First off, following up on my cover reveal for Star Trek: The Original Series — The Face of the Unknown, Simon & Schuster has also included a listing for an unabridged audiobook adaptation of the novel. I know this is a real thing, since I was recently contacted for input on the pronunciation guide. This will be my third audiobook overall, and my first for a Star Trek project.
Second, Cross Cult, the German publisher of Star Trek novels in translation, has posted the preliminary cover artwork for their translation of Rise of the Federation: A Choice of Futures:
Am Scheideweg = At a Crossroads, apparently. Nice translation for A Choice of Futures.
And I like it that it’s just Star Trek: Rise of the Federation, instead of ST: Enterprise: ROTF. That’s what I would’ve preferred it to be called, since it’s broader than just ENT.
Here it is:
I quite like this cover. It’s got nice vivid colors, it’s a dynamic scene, and I like the menacing Scary Balok Puppet head looming over the scene (and tying in nicely with the “Face” in the title). The swarm of angular red ships attacking the Enterprise is what really sells it, I think, adding color and energy and novelty to the scene; take them away and it would just look like a poster for “The Corbomite Maneuver.” It’s interesting how one element can make the difference like that.
Also, I just realized that the dominant colors on the cover are gold, blue, and red, the three TOS uniform colors (although the “gold” was actually more an avocado green that looked gold under stage lights, but anyway). How appropriate for the closing book of TOS’s 50th-anniversary year (it’s technically the January 2017 book, but its official street date is December 27, and a publishing year is considered to run from February to January).
Here’s the blurb again:
Continuing the milestone 50th anniversary celebration of Star Trek—a brand-new novel of The Original Series featuring James T. Kirk, Spock, and the crew of the USS Enterprise!
Investigating a series of violent raids by a mysterious predatory species, Captain James T. Kirk discovers that these events share a startling connection with the First Federation, a friendly but secretive civilization contacted early in the USS Enterprise’s five-year mission. Traveling to the First Federation in search of answers, the Enterprise suddenly comes under attack from these strange marauders. Seeking refuge, the starship finds its way to the true home of the First Federation, an astonishing collection of worlds hidden from the galaxy beyond. The inhabitants of this isolated realm are wary of outsiders, and some accuse Kirk and his crew for bringing the wrath of their ancient enemy down upon them. When an attempt to stave off disaster goes tragically wrong, Kirk is held fully accountable, and Commander Spock learns there are even deeper forces that threaten this civilization. If Kirk and Spock cannot convince the First Federation’s leaders to overcome their fears, the resulting catastrophe could doom them all!
And here’s the ordering page at Simon & Schuster, with links to other vendors.
Just two months to go!
Sorry I haven’t been posting — I’ve been kind of preoccupied lately. Anyway, Amazon has revealed the title of the third Department of Temporal Investigations e-novella, Shield of the Gods. That’s right, there’s a third one, something that probably won’t come as a surprise to readers of the second one, Time Lock, which had a sort of “To Be Continued” ending. I basically approached these novellas (at least the last two) as a trilogy. They collectively add up to the length of a novel, and I’ve structured them so that they could sort of work as a novel-length story in three parts, with each installment growing out of the events of the previous one. Although I don’t know if there’s any realistic prospect of them ever being collected that way, so don’t get your hopes up. Would be nice, though.
Mythology buffs may recognize the title as a reference to the Aegis — the name that Howard Weinstein coined in DC’s Trek comics for the employers of Gary Seven in TOS: “Assignment: Earth,” an organization that played a role in DTI: Watching the Clock as well as several of Greg Cox’s and Dayton Ward’s novels about Gary Seven and Roberta Lincoln. This isn’t a Gary/Roberta story, though; rather, I want to examine the Aegis from another perspective and address some questions I’ve wondered about.
According to Amazon, the release is scheduled for June 19, 2017. I’ll post more info as it becomes available. And hopefully I’ll have news about some other projects soon.
As visitors to my home page may have already noticed, I’ve learned that my upcoming novelette “Twilight’s Captives” will be appearing in the January/February 2017 issue of Analog Science Fiction and Fact. Since the October 2016 issue seems to be the current one on sale, I guess that means it should be out before the end of this year. That’s roughly the same time that my Star Trek: The Original Series novel The Face of the Unknown will be out, so that’ll be a big month for me.
Given that it’s been only six weeks since I sold the story, and given that it took nearly a year for my previous Analog story to see print, I’m surprised that it’s moving so fast. Two stories in Analog only 7 months apart is a new record for me; my previous record was 9 months between “The Hub of the Matter” and “Home is Where the Hub Is.” And that makes this only the second time I’ve had two Analog stories separated by under two years. Hopefully it won’t be the last.
I’ve already proofread the story’s galleys, which is how I know the publication date, so I know that this story will have an illustration — though I don’t know what it will look like or who the artist will be. I have my own design sketches for the featured aliens, which I’ll post with the story notes on publication, but Analog‘s artist may well take them in a different direction. This will be my fifth illustrated Analog story; the only ones without artwork are “The Hub of the Matter” and “Murder on the Cislunar Railroad” (although the former got a nifty illustration when it was republished in the Russian Esli magazine).
