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Posts Tagged ‘Drowned in Thunder’

The SPIDER-MAN omnibus is out!

Today is the release date for the e-book edition of Marvel Classic Novels – Spider-Man: The Darkest Hours Omnibus, reprinting my 2008 novel Spider-Man: Drowned in Thunder along with Jim Butcher’s The Darkest Hours and Keith R.A. DeCandido’s Down These Mean Streets.

Collecting three classic fan-favorite Spider-Man novels together for the first time in a brand-new omnibus edition.

THE DARKEST HOURS by Jim Butcher

When Black Cat foils Spider-Man’s attempts to stop the Rhino rampaging through Times Square, she informs him the Rhino is just a distraction. The real threat comes from a group of Ancients, members of the same race as the being called Morlun, seeking revenge for Spider-Man defeating them years before. Spidey must rely on Black Cat if there’s any hope of stopping them again, before they can steal his life force.

DOWN THESE MEAN STREETS by Keith R.A. DeCandido

A mysterious drug known as Triple X has been giving users super-powers as well as rendering them mentally and physically unstable. Only by teaming up with a police force that hates him can Spider-Man find the source behind this lethal drug and protect people from those using it. But one of Spider-Man’s most fearsome enemies may be behind it all as part of a greater scheme to bring down the city.

DROWNED IN THUNDER by Christopher L. Bennett

The ongoing conflict between Spider-Man and his longtime outspoken nemesis, crusading newspaper publisher J. Jonah Jameson, reaches a whole new level when JJJ exploits several mysterious attacks on Manhattan island in his propaganda war against the web-slinger.

As expected, the omnibus contains the three novels in the order listed on the blurb, which is the correct chronological story order, though Keith’s novel was published first. The three books are standalone tales, but they all take place around the same period in the comics’ run, and mine makes brief allusions to the other two.

The trade paperback edition of the omnibus is still a few weeks away; it will be released on June 1st. Here’s the ordering info:

Buy from:

Also, it turns out that the audiobook edition of my other Marvel novel, X-Men: Watchers on the Walls, published by Dreamscape Media and read by Frankie Corzo, has been available digitally since April 26, and will be released on CD June 11.

WatchersAudioCvr

Buy from:

I’m glad to have both my Marvel novels back in release, one way or another. Of course, GraphicAudio’s full-cast audiobook of Drowned in Thunder is also available in a Dreamscape re-release; see my Marvel Fiction page for links.

Face front, true believers!

Cover for the SPIDER-MAN omnibus!

September 29, 2020 3 comments

Last month, I reported that Titan Books would be publishing a reprint omnibus of my 2008 novel Spider-Man: Drowned in Thunder along with Jim Butcher’s The Darkest Hours and Keith R.A. DeCandido’s Down These Mean Streets. The cover art for Marvel Classic Novels – Spider-Man: The Darkest Hours Omnibus has now been released:

The cover art was originally a variant cover to Amazing Spider-Man Vol. 3 issue 19.1 (whatever that means) by the late Justin Ponsor (you can see his signature “J-Po” under Spidey’s left foot), though the background hues are different in the original. It’s a nice dynamic shot of Spidey, and the nighttime setting is a good fit for the “dark” theme of the titles (not that our books were any darker than the comics themselves at the period in which our stories took place).

Once again, here’s the official description and ordering links:

Collecting three classic fan-favorite Spider-Man novels together for the first time in a brand-new omnibus edition.

THE DARKEST HOURS by Jim Butcher

When Black Cat foils Spider-Man’s attempts to stop the Rhino rampaging through Times Square, she informs him the Rhino is just a distraction. The real threat comes from a group of Ancients, members of the same race as the being called Morlun, seeking revenge for Spider-Man defeating them years before. Spidey must rely on Black Cat if there’s any hope of stopping them again, before they can steal his life force.

DOWN THESE MEAN STREETS by Keith R.A. DeCandido

A mysterious drug known as Triple X has been giving users super-powers as well as rendering them mentally and physically unstable. Only by teaming up with a police force that hates him can Spider-Man find the source behind this lethal drug and protect people from those using it. But one of Spider-Man’s most fearsome enemies may be behind it all as part of a greater scheme to bring down the city.

DROWNED IN THUNDER by Christopher L. Bennett

The ongoing conflict between Spider-Man and his longtime outspoken nemesis, crusading newspaper publisher J. Jonah Jameson, reaches a whole new level when JJJ exploits several mysterious attacks on Manhattan island in his propaganda war against the web-slinger.

 

Amazon

Barnes & Noble

Indiebound

Penguin Random House

 

It’ll be out May 11, 2021. I can’t wait!

SPIDER-MAN: DROWNED IN THUNDER is being reprinted at last!

Great news! Titan Books has been doing a series called Marvel Classic Novels, comprising themed omnibus reprints of various past prose novels based on Marvel Comics superheroes. I just learned from Keith R.A. DeCandido that they’re doing one called Marvel Classic Novels – Spider-Man: The Darkest Hours Omnibus, which includes my 2008 novel Spider-Man: Drowned in Thunder along with Jim Butcher’s The Darkest Hours and Keith’s Down These Mean Streets.

No cover yet for the omnibus, but here’s the official description:

Collecting three classic fan-favorite Spider-Man novels together for the first time in a brand-new omnibus edition.

THE DARKEST HOURS by Jim Butcher

When Black Cat foils Spider-Man’s attempts to stop the Rhino rampaging through Times Square, she informs him the Rhino is just a distraction. The real threat comes from a group of Ancients, members of the same race as the being called Morlun, seeking revenge for Spider-Man defeating them years before. Spidey must rely on Black Cat if there’s any hope of stopping them again, before they can steal his life force.

