Home > My Fiction > TANGENT KNIGHTS 1: CAPRICE OF FATE annotations are up!

TANGENT KNIGHTS 1: CAPRICE OF FATE annotations are up!

Tangent Knights 1: Caprice of Fate

I’ve finally found the time to finish up my annotations for Tangent Knights 1: Caprice of Fate, so now listeners to the audio novel can read up on all the physics and technology ideas and the tokusatsu in-jokes and allusions behind the story, as well as insights into my creative process. I also discovered that a paragraph got accidentally deleted from the general discussion on the main series page, so that the following paragraph was unclear without it. Fortunately, WordPress saves earlier drafts of its pages, so I was able to restore it. You can read the full discussion and find the annotations link on the main Tangent Knights page. (The annotations contain numerous spoilers, so I don’t want to link to them directly.)

I admit I put off listening to the audiobook for fear of disappointment, but it proved unfounded (as I intellectually knew it probably would, since GraphicAudio did well in their adaptations of Only Superhuman and Spider-Man: Drowned in Thunder). The final result works quite well and captures the feel and style I was going for about as well as I could’ve expected. I particularly want to call out Elaine Yuko Qualter, who rose well to the challenge of playing the very energetic lead character Cory Kagami; John Kielty, whose voice is in just the right range I imagined for Alex Reading but even classier; and Tony Nam, whose voice is an even more perfect fit for Branton Tseng than what I was able to imagine.

Incidentally, I realized something while I listened to the audiobook. My goal with Tangent Knights was to approach the trilogy as if it were effectively a complete season of a tokusatsu series (or meta-series, I guess, since they reboot with a new story and characters every year) — using modern Kamen Rider in particular as my template, as it frequently employs complex narratives that evolve the status quo through multiple escalating stages, which was well suited to the trilogy format. But I always figured that a mere three books would necessarily be rather shorter than a full toku season, since those run nearly year-round with typically about 50 episodes per series, give or take. So it would have the structure of a season in a more compressed form — or so I thought.

But it just struck me that the audiobook for Caprice of Fate is a little over seven hours long. That means I can expect the complete trilogy to have about 21 hours of content, probably. Your typical toku episode is maybe 24 minutes long not counting commercials, so 21 times 60 minutes, divided by 24 minutes, gives the equivalent of 52.5 episodes!

Of course, that 24 minutes includes main and (often) end titles and recaps, so the amount of story per episode is more like 21-22 minutes. Canceling that out, and then some, is the extent to which an audio novel, even a fully dramatized one, is told through narration, which slows things down significantly compared to live action. So the total amount of story being told is still probably somewhat less than a full toku season. But it’s a nice surprise that the total run time of the trilogy will be roughly equivalent to a full season. It means I came closer to my goal than I thought I had.

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