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Posts Tagged ‘audiobook’

I’m all out of deadlines…

I just met my deadline for submitting a proposal for a new, potentially quite interesting project that I hope will pan out. It’s audiobook-oriented, so in my sample chapters, I tried to write the whole thing without any “said” tags on the dialogue, which is surprisingly easier than it sounds. (I was following advice from something I coincidentally read a while back with tips for writing with audio in mind, though I can’t remember where it was.)

Anyway, now I don’t have any looming deadlines, not for nearly 5 months, anyway. At the moment, I’m officially between projects, and for the first time in a while, I’m reasonably sure I’ll have enough money for the foreseeable future, providing things go as expected. (Well, at least enough to pull back from the brink for hopefully the last time and start paying down my debts.) So you’d think I’d be relieved, ready to relax and enjoy some downtime. Oddly, though, I feel a little depressed about not having any solid plans or projects to focus on (other than new reviews for my Patreon page, of course).

Maybe it’s an aftereffect of the past few months where I had to find something to work on to avoid going broke, so the prospect of having nothing definite on the horizon makes me reflexively worried, even though I don’t need to be anymore (probably). Or maybe it’s just that I’d gotten on a roll writing the sample chapters so stopping now feels unsatisfying. Or maybe I just have fewer distractions from the increasingly horrible news from the outside world.

Anyway, I don’t plan to be idle for long. I don’t know how much downtime I’ll have before I get the go-ahead to start writing my currently contracted project, but I have a whole list of stories and outlines to work on this year that I’ve only managed to check a few things off of so far, so hopefully I’ll finally be able to get started, at least, on one or two of those. I also have a couple of more Star Trek Adventures campaigns to write, though the world crisis has slowed things down for Modiphius so I’m not under any time pressure on those. So I have options.

Meanwhile, just yesterday my editor Danielle and I worked out the back cover copy for Arachne’s Crime, and I think the completion of the cover art and design is the only remaining step before publication. And I know that process is underway. So the book may be out very soon now. Remember, you can preorder it here.

 

Also meanwhile, I just completed my second online order for grocery pickup, which I scheduled for tomorrow morning. I discovered it was possible to customize my order, to disable substitutions for individual items or give specific instructions, so I could avoid unwanted substitutions of the sort I got last time. So I ordered my acid control medicine with substitutions turned off so I wouldn’t get the wrong dosage this time, though if it turns out they don’t have it at Kroger, I’ll have to go across the lot to Walgreens and actually go into the store. But I’ll have my mask and gloves, and I read recently that it’s reasonably safe to be in a public place for under 15 minutes if it’s not too crowded, which it never has been in my experience even before the pandemic.

The other substitution that turned out poorly was that vegetarian kielbasa that was subbed for my favorite veggie Italian sausage. It did too good a job simulating the aspects of pork flavor and texture that I particularly dislike. I tried the first sausage cut in half and served on hot dog buns, as I often do with the Italian; it was tolerable. I then tried cutting it up in red sauce on top of spaghetti, and that didn’t mesh well at all. So I tried to think of something I had that would go well with a pork-like flavor, and I decided to marinate the next sausage in barbecue sauce. That was decent, but not too satisfying. For the last sausage in the package, I’m wondering if topping it with melted cheese would help, but I’m in no hurry to try.

I’m reminded of how, when I was a kid, I would smother the meat my father cooked in steak sauce to make it more palatable. I remember what may have been the first time he had me try ham, and I didn’t like it so I slathered on the sauce, and when he asked me how it tasted, I said “Like hard A-1 Sauce.” I think he found it pretty funny, which might be why I remember it so clearly.

SPIDER-MAN: DROWNED IN THUNDER re-released!

I’m a bit late in announcing this, but last month, the 2013 GraphicAudio adaptation of my 2008 Marvel novel Spider-Man: Drowned in Thunder was re-released by Dreamscape Media. Apparently Dreamscape struck an audiobook distribution deal with Marvel earlier this year, and it seems that includes the right to republish Marvel audiobooks from other publishers like GraphicAudio. So if you want to buy the DiT audiobook now, Dreamscape is the place to get it, though of course it’s still available on Amazon, B&N, and other online stores as before. Also, Dreamscape is affiliated with the Hoopla digital library that lets you borrow audiobooks and e-books online, so DiT and other Marvel audiobooks are now available for borrowing on that service as well.

Here’s the cover for the new release:

Spider-Man Drowned in Thunder Dreamscape cover

The cover art is a reuse of Mike Deodato, Jr.’s cover to Amazing Spider-Man #520 from July 2005, modified to add rain and lightning in keeping with the original novel and audiobook covers. It’s an appropriate choice chronologically, since Drowned in Thunder is set shortly before that issue, most likely during the “time passing” montage in ASM #515.

Here are the ordering and borrowing links for the new audiobook:

Unfortunately, I don’t earn any new royalties from the re-release, since I wrote the book on a flat-fee contract. But I’m proud of the story, which didn’t sell very well in its paperback release, so I’m glad of anything that brings it to more readers/listeners. Plus the audiobook adaptation is excellent. So go check it out, true believers!

STAR TREK: THE CAPTAIN’S OATH now on sale!

Today’s the day — The Captain’s Oath is now officially on sale.