This is threatening to become a regular thing — I’ve sold my seventh story to Analog Science Fiction and Fact. Called “Twilight’s Captives,” it’s a novelette about an interspecies diplomatic crisis in which a tense hostage situation, created and complicated by a fundamental clash of human and alien values, threatens to spark an interstellar war.
Like my previous Analog story, “Murder on the Cislunar Railroad,” this tale is in my main original-SF universe; but it’s centuries further in the future and delves into humanity’s FTL interstellar era, a period that to date has only been peripherally glimpsed in my Buzzy Mag story “The Caress of a Butterfly’s Wing” (and foreshadowed in my long-out-of-print “The Weight of Silence”). This is also only my second published story in that universe to feature sapient aliens, the first being my professional debut, “Aggravated Vehicular Genocide” way back in 1998. I’ve developed a number of alien races for my default universe over the years, putting a lot of thought into their evolution and culture and history, but somehow I’ve almost never managed to sell any stories that featured them (in part because I was saving the main ones for novels — a strategy I’ve been reassessing lately). But “Twilight’s Captives” introduces aliens of three distinct types, belonging to two major astropolitical unions. I’m glad I’m finally getting the chance to flesh out this underutilized aspect of my future history.
Like “Cislunar” and “Butterfly’s,” this is actually an older, unsold story that I recently took another stab at, emboldened by my success with those two. But this one required surprisingly little reworking to make the grade — just a little streamlining here and there and a stronger opening paragraph. Which goes to show how important a good beginning is.
The publication date hasn’t been set yet, but I’ll let you know when it is.
I just found out that The Trek Collective posted the cover to Department of Temporal Investigations: Time Lock on Friday:
It’s kind of abstract, but so were the previous covers. And this one’s based on an idea that’s hard to visualize. Another clock face would’ve been a bit repetitive, even though this is a story for which a ticking clock would be appropriate. Anyway, the blue is a nice change of pace from the red-orange of previous covers.
Here’s the blurb again:
The dedicated agents of the Federation Department of Temporal Investigations have their work cut out for them protecting the course of history from the dangers of time travel. But the galaxy is littered with artifacts that, in the wrong hands, could threaten reality. One of the DTI’s most crucial jobs is to track down these objects and lock them safely away in the Federation’s most secret and secure facility. As it happens, Agent Gariff Lucsly and his supervisor, DTI director Laarin Andos, are charged with handling a mysterious space-time portal device discovered by Starfleet. But this device turns out to be a Trojan horse, linking to a pocket dimension and a dangerous group of raiders determined to steal some of the most powerful temporal artifacts ever known…
Time Lock will be released about a week from now, around September 5. You can find preorder links here at Simon & Schuster’s Time Lock page, and international links in the Trek Collective page linked above.
Sorry, folks, I lost track of how long it had been since my last post. Not that much has been happening that’s newsworthy, since I’ve been waiting for certain things to be approved or moved on by other parties. Fortunately, there’s finally been a bit of movement, so with luck, I should have a couple of announcements coming relatively soon. This is a relief for me in other ways, too, since it means there should be an improvement in my financial situation, which has been pretty tense lately. Although it’ll probably remain tense until at least next month.
On the plus side, the delay has left me plenty of time to work on my own original projects, including several short stories/novelettes. I just finished one the other day — I’m trying to revise and streamline it now, though I’m a bit stuck — and I hope to be able to move into another promptly thereafter. As a tease, I’ll reveal that my research for that just-finished story included a vintage Robert A. Heinlein story and the Marx Brothers’ A Night at the Opera. Which has prompted me to do a binge rewatch of the two Marx Brothers DVD box sets I inherited from my father, one featuring all their Paramount movies with Zeppo, the other featuring most of their later films. I’ve had those box sets for years, but I’ve never gotten around to rewatching them until now. I’ve always loved the Marx Brothers’ absurd verbal humor and wordplay. They were unusual in combining both verbal humor and visual/slapstick humor, and doing both well. But Groucho and Chico’s contortions of language and logic are amazing to listen to.
Let’s see, I’ve also been getting the occasional DVD from the library. I rented Deadpool despite my misgivings about its violence and crass humor, because I’d heard it was really clever and funny otherwise. I thought it had some very funny bits here and there, and Morena Baccarin was luminous (though no way could her hair grow that long in just one year), but overall I could’ve done without it. Just not my style of humor. Also, perhaps prompted by my recent discussion of the Mako Mori test in my “Bechdel” thread, I decided to rent Pacific Rim again. It still holds up well, and it was interesting to note how many kaiju-movie tropes it touched on. The idea that the aliens were softening Earth up for invasion now because we’d polluted the planet enough to make it habitable for them is reminiscent of Gamera: The Guardian of the Universe. The use of helicopters to airlift the giant mechas to battle evoked the Millennium-era Mechagodzilla movies. And Mako was very reminiscent of the female leads in movies like Godzilla vs. Megaguirus and Godzilla Against Mechagodzilla. I felt the story was well-structured too, deftly using the mind-melding technology of the Drift as a way to drive the plot dynamics, establish character backstory, and provide a source of information about the invaders, all rolled into one. And of course I still love Idris Elba’s big speech.
Well, I just heard the mail arrive, so I should go. More news soon, I hope.