blown in the first act and the rest is all improvisation. Shannon continues her streak of being the team member most commonly placed in danger, but she’s also the one who must do the most single-handedly to resolve the situation, so it’s a strong showing for her. And even John E. Davis’s music is relatively interesting for a change, since he’s doing some more spacey stuff, a bit grander than his usual scoring. All in all, I rather enjoyed it, though parts of it made me wince.
“The Fuehrer’s Children”: Or perhaps “Fuhrer’s,” as it’s spelled on the DVDs. The first of two episodes written by supervising producer Frank Abatemarco, who would later write Star Trek: The Next Generation‘s abysmal “Man of the People,” but then redeem himself by co-writing the classic “Chain of Command” 2-parter.
We open in Oregon where white supremacist Richard Kester is holding a meeting of his White People’s Coalition and spewing a nauseatingly vicious racist screed (complete with the n-word) to his eager followers. Kester is played by Albert Salmi, who was such a ubiquitous character actor in the ’60s that I’m surprised this is his first M:I appearance. Anyway, Kester’s daughter Eva (Nancy Black) informs him that there’s a “race traitor” in their midst, a government agent they capture and hang.
Peter Graves is showing off his equestrian skills again, for Jim gets the disc at a show-jumping ground from a fellow rider. It’s hidden in a haystack by a jumping fence — again with the flammable locations for the self-destructing discs! But “flammable” is the word, for Kester’s WPC is the most violent Neo-Nazi faction around, and he’s meeting in Germany with other international Neo-Nazi groups to unite them under his leadership and start a global race war. The mission is to discredit him and undermine the Neo-Nazi movements.
Jim sets Shannon up as a manager at the inn near Hamburg where the meeting is being held, while Jim himself takes the place of a real South African computer expert Kester has reached out to for help (no word on how they intercepted the real guy, who looks nothing like Jim). The others are basically responsible for tracking down the “secret weapon” Kester supposedly has to support his cause. There’s a setback when Eva catches Grant bugging Kester’s suite just before Kester arrives. Jim is fortunately there too, and is able to talk Kester out of shooting Grant then and there, but they lock him up to be the prey for a special “hunt” the next day.
Then Kester goes out to a freighter he’s owned for a dozen years, just sailed in from the Philippines. Max, Nicholas, and Shannon have already come onto the ship as customs inspectors, and here’s a blast from the past: Their cover was that they were looking for contamination by the Mediterranean fruit fly virus — a slightly garbled reference to the problems that the US and other nations had in the 1980s with infestations of the invasive “medfly” species (the actual flies themselves, not a virus), including a deliberate release of medflies in California as an ecoterrorist act in the summer of ’89, just before this season of the show. Anyway, Nicholas follows Kester and discovers his “secret weapon”: Horrifyingly, it’s a room full of young boys that he’s held captive on this ship since abducting them as infants, raising them to know nothing but his Nazi propaganda, the perfect Hitler Youth. They’ve been trained by Kester’s man Vogel (John Bell), who leads them in singing a Nazi song (a familiar one, but I can’t place it) in their sweet little boys’-choir voices, while Nicholas and Shannon look on in horror through a window. It’s really rather horrific.
Meanwhile, Kester talks to Jim about setting up a computer network to allow hate groups to communicate worldwide. Oh, for the days when that was still science fiction. Jim proposes connecting it to the world’s financial network, both because it’s the most secure and because it would let him set up a program to embezzle insignificant amounts from many banks and thereby steal a lot of money undetected. To make this work, though, the team needs to rescue Grant, who’s been strung up by his feet by Vogel and had a tracker put around his neck so the kids can easily find him — quite an unsporting “hunt,” though that’s the least of the things wrong with it. Nicholas and Shannon knock out Vogel and Eva, and Nicholas somehow has a Vogel mask all handy and intercepts the boys before they can shoot Grant full of crossbow bolts. Then they take the boys back to their cabin and Grant introduces himself as a friendly human being and begins to show them that what they’ve been taught all their lives is a lie. It doesn’t prove hard at all to change their minds once they’re faced with the benign truth.
So Jim is able to make the funds transfer successfully (or Grant is, doing it remotely so it looks like Jim did it), and all the Neo-Nazi leaders agree to put their financial info on the special cards he hands out. This will let the team bankrupt their organizations. And Eva almost escapes, but Shannon chases her down and recaptures her, while Grant and Nicholas-as-Vogel give the kiddies a lesson about Dr. Martin Luther King, Jr. So that night, when Kester proudly presents his Hitler Youth to the waiting Neo-Nazis, they begin singing a song about the Rev. Dr. King while Grant hijacks the video projection to show the “I have a dream” speech and clips of John and Bobby Kennedy, and Jim and Nicholas slip out in the tumult as the other, about-to-be-financially ruined Neo-Nazis turn violently on Kester.
Okay, so it’s hokey and unsubtle, but I love it. What Kester did to those children is probably the most horrific and sick thing any M:I villain has ever done, and it creates a sense of a more palpable threat from this group than you usually get from M:I villains. And while the racial message is kind of awkward, I love it that this becomes a story about rescuing and redeeming the children, about good ideas winning out over evil ones. It gives it a more optimistic feel than M:I episodes usually have. And seeing Nazis get their comeuppance never gets old. The climax reminds me of a line I wrote in Only Superhuman, about some of the things that Emerald Blair’s Freakshow gang did on behalf of persecuted transhumans: “They cracked the computer net of the Fourth Reich Neo-Nazi habitat, wiped their database, and replaced it all with endlessly looping video files of The Great Dictator, Casablanca, and The Producers.” I wonder if maybe I unconsciously remembered this episode when I wrote that.
