And the news keeps coming. StarTrek.com has just posted the covers and blurbs for my Star Trek: Enterprise — Rise of the Federation: Live by the Code and Dayton Ward’s Star Trek: TOS — Elusive Salvation. You can check out Dayton’s book over at the link, but here’s the LBTC cover and info:
Admiral Jonathan Archer has barely settled in as Starfleet Chief of Staff when new crises demand his attention. The Starfleet task force commanded by Captain Malcolm Reed continues its fight against the deadly Ware technology, but one of the task force ships is captured, its Andorian crew imprisoned by an interstellar Partnership that depends on the Ware for its prosperity. Worse, the Partnership has allied with a renegade Klingon faction, providing it with Ware drone fleets to mount an insurrection against the Klingon Empire. Archer sends Captain T’Pol and Endeavour to assist Reed in his efforts to free the captured officers. But he must also keep his eye on the Klingon border, for factions within the Empire blame Starfleet for provoking the Ware threat and seek to take revenge. Even the skill and dedication of the captains under Archer’s command may not be enough to prevent the outbreak of the Federation’s first war.
Artist Doug Drexler consulted me about the cover some months ago, and we picked out a scene from the novel that would make for a good cover. This is the scene we discussed, although I didn’t expect the image would be this close-up. But I’m glad to have a cover emphasizing one of Starfleet’s Andorian ships, as a companion to the Tower of Babel cover showcasing Endeavour and Pioneer. The emphasis is very appropriate for this novel, for reasons that will become apparent.
The folks behind the Cleveland ConCoction science fiction/comics/gaming convention have invited me to appear this year as their Guest of Honor on the literary track, as they’ve just announced on Facebook. The convention will be held from Friday, March 11 to Sunday, March 13, 2016 at the Cleveland Sheraton Airport Hotel in Cleveland, Ohio. You can find more information at their website here.
I’ve never been a Guest of Honor before, so I’m not quite sure what that will entail, but in some respects it won’t be too different from my annual Shore Leave appearances. I’ll be on at least a couple of panels (as well as their opening and closing ceremonies, apparently), and I’ll have a table where I can sell and autograph copies of my books for as long as they hold out, and I’ll just generally be around for the weekend. Hopefully the timing will be right for me to have copies of Star Trek: Enterprise — Rise of the Federation: Live by the Code for sale, but we’ll see.
It’ll be nice to attend a convention that’s actually within my own state, although it’s a big state and Cleveland’s pretty much in the opposite corner, so it’ll still be a fair drive. I don’t recall if I’ve ever actually been to Cleveland before. Well, now I will have been.
I’ve just learned that my next Star Trek: Department of Temporal Investigations e-novella, Time Lock, has been listed for preorder online, with a publication date on or around September 5, 2016. Here’s Simon & Schuster’s ordering page for it, which has ordering links to all the various e-book retailers on the lower right. (More efficient just to send you there and let you take your pick, rather than try to track down all the links myself. My freeze-prone laptop just froze when I tried clicking on a link on an Amazon page, so I’d rather not take chances right now.)
And I know September is kind of a long wait. I don’t know why that is — presumably that’s just where they could fit it in the schedule. Still, let’s just say that a long wait is kind of appropriate for this one…
Continuing my irregular series…
Doctor Who has gotten stronger since the first couple of episodes this season. The stories have gone to interesting places and handled them well. The Zygon 2-parter currently underway has done a remarkable job bringing depth and complexity to a race I always saw as rather goofy before.
Minority Report has also gotten stronger as it’s moved beyond case-of-the-week stuff and delved more into the past and present of the three Precogs. The worldbuilding is still a mixed bag, though — sometimes there are some nice bits of plausible prediction (sea level rise, vat-grown meats), but sometimes the world is too similar to the present (e.g. no improvements in firearm safety in households with children). There are only a few episodes left now; FOX has already decided to end the show at episode 10, which was already planned as a midseason finale of sorts. I hope it isn’t too much of a cliffhanger.
Sleepy Hollow has been pretty solid — not as good as season 1, but not as frustrating or uneven as season 2. However, the constant shoehorning in of Betsy Ross, Colonial Superspy is irritating and the actress hasn’t gotten any better.
Agents of S.H.I.E.L.D. has been puttering along just fine, with one exceptional showing in “4,722 Hours.” It’s a reminder that, for all that we celebrate serialization these days, the standalone stories are often the most memorable ones.