DOWN THESE MEAN STREETS by Keith R.A. DeCandido

A mysterious drug known as Triple X has been giving users super-powers as well as rendering them mentally and physically unstable. Only by teaming up with a police force that hates him can Spider-Man find the source behind this lethal drug and protect people from those using it. But one of Spider-Man’s most fearsome enemies may be behind it all as part of a greater scheme to bring down the city.

DROWNED IN THUNDER by Christopher L. Bennett

The ongoing conflict between Spider-Man and his longtime outspoken nemesis, crusading newspaper publisher J. Jonah Jameson, reaches a whole new level when JJJ exploits several mysterious attacks on Manhattan island in his propaganda war against the web-slinger.

 

Drowned in Thunder was my second Marvel novel after the previous year’s X-Men: Watchers on the Walls, and my last one to date. It’s a book I’m very proud of, so I was disappointed when it turned out to be perhaps my weakest-selling novel, due to lack of promotion. I was pleased when it was re-released in audiobook form in 2013, in a full-cast audio drama adaptation by GraphicAudio, which was declared one of the Best Sci-Fi, Fantasy & Audio Theater Audiobooks of 2013 by AudioFile Magazine. But I always hoped the print edition would be republished someday, and now that’s finally happening.

These three novels are a natural fit for an omnibus, too. Not only are they all from Pocket Star’s mid-2000s Marvel line, but by chance, Keith, Jim, and I all chose to set our books at almost the exact same point in the timeline, between Mary Jane Watson starting a stage career and Spidey joining the Avengers — a period in which Peter and MJ were still married, Peter was teaching science at Midtown High, and Aunt May was aware that Peter was Spider-Man and had become his most ardent supporter. Indeed, I referenced both Keith’s and Jim’s novels in my own, explicitly tying them all together. If they appear in the order listed in the blurb, then they’re in the right chronological sequence too; Down These Mean Streets was actually published first, but The Darkest Hours apparently takes place a bit earlier, judging by the state of MJ’s theatrical career, at least. All in all, it’s looking pretty great.

Unfortunately, it won’t be out until May 2021, but you can preorder it starting now. Here are the ordering links:

Amazon

Barnes & Noble

Indiebound

Penguin Random House

 

With the audiobook also back in print from Dreamscape Media, I’m really glad that Drowned in Thunder is getting a new life. Face front, True Believers!

SPIDER-MAN: DROWNED IN THUNDER re-released!

I’m a bit late in announcing this, but last month, the 2013 GraphicAudio adaptation of my 2008 Marvel novel Spider-Man: Drowned in Thunder was re-released by Dreamscape Media. Apparently Dreamscape struck an audiobook distribution deal with Marvel earlier this year, and it seems that includes the right to republish Marvel audiobooks from other publishers like GraphicAudio. So if you want to buy the DiT audiobook now, Dreamscape is the place to get it, though of course it’s still available on Amazon, B&N, and other online stores as before. Also, Dreamscape is affiliated with the Hoopla digital library that lets you borrow audiobooks and e-books online, so DiT and other Marvel audiobooks are now available for borrowing on that service as well.

Here’s the cover for the new release:

Spider-Man Drowned in Thunder Dreamscape cover

The cover art is a reuse of Mike Deodato, Jr.’s cover to Amazing Spider-Man #520 from July 2005, modified to add rain and lightning in keeping with the original novel and audiobook covers. It’s an appropriate choice chronologically, since Drowned in Thunder is set shortly before that issue, most likely during the “time passing” montage in ASM #515.

Here are the ordering and borrowing links for the new audiobook:

Unfortunately, I don’t earn any new royalties from the re-release, since I wrote the book on a flat-fee contract. But I’m proud of the story, which didn’t sell very well in its paperback release, so I’m glad of anything that brings it to more readers/listeners. Plus the audiobook adaptation is excellent. So go check it out, true believers!

AMONG THE WILD CYBERS Kickstarter is open!

I’ll make this quick, since I’m sleepy — I’ve just been sent the notification that the Kickstarter funding campaign for Among the Wild Cybers: Tales Beyond the Superhuman is now running:

The fundraising drive is for both the Wild Cybers collection and the novel Shattered Dreams by fellow Analog veteran Bud Sparhawk. It runs from now to May 30th. This is my first Kickstarter, so I’m not an expert on how it works, but as you can see on the page, donors will get various rewards that get better the more they donate, and there are also stretch goals that will earn donors further bonuses if they’re met. Bonuses include a digital or print copy of the book (received ahead of general release, I gather), as well as various bonus stories from different authors. The bonus for the first stretch goal will be a digital copy of “Abductive Reasoning,” my one published original, non-Hub short story to date that isn’t in Wild Cybers. I like that, because I regretted not having room to include it in the collection, so this means it will be “included” after all, though only for Kickstarter backers.

I’ve also offered up a few copies of the hardcover and audiobook editions of Only Superhuman as bonuses, and they’ve even managed to scrounge up a copy of Spider-Man: Drowned in Thunder to offer as a bonus to one lucky $40 donor. And of course Bud Sparhawk and the eSpec Books team are offering numerous additional bonuses of their own, and there will be more bonuses announced later. It looks like we’re already making good progress toward the minimum goal needed to fund the books, but hopefully we can do much better with your help.

GraphicAudio sale this weekend!

Heads up: GraphicAudio is running a sale this weekend on its comics/superhero-related audiobooks, with 20% off when you buy 2 or more. This sale includes their adaptations of two of my novels, Only Superhuman and Spider-Man: Drowned in Thunder, so that works out nicely. The ordering links are here:

Only Superhuman audiobook  Only Superhuman

Spider-Man: Drowned in Thunder audiobook  Spider-Man: Drowned in Thunder

It looks like OS is only available in digital audio formats, but DiT is still available in a 5-CD box set as well as digitally.