Here I am at the Cincinnati Library Comic Con 2014 this afternoon:
As you can see, I brought a variety of my books with me, but I still had most of them by the end of the event. Still, I sold a bit over a quarter of my stock and earned a decent chunk of change, with 20% donated to the library. Not shown in the photo: the one copy I had left of Spider-Man: Drowned in Thunder. Since this was mainly a comics event, my Spidey novel and Only Superhuman sold significantly better than the Trek titles, a change of pace from what I’m used to. It makes me think I should’ve tried harder to market OS at comics events back when it first came out.
The library had snacks available for the guests, including mini-quiches from Panera. I’m not usually a quiche eater, but I was hungry and I saw that they had a spinach-artichoke variety, so I decided to give it a try, and it was quite good, as one would expect from Panera.
Another thing that really impressed me was the material covering the table, that gold sheeting you see there. The texture had a good firm grip to it and it nicely held my books in that upright position. I usually have trouble keeping them from falling over when they’re like that, but they were all very well-behaved today, so I can only conclude it’s because of the tablecloth material. If I knew what it were called, I’d recommend it to all my conventions.
TrekCore.com recently interviewed me for their blog, and the article is now up. It covers Rise of the Federation: Tower of Babel and a bit about my future plans for the series, as well as the upcoming DTI: The Collectors eBook and my work in general.
I’m pleased to announce the sale of an original novelette, “The Caress of a Butterfly’s Wing,” to the online magazine Buzzy Mag. It’s a transhumanist love story set in a young, distant star system where human castaways have transformed themselves to survive among the asteroids. It may sound a bit similar to the setting of Only Superhuman — and in fact it’s set in the same overall universe — but the transhumanism here goes much farther than anything in Emerald Blair’s world.
I’m particularly pleased because this is a story I originally wrote a long time ago, around the time of my earliest sales to Analog, but was never quite able to get into a sellable condition. I got a slew of rejection letters from editors telling me it was a beautiful, poignant tale but didn’t quiiiite work for them, and I couldn’t figure out how to get it over that last barrier. Eventually I realized that, on top of that, I’d made some scientific mistakes in my portrayal of the setting, so I shelved it until I could figure out how to resolve both problems. And that’s where things stood for quite a while. But last year, I tried revising it to submit to a themed anthology that I felt it might work for, and I noticed a couple of plot problems I hadn’t spotted before and reworked the story to fix them. It didn’t quite fit the anthology, as it turned out, but apparently the revisions did the trick, since Buzzy Mag bought it. I’m really glad that the story will finally see the light of day after all these years.
This will be my fifth published work in my “default” universe, after “Aggravated Vehicular Genocide,” “Among the Wild Cybers of Cybele,” “The Weight of Silence,” and Only Superhuman. It doesn’t really have any direct connections to any of the others, though — it’s too far removed in space and time for that. But it’s one more small step to fleshing out that universe and maybe, eventually, building it into a more unified whole. It’s also my first published default-universe tale since 2000 to be set outside the Sol System.
The publication date for “The Caress of a Butterfly’s Wing” hasn’t been determined yet, but I’ll announce it once it’s set.
I have another signing coming up at the Main Library in Cincinnati, as part of their Cincinnati Library Comic Con event going on now through May 10. The Main Event is on Saturday, May 10 from 1 to 6 PM, and I’ll have a booth there that afternoon with copies of my books on sale. A portion of the profits will be donated to the Library. I just got a new carton of remaindered copies of the Only Superhuman hardcover, so there’ll be a bunch of those on hand, along with assorted copies of various other books of mine.
As before, here are directions and parking info for the Main Library.
I recently did an interview for a radio show/podcast from New York’s WBAI radio called Equal Time for Freethought, talking about the scientific and philosophical ideas behind my works like Rise of the Federation: Tower of Babel and Only Superhuman and my view of the future. It can be heard here:
The interview portion begins at about 5:40 in the program.
Heads-up for folks in the Cincinnati area: This Sunday, April 6 from 1:30 to 4:00 PM, the Public Library of Cincinnati and Hamilton County will be hosting the annual Ohioana Library Association reception for local authors, including me. The program will include a panel discussion (which I don’t think I’ll be on) and individual recognition of the featured authors, and will be followed by a book fair where attendees can meet the various authors and buy autographed books. This is the second year of the book fair portion, and last year I didn’t sell any books, perhaps because I neglected to let anyone know in advance that the event was happening (blush). So this time I’m giving some advance notice. I’ll have a few copies of Star Trek: Enterprise — Rise of the Federation: Tower of Babel on sale, and I’m also thinking of bringing some copies of ROTF: A Choice of Futures and some of Only Superhuman.
And of course there will be plenty of other Ohio Valley authors with books of their own to sell and discuss. So if you’re in the area this Sunday, drop by the Main Library at 800 Vine Street in downtown Cincinnati. Although be aware that, while downtown parking is free on Sunday, there’s reportedly a lot of construction in the area so it may be hard to find. This page has directions and parking info.
I realized it’s been nearly three years since I last posted a list of the word counts of my published works. I’m curious to see how much I’ve added since then. This is counting everything I’ve sold and finished writing to date, so there are a couple that haven’t yet been published.