I’m still watching Blindspot, but I’m not quite sure why. I don’t really care about any of the cast other than Jaimie Alexander and Ashley Johnson. And it’s way too gunplay-driven for my tastes. But I am still vaguely curious about the mystery. Some viewers, myself included, are starting to suspect that this is a stealth time-travel show, since that seems the only way to explain the foreknowledge of whoever’s behind Jane’s tattoos.
The Flash and Arrow have been solidly fun so far, even though they’ve mostly been busy setting up the upcoming Legends of Tomorrow spinoff. But The Flash has introduced the multiverse and Jay Garrick, which certainly opens a lot of possibilities. And last week’s Arrow did something rather marvelous, which was to bring back the star of last season’s cancelled NBC series Constantine (based on a DC/Vertigo comic) and retroactively fold his show into the Arrowverse, as well as leaving the door open for his return in the future. The last time anything like that was done, I think, was when Homicide‘s Detective Munch was added to the cast of Law & Order: SVU. There was also that episode of Diagnosis: Murder in the ’80s (or early ’90s?) that was a sequel to an episode of Mannix from the ’70s. Not quite the same thing there, though.
But the big premiere from DC and Greg Berlanti is CBS’s Supergirl, which I am absolutely loving. Melissa Benoist is marvelously charming and likeable, and she brings enormous warmth and credibility to the character of Kara/Supergirl. She has a personality that reminds me of Lindsay Wagner from The Bionic Woman, along with a gushing charm and ready smile that are evocative of Lynda Carter in Wonder Woman. I’m glad we’re past the point where a female heroine has to be all tough and cold and aggressive to be seen as strong. Supergirl is unapologetically girlish and adorable, but the fights she gets into are intense and no-holds-barred, and the show is perfectly matter-of-fact about both, recognizing that there need be no contradiction there.
As for the rest of the cast, Mehcad Brooks is pretty good as James Olsen — not what you expect from Jimmy Olsen, but that’s the point, since he’s grown out of the cub-reporter years and is a grown man now. The rest of the cast is mostly okay, but I feel that David Harewood’s performance suffers a bit from being saddled with an American accent, and Chyler Leigh is a bit bland as Alex.
I like it that the show makes no apologies about being feminist. That’s not a dirty word, and it’s good that the show embraces it. At least, I hope it gets to continue to embrace it. I remember the ’70s Wonder Woman pilot having a front-and-center feminist message that got totally quashed after just a few episodes. Hopefully we’ve gained some ground since then. I hear a lot of fanboy whining about how they changed Jimmy Olsen or whatever, but I also hear a lot of people saying how excited they are to have a superhero show they can watch with their daughters, and that is so much more important.
I also love it that Kara is spending more time in Supergirl attire than in street clothes, something I don’t think we’ve seen in a live-action superhero show since Adam West hung up his cowl (except maybe for some Power Rangers episodes). I’m also really impressed with the Supergirl costume. People like to make fun of superhero capes and tights and trunks, but I just can’t see it. To me, it’s not silly-looking at all, because it’s Superman’s costume, and that makes it a cultural icon, a symbol of truth, justice, and the neverending battle against corruption and prejudice. Granted, some attempts to realize it in live action have been better than others. But when they get it right, it looks to me like something that should be worn with pride. And Colleen Atwood’s version of the Supergirl costume gets it right. I think Benoist looks very classy in it.
I also love how much time Supergirl spends in the air. This is like the anti-Smallville. That show promised “No flights, no tights,” because those things were seen at the time as goofy and embarrassing. But these days, the culture has embraced superheroes, so this show gives us flights and tights all the time, and it’s wonderful.
(One thing bugs me, though. Supergirl has earrings. Not clip-ons, but studs. How the heck did Kara pierce her ears? Heat vision? For that matter, why don’t the piercings instantly heal up after being made? Although I gather there are such things as adhesive or magnetic earrings.)
It’s interesting that this shares something in common with the ’84 Supergirl movie, aside from Helen Slater’s presence. Both stories are about Kara becoming Supergirl in order to fix a problem that she herself inadvertently caused — sending the Omegahedron to Earth in the movie, bringing Fort Rozz to Earth here. (Although I suspect that there’s a deeper story behind just how the fort got out of the Phantom Zone.)