Admittedly, Only Superhuman has never been done in comics (not yet, anyway), but it’s a superhero story and is largely an homage to superhero comics, so GraphicAudio lists it along with their comics titles. Anyway, this is a good time to call new attention to OS, considering that my story collection Among the Wild Cybers: Tales Beyond the Superhuman, featuring the brand-new Only Superhuman prequel story “Aspiring to Be Angels,” is due out later this year.

SPIDER-MAN: HOMECOMING thoughts (spoilers)

I don’t have the budget to see many movies this summer, but Spider-Man: Homecoming was one I felt I needed to see (even though I’m waiting to see Guardians of the Galaxy 2 until the library gets it). And I made enough money on my recent Shore Leave trip that I felt I could afford to spare a few bucks for recreation. Though of course I went on discount Tuesday.

Anyway, I liked the movie, but I didn’t love it. I guess I’m not the target audience for the John Hughes-style teen romantic comedy vibe they were going for — I don’t think I ever was. I got kind of bored during some of those teen-drama sequences, though the young actors were all pretty good. I didn’t dislike it, and it was pretty fun at times, but it didn’t wow me. I dunno, everyone these days seems to be excited about putting Peter Parker back in high school, even though he spent only three years and 30 issues in high school in the comics (well, more like 44 issues counting guest appearances in other books), but I first became interested in Spidey as a college-age character in the 1990s animated series, and I got to know him best when writing about him as a college graduate and part-time high school teacher in Drowned in Thunder. So I guess the idea of making him a kid doesn’t do that much for me.

Still, for what it was, it worked well. It captured the essence of who Spider-Man is, his sense of fun and his desire to help and his commitment to justice even when it screws up his personal life, as it invariably does — just in a more teenagery way than usual. And in the context of the Marvel Cinematic Universe, I can definitely see the value of stepping away from all the big important adult heroes dealing with matters of global or cosmic significance and taking a look at what life in the MCU is like for the little guy down on street level. And Spider-Man is a very good character for that, a hero who often hobnobs with superhero royalty but never loses his connection to the streets. (Which was approached fairly literally here. He tended to stay more on the level of brownstones and bodegas than skyscrapers here, and there was a fun sequence showcasing how hard web-swinging is in suburbia. The few times he did get up high, he had trouble coping with it.) Moreover, it was really interesting to see a street-level villain. Adrian Toomes could soar to any height, but he didn’t want to rule the underworld or conquer the planet, he just wanted to make a dishonest living because he blamed Stark and the government for taking his honest livelihood from him. He wasn’t exactly a victim in the vein of your classic tragic Batman: The Animated Series villain — it’s not like he couldn’t have found a different way to make an honest buck, he just chose to become a criminal and occasional killer because he was ticked off at the system — but he still saw himself as just a guy looking out for his family, making him a more nuanced and relatable villain than the MCU usually manages.

Now — spoiler alert — I could say it’s a huge coincidence that that Vulture turns out to be the father of Peter’s school crush Liz (wait, is she Liz Toomes? Liz Allan-Toomes?), but then, that’s the classic Parker luck. The villain always turns out to be either a family member of one of Peter’s friends, Peter’s own beloved mentor, or both. So I can give that a pass. And it plays out interestingly. We’ve seen the beat of the villain deducing the hero’s identity before in superhero films, perhaps too often, but it rarely plays out on such an intimate scale, and with the villain not really wanting to hurt the hero. Although it does get rather hard to sympathize with Toomes toward the climax, as he’s actively beating up a teenage boy and trying to kill him. That felt like too much of a standard action-movie beat being imposed on the characters. I think that Toomes as established through the rest of the film should’ve had more qualms about such face-to-face violence against such a young opponent.

But I love the way it turns out. I’ve spoken before of my dislike of the way superhero movies insist on killing off the bad guys, either by having the heroes kill them or going the “I don’t have to save you” route or having them die by their own actions or a twist of fate. It was so satisfying to see a movie not do that — to see Spidey risk his life to save the villain, succeed, and even get karmically rewarded for it in the post-credits scene. That’s the way I like to see these stories play out. I was worried about how Spidey, a character largely defined by his refusal to kill, would be handled in the MCU, which tends to make its heroes rather less non-lethal than they usually are in the comics. (Seriously, why would Tony even install “Instant Kill Mode” in that suit?) I’m relieved that they’re keeping that aspect of his character intact.

By the same token, I liked the scene with Spidey and Donald Glover’s character (who apparently is Miles Morales’s uncle). Spidey started out trying to intimidate the guy, but it turned out that what did the trick was Spidey’s kindness — he’d invited the bad guys to shoot him rather than Glover, and the latter appreciated that and was thus willing to help, as well as sharing a common concern for their neighborhood’s safety. That’s the sort of thing that really uses the idea of a Friendly Neighborhood Spider-Man and makes it mean something.

I’m a bit disappointed that Spidey ended the film with the same Stark supersuit he started it with. I figured the arc of the film would be that he’d learn that all those gadgets were too much of a crutch and that he preferred something more basic. Maybe that will still be the case, though — maybe he’ll re-enable “Training Wheels Mode” voluntarily. (Although I read a review that pointed out that having the “Karen” AI to talk to was a nice substitute for Spidey’s constant internal monologue in the comics.)