- Only Superhuman: 115,000
ORIGINAL SHORT FICTION
- “Aggravated Vehicular Genocide”: 12,000 words
- “Among the Wild Cybers of Cybele”: 9400
- “The Hub of the Matter”: 9300
- “The Weight of Silence”: 7600
- “No Dominion”: 7900
- “Home is Where the Hub Is”: 9800
- “Make Hub, Not War”: 9800
Total original fiction count: 180,800 words
- X-Men: Watchers on the Walls: 83,500
- Spider-Man: Drowned in Thunder: 71,000
Total Marvel novel count: 154,500 words
STAR TREK NOVELS
- Ex Machina: 110,000
- Orion’s Hounds: 105,000
- The Buried Age: 132,000
- Places of Exile: 55,000
- Greater Than the Sum: 78,500
- Over a Torrent Sea: 89,000
- Watching the Clock: 125,000
- Forgotten History: 85,500
- A Choice of Futures: 80,500
- Tower of Babel (pending): 84,000
Total ST novel count: 944,500 words
STAR TREK SHORT FICTION
- “Aftermath”: 26,000
- “…Lov’d I Not Honor More “: 12,000
- “Brief Candle”: 9800
- “As Others See Us”: 9100
- Mere Anarchy: “The Darkness Drops Again”: 28,900
- “Friends With the Sparrows”: 10,300
- “Empathy”: 11,000
- Typhon Pact: “The Struggle Within”: 25,000
- “The Collectors” (pending): 35,000
Total ST short fiction count: 167,100 words
STAR TREK MAGAZINE ARTICLES
- “Points of Contention”: 1040
- “Catsuits are Irrelevant”: 1250
- “Top 10 Villains #8: Shinzon”: 820
- “Almost a Completely New Enterprise”: 800
- “The Remaking of Star Trek“: 1350
- “Vulcan Special: T’Pau”: 910
- “The Ultimate Guide: Star Trek: Voyager Season 3″: 1170 (not counting episode guide)
- “”Star Trek 45s #11: Concerning Flight”: 1000
Total article count: 8340 words (Counting only paid articles — excluding articles written for websites)
- Novels: 1,214,000 words
- Short fiction: 347,900 words
- Nonfiction: 8,340 words
Total fiction: 1,561,900 words
Total overall: 1,570,240 words
So since last time, I’m up 365,000 words in novels, I’ve more than doubled my short fiction count, and I’ve gained a measly 2,170 words in paid articles. In total, in the past three years, I’ve increased my published (or soon-to-be-published) word count by over 50 percent!
Note that I’ve now written over 1 million words of published (or nearly-published) Star Trek fiction. My next novel, Rise of the Federation: Uncertain Logic — which I’ve just been cleared by CBS to begin writing — is contracted to be 80-100,000 words, so that will put me over a million words in Star Trek novels alone. That’s one more milestone to look forward to.
I’ve added a new paragraph to my earlier post “ONLY SUPERHUMAN reader question: Measuring the Green Blaze’s powers,” since I realized there was one aspect of Emerald Blair’s superstrength that I forgot to address, one that occurred to me as a result of watching The Six Million Dollar Man on DVD. Here’s what I added:
It’s occurred to me to wonder: How high could Emry jump? Of course, that depends on the gravity, so let’s assume a 1g baseline. According to my physics textbook, the maximum height of a projectile is proportional to the square of its initial velocity (specifically, the velocity squared times the square of the sine of the launch angle, divided by twice the gravity). So if we use my earlier, very rough assumption that Emry’s speed relative to an unenhanced athlete goes as the square root of her relative strength, that would cancel out the square, and thus jumping height (for the same gravity and angle) would increase linearly with strength. If she’s four times stronger than the strongest human athlete today, then, it follows she could jump roughly four times the world record for the high jump. Except it’s more complicated than that, since we’re dealing with the trajectory of her center of mass. The current world record is 2.45 meters by Javier Sotomayor. But that’s the height of the bar he cleared, not the height of his center of mass. He used a technique called the Fosbury flop, in which the body arcs over the bar in a way that keeps the center of mass below it. So his CoM was probably no more than about 2.15 meters off the ground, give or take. And he was pretty much fully upright when he made the jump. since he’s 1.95 meters tall to start with, and the average man’s CoM height is 0.56 of his total height (or about 1.09 m in this case), that would mean the world-record high jump entailed an increase in center-of-mass altitude of slightly over one meter. So if we assume that Emry is doing more of a “bionic”-style jump, keeping her body vertical and landing on her feet on whatever she’s jumping up to, then she might possibly be able to raise her center of mass up to four meters in Earthlike gravity. Which means she could jump to the roof of a one-story building or clear a typical security fence — comparable to the jumping ability of Steve Austin or Jaime Sommers.
And just a reminder: I’m open to more reader questions about Only Superhuman or my other writing.
I’ve noticed that Only Superhuman has very few reviews posted on its pages at Amazon (11 as of this writing) and Barnes & Noble (7 as of this writing). I’ve gotten a fair amount of feedback for the book in various places, so I know people are reading it and talking about it, but surprisingly little of it is showing up on those two pages. Yet I gather that the reviews on those sites help generate attention for a book, at least among their customers. So I wonder if I could ask folks who’ve read the novel to post reviews on either or both of those pages. It doesn’t matter whether you bought the book there; this is about increasing attention and discussion. And of course I’m not just soliciting positive reviews. Please be honest, but make your thoughts heard. And feel free to use the like/share buttons on those pages too. And if you’ve listened to the audiobook versions of Only Superhuman or Spider-Man: Drowned in Thunder, feel free to post reviews on their GraphicAudio pages.
If nothing else, getting more reviews might produce a more statistically useful sample size. As it stands, OS is averaging 2.8 stars out of 5 on Amazon and 4.5 out of 5 on B&N, so clearly the samples are too small to give representative results. Of course, what I’m asking for isn’t going to produce statistically unbiased results either, but it couldn’t hurt.