Star Trek The Captain's Oath cover

Star Trek: The Original Series — The Captain’s Oath

The saga of James T. Kirk’s historic command of the U.S.S. Enterprise is known throughout the galaxy. But one part of the legend has barely been touched upon until now: the story of Kirk’s first starship command and the remarkable achievements by which Starfleet’s youngest captain earned the right to succeed Christopher Pike as the commander of the famous Enterprise.

From his early battles with the Klingons to the rescue of endangered civilizations, Kirk grapples with difficult questions: Is he a warrior or a peacemaker? Should he obey regulations or trust his instincts? This thrilling novel illustrates the events and choices that would shape James T. Kirk into one of the most renowned captains in Starfleet history.

 

The book’s available as a trade paperback, e-book, or audiobook read by Robert Petkoff, and you can buy it from any of the following:

If you haven’t found it already, here’s the link to my site page with general discussion about the book:

https://christopherlbennett.wordpress.com/home-page/star-trek-fiction/tos-the-captains-oath/

A link to spoiler annotations will be added before long. I’m also making arrangements for another interview about the book — details to follow.

STAR TREK: THE CAPTAIN’S OATH has arrived!

When I headed out to do my laundry this morning, I found a package from Simon & Schuster sitting outside my apartment door. Inside were my author copies of Star Trek: The Original Series — The Captain’s Oath, 15 substantial trade paperbacks. Here are a couple of copies on my bookshelf, so you can see how they compare in size to the old mass-market paperbacks:

Star Trek TOS The Captain's Oath

Sorry it’s a bit blurry — it was a choice between that and one that was in focus but with Kirk’s face washed out by the flash.

And hey, there’s a bit of my old stand-up/poster for Ex Machina peeking in at the corner. My first and most recent covers side by side — an appropriate pairing in some ways, given that both books fill in overlooked periods in Kirk’s career, and have a couple of other elements in common as well.

This is my first full Star Trek novel in trade paperback; all my previous Trek TPB appearances have been in multi-author anthologies and collections. But it seems that mass-market paperbacks are a dying breed; their place in the market has been largely supplanted by e-books. But I like the larger size. It makes it feel more prestigious and hefty. The price is higher, but that means I get a bigger royalty for each copy sold, which hopefully improves my chances of earning out my advance on the novel (something that, to date, I’ve only done with Only Superhuman). And really, the odd thing is that MMPB prices managed to stay fixed at $7.99 for about a dozen years, defying inflation. If their price had continued to increase at the same rate it did during the previous dozen years, they’d now cost nearly as much as a currrent trade paperback anyway.

For the rest of you, it’s still a few more weeks before the book goes on sale (May 28 is the official release date), but you can pre-order it at:

Note that there will also be an audiobook adaptation of the novel, read by Robert Petkoff. They consulted me about the pronunciation of alien and foreign-language names/terms in the book a couple of weeks ago, and they let me send them a recording of me pronouncing them aloud as well as a text file.

I’m currently reviewing my annotations for the novel, confirming that the page numbers match and making final tweaks; I should be able to post those not long after the book is released.

(In the meantime, please check out the Kickstarter for eSpec Books’ new anthologies including Footprints in the Stars, containing a new Troubleshooter story by me!)

Things are starting to look up

I can’t believe it’s only been three and a half weeks since I put out my desperate plea for donations and was worried whether I’d be able to pay my rent for the month. My fortunes have finally begun to improve since then. The generous donations I received from you, my readers, helped a lot, but in addition, just today I finally got approvals for a couple more Star Trek Adventures role-playing game campaigns I wrote a little while back. And since Modiphius pays very promptly, I should see the money in the bank within a matter of days, which means I should be able to pay my remaining bills for the month on time, and be in a fairly good position for next month.

I’ve even decided to keep my bicycle after all. Now that my situation’s a bit less desperate, I figure the limited amount of money I could get for it wouldn’t be worth the sacrifice. (I’m lucky, then, that nobody was willing to meet my offered price.) I could still stand to make more money if I can, but I feel I have other options now, ones that wouldn’t require giving up so much. And now that I’ve come close to losing my bike, I’m not taking it so much for granted, and I’m starting to feel I should try to get more use out of it again. I could definitely use the exercise.

Meanwhile, I’ve now mailed off all the autographed books that some of you ordered from me the other week. Sorry it took so long, but you should all get your books soon-ish. Of course, I’m always willing to sell more.

Also, there’s still the ongoing Kickstarter campaign for Among the Wild Cybers, now with just 5 days to go and just $77 short of unlocking its third stretch goal. At this point, it looks like the advance I’ll be getting from it will be fairly modest, but who knows? The other day, the pledge tally jumped by over $200 literally overnight, though it’s only gained another dollar in the 2 days since. So it’s impossible to say where it’ll end up at this point. I’m hoping that a lot of people save their pledges for the last day or two of a campaign. But there’s not a lot of time left, folks, plus there are several pledge bonuses that are available only in limited quantities, including hardcover and audiobook copies of Only Superhuman. So if anyone’s been holding off for whatever reason, I recommend acting fast.

As for my situation beyond June… well, as I mentioned the other day, I’ve gotten some promising news on that front, but it’s nothing I can talk about yet. Things might still be financially tight for me a little while longer, depending on how long it takes for things to play out. But I’m now more confident that I’ll be able to make it through, barring emergencies. Although I also have to work pretty fast on a few projects over the next several weeks, and I should probably get back to work on the most urgent one. Still, that’s a better feeling than the borderline panic of just a few short weeks ago. It’s been a very eventful time since then, and it’s only the beginning. And I’m really grateful to my fans for your help in getting me through the roughest patch.