Speaking of Stark, it’s interesting how he has his own parallel plotline sort of running through this movie, even though he’s mainly there to serve Peter’s story as a surrogate father figure and (rather bad) mentor. Even though he seems to treat Peter as an afterthought, he’s invested an awful lot (literally, financially) in this kid and his training as a hero. It matters to him, even if he’s inadvertently following in his own absentee father’s footsteps. One could wonder why he places so much importance on this one young protege, and partly that’s because it’s Spidey’s movie, but it also fits with where Tony is at this point in the MCU. This thing he’s built, the Avengers, has fallen apart. He’s lost almost his entire team, save for War Machine and Vision, and Rhodey’s probably still on the disabled list. So he needs to cultivate new members — not just for the optics or the logistics, but out of his personal need to keep his dream from being a failure. He’s trying not to rush the kid into it, trying to give him a chance to start out small and work his way up, but he’s equipped the Spidey suit with an AI designed to guide Peter’s training and hone him into Avenger material. And once Peter bypasses all that and proves himself by saving the day in his hoodie and goggles, Tony can’t resist jumping forward and offering him the works, just going all-out for the kid the moment he has an excuse. Because he needs this. Not just to rebuilt the Avengers, but because, as he said, he wants Peter to be better than him. He sees himself in the kid and wants to help him be a better man and a better hero than Tony could ever be. It’s interesting how much this film reveals about Tony Stark even though it’s nominally in a different series and even from a different studio. Some might hold that against the film as a Spider-Man story in its own right, but I enjoy the interconnectedness of all this and how unusual it is for movies. I love it that you can put all these individual films together and get an ongoing story running through most of them as a bonus.

Oh, and speaking of bonuses… Yes, as usual, I was the only one in my theater who stuck around through all the credits and got to see the Captain America tag at the end. It was worth it. (Plus, Michael Giacchino’s score was a good one, so I was happy to listen to the whole end title cue.)

My day at CLCC ’15

The Cincinnati Library Comic Con was today. I don’t have a picture of myself from there this time, and maybe that’s just as well, because I was kind of frazzled. The day didn’t start out well. First, I lost track of time and had to rush through lunch and hurry out to my car. Then I found that my car wouldn’t start — the battery must’ve died. The one other person in the lot didn’t know anything about jumpstarting cars, and in retrospect, that was just as well, since even if I’d made it downtown, I would’ve probably needed another jumpstart to get back home again. Anyway, I hurried down to the bus stop, lugging my bag of books to sell, and just barely made it in time to catch the bus. I made it in time — early, in fact — but it wasn’t an auspicious beginning.

For a while, too, it seemed like I wasn’t going to sell many books. As I said in my earlier post, I decided to focus on my superhero stuff this year based on what sold last year, bringing mainly copies of Only Superhuman and my last few leftover copies of my two Marvel novels, and as an afterthought I brought a few Trek novels: a couple of copies each of Ex Machina, The Buried Age, and Greater Than the Sum. But somehow, for the first hour or so, it was only the Trek novels that people were interested in buying. Perhaps it’s because I brought TOS and TNG books this time instead of the more unfamiliar stuff like DTI and Rise of the Federation. Anyway, after a while, I was afraid I wouldn’t move any of the OS hardcovers and would end up making substantially less money than I did last year. Fortunately, things picked up right near the end and I finally sold a couple of the OS hardcovers, as well as four of the five Marvel books. I made nearly as much as I did last year — though that new car battery is probably going to eat up all of it and then some.

Still, I wonder why I had more trouble getting people interested in OS this year. I suspect it’s because I wasn’t pitching it as well. The problems with my car and racing for the bus threw me off and tired me out, and I didn’t do that great a job talking it up. So even though I managed to come out of the day okay, I feel I could’ve done better.

Also, when one person asked me to write down my website address for them, I wasn’t thinking clearly and I put an “@” before “wordpress.com” instead of a period. I hope they figure out what it’s supposed to be.

The weirdest question I got from a convention guest today was when someone asked me if The Hunger Games had anything to do with Star Trek. I have no idea what led to that question. (The only connection I’ve been able to find is that Robert Knepper is in Mockingjay and was also in TNG: “Haven” and VGR: “Dragon’s Teeth.” Although you could get a degrees-of-separation thing with Jennifer Lawrence and Sir Patrick Stewart both being in X-Men: Days of Future Past, or Philip Seymour Hoffman and Simon Pegg both being in Mission: Impossible III.) I did have a couple of more constructive conversations with people interested in writing and wanting to learn about the process. Hopefully I was coherent enough to be helpful.

Thanks to LeeAnn and the library staff for their invitation to the event and their support while I was there!

Book signing: Cincinnati Library Comic Con, May 16

Once again, I’ll be signing books at the Cincinnati Library Comic Con on Saturday, May 16. Here’s my post on last year’s event. I did much better selling Only Superhuman and Spider-Man: Drowned in Thunder there than any of my Star Trek stuff, so this year I think I’m going to focus mainly on my superhero stuff. I still have a good supply of Only Superhuman hardcovers (which moved pretty well last year), and I’ve got a very few copies remaining of Drowned in Thunder and X-Men: Watchers on the Walls that I’ve been holding on to “just in case” for long enough that it’s probably time I did something with them. (And I’ll probably bring a few Trek books too.) So anyone who’s in the Cincinnati area and wants signed copies of those books — with a portion of the sale price to be donated to the library, so it’s for a good cause — should be at the Main Library on 800 Vine Street in downtown Cincinnati between noon and 5 PM on May 16. Here are directions and parking info.

Cincy Library Comic Con report

Here I am at the Cincinnati Library Comic Con 2014 this afternoon:

Me at Cinti Library Comic Con

(Thanks to library volunteer Lori for taking the photo for me.)

As you can see, I brought a variety of my books with me, but I still had most of them by the end of the event. Still, I sold a bit over a quarter of my stock and earned a decent chunk of change, with 20% donated to the library. Not shown in the photo: the one copy I had left of Spider-Man: Drowned in Thunder. Since this was mainly a comics event, my Spidey novel and Only Superhuman sold significantly better than the Trek titles, a change of pace from what I’m used to. It makes me think I should’ve tried harder to market OS at comics events back when it first came out.

The library had snacks available for the guests, including mini-quiches from Panera. I’m not usually a quiche eater, but I was hungry and I saw that they had a spinach-artichoke variety, so I decided to give it a try, and it was quite good, as one would expect from Panera.