Feel free to do the same for any of my other novels as well, of course, although my Star Trek novels generally get more reaction already, and my Marvel novels are out of print. Only Superhuman is the one that I think could benefit the most. Plus it would just be nice to get more feedback from my readers.
I recently received a few questions about Only Superhuman from Brandt Anderson via a Facebook message, and I thought I’d address them here. Brandt wrote:
I enjoy most super hero novels such as Ex-Heroes, Paranormals, Devil’s Cape, etc., and one of the things that is always forefront on my mind is stats. I like knowing exactly how strong or how fast the super-powered character is. So, I was hoping you wouldn’t mind giving an approximation on how enhanced Emerald Blair is. Her strength, speed, reflexes, senses, healing factor and durability if you don’t mind. Also, I apologize for this amount of nitpicking, would you able to tell me what her superhuman attributes be at without any of the enhancements she has? And lastly, in your world, how strong is the average super-being and what is the normal human level at?
Those are interesting questions, though to be honest, I haven’t really worked out that many of the details. It’s worth thinking about if I get to do further novels, though, so I’ll try to offer some answers.
I did address Emerald Blair’s strength level in the novel when I had Eliot Thorne mention that she could “bench-press a tonne in one gee,” i.e. standard Earth surface gravity. That led me to the following analysis from my novel annotations:
From what I can find, the current world record for an unassisted or “raw” bench press (without the use of a bench shirt, a rigid garment that supports the muscles and augments the amount they can lift) for a woman in Emry’s weight class seems to be held by Vicky Steenrod at 275 lb/125 kg. Assuming Thorne was referring to what Emry could lift raw, that would make her 8 times stronger than Ms. Steenrod, at least where those particular muscles are concerned. And Emry’s training isn’t specialized for powerlifting but is more general, so that would probably make her even stronger overall. Not to mention that Thorne seemed to be talking about her typical performance, not a personal record. So as an adult Troubleshooter, with bionic upgrades on top of her Vanguardian mods, Emry might be at least 10 times the strength of an unenhanced female athlete of her size and build. That may be conservative, given some of what I’ve read about the possibilities of artificial muscle fibers. On the other hand, there are limits to how much stress the organs of even an enhanced body could endure.
By the way, the all-time raw bench-press world record is 323.4 kg by Scot Mendelson, who’s 6’1″ and over twice Emry’s weight. The assisted world record (with a bench shirt) is 487.6 kg by Ryan Kennelly, who’s about the same size and whose unassisted record is much lower. So going by what I figured before, that would make Emry nearly 4 times as strong as the strongest human beings alive today, and that’s without the added assistance her light armor would provide her (though she’d need to add sleeves to her armor to get the full effect). And that’s the lower limit. In any case, given all the bionic enhancements she’s added to her native strength, she might well be the strongest person in Solsys in proportion to her weight class, or at least right up there with the record-holders of her day.
According to my character profiles, by the way, Emerald’s height is 168 cm (5’6″) — at least in one gee or thereabouts, since people gain a bit of height in low or microgravity due to their skeletons being less compressed — and her mass is 69 kg (153 lb), which is a bit heavy for her size, but that’s because of the added weight of her bionics and reinforcements, as well as her dense musculature.
So that’s strength. What about speed? Well, I established in Chapter 6 that Javon Moremba, who’s specialized for running, could run at 60 km/h, which is just one and a third times the world record set by Usain Bolt in 2009. I’m not really sure how much it’s possible to increase human running speed without substantially restructuring human anatomy, since we’re already kind of specialized for running by evolution — although we’re specialized more for endurance running than speed, which was how our ancestors were able to be successful hunters and trackers. Javon’s anatomy is altered from the human norm, with atypically long legs and powerful joints and enlarged lungs. Emerald’s proportions are more normal, and her legs aren’t especially long; plus she’s not exactly lean. She’s built more for strength than speed. On the other hand, the athlete I modeled her physique after, tennis star Serena Williams, can be an astonishingly fast mover on the tennis court due to her sheer strength — though not as fast as her leggier sister Venus.
Okay, so we can safely assume that the teenage Emry couldn’t run as fast as Javon. She’s only 84% his height and less of it is legs, so let’s say she has 75% of his stride. I actually have her down as only 72% of his mass, though; I think I based Javon’s statistics on the aforementioned Mr. Bolt. I guess the question is, what’s the comparative ratio of total muscle mass to push with and total body mass to be pushed? I think I’ll avoid any complicated math and just go with visual intuition, which tells me that Emry has proportionally more excess bulk to deal with; but once she’s bionically enhanced, that might compensate.
So let’s say that with just her raw muscle, no cyborg upgrades, she’s got a minimum of 75% of his running speed, which would be equal to Bolt’s world record. But how much do her upgrades boost her strength? Well, we know that she was always strong enough in her adolescent years to match or overpower any man, and judging by those weightlifting figures above, a man’s maximum strength might be something around 2.5 times a woman’s, all else being equal. But many of those men would be mods themselves, so we’d need to up that. Still, I don’t want too much of her strength to be innate, since the bionics should contribute a lot. So let’s say that she started out roughly 3.3 times the normal strength of a woman of her build and had it tripled by her Troubleshooter bionics.