GraphicAudio sale this weekend!

Heads up: GraphicAudio is running a sale this weekend on its comics/superhero-related audiobooks, with 20% off when you buy 2 or more. This sale includes their adaptations of two of my novels, Only Superhuman and Spider-Man: Drowned in Thunder, so that works out nicely. The ordering links are here:

Only Superhuman audiobook  Only Superhuman

Spider-Man: Drowned in Thunder audiobook  Spider-Man: Drowned in Thunder

It looks like OS is only available in digital audio formats, but DiT is still available in a 5-CD box set as well as digitally.

Admittedly, Only Superhuman has never been done in comics (not yet, anyway), but it’s a superhero story and is largely an homage to superhero comics, so GraphicAudio lists it along with their comics titles. Anyway, this is a good time to call new attention to OS, considering that my story collection Among the Wild Cybers: Tales Beyond the Superhuman, featuring the brand-new Only Superhuman prequel story “Aspiring to Be Angels,” is due out later this year.

THE FACE OF THE UNKNOWN is now on sale!

December 28, 2016 1 comment

Just a reminder that Star Trek: The Original Series — The Face of the Unknown officially went on sale yesterday. I’ve updated this site’s homepage and Star Trek Fiction page with ordering links, and I’ve added a book discussion page, although I haven’t had time to do the spoiler annotations yet.

ST Face of Unknown cover

Also, as I mentioned a couple months back, this is my first Star Trek novel to get an audiobook version, something that Simon & Schuster seems to have begun doing regularly with Trek novels now. The narrator is Robert Petkoff, and judging from the sample I heard on Amazon, he does a good job capturing the TOS cast’s voices.

A couple of other STAR TREK news items…

October 27, 2016 3 comments

First off, following up on my cover reveal for Star Trek: The Original Series — The Face of the Unknown, Simon & Schuster has also included a listing for an unabridged audiobook adaptation of the novel. I know this is a real thing, since I was recently contacted for input on the pronunciation guide. This will be my third audiobook overall, and my first for a Star Trek project.

Second, Cross Cult, the German publisher of Star Trek novels in translation, has posted the preliminary cover artwork for their translation of Rise of the Federation: A Choice of Futures:

ROTF 1 Am Scheideweg cover

Am Scheideweg = At a Crossroads, apparently. Nice translation for A Choice of Futures.

And I like it that it’s just Star Trek: Rise of the Federation, instead of ST: Enterprise: ROTF. That’s what I would’ve preferred it to be called, since it’s broader than just ENT.

SPIDER-MAN: DROWNED IN THUNDER makes AudioFile Magazine’s Best of 2013 list!

December 4, 2013 1 comment

The folks at GraphicAudio just sent me some excellent news: AudioFile Magazine listed their audiobook adaptation of Spider-Man: Drowned in Thunder as one of their Best Audiobooks of 2013 in the “Sci-Fi, Fantasy & Audio Theater” category.

Spider-Man: Drowned in Thunder audiobook

The list is here:

http://digital.audiofilemagazine.com/i/215700

It may take a few moments to load, but the entry is on page 11. And here it is at GraphicAudio’s Facebook page.

I’m really pleased by this. I’ve always been proud of Drowned in Thunder, but the paperback didn’t get as much attention as I’d hoped. I’m glad to see the story getting a new lease on life thanks to GraphicAudio, and I hope this attention may eventually lead to Marvel reissuing the book (since Pocket’s license has lapsed by now).

Discussing my superhero novels on Sci-Fi Bulletin

October 7, 2013 1 comment

Sci-Fi Bulletin, a British genre site edited by my former Star Trek Magazine editor Paul Simpson, has just published an essay I wrote for them comparing the writing of Only Superhuman and Spider-Man: Drowned in Thunder, timed to coincide with the release of the OS paperback in the UK. You can read it here:

The Science of Writing Superheroes

Oddly enough, it’s indexed on the site under “Fantasy.” I guess that’s because superheroes are generally treated as a subset of fantasy; my hard-SF approach to the subject seems to be pretty unusual, though as the article points out, sometimes there was more science in Stan Lee and his Marvel cohorts’ creations than you might think.

Only Superhuman MMPB cover    Spider-Man: Drowned in Thunder audiobook

NYCC badges are here!

In my last post, I voiced some concern about whether my New York Comic-Con tickets (or badges, I should call them) would arrive in time. I actually e-mailed their customer service over the weekend to ask about the delay, but I only got a response this morning, telling me that they’d been mailed last week and would arrive “any day now.” And a few hours later, there they both were in the mail. So if I’d just been a little more patient… Oh, well. I got a few extra hours of reassurance out of it.

So now I know I can get into the con, and I registered the badges so they can be replaced if I should lose them, so as long as I don’t have any travel problems, I’m now confident that I’ll be there for my signings on Friday the 11th (GraphicAudio, Booth 838, 11 AM and Simon & Schuster, Booth 1828, 4 PM). I’m still waffling a bit on whether to fly or drive, but I’ll probably fly, since it’s a rather long drive. The main advantage of driving — aside from getting to avoid airport security, which is awfully tempting — is that it’s cheaper. But I got my final advance check for Rise of the Federation: Tower of Babel today, and I have some other work lined up that I can’t talk about yet, so money isn’t particularly tight for me at the moment.