I like it that there’s a clearly defined melodic theme, though episode 2 seemed to use a different one (or a different part of the same one?) than the pilot. It’s not one of the best Super-person themes in the history of the franchise — it doesn’t hold a candle to the Goldsmith Supergirl theme from the movie — but it’s appropriate for a superhero, especially a Super-hero, to have a clear fanfare like this. Most Superman-related shows have had strong themes for the hero, though this is something Smallville totally dropped the ball on until late in its run, because it went with Mark Snow’s atmospheric droning instead of something with actual melody, and then it just copied John Williams’s Superman theme, which just didn’t fit with the rest of the music. (Although later composer Louis Febre did finally concoct a decent heroic theme for Clark in the last couple of seasons.)
One last side note: People may notice that I haven’t said anything yet about the news that CBS is producing a new Star Trek series. This is because we hardly know anything about it yet, so the sensible thing is to wait and see. It’s not necessary to fill the voids in our knowledge with rampant speculation just so we have something to base an opinion on. There’s nothing wrong with having no opinion at all.
Well, I will say that every single time a new Star Trek project has been announced, it’s immediately provoked doom-and-gloom reactions from fandom. And here’s an item from Starlog #117 in which the TOS cast responds to the news that TNG is being made:
Shatner and Nimoy were skeptical, Kelley didn’t understand the idea, and Doohan pretty much called it a fraud. Nichols and Koenig sounded open-minded… and Takei was pitching a Captain Sulu series even then. But of course, we all know how TNG turned out. So any opinions or assumptions at this point are hardly worth the effort.
The best news this week: Not only did I deposit my final advance check for DTI: Time Lock yesterday, but I was just informed that my outline for Star Trek: The Face of the Unknown has been approved and the check is already being processed. I’m glad not only because I need the money, but because my plan was to devote October to original projects and then begin on TFOTU in November, but we’re not supposed to start writing the manuscripts until the outlines are approved. So now I’ll be able to stick with that plan. At the moment I’m proofreading the galleys for Rise of the Federation: Live by the Code, but I’ll get to TFOTU as soon as that’s done. (Although I didn’t get as much done on original projects as I’d hoped, what with my computer issues and illness and some still-unresolved problems with a story I was trying to salvage.)
I also finally got my replacement watchband the other day. It’s taking some getting used to, but it’s working okay. And because of the mixup, the company sent me a second band as a bonus, so I have a replacement for this one if anything should happen to it. Although it’s a pretty sturdy nylon band, so I doubt I’ll need a replacement anytime soon.
I made my first foray into laptop shopping yesterday, but I basically learned that it might be more challenging than I thought to find a reasonably priced model that has the software I need. The place I got my current laptop installs MS Office and a few other programs for no extra charge, but I don’t trust them anymore, certainly not after their 90-dollar “repair” did nothing to fix the problem and just made the performance worse overall. But apparently Staples laptops just come with Windows and nothing else, although you do get a discount if you buy Office along with them. Still, I need to try other possibilities. There are the obvious big stores like Best Buy to consider, but are those really the best options, especially for someone on a budget? The local place did have some appealing qualities, like the free software installation; it’d be nice to find some similar local shop in the Cincinnati area that’s more reliable.
In the wake of the useless “repair,” my laptop is now even worse at playing streaming video than it was before. Hulu is very jerky on Chrome, and ever since I let the computer upgrade Flash the other day, Firefox won’t play Hulu at all, since the Flash just crashes. I should probably just uninstall Flash and rely on HTML5, which is what people recommend online, but I’m not sure what the right way to do that is. Anyway, for now I’m effectively Hulu-less, which is a problem since there are a few shows this week that I skipped watching live because I expected to be able to watch them via On Demand cable, but the On Demand channel isn’t updating this week for some reason. I’m almost to the point of trying to watch Hulu on my tiny smartphone screen and seeing if that works. (If only I’d accepted the phone store’s limited-time offer to get a tablet along with the phone for an extra 50 bucks.) Or I could just try living with the jerky picture.
I’m still having the occasional freeze-up of my laptop. The last time it happened, I checked and confirmed that the hard-drive light was not on at all. Based on the searches I’ve done, that suggests that the freeze may be related to a hardware problem with the RAM, a bad sector or connection or something. I’ve been thinking of taking it in to the local repair shop (not the same as the place I bought it) and seeing if they can fix the RAM — and maybe install some more to improve my video-streaming performance. But I hesitate to spend money on a repair that may not work or that may just lead to the conclusion that I need to buy a new laptop anyway.