How does that apply to her running speed? This is probably oversimplifying like hell, but it seems to me that if you exert three times the force on the same mass, then by Newton’s second law you get three times the acceleration. Now, for a given distance, the time needed to cover it goes as one over the square root of the acceleration; and the rate is the distance over the time. So that would suggest, unless I’m doing something very wrong, that if she has three times the acceleration for each thrust of her leg muscles pushing her forward, then her speed would be increased by roughly the square root of three, or 1.73. So if her running speed without bionics was 45 km/h, then with bionics it’d be nearly 80 km/h (50 mph). Though she’s probably capable of bursts of even faster speed when she supercharges her nanofiber implants, as we saw when she made her skyscraper jump in Chapter 11. This would make her about 5/6 the typical speed of Steve Austin, the Six Million Dollar Man, and half the top recorded speed of Jaime Sommers, the Bionic Woman. But let’s call that her sprinting speed. For endurance running, she’d probably average out a bit slower — let’s say 64 km/h (40 mph), which translates to a 1.5-minute mile — which would put her at better than two and a half times the female world record for the mile. It would also put her slightly above Javon’s indicated speed, but that was for a Javon who was out of training. (Oh, and keep in mind that this is assuming she’s in a full Earth gravity or close to it.)
There are other ways of measuring speed, though. How fast can she dodge a blow or throw a punch? That gets us into the next question, reflexes. Well, at one point in chapter 16 (p. 284 in the paperback), I say “Her enhanced reflexes made her dodge the shockdart before she was consciously aware of it, but her mind quickly caught up.” So her reaction time is certainly accelerated considerably beyond the norm, so much that it outpaces her conscious thought at times. And while her foot speed is not too much above normal, her dodging speed can be literally faster than a speeding bullet. Well, a speeding dart. If we assume the dart had a speed of around 300 m/s, comparable to an air rifle pellet and close to a 9mm bullet, and if she was maybe 15 meters away from the shooter, that would give her a twentieth of a second to react, or 50 milliseconds. That’s maybe twice the fastest recorded human reaction time for movement, and nearly four times the typical reaction time for a visual stimulus. And that’s just the reaction time she’d need to begin moving to dodge that particular dart. Add in the time it would take to move far enough to miss and she’d have to be even faster. Now, I found a factoid somewhere saying that Usain Bolt moves a foot every 29-odd milliseconds, which is about one centimeter per millisecond, so if we draw on the above comparisons to Bolt’s running speed (which is a horribly rough comparison, but it’s all I’ve got), the Green Blaze might be able to move 1.5-2 cm per millsecond, and her torso is maybe c. 32 cm at its widest point, so to dodge a dart fired at center mass she’d need maybe 8-11 ms. So she’d need to start moving within 40 ms or less, which would be 5 times average human reaction time. Just for a margin of safety and round numbers, let’s say her reaction time is 6 times average and 3 times maximum.
Edited to add: It’s occurred to me to wonder: How high could Emry jump? Of course, that depends on the gravity, so let’s assume a 1g baseline. According to my physics textbook, the maximum height of a projectile is proportional to the square of its initial velocity (specifically, the velocity squared times the square of the sine of the launch angle, divided by twice the gravity). So if we use my earlier, very rough assumption that Emry’s speed relative to an unenhanced athlete goes as the square root of her relative strength, that would cancel out the square, and thus jumping height (for the same gravity and angle) would increase linearly with strength. If she’s four times stronger than the strongest human athlete today, then, it follows she could jump roughly four times the world record for the high jump. Except it’s more complicated than that, since we’re dealing with the trajectory of her center of mass. The current world record is 2.45 meters by Javier Sotomayor. But that’s the height of the bar he cleared, not the height of his center of mass. He used a technique called the Fosbury flop, in which the body arcs over the bar in a way that keeps the center of mass below it. So his CoM was probably no more than about 2.15 meters off the ground, give or take. And he was pretty much fully upright when he made the jump. since he’s 1.95 meters tall to start with, and the average man’s CoM height is 0.56 of his total height (or about 1.09 m in this case), that would mean the world-record high jump entailed an increase in center-of-mass altitude of slightly over one meter. So if we assume that Emry is doing more of a “bionic”-style jump, keeping her body vertical and landing on her feet on whatever she’s jumping up to, then she might possibly be able to raise her center of mass up to four meters in Earthlike gravity. Which means she could jump to the roof of a one-story building or clear a typical security fence — comparable to the jumping ability of Steve Austin or Jaime Sommers.
So let’s move on to senses. We know from Ch. 3 that 13-year-old Emry’s “enhanced vision” let her make out the movements of the townspeople of Greenwood from some distance away, far enough that the curve of the habitat gave her an overhead view. Now, Greenwood is a Bernal sphere meant to simulate a rural environment with farmland and presumably forest. It should have a fairly low population density, and my notes give it a population around 3000 people. If we set the population density at maybe 30 people per square kilometer, that gives a surface area of 100 square km, for a radius of about 5 km and a circumference of 31.4 km. Now, just eyeballing it with a compass-drawn circle and a ruler, I’d say she’d need to be 1.5 to 2 km away to get the kind of raised angle described in the text. Now, being an assiduous researcher, I went out and braved the cold to visit my local overlook park to see if I could spot human figures at anything resembling that range. The farthest I was able to spot a human being was at a place that I estimate was about a mile/1.6 km away, with the park’s elevation, despite being a respectable 300 feet or so higher, too small to add significantly to the distance. But I just saw the faintest speck of movement. The scene indicates that Emry could see enough detail to make out body language and attitude. I’d say her resolution would have to be at least 3-4 times greater than mine (with glasses). Although we’re not talking about bionic eyes with zoom lenses, so it’s probably more a matter of perception of detail. Assuming my prescription is still good enough to give me 20/20 vision in at least one eye (which I probably shouldn’t assume), that would make Emry’s visual acuity something like 20/7 or 20/5 if not better; the acuity limit in the unaided eye is 20/10 to 20/8 according to Wikipedia. (20/n means the ability to see at 20 feet what an average person needs to be n feet away to see.) Hawks are estimated to have 20/2 vision. Emry isn’t specialized for eyesight, so let’s not go to that extreme. Let’s give her a baseline visual acuity of 20/5, say, about twice the human maximum.
