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The whole ARACHNE saga now on sale!

January 1, 2021 1 comment

Well, at first I expected Arachne’s Exile to come out at least several months after Arachne’s Crime, and then I thought they’d be out simultaneously. As it worked out, they were released exactly a month apart. Not only did Arachne’s Exile go on sale today, but so did The Arachne Omnibus, a deluxe hardcover volume (also available in trade paperback and e-book) containing both novels, plus the Kickstarter/Patreon prequel story “Comfort Zones” (in print for the first time) and the connected follow-up stories “The Weight of Silence” and “Among the Wild Cybers of Cybele.” It even includes my alien height chart, which you can also see on my Aliens of the Arachne-Troubleshooter Universe page.

Here are the ordering links I have so far:

Arachne’s Crime

Available from:

Arachne’s Exile

Available from:

The Arachne Omnibus

Available from:

I’ve also gone live with the Arachne’s Exile annotations: https://christopherlbennett.wordpress.com/the-arachne-saga/arachnes-exile-annotations/

While I was at it, I also added some cover art notes to the Arachne’s Crime annotations, since I forgot to do that before.

So there we are. The entire Arachne saga is now available for purchase, either in two paperback volumes or in one hefty single volume available in hardcover (though Exile and the omnibus are not back from the printers yet). After all these years, more than 22 years since the original story came out and more than 11 years since I first started expanding it to novel length, the entire thing is finally out.

Although the saga of Arachne‘s crew may not be over yet…

My “Around Cincinnati” interview is online!

November 19, 2018 2 comments

My interview with Barbara Gray for WVXU radio’s Around Cincinnati program has now gone live:

New Sci Fi Short Stories From Local Author Christopher Bennett

It’s a bit edited down from what I remember, but most of it is there — my brief dramatic reading from Among the Wild Cybers, some talk about my origins and approach as a writer, and a bit more information about Star Trek: The Original Series: The Captain’s Oath.

Man, my voice is starting to sound older. I don’t remember sounding so rough and quavery.

AMONG THE WILD CYBERS: Putting it together

I’ve just e-mailed the corrected galleys for Among the Wild Cybers: Tales Beyond the Superhuman back to the publisher, which should be the last step for me in putting the interior of the book together, though I still need to work on coming up with a first draft for the cover blurb. Anyway, it was nice to see the whole thing put together as a book, and to get a sense of what the experience of reading through it will be. I’m pretty satisfied with how it worked out.

I thought it might be worth explaining how we arrived on the story order for the collection. My first thought was to go with chronological order, because that’s my natural inclination. That order would’ve looked like this:

  • “No Dominion” (2059)
  • “Murder on the Cislunar Railroad” (2092)
  • “Aspiring to Be Angels” (2106)
  • “Aggravated Vehicular Genocide” (2176)
  • “The Weight of Silence” (2202)
  • “Among the Wild Cybers of Cybele” (2250)
  • “Twilight’s Captives”  (2315)
  • “The Caress of a Butterfly’s Wing” (c. 2480)

I thought it made for a decent story order, with a fairly strong starting story and a really strong closing story, and a good mix of lengths and focuses in between. I figured that if I inserted transitional passages explaining the intervening history to tie the stories together, it would give it a better flow. “No Dominion” wasn’t in continuity with the others, but as the odd one out, it seemed to make sense to put it either first or last, so including it in the chronological ordering seemed to work, however awkwardly.

But there was a glaring problem right off: That order opened with two murder mysteries, which would’ve given a wrong idea about what to expect from the rest of the stories. I was sufficiently attached to chronological order that I was willing to live with that, but my editor, Danielle McPhail, felt it was important to keep the two mysteries separate, to improve the flow. She agreed with me that “Butterfly’s Wing” was the strongest story and should go last, but she felt the next-strongest one was “Among the Wild Cybers of Cybele,” and that it should go first (hence the name of the collection). Beyond that, she left it up to me to pick the story order, requiring only that the two mysteries be separate. I took it as a general guideline to avoid putting similar stories together.