Another thing that really impressed me was the material covering the table, that gold sheeting you see there. The texture had a good firm grip to it and it nicely held my books in that upright position. I usually have trouble keeping them from falling over when they’re like that, but they were all very well-behaved today, so I can only conclude it’s because of the tablecloth material. If I knew what it were called, I’d recommend it to all my conventions.

SPIDER-MAN: DROWNED IN THUNDER makes AudioFile Magazine’s Best of 2013 list!

December 4, 2013 1 comment

The folks at GraphicAudio just sent me some excellent news: AudioFile Magazine listed their audiobook adaptation of Spider-Man: Drowned in Thunder as one of their Best Audiobooks of 2013 in the “Sci-Fi, Fantasy & Audio Theater” category.

Spider-Man: Drowned in Thunder audiobook

The list is here:

http://digital.audiofilemagazine.com/i/215700

It may take a few moments to load, but the entry is on page 11. And here it is at GraphicAudio’s Facebook page.

I’m really pleased by this. I’ve always been proud of Drowned in Thunder, but the paperback didn’t get as much attention as I’d hoped. I’m glad to see the story getting a new lease on life thanks to GraphicAudio, and I hope this attention may eventually lead to Marvel reissuing the book (since Pocket’s license has lapsed by now).

New podcast interview on Trek Mate

The Trek Mate Family Network in the UK has just released a podcast of an interview I did for their “Captain’s Table” feature in which they interview Star Trek prose authors. The discussion covers my Trek work, my Marvel novels and their audio adaptations, and Only Superhuman. You can find it here:

http://www.trekmate.org.uk/ten-forward-captains-table-interview-with-christopher-l-bennett/

 

Oh, yeah, that Comic-Con thing

I really ought to post something about New York Comic-Con, but I’ve been too busy or too tired. I’ll try to keep it concise.

I ended up driving after all due to the cost of plane fare after waiting so long to buy tickets. I planned out my route carefully this time, so it went fairly smoothly — but I set out too early on the second day and had a hard time staying alert. I didn’t really feel recovered until after lunch. So on the way back, I think I’ll spend the morning of the second day in the motel just resting, then get a good lunch, then drive the rest of the way home.

I’ve been staying with friend and fellow author Keith R.A. DeCandido, his fiancee, a family friend, several cats, and a large Golden Retriever. I was nervous about the latter, but he’s a friendly dog and I’ve been getting used to having him around. Indeed, there’s something reassuring about knowing a dog that big is sleeping outside your bedroom door, on sentry duty as it were.

The two days I spent at the con are kind of a blur right now, so to sum up: both my signings on Friday went pretty well. The GraphicAudio booth is in a good location and drew a lot of attention from passersby, and we got to sell a number of copies of my audiobooks, along with free copies of the prose books as a bonus — courtesy of Tor in the case of Only Superhuman, plus a few Spider-Man; Drowned in Thunder copies which I provided myself. I was expecting Tor to be offering the paperback, but their giveaway copies (half of which I took over to GA, the rest of which I signed for them to give out at Tor’s booth) were hardcovers instead. I guess that makes sense — they want to use up the stock now that people will mostly be buying the MMPB. But it made it more of a slog to carry them over to the GA booth through the Comic-Con crowd. Anyway, the giveaway copies moved pretty well, I was told. My A Choice of Futures signing at the SImon & Schuster booth went well too; this time people actually came to see me specifically rather than just happening to pass by.

I got to talk with a number of colleagues — Keith, of course, and the GA people, and fellow Trek author Kevin Dilmore, who works for Hallmark and was manning their display. It was nice to catch up with him. Unfortunately my former Trek editor Marco Palmieri, now at Tor, was too busy to talk much. I also had fun meeting Lilly, a friend of Keith’s who’s a professional balloon artist, and who performed at his booth to attract passersby. It’s an interesting craft, improvisational yet requiring a lot of meticulous manual control and precision.

Today I just stayed in and rested while Keith et al. went in to the con. I needed a day of quiet to recover before undertaking the drive home tomorrow. I did go down to the local pizza place for lunch, though, and had an excellent slice of white pizza with spinach.

That’s all for now. Maybe I’ll mention more details later, if any come to mind.

Discussing my superhero novels on Sci-Fi Bulletin

October 7, 2013 1 comment

Sci-Fi Bulletin, a British genre site edited by my former Star Trek Magazine editor Paul Simpson, has just published an essay I wrote for them comparing the writing of Only Superhuman and Spider-Man: Drowned in Thunder, timed to coincide with the release of the OS paperback in the UK. You can read it here:

The Science of Writing Superheroes

Oddly enough, it’s indexed on the site under “Fantasy.” I guess that’s because superheroes are generally treated as a subset of fantasy; my hard-SF approach to the subject seems to be pretty unusual, though as the article points out, sometimes there was more science in Stan Lee and his Marvel cohorts’ creations than you might think.

Only Superhuman MMPB cover    Spider-Man: Drowned in Thunder audiobook

My (tentative) New York Comic-Con schedule

September 25, 2013 1 comment

Well, it’s been a bit of a mess trying to make arrangements for New York Comic-Con, since apparently they didn’t have enough tickets or something. They actually sold out of professional passes prematurely, before I could get one, so I had to buy regular tickets, and all they had left were Thursday and Friday tickets. So I’ll only be in attendance at NYCC on those two days — well, assuming my tickets ever arrive. The paperwork said they’d begin mailing them in mid-September, but I haven’t gotten mine yet. But there’s still two weeks to go, so I’m hopeful.

Anyway, I have two signings tentatively scheduled, both on Friday, October 11.