So what do her bionics add? For one thing, they broaden her visual spectrum to the infrared. This is apparently something she can turn on and off. Now, it should be remembered that TV and movies tend to misrepresent infrared vision as being able to see through walls. Actually that usually wouldn’t work, since walls are generally designed to insulate, so heat — and thus IR light — doesn’t pass through them easily. And as I said in the book, glass is generally opaque to IR. So this wouldn’t be the equivalent of “x-ray vision,” except when dealing with less well-insulated things like human bodies. It could enable her to read people’s emotional states through their blood flow, though, or to track recent footprints and the like. She also has an inbuilt data buffer that’s shown recording images from her eyes and letting her replay, analyze, and enhance them later, projected on the heads-up display built into her retina. So that might give her sort of a “digital zoom” ability, to enlarge part of a recorded image, but not to increase its resolution beyond what her eyes could detect. And her implants might up her acuity to maybe 20/4.
As for her hearing, I haven’t established anything beyond the fact that it’s better than normal. She can probably hear a somewhat larger dynamic range than most people and has somewhat more sensitivity, but I’m not sure it could be enhanced too much without a substantial alteration to the anatomy of the ears. But she could have bionic auditory sensors that could allow her to amplify sounds further as needed. As for scent, I establish in Ch. 20 that Emry can track by it, though not as well as someone more specialized for the task like Bast or Psyche. So her sense of smell is, again, somewhat above normal but not massively so. Which would enhance her sense of taste accordingly as well. It’s possible she’s a supertaster, like a lot of real-life people. (In fact, looking over the list of foods that supertasters dislike, I think I might be one!) As for her sense of touch, it’s no doubt unusually sensitive, which is why she’s so hedonistic and easily stimulated. Although her pain sense is no doubt diminished in comparison to her other tactile perceptions. I gather that redheads are normally more sensitive to pain than most, but it stands to reason that her nociception would have been somewhat suppressed.
“Healing factor” is a tricky one; I’m not sure how to codify it. But she does have a fast metabolism and thus probably heals a bit faster than normal, and her bionics include a “nanotech immune-boosting and injury repair system,” as stated in her character bio. She can’t heal nearly instantly like Wolverine in the movies, since there would be physical and metabolic limits on how fast repairs could realistically be done, but she could probably heal, at a guess, 2-4 times faster than normal depending on the type of injury and whether she’s able to rest and replenish or has to heal on the run. (That’s complete guesswork, since I’m not sure where to find information on human healing rates, what the recorded maximums are, or what mechanisms could enhance them.) She’s also got an augmented immune system, both inborn and nanotech-enhanced; she’s probably got little or no experience with being sick, though she might be susceptible to a sufficiently potent bioweapon. She has toxin filters to protect her from poisoning and drugs. Alcohol would probably have little effect on her, but if she is a supertaster, she wouldn’t like the taste of it anyway. And it’s not like she needs help relaxing her inhibitions, since she hardly has any to begin with.
Durability, though, is something the Green Blaze has in abundance, thanks to her “dense Vanguardian bone” and the nanofiber reinforcements to her skeleton and skin. She’s not easy to hurt. She takes a good deal of pounding in Only Superhuman, but the only skeletal injury she suffers is a hairline wrist fracture which is compensated for by her nanofiber bracing. She rarely sustains more than cuts, bruises, and strains. She’s not exactly bulletproof — she needs her light armor for that — but there are enough reinforcements around her skull and vital organs that it would take a pretty high-powered rifle to inflict a life-threatening injury. Her skull reinforcements are probably comparable to a military ballistic helmet, so shooting her in the head would probably cause surface bleeding and a moderate concussion at worst, and more likely just make her mad. And of course her light-armor uniform gives even more protection, strength enhancement, and the like. (Note that this is as much a matter of micrometeorite protection as bullet protection.)
One power Brandt didn’t ask about is intelligence. Emerald Blair embraces her physical side more than her intellectual side, but her intelligence is easily at genius level. She’s definitely smarter than I am, since I have plenty of time to figure out the solutions that she comes up with on the fly. She’s far more brilliant than she realizes yet, and when and if she catches on and begins developing that potential, she could be a superbly gifted detective and problem-solver.
Brandt’s final question is, “And lastly, in your world, how strong is the average super-being and what is the normal human level at?” Well, the normal, unmodified human level is the same as it would be in real life, although people living in lower-gravity conditions would be less strong than Earth-dwelling humans. As for mods, I’m not sure there’s such a thing as an average one, since they’ve specialized in diverse directions. Only some are augmented for physical strength, like Vanguardians, many Neogaians, and Mars Martialis… ans… whatever. Honestly, I’m not sure to what extent physical strength would be needed as a human enhancement in Strider civilization. Combat in the future will be mostly the purview of drones and robots, or soldiers in strength-enhancing exoskeletons. So enhancing individual strength would be more a choice than a necessity, probably more likely to be done for athletics than anything else. Still, in a setting like Strider civilization, where mods have embraced superhero lore as a sort of foundational mythology, there would be an element of sports and celebrity to crimefighting or civil defense. More fundamentally, in a culture where human modification is embraced, physical strength could be seen as a desirable “biohack” just for the sense of power it provides. It’s like how some people like high-performance muscle cars even though they don’t need that much power to commute to work. I think in the Vanguardians’ case it was about exploring the limits of the human animal, finding how far we could be augmented in every possible way, both as a matter of scientific curiosity and as a symbolic statement to inspire others to mod themselves — and thumb their noses at Earth’s resistance to such things. The average Vanguardian might be somewhere around Emry’s pre-bionic strength level, maybe 3-3.5 times normal muscle strength for a given build, though they vary widely in their builds. Still, I think that Beltwide, only a certain percentage of mods would be tailored for strength, with others emphasizing endurance, senses, reaction time, intelligence, adaptation to particular environments, etc. (on top of the radiation resistance that everyone living in space would need).