I felt that the brand-new Emerald Blair story, “Aspiring to Be Angels,” should come second, so the audience wouldn’t have to wait too long for it. I put “Twilight’s Captives” and “No Dominion” next because I wanted to front-load the collection with stories featuring strong, impressive female leads, particularly ones I hope to revisit in future works. I put “Captives” first because that let me alternate between stories with an interstellar/alien focus and a Sol System/investigation focus.

I couldn’t follow “No Dominion” with either “Cislunar Railroad” (both mysteries) or “The Weight of Silence” (both first-person narratives), so the fifth story had to be “Aggravated Vehicular Genocide.” And I didn’t want to put “Weight” next to “Butterfly’s Wing,” because those are both two-handers about a man and a woman dealing with a crisis in space. So “Weight” had to come after “Vehicular,” making those the only two consecutive stories still in chronological order. And that left only “Cislunar” for the penultimate slot. That broke the alternating pattern between interstellar settings and Sol System settings, but I guess it’s good that the pattern isn’t too rigid.

The upshot is a collection in which no two consecutive stories are set in the same century: 2250, 2106, 2315, 2059, 2176, 2202, 2092, c. 2480. That’s a pretty good mixture. In reading through the collection for the galley edits, I found that the jumping around in the timeline didn’t bother me. After all, the stories have fairly little direct connection to one another, so a linear progression from one to the next isn’t hugely important. It does feel a little odd to see “Wild Cybers” referencing the events of “Vehicular Genocide” when that one doesn’t come along until later in the collection, but in its own way, that kind of works. Referencing something near the start of a book and only explaining it later is a fairly common storytelling device, and this particular reference isn’t crucial to the story, just a bit of backstory that can wait to be fleshed out. There’s a similar instance of that connecting two other stories, though it’s looser.

Of course, there is a historical appendix at the end to put the stories in chronological context, so readers can use that as a guide if they want to read (or re-read) the stories chronologically. The appendix is put together from the transitional passages I wrote when I expected the collection to be in chronological sequence, although I was able to restructure and expand it once I put it all together into one essay, so it actually works better that way. It does, however, assume that the reader has already read the stories.

All in all, I’m really glad that this is nearly a book. I only announced it to the world two days ago, but I’ve been working on this collection on and off for nearly a year now. I can’t wait until all of these stories are finally available to my readers in one comprehensive package.

Announcing AMONG THE WILD CYBERS — and the return of the Green Blaze!

At last, I’m able to make my first new project announcement in over a year. Among the Wild Cybers: Tales Beyond the Superhuman, a story collection reprinting nearly all of my previously uncollected short fiction, will soon be published by eSpec Books. And I have even better news: the collection will also feature a new, never-before-published novelette starring Emerald Blair, the Green Blaze, in her first print appearance since Only Superhuman!

Among the Wild Cybers will be available in both print and e-book form, and will be crowdfunded by a Kickstarter campaign that eSpec will soon be launching, probably later this month. The collection, edited by Danielle Ackley-McPhail, will include all my short fiction from my default/Only Superhuman universe, plus the bonus story “No Dominion” (“bonus” meaning it was the only one left over and I didn’t want to leave it uncollected). The title comes from the first story appearing in the collection, “Among the Wild Cybers of Cybele,” but as it happens, the majority of the stories do feature cybers (AIs) in some capacity, though only three focus on them heavily.

Emerald Blair, "Green Blaze"

Copyright Christopher L. Bennett

The new Green Blaze story, “Aspiring to Be Angels,” is an 8000-word novelette depicting a key moment in Emerald Blair’s Troubleshooter apprenticeship. I know, I know – prequels. Not as exciting as a sequel would be. But Emry’s superhero training was a part of her backstory that I didn’t manage to include in OS’s flashback chapters; I tried to include it, but I ended up skipping over it for the sake of the novel’s flow. “Aspiring” allows me to fill that gap, and to explore the process by which Emerald Blair became the Green Blaze. Doing a prequel also allows me to bring back Emerald’s mentor Arkady Nazarbayev and delve further into his hero-sidekick relationship with Emry.