11 AM, Booth 838: GraphicAudio hosts a combined signing for the Only Superhuman audiobook, which will be on sale at the booth, and the mass-market paperback. which will be a free giveaway. There might be copies of the Spider-Man: Drowned in Thunder audiobook on hand too, though I’m not sure.

Only Superhuman MMPB cover      Only Superhuman audiobook      Spider-Man: Drowned in Thunder audiobook

4 PM, Booth 1828: Simon & Schuster’s booth hosts a Star Trek signing, which was hoped to be a group signing but so far is just me. I assume I’ll be signing copies of Rise of the Federation: A Choice of Futures.

Choice of Futures cover

There won’t be any scheduled event for me at the Tor booth (2223), which is why I’ll be doubling up on the MMPB and audiobook at the GraphicAudio event (and I’m very grateful to the GA folks for accommodating me). But I’ll surely be hanging around the Tor booth for a fair amount of time on Thursday and Friday, and there will be signed copies of Only Superhuman there as giveaways. No doubt I’ll drop by the S&S and GA booths on Thursday as well. Ticket gods willing, that is.

If there are any changes to the schedule, I will of course announce them promptly.

SPIDER-MAN: DROWNED IN THUNDER annotations updated

September 19, 2013 2 comments

Spider-Man: Drowned in Thunder audiobook

I’ve just recently finished listening to my copy of GraphicAudio’s adaptation of Spider-Man: Drowned in Thunder, which was really well-done. Tim Getman did an excellent job as Peter/Spidey, with a voice reminiscent of ’90s animated Spidey Christopher Daniel Barnes and The Spectacular Spider-Man‘s Josh Keaton, and with a good grasp of both Spidey’s wisecracking side and his more angsty, bitter side. Terence Aselford’s Stan Lee-esque J. Jonah Jameson is very different from what I imagined when I wrote the book, but I quickly got used to it and it worked very well. Alyssa Wilmoth, who starred as Emerald Blair in Only Superhuman‘s audio adaptation, played Mary Jane Watson-Parker (the book is set before their marriage was erased from Marvel continuity), and it was interesting to hear how her characterization differed, painting MJ in lighter, subtler strokes than Emry. Lily Beacon was a fantastic Aunt May, reminding me at times of Nichelle Nichols’s voice. The rest of the cast, which has only a few overlaps with the Only Superhuman cast, was effective as well. Here’s the full cast list I was given:

Tim Getman as Spider-Man
Terence Aselford as J. Jonah Jameson
Alyssa Wilmoth as Mary Jane Watson
Lily Beacon as Aunt May
David Jourdan as Electro
KenYatta Rogers as Robbie Robertson
Regen Wilson as Ben Urich and Phineas Mason
Steven Carpenter as Alistaire Smythe
Jeff Allin as Reed Richards
Kimberly Gilbert as Dawn Lukens
Nora Achrati as Marla Jameson and Jill Stacy
Gabriela Fernandez-Coffey as Betty Brant
Mark Halpern as Blush Barrass and Bobby Ribeiro
Ren Kasey as Liz Allan

with Bradley Smith, Joe Brack, Casie Platt, Joel David Santner,
David Harris, Patrick Bussink, Thomas Penny, Christopher Scheeren,
Scott McCormick, Thomas Keegan, and Tim Pabon

Further credits are at the link above.

Anyway, I took notes while I listened so I could update my novel annotations to include the audio edition as well, as I recently did with Only Superhuman. I’ll have to listen again sometime so I can experience it with fewer interruptions. The annotations can be accessed from my Marvel Fiction page here:

http://home.fuse.net/ChristopherLBennett/Marvelfiction.html#DiT

I’m going to be doing a signing at GraphicAudio’s booth at New York Comic-Con next month, probably on Friday Oct. 11, although we’re still sorting out the schedule. I’ll post the info when I can.

 

By the way, while listening to the DiT audiobook so soon after my most recent listen to the OS audiobook, I realized something. Both Only Superhuman and Drowned in Thunder have scenes where an elderly female relative of the protagonist gives a speech that explains the thematic significance behind the novel’s title and contains a paraphrase thereof. I didn’t realize I was repeating that trope. Well, it’s surely not the only trope I’ve repeated in my career.

GraphicAudio podcast is now up!

The interview I did for GraphicAudio’s “All in Your Mind” newsletter/podcast is now available. I had a nice chat with directors Richard Rohan and Nanette Savard about Only Superhuman, Spider-Man: Drowned in Thunder, my work in general, and other stuff, running a bit under 40 minutes.

Here’s the direct link:

And if that doesn’t work, there’s also an MP3 link:

SPIDER-MAN: DROWNED IN THUNDER audiobook releases at midnight!

Like a streak of light, he arrives just in time! GraphicAudio’s fully dramatized adaptation of my 2008 novel Spider-Man: Drowned in Thunder is releasing at midnight tonight, August 25 (or technically the very start of Monday, August 26).

DrownedAudioCvr

http://www.graphicaudio.net/spider-man-drowned-in-thunder.html

Just to be clear, this is coming out in Blu-Ray format which will ship in late September, but buyers can download a free digital copy starting at midnight. At least, that’s what it says on the site. I’m a little unclear on what formats it’ll be available in; I’m sure that more information will be available at the link above come midnight.

EDIT: Ahh, now that it’s out, I see it’s available in multiple options, including a 5-CD box set, the Blu-Ray disc, and direct download in various formats, just like Only Superhuman (except that doesn’t have the Blu-Ray option).

Here’s the very exciting trailer for the book:

And here’s a sample from the opening scene:

I’d expected the podcast interview I did with the GraphicAudio folks to be available by now, but nothing yet. I’ll keep you posted.

Here’s to Drowned in Thunder‘s new lease on life!

