Revisiting FLASH GORDON (2007): Episodes 8-10: The Barin trilogy (spoilers)
“Alliances”: Picking up right where “Life Source” left off, Flash travels with Baylin through the lingering rift to follow up on Vultan’s lead (“Ascension”) that Dr. Gordon went to live with the Verden. (Why didn’t he do this before? Presumably because he had other priorities by the time he gained access to the first rift created in “Life Source.”) Baylin, an exile from the Verden, is uneasy about returning. Zarkov impulsively follows them through, eager to see Mongo at last. There, they meet one of the most important charcters from the mythos, Barin (Andromeda‘s Steve Bacic), a hereditary leader of the Verden. (In the comics, he’s Prince Barin of Arboria; here, he’s the son of the former leader of the Verden, whom Ming had executed years before.) Barin and Baylin know each other, allowing her to vouch for the Earthmen. But Flash’s inquiries about his father are met with furtive looks and evasions by all the Verden he talks to.
Barin has his own problems; the Verden are suffering from “the Sickness” that results from inadequate pure water supplies, but Ming will only extend their water rations if they agree to fly his new flag, which he insists is a symbol of global unity but which Barin sees (correctly) as a symbol of Ming’s domination. Still, the only alternative is the Lottery, a Verden tradition in which families are cast out when resources run short. It turns out that Baylin’s family was thus cast out, so she’s not happy about the tradition. Nor is Barin, after seeing her again and being reminded of the cost. But the Verden aren’t painted as evil for employing this tradition; Neya (Kerry Sandomirsky), the Verden leader who calls for the Lottery, participates in it herself, and accepts the verdict bravely when she draws the black stone condemning her to exile. With her fate seemingly sealed, she confesses to Flash that she did know his father rather well, and that he lived among them and helped them for some time.
Flash discovers that the Verden have a hidden water-purification machine which his father built, but which is now broken. Barin resents Dr. Gordon for making his people dependent on the machine, enabling their population to grow to a size that can’t survive without the extra clean water it no longer produces. (We’ll see in “The Sorrow” that Mongo’s denzens have good reason to distrust the idea of living beyond what the land can provide.) But Flash offers to repair it and gets Zarkov in on the work, along with the Verden “tender” Quin (Michael Eklund), the one responsible for maintaining their technology. Some worldbuilding hints here as we learn that the Verden (and the denzens in general, I suppose) once had higher technology but now struggle to repair the remains of what their forebears left. Evidently Ming hoards the advanced technology and the scientists in Nascent City and leaves the rest of the denzens to make do with what they can salvage and maintain from the past. But the Verden don’t trust the water machine to work, so the Lottery goes ahead, and Barin swallows his pride and resentment and goes to grovel to Ming. Turns out that Ming has decided to respond to Aura’s desire for greater involvement in politics in a particularly imperious and manipulative way: he gives her to Barin in marriage to forge an alliance with the Verden, without giving Aura a say in the matter.
(At this point in the series’ initial run, it was starting to occur to me that Flash and the gang should just be bringing some of those big water-cooler bottles through with them every time they go to Mongo. Or maybe some water purifiers from a camping store. It wouldn’t be enough to put a serious dent in Ming’s stranglehold, but it’d be great for winning the goodwill of the various cantons.)
Meanwhile, back on Earth, Dale is having problems with her fiance Joe, who’s unhappy with her secrecy. (Although I think he’s being a jerk. As a cop, surely he has to keep secrets, such as the names of his confidential informants. So by all rights, he should understand perfectly why there are sometimes good reasons to keep secrets from a loved one.) She goes to Flash’s house to commiserate, finding him gone, but she and Flash’s mother Norah have a nice bonding scene that fleshes out the latter character considerably (including the revelation that Flash gave up college to help her when she was diagnosed with kidney cancer). The scene doesn’t pass the Bechdel test, since they’re talking about Joe and Flash nearly the whole time, but it’s still a nice character-building scene and a change of pace in the character pairings.
All in all, this is the first really, really good episode of the show, and the point where this series finally finds its true voice and identity. The characters are at their best (except for jerky Joe, but that’s kind of who he’s supposed to be), the dialogue is crisp and sharp and witty, and the worldbuilding on Mongo has never been richer. And it’s just the beginning. Indeed, it’s part 1 of a 3-part arc, so let’s move on:
“Revelations”: We get our first look at Mongo’s religion as Ming receives “testimony” from the order of the Celetroph: monks who paint their faces with skull motifs and use the (fatal) sting of scorpion-like insects called celetrophs (actually just real scorpions) to give them prophetic visions that are always true, but cryptically expressed. The prophecy tells of a great warrior who will unite the cantons and bring Ming’s reign to an end, which rattles the tyrant. (Hmm, I wonder who it could be…?) Meanwhile, Flash, Baylin, and Zarkov sneak into Nascent City to try to get to the rift generator so they can get home, and they’re startled to learn of Barin’s betrothal to Aura. They tell Barin the water machine is repaired, but he intends to go through with the marriage, not willing to trust the machine again and feeling he can help his people best at Ming’s right hand, tempering his judgment. Their debate is interrupted when Zarkov is arrested for tampering (out of scientific curiosity) with a holoprojection of Ming. He’s thrown in a cell opposite a prisoner named Krebb — who’s played by Sam J. Jones, star of the 1980 Dino De Laurentiis Flash Gordon movie, and is no doubt named in honor of Buster Crabbe. Krebb tells Zarkov that he knew Dr. Gordon, and the latter was imprisoned in Zarkov’s current cell until recently — proven by some equations Gordon carved into the wall. When Flash and Baylin rescue Zarkov (after Barin helps them set off an explosion as a diversion, further unsettling Ming, who suspects insurrectionists), the latter tells them of Krebb, and Flash goes back to talk to him, getting arrested himself. Baylin and Zarkov reactivate the rift generator and are forced to go back to Earth without Flash when the Patriots attack. Rankol throws Flash in Krebb’s cell, and Krebb reveals that Gordon built the rift generator for Ming — under duress, but with the goal of using it to return home and blowing it up behind him. But he says Dr. Gordon was executed less than a year before, devastating Flash. Flash is taken away by Patriots who turn out to be Celetroph monks; they knock him out with some mystical mojo, and he wakes up back on Earth. But Rankol had his own agreement with Krebb, and we get the sense that maybe he’s not as loyal to Ming as he’s seemed.