In some ways, though, “Aspiring to Be Angels” is more a horror story than a superhero story. It’s not gory or anything, but it’s more dark, bizarre, and creepy than my usual work. It’s something of an homage to the anime Serial Experiments Lain. But don’t worry, it’s also an integral part of Emerald Blair’s journey, true to her character and her world. And I’m hoping it’s just the beginning of her continued adventures, in one form or another.

Another story in the collection, “The Weight of Silence,” might as well be new for most readers, since the online magazine where it appeared, Alternative Coordinates, ceased to exist less than a year after the story’s publication. AC did have a printable PDF edition, as I recall, so there may be a few print copies of “The Weight of Silence” out there somewhere, but I doubt there are very many. So it’s been effectively a “lost” story for nearly seven years, and I’m glad it will finally be available again.

This will also be the print debut for two of my stories that have previously appeared only online, “No Dominion” and “The Caress of a Butterfly’s Wing.” Both stories are still available online as of this writing (see links on my Homepage and Original Fiction pages), but between them, “Aspiring to Be Angels,” and “The Weight of Silence,” half of the stories in Among the Wild Cybers are appearing in print for the first or nearly the first time. Which means, hopefully, that “Dominion,” “Caress,” and “Weight” will finally get added to my Internet Speculative Fiction Database author page. Apparently their editors don’t pay much attention to online publications, although they do list my Star Trek e-novellas.

I’d originally expected that the stories in Among the Wild Cybers would appear in chronological order, but Danielle and I decided instead to arrange them for the best reading experience, so no two adjacent stories would be too much alike. Here’s the tentative order, with original publication dates:

  • “Among the Wild Cybers of Cybele” (Analog Science Fiction and Fact, Dec 2000)
  • “Aspiring to Be Angels”                     (new)
  • “Twilight’s Captives”                         (Analog, Jan/Feb 2017)
  • “No Dominion”                                   (DayBreak Magazine, June 2010)
  • “Aggravated Vehicular Genocide”     (Analog, Nov 1998)
  • “The Weight of Silence”                     (Alternative Coordinates, Spring 2010)
  • “Murder on the Cislunar Railroad”    (Analog, June 2016)
  • “The Caress of a Butterfly’s Wing”   (Buzzy Mag, Nov 2014)

There will, however, be an appendix providing a chronological ordering of the stories and an overview of the future history they occupy – including a few new bits of history and worldbuilding that haven’t appeared in print before. In writing that material, I even thought of a way to tweak a part of that history so that a couple of stories have a stronger connection than they did originally.

Between them, Only Superhuman and Among the Wild Cybers will contain the entire published OS continuity to date. If you also buy Hub Space, you’ll have all my published original fiction so far except for “Abductive Reasoning,” which came out too recently to be included in ATWC (which didn’t have room for it anyway). But that’s all right – having a story still uncollected gives me an incentive to keep writing more so I can build a second collection. Hopefully this time it won’t take 20 years to do it.

I’ll provide the link to the Kickstarter page once it’s available. Keep an eye out for updates on publication date, cover art, etc. I’m so glad I can finally post news about this book!

DOCTOR WHO’s “Smile” seems a bit familiar… (Mild spoilers)

Sorry I haven’t been posting lately — again. I’ve been distracted by stuff including a hard drive crash, although I’ve gone back to the previous, potentially unstable hard drive and it’s working okay for now.

Anyway, I’m liking the new season of Doctor Who so far; Bill is a fun companion, she and the Doctor have a good relationship developing, and it seems like Moffat may be going for a classic-Who formula of having each story lead directly into the next one, one of several homages this season seems to have to the very first season of the original show. (“The Pilot” was basically an inversion of “An Unearthly Child,” with a student learning about her mysterious teacher instead of the other way around.)

But it’s a different parallel that struck me when watching the second episode, “Smile” by Frank Cottrell-Boyce, this past weekend. Okay, so this is a story where the Doctor and Bill go to a human colony world, only to find that the colonists sent a swarm of robots on ahead to build their colony for them so it’d be all ready when they arrived — but during the interim, the robots underwent evolution in their behavior and were no longer following their expected directives. And that led to a debate about whether to fight them or learn to coexist with them.