Speaking of tightness, apparently part of the reason NYCC was so unbearably crowded last year was rampant badge counterfeiting and lax security that let lots of people sneak in without badges. That seems to be why badges were in such short supply this year — they’ve really tightened up access. Also they’ve put RFID chips in every badge as a security feature against counterfeiting, hence the online registration. Hopefully this means the crowds will be more manageable this year, but it has put some limits on access. Apparently I’m not the only professional creator who missed their chance to get a pro badge because they ran out prematurely. They should work to refine the system so that doesn’t happen again.

My (tentative) New York Comic-Con schedule

September 25, 2013 1 comment

Well, it’s been a bit of a mess trying to make arrangements for New York Comic-Con, since apparently they didn’t have enough tickets or something. They actually sold out of professional passes prematurely, before I could get one, so I had to buy regular tickets, and all they had left were Thursday and Friday tickets. So I’ll only be in attendance at NYCC on those two days — well, assuming my tickets ever arrive. The paperwork said they’d begin mailing them in mid-September, but I haven’t gotten mine yet. But there’s still two weeks to go, so I’m hopeful.

Anyway, I have two signings tentatively scheduled, both on Friday, October 11.

11 AM, Booth 838: GraphicAudio hosts a combined signing for the Only Superhuman audiobook, which will be on sale at the booth, and the mass-market paperback. which will be a free giveaway. There might be copies of the Spider-Man: Drowned in Thunder audiobook on hand too, though I’m not sure.

Only Superhuman MMPB cover      Only Superhuman audiobook      Spider-Man: Drowned in Thunder audiobook

4 PM, Booth 1828: Simon & Schuster’s booth hosts a Star Trek signing, which was hoped to be a group signing but so far is just me. I assume I’ll be signing copies of Rise of the Federation: A Choice of Futures.

Choice of Futures cover

There won’t be any scheduled event for me at the Tor booth (2223), which is why I’ll be doubling up on the MMPB and audiobook at the GraphicAudio event (and I’m very grateful to the GA folks for accommodating me). But I’ll surely be hanging around the Tor booth for a fair amount of time on Thursday and Friday, and there will be signed copies of Only Superhuman there as giveaways. No doubt I’ll drop by the S&S and GA booths on Thursday as well. Ticket gods willing, that is.

If there are any changes to the schedule, I will of course announce them promptly.

SPIDER-MAN: DROWNED IN THUNDER annotations updated

September 19, 2013 2 comments

Spider-Man: Drowned in Thunder audiobook

I’ve just recently finished listening to my copy of GraphicAudio’s adaptation of Spider-Man: Drowned in Thunder, which was really well-done. Tim Getman did an excellent job as Peter/Spidey, with a voice reminiscent of ’90s animated Spidey Christopher Daniel Barnes and The Spectacular Spider-Man‘s Josh Keaton, and with a good grasp of both Spidey’s wisecracking side and his more angsty, bitter side. Terence Aselford’s Stan Lee-esque J. Jonah Jameson is very different from what I imagined when I wrote the book, but I quickly got used to it and it worked very well. Alyssa Wilmoth, who starred as Emerald Blair in Only Superhuman‘s audio adaptation, played Mary Jane Watson-Parker (the book is set before their marriage was erased from Marvel continuity), and it was interesting to hear how her characterization differed, painting MJ in lighter, subtler strokes than Emry. Lily Beacon was a fantastic Aunt May, reminding me at times of Nichelle Nichols’s voice. The rest of the cast, which has only a few overlaps with the Only Superhuman cast, was effective as well. Here’s the full cast list I was given:

Tim Getman as Spider-Man
Terence Aselford as J. Jonah Jameson
Alyssa Wilmoth as Mary Jane Watson
Lily Beacon as Aunt May
David Jourdan as Electro
KenYatta Rogers as Robbie Robertson
Regen Wilson as Ben Urich and Phineas Mason
Steven Carpenter as Alistaire Smythe
Jeff Allin as Reed Richards
Kimberly Gilbert as Dawn Lukens
Nora Achrati as Marla Jameson and Jill Stacy
Gabriela Fernandez-Coffey as Betty Brant
Mark Halpern as Blush Barrass and Bobby Ribeiro
Ren Kasey as Liz Allan

with Bradley Smith, Joe Brack, Casie Platt, Joel David Santner,
David Harris, Patrick Bussink, Thomas Penny, Christopher Scheeren,
Scott McCormick, Thomas Keegan, and Tim Pabon

Further credits are at the link above.

Anyway, I took notes while I listened so I could update my novel annotations to include the audio edition as well, as I recently did with Only Superhuman. I’ll have to listen again sometime so I can experience it with fewer interruptions. The annotations can be accessed from my Marvel Fiction page here:

http://home.fuse.net/ChristopherLBennett/Marvelfiction.html#DiT

I’m going to be doing a signing at GraphicAudio’s booth at New York Comic-Con next month, probably on Friday Oct. 11, although we’re still sorting out the schedule. I’ll post the info when I can.

 

By the way, while listening to the DiT audiobook so soon after my most recent listen to the OS audiobook, I realized something. Both Only Superhuman and Drowned in Thunder have scenes where an elderly female relative of the protagonist gives a speech that explains the thematic significance behind the novel’s title and contains a paraphrase thereof. I didn’t realize I was repeating that trope. Well, it’s surely not the only trope I’ve repeated in my career.