Back home, there’s more bonding between Dale and Norah Gordon, and Jill Teed really shines here. The past two episodes have been fantastic at developing Norah into a fully rounded character, and here we get some great insight into why she’s been so resistant to the idea of her son investigating her husband’s presumed death. Unfortunately, I couldn’t help being distracted by Dale’s new hairstyle — the bangs are less flattering than her previous cut, plus, given the timeframe, it seems she must’ve gone to get a haircut right after her last talk with Norah. (And Norah doesn’t even acknowledge the new do, which seems impolite.) Maybe it was a therapeutic thing, to distract her from worrying about Flash and Joe? Anyway, the bangs are brushed to the side in later episodes, so this is a one-time thing.
Meanwhile, Aura is furious at being given away to Barin, and when she argues with Ming, we get a good look at how imperious and ruthless he is and how little respect he has for his daughter. Ralston and Van Hooft have good chemistry, and Ralston was really growing on me as a performer by this point, showing a lot of nuance, especially in his scenes with Aura. Later, Aura is determined to be hostile and uncooperative toward Barin, and Van Hooft and Steve Bacic have really good chemistry, bringing out some enjoyable acting in two performers that I’d previously found rather bland and vocally monotonous. It’s the first time I’ve heard Van Hooft’s voice vary in pitch by more than a few notes, and the first time that she’s genuinely fun to watch rather than just really, really beautiful to look at.
All in all, this is a strong continuation to the Barin arc, with a lot of big things happening and the cast continuing to improve. And there’s one more episode to go:
“‘Til Death”: The first half goes more for humor again. Aura, whose despise-hate relationship with Barin is still going strong, goes to Vestra of the Omadrians (previously seen in “Infestation”) for a poison to kill Barin. Vestra advises that this would be politically unwise and suggests instead using a love potion (a bit redundant when you look like Aura) to seduce another man into her bed so Barin will break the engagement out of pride. Naturally, she picks Flash as her boy toy, going to Earth to hook him and bringing him back to Mongo over a stunned Dale’s futile objections. Dale and Baylin go to Mongo to try to bring him back, and failing that, to get an antidote from Vestra — who’s resistant until she learns that Flash is the man in trouble.
Flash turns out to be so wholesome that Aura is unable to get him into a suitably compromising position despite his being head over heels for her, but Barin still discovers them technically in bed together, and things get more complicated when Ming shows up. Ming insists the only way to restore Barin’s honor is with a duel to the death. He doesn’t really care about Barin’s or Aura’s honor, but the marriage serves his political agenda and thus it must be salvaged, and Ming assumes that Barin will make short work of the interloping Earthman. At this point, things get a lot more serious. During the duel, Dale manages to get the antidote to Flash with a kiss, and once he recovers, Flash is unwilling to keep fighting. At first, Barin feels honor must be served, but he recognizes that Flash was a dupe rather than his enemy, and he decides instead to use his weapon against Ming, appearing to assassinate the monarch. But Aura swapped the poison on the duelists’ weapons with sleeping potion, so Ming will awaken. She grants Barin and Flash time to escape before Ming recovers. Aura expects Ming’s gratitude for saving his life, but instead he expresses only scorn that his daughter was too weak to seize power for herself whe she had the chance.
Barin’s ultimate decision comes a little abruptly, and it’s acted out somewhat implausibly, in that Ming leaves himself more open to attack than one would expect of a monarch with many enemies, especially when he’s so recently been afraid of insurrection and overthrow. But the payoff is effective in a way that helps improve the relationship between Flash and Aura (the real relationship, not the drug-induced one), while also underlining the asymmetrical relationship between Aura, who cares for her father, and Ming, who gives her no reason to with his constant contempt for her.
Finally the scattered bits of worldbuilding we’ve seen in previous episodes are starting to come together in what feels like a larger world, and feels more like Flash Gordon. We see the great diversity of Mongo represented here, with Verden, Dactyl, Omadrians, and other denzens all appearing in one episode, and we see the emergence of the familiar relationships and roles: Aura’s romantic interest for Flash and burgeoning rebellion against Ming, Barin as occasional rival for Flash and/or ally against Ming, etc. And Anna Van Hooft is still managing to improve her acting.
Coming next, the series’ focus shifts back to Earth for a bit, but Mongo continues to loom larger, and the storyline undergoes some major advances.