Granted, with my check coming in soon, I don’t need to be so reticent about spending money anymore. But I don’t want to spend too profligately either. I’m still feeling kind of burned after throwing away 90 bucks on a non-solution. That’s why I made sure to approach my Staples visit as a purely factfinding expedition. I’m not very good at making on-the-spot decisions, and a couple of times now (with my watch and the laptop) I’ve let store clerks talk me into choices that turned out to be the wrong ones. So I want to make sure I consider all the possibilities before deciding what to do about laptops. Which means I may be stuck with this one for a while longer. I just hope it holds up.
Well, as I hoped, Books by the Banks did cheer me up after my recent computer woes. The reception on Friday night was at the Mercantile Library downtown, a pretty classy place. It was heavily attended, making it an unusually noisy gathering for a library, but they had a free buffet which constituted my dinner and included some nice strawberries and cheese among other things. My nametag got me recognized by author Jeff Suess, who had a story in one of the Star Trek: Strange New Worlds volumes, and we talked Trek for a while. I later chatted with a few other authors I met for the first time. And I briefly touched base with noted children’s book author Sharon Draper, who won one of the awards given out at the reception, and who was my 8th-grade English teacher back at Walnut Hills High School decades ago. I was rather surprised that she remembered me, and she had some nice things to say about me. Honestly I don’t remember 8th grade all that well myself. It was a pretty rough time in my life, and I was kind of an emotional wreck and an underachiever. It’s reassuring that one of my teachers from that time came away with positive memories of me.
Anyway, I couldn’t resist staying up until midnight on Friday to watch the series finale of Continuum on Syfy (a bit rushed, but effective), and I woke up too early the next morning. Generally when I do that, I get up for a bit to let the sheets cool down, go back to bed, then eventually drift off and sleep fairly late. But this time, I had to force myself to get up early enough to get to the convention center by 10, and my morning coffee barely left me functional enough to drive. I practically sleepwalked into the convention center, or so it felt to me, but I bought another cup of coffee and it did the trick — or at least helped me kick into my convention/interview mode where I’m more outgoing and talkative than I usually am with strangers.
The energy of the crowd may have helped too. It was unusually lively and well-attended this year, and people weren’t afraid to spend money on books. The main book I was there to sell this year was Rise of the Federation: Uncertain Logic, but they had a few copies of ROTF: Tower of Babel as well, plus about five print-on-demand trade-paperback editions each of Only Superhuman and TNG: Greater Than the Sum, neither of which I’ve seen in TPB before. It wasn’t a very Trek-oriented crowd overall, and I didn’t make much of a dent in the big pile of Uncertain Logic copies, but I sold out of both Only Superhuman and Tower of Babel and was down to two copies of GTTS by the end of the day (even though the TPB edition of it was the most expensive item on my table). And since I earned out my advance on Only Superhuman earlier this year, that means I made myself a few more bucks in royalties yesterday, although I won’t see them for another 6 or 7 months.
I also got to see a couple more acquaintances, including Mark Perzel of Cincinnati Public Radio (who interviewed me about Only Superhuman a few years back), local author Dan Andriacco (whom I’ve met at the library’s Ohioana reception and last year’s BbtB), and R. S. Belcher, another Strange New Worlds author whom I’ve met at Shore Leave, as well as a fellow Tor author whose novels include The Six-Gun Tarot and The Shotgun Arcana. So I got to have some nice conversations with them and with other authors and readers over the course of the day. All in all, it was a successful event and I had a good time. Though I was really worn out once I got home. Hopefully I finally caught up on my sleep last night, though I think maybe I’m still a little out of it.
But I’m definitely glad I bought a new winter coat the week before last, after my old one’s zipper broke. The weather was still warm when I bought it, but temperatures have plunged over the past few days, so my timing was pretty good.
Sorry for the late notice… After missing out on it last year, I’ll be a guest at the Books by the Banks festival again this year. The event will be on Saturday, Oct. 17 from 10 AM to 4 PM at the Duke Energy Convention Center in downtown Cincinnati, on 525 Elm Street. Here’s the directions page with parking information. My featured book at the festival will be Star Trek: Enterprise — Rise of the Federation: Uncertain Logic, but hopefully there will be copies of my older books available as well.