And that reminded me of the second story I ever got published, “Among the Wild Cybers of Cybele” from the December 2000 issue of Analog Science Fiction and Fact. That story, which I talk about a bit on my Original Short Fiction page, was about self-replicating “auxons” rather than nanobots, and the premise was more along the lines that the auxons had become essentially a new order of animal in the colony world’s ecosystem. So the robots weren’t a threat to the human colonists as in “Smile,” but rather posed a threat of extinction to the world’s native life, creating a dilemma over whether they should be destroyed or have their own right to exist protected.  It’s a story I’ve always been pretty proud of, and I’m hoping I can get it back into print in some form soon.

I doubt very much that Frank Cottrell-Boyce ever read my old story or was inspired by it in any way, but it’s nice to see a science fiction concept show up somewhere and realize that I did it first. Although my own story was inspired by Roger Zelazny’s “Last of the Wild Ones,” about self-driving cars that had gone rogue due to a computer virus and roamed the plains like wild horses or bison. (Which is a sequel to an earlier story called “Devil Car,” which I don’t think I ever read.)

I’ve sold a novelette! “The Caress of a Butterfly’s Wing”

I’m pleased to announce the sale of an original novelette, “The Caress of a Butterfly’s Wing,” to the online magazine Buzzy Mag. It’s a transhumanist love story set in a young, distant star system where human castaways have transformed themselves to survive among the asteroids. It may sound a bit similar to the setting of Only Superhuman — and in fact it’s set in the same overall universe — but the transhumanism here goes much farther than anything in Emerald Blair’s world.

I’m particularly pleased because this is a story I originally wrote a long time ago, around the time of my earliest sales to Analog, but was never quite able to get into a sellable condition. I got a slew of rejection letters from editors telling me it was a beautiful, poignant tale but didn’t quiiiite work for them, and I couldn’t figure out how to get it over that last barrier. Eventually I realized that, on top of that, I’d made some scientific mistakes in my portrayal of the setting, so I shelved it until I could figure out how to resolve both problems. And that’s where things stood for quite a while. But last year, I tried revising it to submit to a themed anthology that I felt it might work for, and I noticed a couple of plot problems I hadn’t spotted before and reworked the story to fix them. It didn’t quite fit the anthology, as it turned out, but apparently the revisions did the trick, since Buzzy Mag bought it. I’m really glad that the story will finally see the light of day after all these years.

This will be my fifth published work in my “default” universe, after “Aggravated Vehicular Genocide,” “Among the Wild Cybers of Cybele,” “The Weight of Silence,” and Only Superhuman. It doesn’t really have any direct connections to any of the others, though — it’s too far removed in space and time for that. But it’s one more small step to fleshing out that universe and maybe, eventually, building it into a more unified whole. It’s also my first published default-universe tale since 2000 to be set outside the Sol System.

The publication date for “The Caress of a Butterfly’s Wing” hasn’t been determined yet, but I’ll announce it once it’s set.

Stanley Schmidt retires from ANALOG

August 31, 2012 1 comment

I just heard the sad news that Stanley Schmidt is stepping down as editor of Analog Science Fiction and Fact after 34 years, a tenure matching that of the magazine’s most famous and longest-running editor, John W. Campbell, Jr. The press release was posted on Locus Online. Stan is quoted as saying:

“I have now been editor of Analog for 34 years, tying or (depending on how you count) slightly exceeding the previous longest-tenure record of John W. Campbell. I still enjoy it thoroughly, but am leaving to pursue a wide range of other interests. Two of the most important of these are doing more of my own writing, and reading Analog purely for the enjoyment of it, which I expect to remain at a high level under Trevor Quachri’s direction.”