GraphicAudio podcast is now up!

The interview I did for GraphicAudio’s “All in Your Mind” newsletter/podcast is now available. I had a nice chat with directors Richard Rohan and Nanette Savard about Only Superhuman, Spider-Man: Drowned in Thunder, my work in general, and other stuff, running a bit under 40 minutes.

Here’s the direct link:

And if that doesn’t work, there’s also an MP3 link:

ONLY SUPERHUMAN paperbacks are here!

Look what just got delivered to my door:

Only Superhuman MMPBs

It looks good. I’m a bit surprised that the spine is still green, since I’ve gotten used to the brown background of the front cover.

The books officially go on sale tomorrow (8/27), so there may be some on bookstore shelves even now.

And now that I have my copies of the MMPB, I’ll be able to double-check the page numbering and go live with my expanded annotations, which will encompass the hardcover, paperback, and audiobook editions of OS. There are a few minor textual adjustments, meaning that the paperback is now slightly more final and authoritative than the hardcover (although we’re talking, like, three single-word factual errors corrected, a missing number in the appendix restored, and a couple of typos fixed).

Here are some ordering links:

Macmillan

Amazon

Barnes & Noble

And here’s the link for the audiobook:

GraphicAudio

I do hope the book performs well in MMPB. I always felt it was more a paperback sort of tale anyway.

SPIDER-MAN: DROWNED IN THUNDER audiobook releases at midnight!

Like a streak of light, he arrives just in time! GraphicAudio’s fully dramatized adaptation of my 2008 novel Spider-Man: Drowned in Thunder is releasing at midnight tonight, August 25 (or technically the very start of Monday, August 26).

DrownedAudioCvr

http://www.graphicaudio.net/spider-man-drowned-in-thunder.html

Just to be clear, this is coming out in Blu-Ray format which will ship in late September, but buyers can download a free digital copy starting at midnight. At least, that’s what it says on the site. I’m a little unclear on what formats it’ll be available in; I’m sure that more information will be available at the link above come midnight.

EDIT: Ahh, now that it’s out, I see it’s available in multiple options, including a 5-CD box set, the Blu-Ray disc, and direct download in various formats, just like Only Superhuman (except that doesn’t have the Blu-Ray option).

Here’s the very exciting trailer for the book:

And here’s a sample from the opening scene:

I’d expected the podcast interview I did with the GraphicAudio folks to be available by now, but nothing yet. I’ll keep you posted.

Here’s to Drowned in Thunder‘s new lease on life!

My visit to GraphicAudio

Here I am visiting GraphicAudio’s studio in Bethesda, Maryland on Monday, August 5th:

My visit to GraphicAudio

Me with director/narrator Nanette Savard, sound designer Patrick Stratton, and producer/actor Richard Rohan. (Link)

As I’ve mentioned, I was able to arrange this visit because I was staying with cousins half an hour’s drive from the GA studio. Based on their recommendations, I decided to take the Beltway route out there and the more direct East-West Highway back — but cousin Barb loaned me their GPS, and it kept trying to direct me to East-West on the way out and the Beltway on the way back! So I relied more on Google Maps printouts.

When I arrived, I also got a bit lost, since I went in by the stairs and the signs there only directed me to the upper floor where the processing and packaging is done. I needed to find someone to escort me down to the studios the floor below. There I was met by producer Richard Rohan, who turned out to have played Hanuman Kwan in Only Superhuman. He was aware I’d imagined Roddy MacDowall when writing the character, but said he didn’t have that voice in his repertoire. When I mentioned his performance reminded me of Tony Randall (which worked almost as well), he said he’d have to think about developing a Randall impression. I also met Nanette Savard, the audiobook’s director and narrator, and when I mentioned that I’d felt Greg Tai and Sally Knox had been perfectly cast, Nanette revealed that she had played Sally! I also briefly met Colleen Delany, who played Psyche Thorne, and who turns out to have a rather Psyche-like smile, very wide and bright. But I just missed a chance to meet Zephyr’s portrayer Thomas Keegan, with whom Nanette had just been finishing up a session when I arrived.

I was shown into the editing room where the above photo was taken, and I got to hear the opening scene of the Spider-Man: Drowned in Thunder audiobook, plus a couple of other scenes later on. It was pretty well-done. The actor they’ve got playing Spider-Man (I don’t know his name yet) sounds not unlike Christopher Daniel Barnes, who played the role in the ’90s series that made me a Spidey fan, and whose voice I imagined when writing the book. Their version of J. Jonah Jameson isn’t anything like what I imagined (which was Ed Asner from the ’90s show), since they based their version on the fact that Stan Lee always wanted to play the role himself. No, they didn’t hire Stan, but their actor gives JJJ a very Stan-like quality. I also learned that Mary Jane Watson-Parker will be played by Alyssa Wilmoth, the same actress who played Emerald Blair — appropriate, since they’re both redheads.