So, to sum up the Green Blaze’s powers:
- Strength: c. 10x normal for a woman of her build or 4x baseline-human maximum
- Speed: up to 80 km/h (50 mph) in c. 1g environment
- Reaction time: c. 6x average or 3x human maximum
- Vision: c. 20/4 visual acuity, infrared vision, visual recording and enhancement
- Other senses: Moderately above human maximum range and sensitivity
- Healing: Somewhat accelerated healing and cellular repair; very strong immune system and toxin resistance
- Durability: Considerable resistance to abrasion, contusion, laceration, and broken bones; bullet resistance comparable to a human in moderate body armor
- Intelligence: Genius-level but underdeveloped
Note, however, that these are her innate power levels, not counting the further enhancements her light armor would provide to her strength, durability, and speed. But figuring those out would be a whole other essay.
Wow, I got a pretty long essay out of this. It was fun, and it could be useful for future adventures, hopefully.
So I’ll open the door. If anyone has further questions about Only Superhuman that haven’t been addressed already on my website, or more generally about my work, feel free to post them in the comments or on Facebook. Easy questions asked in the comments will probably be answered there, while more involved questions may spawn more essays. We’ll see how it goes.
The Trek Mate Family Network in the UK has just released a podcast of an interview I did for their “Captain’s Table” feature in which they interview Star Trek prose authors. The discussion covers my Trek work, my Marvel novels and their audio adaptations, and Only Superhuman. You can find it here:
Upcoming4.me, which bills itself as “an online speculative fiction magazine featuring best content from leading quality publishers and independent authors,” recently asked me to write an essay for their “Story Behind” column, in which authors discuss the genesis of their novels. I’ve talked about the convoluted creative process behind Only Superhuman before on this blog and elsewhere, but on thinking back for this new essay, I managed to find some things to say that I haven’t mentioned before. You can read the essay here:
I really ought to post something about New York Comic-Con, but I’ve been too busy or too tired. I’ll try to keep it concise.
I ended up driving after all due to the cost of plane fare after waiting so long to buy tickets. I planned out my route carefully this time, so it went fairly smoothly — but I set out too early on the second day and had a hard time staying alert. I didn’t really feel recovered until after lunch. So on the way back, I think I’ll spend the morning of the second day in the motel just resting, then get a good lunch, then drive the rest of the way home.
I’ve been staying with friend and fellow author Keith R.A. DeCandido, his fiancee, a family friend, several cats, and a large Golden Retriever. I was nervous about the latter, but he’s a friendly dog and I’ve been getting used to having him around. Indeed, there’s something reassuring about knowing a dog that big is sleeping outside your bedroom door, on sentry duty as it were.
The two days I spent at the con are kind of a blur right now, so to sum up: both my signings on Friday went pretty well. The GraphicAudio booth is in a good location and drew a lot of attention from passersby, and we got to sell a number of copies of my audiobooks, along with free copies of the prose books as a bonus — courtesy of Tor in the case of Only Superhuman, plus a few Spider-Man; Drowned in Thunder copies which I provided myself. I was expecting Tor to be offering the paperback, but their giveaway copies (half of which I took over to GA, the rest of which I signed for them to give out at Tor’s booth) were hardcovers instead. I guess that makes sense — they want to use up the stock now that people will mostly be buying the MMPB. But it made it more of a slog to carry them over to the GA booth through the Comic-Con crowd. Anyway, the giveaway copies moved pretty well, I was told. My A Choice of Futures signing at the SImon & Schuster booth went well too; this time people actually came to see me specifically rather than just happening to pass by.
I got to talk with a number of colleagues — Keith, of course, and the GA people, and fellow Trek author Kevin Dilmore, who works for Hallmark and was manning their display. It was nice to catch up with him. Unfortunately my former Trek editor Marco Palmieri, now at Tor, was too busy to talk much. I also had fun meeting Lilly, a friend of Keith’s who’s a professional balloon artist, and who performed at his booth to attract passersby. It’s an interesting craft, improvisational yet requiring a lot of meticulous manual control and precision.
Today I just stayed in and rested while Keith et al. went in to the con. I needed a day of quiet to recover before undertaking the drive home tomorrow. I did go down to the local pizza place for lunch, though, and had an excellent slice of white pizza with spinach.
That’s all for now. Maybe I’ll mention more details later, if any come to mind.
Sci-Fi Bulletin, a British genre site edited by my former Star Trek Magazine editor Paul Simpson, has just published an essay I wrote for them comparing the writing of Only Superhuman and Spider-Man: Drowned in Thunder, timed to coincide with the release of the OS paperback in the UK. You can read it here:
Oddly enough, it’s indexed on the site under “Fantasy.” I guess that’s because superheroes are generally treated as a subset of fantasy; my hard-SF approach to the subject seems to be pretty unusual, though as the article points out, sometimes there was more science in Stan Lee and his Marvel cohorts’ creations than you might think.
In my last post, I voiced some concern about whether my New York Comic-Con tickets (or badges, I should call them) would arrive in time. I actually e-mailed their customer service over the weekend to ask about the delay, but I only got a response this morning, telling me that they’d been mailed last week and would arrive “any day now.” And a few hours later, there they both were in the mail. So if I’d just been a little more patient… Oh, well. I got a few extra hours of reassurance out of it.