I owe my career largely to Stanley Schmidt. When I was submitting my early stories to editors and getting them rejected, Stan saw something in my work that was worth cultivating and began sending me personalized rejection letters with advice that helped me raise my game and improve my work. He wasn’t the only editor who did that for me, but he did it the most, and ultimately he was the one who bought my first published story, “Aggravated Vehicular Genocide,” in March 1998, and then published it in the November ’98 issue. (By a startling coincidence, io9 illustrated its article on Stan’s retirement with the cover art from my debut issue, although the art represents a different story, of course.) The following year, he rejected an indirect sequel, “Among the Wild Cybers of Cybele,” but his letter pointed out the story’s flaws and invited me to resubmit it if I fixed them. I didn’t listen at first, and sent it to a couple of other magazines, but finally I realized that he’d been right and I figured out how I could greatly improve the story. For the first time I was actually hoping a story would get rejected, and it was, so I was able to rewrite it and send it to Stan, who bought it and published it in 2000.

I didn’t have much luck selling my work for the next few years, and then my Star Trek writing career began in 2003 and kept me pretty busy from then on. But I committed myself to writing short fiction again in 2009-10, and two of the four sales I made in that period were to Stan, my humor stories “The Hub of the Matter” and “Home is Where the Hub Is.” I’ve been working on a third Hub story for well over a year now, and I’m disappointed that I didn’t get it finished in time to send it to Stan before he retired (though I’ll certainly be sending it to his successor, Trevor Quachri, who’s been the managing editor for some time).

I think Stan took an interest in me because of the things we have in common. We’re both hard-SF-oriented people, enjoying SF that focuses on the science and technology and big ideas. We both appreciate humor in our SF; I’ve been told that Stan was always eager for more humor stories in Analog, which may have helped me sell my Hub pieces. And we’re both from Cincinnati; in fact, I currently live on the same street as his old house. I’m sure that wouldn’t have gotten me into Analog if my work hadn’t been good enough, but maybe it helped get his attention at the start there. Whatever the reason, I doubt I’d be where I am today if not for him. Thanks, Stan.

Earth: A nice place to visit…?

In my last post, I talked about the interactive Google Maps thingy at the end of “No Dominion” on its DayBreak Magazine page.  It occurred to me that “No Dominion” is the only one of my published original works that could have a Google Maps page, since it’s the only one that’s set even partly on Earth.  And the first draft of it was set on a habitat in Earth orbit!  In fact, of my five published original stories, only the latest two, “The Weight of Silence” and “No Dominion,” are even set in the Sol System.  “Aggravated Vehicular Genocide” and “Among the Wild Cybers of Cybele” are set within ten parsecs of Earth, respectively en route to and at Gamma Leporis.  “The Hub of the Matter” and its upcoming sequel “Home is Where the Hub Is” are set near the center of the galaxy, 40,000 light years from Earth, and at various other locations within a volume 300,000 light-years in radius around that point.

What can I say?  I like space.  It was Star Trek that introduced me to science fiction, and the original show never went to Earth except in the occasional time-travel story.  And space is just so much roomier than Earth.  The tastes of the prose SF community turned away from “space opera” for a while, though that’s somewhat reversed itself by now, but I never lost my preference for it.

Ironically, my first published Star Trek tale, SCE: “Aftermath,” was set primarily in San Francisco and, I believe, pretty much entirely within the Solar System (other dimensions notwithstanding).  However, I think the only things I’ve written since then that are actually set on Earth (at least from the perspective of the viewpoint characters) are a few pages toward the end of The Buried Age and the briefing in the first chapter of Greater Than the Sum (although the prologue of Over a Torrent Sea opens in orbit of Mars).  My upcoming Star Trek DTI novel will probably spend more time on Earth than any of my other Trek fiction, although it features quite a lot of other locations as well.

I was going to say “than anything I’ve had published to date,” but then I remembered my X-Men and Spider-Man novels, both of which are set entirely on Earth (alternate timelines notwithstanding).  However, my original idea for the Spidey novel had Spidey travelling to another planet; I liked the idea of getting him out of his comfort zone (and, admittedly, more into mine).  It was decided it was too much of a departure for the character, but I’m still hoping I’ll get a chance to tell that tale someday.

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