I learned a lot of this from the trailer they played during the podcast interview, which made the story sound really exciting. I was listening in awe and thinking, “I wrote that?!” Anyway, Richard and Nanette interviewed me inside a cozy recording booth and we had a nice talk about both books. The podcast should be out within the week, and I’ll link to it when it’s available. They even let me go back in and do a retake when I belatedly remembered I’d forgotten to plug the upcoming Only Superhuman paperback. After the interview, they showed me the rest of their facility — mostly one big room where the directors and engineers work at a bunch of computers around the walls, but with some private offices for the producers and a couple of secondary recording booths. They had me sign a couple of copies of the audiobook as well as the OS poster in their lobby, and they gave me a green coffee mug with the company logo on it (though more lime green than emerald green).

Unfortunately they didn’t have any copies of DiT ready to give me, since Marvel hasn’t given final approval yet and they haven’t even printed any CDs. The box I’m holding in the above photo is a mockup they finished just moments before. But it sounds like it’ll be really cool, and I hope it’s a big seller. As I’ve mentioned before, I won’t get any more money from this, but I’m proud of the story and I want it to get more exposure. Plus it could attract more interest for Only Superhuman, and that could benefit me financially.

Speaking of which, I asked if I could have a fuller cast list than the one given on the audiobook, crediting who played what for more than just the lead roles. Nanette provided a list for me, so now I can give a fuller cast list for Only Superhuman, the audio:

  • Nanette Savard: Narrator, Sally Knox
  • Alyssa Wilmoth: Emerald Blair/Green Blaze
  • Colleen Delany: Psyche Thorne
  • Thomas Keegan: Zephyr, Taurean
  • Elliot Dash: Eliot Thorne
  • Ken Jackson: Javon Moremba
  • Evan Casey: Gregor Tai
  • Yasmin Tuazon: Koyama Hikari/Tenshi
  • Tracy Lynn Olivera: Bast, Lydia Muchangi/Lodestar, Detective Barbour
  • Barbara Pinolini: Rachel Kincaid-Shannon
  • Richard Rohan: Jahnu Kwan/Hanuman, Erich Krieger/Wulf
  • Christopher Scheeren: Yukio Villareal/Sensei
  • Michael Glenn: Richard Shannon
  • Kimberly Gilbert: Bimala Sarkar, Elise Pasteris/Tin Lizzy, Ruki Shimoda/Hikkaku
  • David Coyne: Sanjay Bhattacharyya/Cowboy
  • Eric Messner: Vijay Pandalai/Arjun
  • James Konicek: Arkady Nazarbayev/Medvyed
  • Elizabeth Jernigan: Lyra Blair, “Banshee” Starlet
  • Nora Achrati: Maryam Khalid/Hijab, Dr. Monica Railey
  • Joe Brack: Juan Lopez/Jackknife, Aaron Donner/Blitz, Daniel Weiss/Overload
  • Nick Depinto: Marut Pandalai/Bhima
  • Terence Aselford: Ken Auster/Paladin, Jorge Santiago
  • Additional voices by Thomas Penny, Michael John Casey, James Lewis, Joel David Santner, and Steven Carpenter

Hopefully I’ll have a cast list for Drowned in Thunder as well once that comes out.

By the way, here’s the list of GA’s DC Comics cast members. Turns out Richard Rohan plays Batman — and the Joker! (That must make for some interesting recording sessions.) Nanette Savard is Lois Lane, Colleen Delany is Wonder Woman, and James Konicek, who played Arkady, is their Superman.

Before I left, they let me know that they had plans to attend the New York Comic-Con in October. I plan to be there to promote the OS paperback, so I’ll be sure to visit their booth and maybe do some promotion of their adaptations. I’ll be sure to post information about my appearance schedule once it’s arranged.

Announcing the SPIDER-MAN: DROWNED IN THUNDER audiobook!

Good news! GraphicAudio, the company that produced the well-regarded, fully dramatized audiobook adaptation of Only Superhuman, is doing the same for another of my books, Spider-Man: Drowned in Thunder, scheduled for August 2013. GA has adapted a number of DC Comics superhero novels before, both novelizations of comics series (many by Only Superhuman‘s editor Greg Cox) and original DC-based novels, but this is apparently only their second Marvel production and their first based on a prose novel (their previous one was a Civil War adaptation). I’m privileged that they chose my book to adapt. It suggests they were pleased with OS.

I’m glad to see Drowned in Thunder getting a second shot at life, because it’s one of my favorite things that I’ve written, and yet it’s my lowest-selling paperback novel to date. To be honest, Pocket Star’s Marvel novels probably didn’t get the kind of promotion they needed, and their cover designs (using a generic font rather than the familiar character/series logos) may have made them harder to spot on the shelves — though the striking cover art for DiT is one of the best covers any of my books has ever had:

Spider-Man Drowned in Thunder cover

So I’m hopeful the audiobook will bring renewed attention to DiT, and encourage more people to track down copies of the paperback, though those may be hard to find. There’s actually no financial profit for me in this; I wrote my Marvel novels (this and X-Men: Watchers on the Walls) for a flat fee with no royalties. But I just want more people to experience the story, because I’m really proud of it. And it should be interesting to hear it brought to life (although the voices I hear in my head when I read the book — and when I wrote it — are those from the ’90s animated series).

It should be noted that this book came out before the One More Day/Brand New Day reboot in the Spider-Man comics. It’s set during the era when Peter Parker was still married to Mary Jane Watson, and before he joined the Avengers. I assume the audiobook will also be set in that era; I don’t see any way to update its story to fit the current status quo. Anyway, there’s more information about the novel on my website here.