My visit to GraphicAudio

Here I am visiting GraphicAudio’s studio in Bethesda, Maryland on Monday, August 5th:

My visit to GraphicAudio

Me with director/narrator Nanette Savard, sound designer Patrick Stratton, and producer/actor Richard Rohan. (Link)

As I’ve mentioned, I was able to arrange this visit because I was staying with cousins half an hour’s drive from the GA studio. Based on their recommendations, I decided to take the Beltway route out there and the more direct East-West Highway back — but cousin Barb loaned me their GPS, and it kept trying to direct me to East-West on the way out and the Beltway on the way back! So I relied more on Google Maps printouts.

When I arrived, I also got a bit lost, since I went in by the stairs and the signs there only directed me to the upper floor where the processing and packaging is done. I needed to find someone to escort me down to the studios the floor below. There I was met by producer Richard Rohan, who turned out to have played Hanuman Kwan in Only Superhuman. He was aware I’d imagined Roddy MacDowall when writing the character, but said he didn’t have that voice in his repertoire. When I mentioned his performance reminded me of Tony Randall (which worked almost as well), he said he’d have to think about developing a Randall impression. I also met Nanette Savard, the audiobook’s director and narrator, and when I mentioned that I’d felt Greg Tai and Sally Knox had been perfectly cast, Nanette revealed that she had played Sally! I also briefly met Colleen Delany, who played Psyche Thorne, and who turns out to have a rather Psyche-like smile, very wide and bright. But I just missed a chance to meet Zephyr’s portrayer Thomas Keegan, with whom Nanette had just been finishing up a session when I arrived.

I was shown into the editing room where the above photo was taken, and I got to hear the opening scene of the Spider-Man: Drowned in Thunder audiobook, plus a couple of other scenes later on. It was pretty well-done. The actor they’ve got playing Spider-Man (I don’t know his name yet) sounds not unlike Christopher Daniel Barnes, who played the role in the ’90s series that made me a Spidey fan, and whose voice I imagined when writing the book. Their version of J. Jonah Jameson isn’t anything like what I imagined (which was Ed Asner from the ’90s show), since they based their version on the fact that Stan Lee always wanted to play the role himself. No, they didn’t hire Stan, but their actor gives JJJ a very Stan-like quality. I also learned that Mary Jane Watson-Parker will be played by Alyssa Wilmoth, the same actress who played Emerald Blair — appropriate, since they’re both redheads.

I learned a lot of this from the trailer they played during the podcast interview, which made the story sound really exciting. I was listening in awe and thinking, “I wrote that?!” Anyway, Richard and Nanette interviewed me inside a cozy recording booth and we had a nice talk about both books. The podcast should be out within the week, and I’ll link to it when it’s available. They even let me go back in and do a retake when I belatedly remembered I’d forgotten to plug the upcoming Only Superhuman paperback. After the interview, they showed me the rest of their facility — mostly one big room where the directors and engineers work at a bunch of computers around the walls, but with some private offices for the producers and a couple of secondary recording booths. They had me sign a couple of copies of the audiobook as well as the OS poster in their lobby, and they gave me a green coffee mug with the company logo on it (though more lime green than emerald green).

Unfortunately they didn’t have any copies of DiT ready to give me, since Marvel hasn’t given final approval yet and they haven’t even printed any CDs. The box I’m holding in the above photo is a mockup they finished just moments before. But it sounds like it’ll be really cool, and I hope it’s a big seller. As I’ve mentioned before, I won’t get any more money from this, but I’m proud of the story and I want it to get more exposure. Plus it could attract more interest for Only Superhuman, and that could benefit me financially.

Speaking of which, I asked if I could have a fuller cast list than the one given on the audiobook, crediting who played what for more than just the lead roles. Nanette provided a list for me, so now I can give a fuller cast list for Only Superhuman, the audio:

  • Nanette Savard: Narrator, Sally Knox
  • Alyssa Wilmoth: Emerald Blair/Green Blaze
  • Colleen Delany: Psyche Thorne
  • Thomas Keegan: Zephyr, Taurean
  • Elliot Dash: Eliot Thorne
  • Ken Jackson: Javon Moremba
  • Evan Casey: Gregor Tai
  • Yasmin Tuazon: Koyama Hikari/Tenshi
  • Tracy Lynn Olivera: Bast, Lydia Muchangi/Lodestar, Detective Barbour
  • Barbara Pinolini: Rachel Kincaid-Shannon
  • Richard Rohan: Jahnu Kwan/Hanuman, Erich Krieger/Wulf
  • Christopher Scheeren: Yukio Villareal/Sensei
  • Michael Glenn: Richard Shannon
  • Kimberly Gilbert: Bimala Sarkar, Elise Pasteris/Tin Lizzy, Ruki Shimoda/Hikkaku
  • David Coyne: Sanjay Bhattacharyya/Cowboy
  • Eric Messner: Vijay Pandalai/Arjun
  • James Konicek: Arkady Nazarbayev/Medvyed
  • Elizabeth Jernigan: Lyra Blair, “Banshee” Starlet
  • Nora Achrati: Maryam Khalid/Hijab, Dr. Monica Railey
  • Joe Brack: Juan Lopez/Jackknife, Aaron Donner/Blitz, Daniel Weiss/Overload
  • Nick Depinto: Marut Pandalai/Bhima
  • Terence Aselford: Ken Auster/Paladin, Jorge Santiago
  • Additional voices by Thomas Penny, Michael John Casey, James Lewis, Joel David Santner, and Steven Carpenter

Hopefully I’ll have a cast list for Drowned in Thunder as well once that comes out.

By the way, here’s the list of GA’s DC Comics cast members. Turns out Richard Rohan plays Batman — and the Joker! (That must make for some interesting recording sessions.) Nanette Savard is Lois Lane, Colleen Delany is Wonder Woman, and James Konicek, who played Arkady, is their Superman.