So now I know I can get into the con, and I registered the badges so they can be replaced if I should lose them, so as long as I don’t have any travel problems, I’m now confident that I’ll be there for my signings on Friday the 11th (GraphicAudio, Booth 838, 11 AM and Simon & Schuster, Booth 1828, 4 PM). I’m still waffling a bit on whether to fly or drive, but I’ll probably fly, since it’s a rather long drive. The main advantage of driving — aside from getting to avoid airport security, which is awfully tempting — is that it’s cheaper. But I got my final advance check for Rise of the Federation: Tower of Babel today, and I have some other work lined up that I can’t talk about yet, so money isn’t particularly tight for me at the moment.
Speaking of tightness, apparently part of the reason NYCC was so unbearably crowded last year was rampant badge counterfeiting and lax security that let lots of people sneak in without badges. That seems to be why badges were in such short supply this year — they’ve really tightened up access. Also they’ve put RFID chips in every badge as a security feature against counterfeiting, hence the online registration. Hopefully this means the crowds will be more manageable this year, but it has put some limits on access. Apparently I’m not the only professional creator who missed their chance to get a pro badge because they ran out prematurely. They should work to refine the system so that doesn’t happen again.
Well, it’s been a bit of a mess trying to make arrangements for New York Comic-Con, since apparently they didn’t have enough tickets or something. They actually sold out of professional passes prematurely, before I could get one, so I had to buy regular tickets, and all they had left were Thursday and Friday tickets. So I’ll only be in attendance at NYCC on those two days — well, assuming my tickets ever arrive. The paperwork said they’d begin mailing them in mid-September, but I haven’t gotten mine yet. But there’s still two weeks to go, so I’m hopeful.
Anyway, I have two signings tentatively scheduled, both on Friday, October 11.
11 AM, Booth 838: GraphicAudio hosts a combined signing for the Only Superhuman audiobook, which will be on sale at the booth, and the mass-market paperback. which will be a free giveaway. There might be copies of the Spider-Man: Drowned in Thunder audiobook on hand too, though I’m not sure.
4 PM, Booth 1828: Simon & Schuster’s booth hosts a Star Trek signing, which was hoped to be a group signing but so far is just me. I assume I’ll be signing copies of Rise of the Federation: A Choice of Futures.
There won’t be any scheduled event for me at the Tor booth (2223), which is why I’ll be doubling up on the MMPB and audiobook at the GraphicAudio event (and I’m very grateful to the GA folks for accommodating me). But I’ll surely be hanging around the Tor booth for a fair amount of time on Thursday and Friday, and there will be signed copies of Only Superhuman there as giveaways. No doubt I’ll drop by the S&S and GA booths on Thursday as well. Ticket gods willing, that is.
If there are any changes to the schedule, I will of course announce them promptly.
I’ve just recently finished listening to my copy of GraphicAudio’s adaptation of Spider-Man: Drowned in Thunder, which was really well-done. Tim Getman did an excellent job as Peter/Spidey, with a voice reminiscent of ’90s animated Spidey Christopher Daniel Barnes and The Spectacular Spider-Man‘s Josh Keaton, and with a good grasp of both Spidey’s wisecracking side and his more angsty, bitter side. Terence Aselford’s Stan Lee-esque J. Jonah Jameson is very different from what I imagined when I wrote the book, but I quickly got used to it and it worked very well. Alyssa Wilmoth, who starred as Emerald Blair in Only Superhuman‘s audio adaptation, played Mary Jane Watson-Parker (the book is set before their marriage was erased from Marvel continuity), and it was interesting to hear how her characterization differed, painting MJ in lighter, subtler strokes than Emry. Lily Beacon was a fantastic Aunt May, reminding me at times of Nichelle Nichols’s voice. The rest of the cast, which has only a few overlaps with the Only Superhuman cast, was effective as well. Here’s the full cast list I was given:
Tim Getman as Spider-Man
Terence Aselford as J. Jonah Jameson
Alyssa Wilmoth as Mary Jane Watson
Lily Beacon as Aunt May
David Jourdan as Electro
KenYatta Rogers as Robbie Robertson
Regen Wilson as Ben Urich and Phineas Mason
Steven Carpenter as Alistaire Smythe
Jeff Allin as Reed Richards
Kimberly Gilbert as Dawn Lukens
Nora Achrati as Marla Jameson and Jill Stacy
Gabriela Fernandez-Coffey as Betty Brant
Mark Halpern as Blush Barrass and Bobby Ribeiro
Ren Kasey as Liz Allan
with Bradley Smith, Joe Brack, Casie Platt, Joel David Santner,
David Harris, Patrick Bussink, Thomas Penny, Christopher Scheeren,
Scott McCormick, Thomas Keegan, and Tim Pabon
Further credits are at the link above.
Anyway, I took notes while I listened so I could update my novel annotations to include the audio edition as well, as I recently did with Only Superhuman. I’ll have to listen again sometime so I can experience it with fewer interruptions. The annotations can be accessed from my Marvel Fiction page here:
I’m going to be doing a signing at GraphicAudio’s booth at New York Comic-Con next month, probably on Friday Oct. 11, although we’re still sorting out the schedule. I’ll post the info when I can.
By the way, while listening to the DiT audiobook so soon after my most recent listen to the OS audiobook, I realized something. Both Only Superhuman and Drowned in Thunder have scenes where an elderly female relative of the protagonist gives a speech that explains the thematic significance behind the novel’s title and contains a paraphrase thereof. I didn’t realize I was repeating that trope. Well, it’s surely not the only trope I’ve repeated in my career.