ONLY SUPERHUMAN audiobook — my thoughts

Well, I finally got my author copies of the Only Superhuman audiobook adaptation from GraphicAudio. It’s been getting uniformly 5-star reviews at their site, which is nice to see. Here’s what it looks like:

Only Superhuman audio coverOnly Superhuman audio discsOnly Superhuman discs2

(There are seven discs, in four two-pocket sleeves. No liner notes or anything, just a GraphicAudio catalog and a promotional postcard for a couple of their other products.)

So what does it sound like? Pretty good. Naturally my experience of it is going to be different from most people’s, since I’ve had my own idea about what the major characters sound like for years, and can’t help comparing the voice cast and their performances against the soundtrack in my head. And naturally, a number of the voices and performance choices are different from what I imagined. But considering that I had no input into the production, it’s actually gratifying how close it comes to what I had in mind.

GraphicAudio is apparently based in the DC area, since (as far as I can Google) many of their actors seem to be stage performers from that area. Unfortunately, the end credits only list the five lead performers by role, so I can’t identify who played the rest of the characters.

The director and narrator is Nanette Savard (who also plays Lois Lane for the company’s DC Comics adaptations), who has a voice quality a bit like how I imagine Emerald’s voice — not much, but enough to make her an appropriate choice to narrate a book told mostly from Emry’s POV. (And enough to spark the idle thought that maybe the narrator is an older Emry, or maybe a descendant, telling the story in retrospect.) She does a solid job, striking a good balance between detachment and emotional expressiveness.

Emerald herself is played by Alyssa Wilmoth Keegan (billed here as Alyssa Wilmoth). She’s not exactly what I had in mind (she’s mezzo rather than full soprano), and she’s not the screamer Emry’s described as in the text (which might’ve been too hard on the actress’s voice, granted), but she’s actually quite a good choice for the role vocally, with the right kind of rough edge and attitude, and she does a good job of capturing Emry’s blend of street-hardened toughness and youthful vulnerability. I’m really quite pleased with her performance, especially in some of Emry’s big emotional speeches in the final chapter or two. Wilmoth’s husband Thomas Keegan plays Zephyr, and he’s almost exactly what I was going for — a mellow baritone with a very human, laid-back, amiable delivery, rather than something more robotic as I feared we might get. Having a married couple play Emry and her devoted ship is a good choice chemistry-wise.

Eliot Thorne is played, coincidentally, by Elliot Dash, who’s very effective in the role. Dash’s voice took me a bit of getting used to, since I’ve always imagined Thorne as sounding like Avery Brooks or Keith David’s Goliath from Gargoyles, a smooth, controlled basso, while Dash’s voice reminds me more of Paul Winfield’s, and he imparts the role with more passion and less reserve than I imagined. Still, he gives the role the gravitas, intensity, and oratorical splendor it deserves.

I’m afraid I wasn’t quite as impressed by Colleen Delany (also GraphicAudio’s Wonder Woman) as Psyche. She has broadly the right type of voice and does an okay job, but her performance is a bit too polished and announcer-like to be entirely convincing for me. Perhaps the problem is that the bar in my mind is set so very high. Psyche’s supposed to have an incredibly beautiful, warmly seductive voice, a smooth and mellow alto — my ideal voice-casting choice would be Gina Torres. It would’ve been difficult to find anyone who really lived up to my hopes.

As for the rest of the cast, there are more hits than misses, and I wish I could match the actors to the roles. The performers playing Greg Tai and Sally Knox are ideal. The portrayers of Emry’s parents splendidly capture their personalities; Lyra’s pitch is lower than what I had in mind, but that was probably a better choice in terms of casting a maternal voice. Arkady Nazarbayev turned out very well; I didn’t have a clear voice for him in my head, but they cast an actor who sounds uncannily like Clancy Brown, which is just the sort of voice-casting choice I might’ve made myself had it occurred to me. Javon Moremba is very close to what I wanted, and in fact the way their actor delivered the line “But I loved this car!” was almost exactly what I hear in my head. And while there was no hope of getting Hanuman Kwan to sound like he does in my head (because I wrote him with Roddy McDowall’s inimitably wonderful voice in mind, despite claiming he was Australian), their actor, while more of a Tony Randall-ish baritone, captured the delivery and personality I had in mind quite well. Plus, though it’s a tiny role, Blitz is handled better than I ever imagined, sounding almost like a Mark Hamill villain voice. Other supporting characters like Rachel, Lodestar, and Hijab are solidly handled.

There are a few choices that don’t work as well for me. I feel their Koyama Hikari was miscast; the actress’s voice and delivery would’ve worked well for Ruki Shimoda but just aren’t right for Kari. I’m not crazy about their Cowboy, whose accent is too goofy; granted, it’s supposed to be a corny affectation that Emry finds ludicrous, but they took it too far and I feel it undermines the character’s menace. And their Sensei Villareal is just completely wrong. Sensei is supposed to be a wise, charming mentor figure, a respected hero renowned for his integrity, an aging swashbuckler and Latin lover. (My mental model for the character was Henry Darrow, who played Zorro in two early ’80s shows and Zorro’s father in a ’90s show.) The actor here doesn’t come close to conveying any of that, and has a stilted and unconvincing delivery. It’s the one performance that works against, not only my own intentions and expectations, but what’s actually there in the spoken text.