Before I left, they let me know that they had plans to attend the New York Comic-Con in October. I plan to be there to promote the OS paperback, so I’ll be sure to visit their booth and maybe do some promotion of their adaptations. I’ll be sure to post information about my appearance schedule once it’s arranged.

Shore Leave report

Well, it’s been an eventful few days, with little time to post anything. The drive to Baltimore was agreeably uneventful, except for the night I spent in a very cheap motel with no amenities and spiders in the tub and corners. (Could’ve been worse. Spiders are basically harmless and keep other pests at bay.) And except for the sore shoulder I’m dealing with in the wake of my marathon writing session to finish Tower of Babel.

I got into the hotel around noon on Friday and promptly ran into Greg Cox, who, like me, was waiting for his room to be ready. We spent a while catching up, having a good long chat. Later that afternoon, he and I went to dinner with Marco Palmieri, Klingon language expert Lawrence M. Schoen (who just signed a book contract with Tor), and fellow Tor novelist (and one-time Star Trek: Strange New Worlds contributor) Rod Belcher, and we talked Tor for a while. I had a really nice hummus-and-pita appetizer followed by a pretty good spaghetti with tomato-and-basil sauce. Then we went to my first panel, announcing Tor’s recent and upcoming schedule — basically the same thing Marco and his fellow editor Margaret Clark used to do for Star Trek books, but now for Tor’s much broader line of books, including the upcoming mass-market paperback of Only Superhuman. David Mack helped run the slide show, and in return he was granted the opportunity to announce the exciting new Trek project reuniting him with his Vanguard collaborators Dayton Ward and Kevin Dilmore, Star Trek: Seekers, which you can read about here.

After that came the annual Meet the Pros book-signing event, which was pretty well attended this year, since William Shatner was at the con and thus it drew a larger crowd. I got to catch up with several of my fellow authors/friends. I only managed to sell one copy of OS that night, though, but I also managed to sell one of the copies of Spider-Man: Drowned in Thunder that I brought with me.

Saturday, after having breakfast in my room and finally figuring out how to get onto the Internet from the hotel, the first thing I did publicly was to visit the book dealers’ table, where I did the traditional one-hour shift in what Marco Palmieri (IIRC) has now dubbed the Author Chimney — a narrow space between two brick pillars, just wide enough for one person to sit and sign books for passersby. It’s right near the concession stand where they sell burgers and hot dogs (the only relatively inexpensive place to eat in the hotel now, since the cafe closed when the hotel changed owners recently), so I had my lunch there. I think I moved two copies of OS and convinced a couple of others to check out the e-book.

Then I had my marathon of panels, the topics of which I covered in my previous post. That’s all kind of a blur, but it went pretty well. As a bonus, for the panel “Did Man of Steel Tarnish Superman?”, Dave Mack and I had the privilege of being joined by a surprise guest, Paul Kupperberg, who’s written and edited many Superman comics and was more qualified than either of us to discuss the topic. The consensus: No, Superman’s untarnished since he still exists in many media, but the movie rather screwed up his depiction. I was glad to move from there to the Legend of Korra panel, which was a lot of fun. But by the time the final panel rolled around, I was feeling pretty worn out and punchy. Before it, I’d tried to get a granola bar from the vending machine in what was left of the cafe, but I misread “E5” as “F5” and got animal crackers instead, which I didn’t want. Then, after the panel, I got a microwave entree out of the carousel vending machine, but the microwaves in the cafe were too low-power to heat it adequately, as I found out when I got it back to my room. After another couple of tries, I just gave up on it and threw it away, and went out to try to find some other place to eat. A fellow guest, Steve Wilson (writer of a couple of my favorite DC Trek comic issues) reminded me that the grocery store across the road had a good deli, so I drove over, got a pasta salad, and finally, finally got to retire to my room for the evening.

Sunday began with the traditional authors’ brunch, and then I attended a talk that NASA scientist Paul Abell — husband of Trek author Amy Sisson — held about the Chelyabinsk meteor explosion last year. Turns out he’s one of the team members involved with detecting potential Earth-threatening asteroids, a division called “planetary defense.” But he tells me their offices do not particularly resemble the Hall of Justice.

Speaking of which…

0804130950-00I got my wish to get photographed with the (replica) Batmobile. This is a shot from my crummy cell phone — I’ve got a better one that I’ll need to scan once I get home.

EDIT: Here’s that scan:

Batmobile

Oh, here’s a funny sign I saw at the con and had to photograph:

0804131121-00(Who ever heard of an evil dolphin? Although technically it only says the eyebrows are evil.)

After getting a hot dog and chatting with Greg and Keith DeCandido during the latter’s stint in the Author Chimney, I joined Paul for a panel on the science and fiction of asteroids, comparing what I did in OS with his real-life knowledge of the field — although, since this is me, there was nearly as much science on my side as his. The next panel in the same room, which mistakenly got left off the schedule grid, was on writing Star Trek: TOS and the challenge of finding something new to say. I ended up joining the panelists for that one and talking about my post-TMP work. Finally came my solo Q&A panel, which was rather poorly attended, since people were going home by that point. But the few people who were there got to be the first to whom I showed the cover for the upcoming Drowned in Thunder audiobook (which I’d downloaded onto my laptop just minutes before):

DrownedAudioCvrWhich I think is a panel from the same comics scene that Marco wanted the novel’s cover artist to use for inspiration. (It’s not the exact same page, but it’s clearly by the same artist (John Romita, Jr.) and looks like an earlier panel in the same sequence.) I also got to talk for a while about my upcoming Analog novella “Make Hub, Not War,” which should be out in a month or so.

After that, I left the con and drove to the DC suburbs to stay with cousins Barb and Mark, and I’m typing from their guest room. I’ve just gotten back from my visit to GraphicAudio’s studio, which was very cool and which I think deserves its own post. To be continued…

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