Still, given how many voices they had to cast, and given my total lack of input beyond what’s on the page, it’s impressive that there were so few misses.

(Other “voices in my head” that guided me as I wrote: For Emry, Lenore Zann, the voice of Rogue from the ’90s X-Men animated series — though I often thought Bernadette Peters would be a good alternative, and lately I’ve felt that Amy Jo Johnson’s voice would be a great fit. For Tai, Daniel Dae Kim. For Javon, Khary Payton. For Bast, Julie Newmar or Eartha Kitt. For Zephyr, I’ve always tended to imagine Kevin Conroy doing a deeper version of his Bruce Wayne voice, but I’ve never been sure that was the best choice; Zephyr’s supposed to have a voice women find really sexy, and that’s not something I’m particularly qualified to assess. Thomas Keegan actually sounds a lot like Conroy, though with a bit of David Hyde-Pierce mixed in.)

I do wish they’d consulted me on a couple of pronunciations, though, as well as some of the casting choices. They use Americanized pronunciations for “Villareal” and “Lydie Clement” (they rhyme “Lydie” with “Heidi”) when I intended them to have, respectively, Spanish and French pronunciations. On the other hand, I realize that I’ve been Americanizing the pronunciation of “Arkady” all these years, saying it like “arcade-y” when the Russian A is pretty much always pronounced “ah.” So the audiobook has set me straight on that one.

So what about the adaptation of the text? At nearly 8 hours, it’s fairly thorough, but not comprehensive; a significant amount of stuff is trimmed out. In particular, Kari’s scenes are heavily cut down, making her a considerably more minor character here than in the original. (Ironic, since I’ve grown very fond of Kari and intend to feature her heavily if there are sequels.) In general, supporting characters’ backstories are glossed over, so a lot of the personal detail — as well as some of the technical detail and exposition — is absent. Action scenes are streamlined, which makes sense from a pacing standpoint; and most of the sex is trimmed down or omitted, though a lot of the nudity remains (and there’s even one point where the streamlining of the text results in more nudity than there was originally). A few of the cuts are a bit awkward, though, deleting a scene but leaving in a later reference to something from that scene. (In particular, Kari’s battle peace and personal guilt are mentioned even though the explanations for both are deleted.) There are a couple of points where lines are assigned to the wrong character, but they’re ambiguous enough that they kind of still work that way. Also, it’s not based on the final copyedited draft of the manuscript; there are some details and word choices that I remember altering in the final version, and my last-minute addition of Kari using high-tech tessen fans as weapons is missing.

There are a couple of sound-editing choices that surprised me, but I realize it’s because of the lack of stage directions I gave. One is the scene in chapter 3 where someone notifies Lyra Blair of an incident young Emerald was involved in, which I wrote as dialogue-only for effect; I always assumed it was someone coming to Lyra’s front door, but here it was interpreted as a phone call. That probably makes more sense, come to think of it. And the brunch scene with Emry and Grandma Rachel (here called lunch instead) was supposed to be a very private, personal conversation in Rachel’s home, but they did it with restaurant ambience in the background. I guess I needed to make the setting clearer than I did. It’s a common failing of mine, writing a scene with too little description of the setting. Or maybe they chose to change it for acoustical variety. I suppose their interpretation could work if the characters were in a private booth or balcony of some sort, isolated enough that they wouldn’t be overheard by other diners.

But while there are some details that could’ve been improved if I’d been consulted (something I should try to negotiate for in future contracts), overall it’s an impressive work. The majority of the actors are appropriately cast and give good, convincing performances, and the sound effects and Foley work are good (although I’m not crazy about the use of sound effects for things happening in vacuum, particularly when they were being described in narration anyway). The music seems to be drawn from a stock library spanning a variety of styles, but it mostly fits fairly well and is used in appropriate places. All told, this is certainly the most lavish audiobook production I’ve ever heard.

In sum, this is a good supplement to the novel, but not an exact, unabridged equivalent to the prose version. Rather, it’s an adaptation, an alternative take on the story. To those who’ve only bought the audiobook, I’d recommend getting the novel for the complete, canonical story; if you don’t want to spring for the hardcover or e-book, the paperback’s only 6 months away, or at least you could look for it at the library. As for those who’ve bought the novel, I’d say the audiobook is still worth getting, a good interpretation of the novel, capturing the essentials of what I created (mostly) but putting a different spin on it, thus adding another dimension to the experience. Besides, I don’t know if there will ever be a movie adaptation (Hollywood doesn’t seem interested in female-led superhero films these days), so this may be the only dramatization the story ever gets.

And heck, it’s just impressive that a bunch of actors and other folks got together to put on a performance of something I wrote, to bring it to life. And that most of them really seemed to get it, just from what was on the page. Both of those are quite heartening, and I’m grateful for the hard work and care the creators and performers put into this adaptation.

This is a good sign…

I just checked Amazon’s page for the Only Superhuman audiobook, and it says they’ve nearly sold out  — only 3 left in stock — and have had to order more copies. That’s a nice thing to see. Of course I don’t know how many copies they ordered to begin with, but demand exceeding supply has got to count as good performance in any case.

OnlySuperhumanCD

And if Amazon does sell out, the audiobook can always be ordered (in CD or download form) from GraphicAudio itself.

Unfortunately I still haven’t managed to get a copy of the audiobook myself. Hopefully that can be arranged soon.