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StarTrek.com talks to me about THE HIGHER FRONTIER

A new interview with me has just gone up on StarTrek.com:

Star Trek’s Higher Frontier is Out Now

I talk about my inspirations behind the book, the importance of TOS to me, and so on. I also just noticed that I mistakenly gave the impression that Marvel’s 1996 Star Trek/X-Men crossover came out after my 2005 novel Ex Machina — I got a little confused there. But never mind that part.

I also mention my Patreon page, so hopefully that’ll attract some new patrons.

STAR TREK: TOS — THE HIGHER FRONTIER is out!

I’m a couple of days late to announce it, but Star Trek: The Original Series — The Higher Frontier is now on sale!

ST Higher Frontier coverStar Trek: The Original Series — The Higher Frontier

An all-new Star Trek movie-era adventure featuring James T. Kirk!

Investigating the massacre of a telepathic minority, Captain James T. Kirk and the crew of the U.S.S. Enterprise confront a terrifying new threat: faceless, armored hunters whose extradimensional technology makes them seemingly unstoppable. Kirk must team with the powerful telepath Miranda Jones and the enigmatic Medusans to take on these merciless killers in an epic battle that will reveal the true faces of both enemy and ally!

Available at:

 

This is the first time I’ve gotten to work in the post-TMP setting in nearly eight years since DTI: Forgotten History, and the first time since Ex Machina 15 years ago that I’ve been able to do an entire novel in that setting, rather than sneaking in continuations within other projects. To commemorate this, I’ve reworked my Ex Machina page into an overall post-TMP page putting all the relevant discussions together in one place for convenience, aside from DTI:FH, which is technically in a different series and whose dedicated page has several comments, so I figured it was better to leave it separate. You can find it here:

TOS: Motion Picture Era

Scroll down to the bottom to find discussion on The Higher Frontier, since it’s chronological. (One thing I miss about my old HTML web page is that you could link to different anchor points within a single page for quick navigation. I’ve never figured out how to do that in WordPress.)

As usual, spoiler annotations should follow before too long.

 

STAR TREK: THE HIGHER FRONTIER cover revealed!

December 23, 2019 4 comments

The cover to Star Trek: The Original Series — The Higher Frontier has hit the Internet, so here it is:

ST Higher Frontier cover

And the blurb:

An all-new Star Trek movie-era adventure featuring James T. Kirk!

Investigating the massacre of a telepathic minority, Captain James T. Kirk and the crew of the U.S.S. Enterprise confront a terrifying new threat: faceless, armored hunters whose extradimensional technology makes them seemingly unstoppable. Kirk must team with the powerful telepath Miranda Jones and the enigmatic Medusans to take on these merciless killers in an epic battle that will reveal the true faces of both enemy and ally!

The blurb on the rear cover is a bit different, so here it is, along with the rear side of the wraparound cover image (though I’m told the “Following” is going to be rephrased to “Several years following” to be more accurate):

ST Higher Frontier rear cover

 

I got my first look at the cover a couple of weeks ago. I like it a lot. It’s a very striking and distinctive approach, a lovely piece of art, and along with the font, it has a retro feel that’s very interesting. I would’ve rather had the TMP-era logo, ideally, but the TOS logo works aesthetically with the rest.

And yes, that is an Andorian Kumari-class or similar cruiser on the cover, flying over the icy surface of Andoria with its gas-giant primary in the sky. That and the blurb should give some hints about at least one aspect of the novel’s storyline.

The Higher Frontier is due out in trade paperback, e-book, and audio formats on March 10, 2020, and is available for pre-order at:

 

 

STAR TREK: THE HIGHER FRONTIER description is out!

August 11, 2019 1 comment

It’s a week later than expected, but Amazon has posted the early promotional blurb for Star Trek: TOS: The Higher Frontier (though no cover art yet):

An all-new Star Trek movie-era adventure featuring James T. Kirk!

Investigating the massacre of a telepathic minority, Captain James T. Kirk and the crew of the U.S.S. Enterprise confront a terrifying new threat: faceless, armored hunters whose extradimensional technology makes them seemingly unstoppable. Kirk must team with the powerful telepath Miranda Jones and the enigmatic Medusans to take on these merciless killers in an epic battle that will reveal the true faces of both enemy and ally!

That’s right — after quite a few years, I’m finally returning to the post-Star Trek: The Motion Picture setting featured in Ex Machina, Mere Anarchy: The Darkness Drops Again, and the latter half of DTI: Forgotten History. I’m really glad to have gotten the chance to revisit that period in a full novel once more.

And the blurb says “epic” for a reason. One advantage of the big, empty period between ST:TMP and The Wrath of Khan is that there’s plenty of room to tell a really big, sweeping story.

STAR TREK 2020 book line-up announced!

Today at the Star Trek Las Vegas convention, there was a panel announcing the upcoming novel line-up for most of 2020. TrekCore covered it live on their Twitter feed:

https://mobile.twitter.com/TrekCore/status/1156992574671867904

The big news for me is my next novel: Star Trek: The Original Series — The Higher Frontier, scheduled for a March 2020 release. (How the heck is it almost 2020 already??) This is the novel I was busy finishing up during Shore Leave last month, and as it happens, I’m in the midst of manuscript revisions for my editor right now. Apparently the description is slated to go out to book sites with the “metadata” this weekend, so I guess I’ll wait until then to post it — stay tuned. But it’s a book I’m rather excited about, because it lets me do something TOS-wise that I didn’t think I’d get the chance to do again.

Another very surprising bit of news is that the lineup for next year includes two Kelvin Timeline novels, The Order of Peace by Alan Dean Foster and More Beautiful than Death by David Mack. These are two of the four Kelvin novels (before it was called that) which Alan, David, Greg Cox, and I wrote a decade ago for a 2010 release, and which were cancelled for arcane reasons at the start of 2010 — although Alan’s was originally called Refugees. Now, I incorporated much of my cancelled novel Seek a Newer World into TOS: The Face of the Unknown once I became convinced these novels would never be published, and Greg cannibalized parts of his The Hazard of Concealing for TOS: No Time Like the Past, which presumably is why they aren’t being released with the other two. But that’s fine. We all got paid in full for our books back then, and I feel that TFotU is a far better, richer novel than SaNW would’ve been. And maybe this opens the door for doing another Kelvin novel sometime, one written with knowledge of the later films, so that it can be more substantive. Anyway, I’m glad Alan’s and Dave’s books will finally see the light of day.

Other interesting bits of news: Gene Roddenberry’s Star Trek: The Motion Picture novelization (which I drew on in Ex Machina) is getting a 40th-anniversary re-release in trade paperback form in October of this year, along with its first-ever audiobook edition. It’s also commemorating the 40th anniversary of Pocket/Simon & Schuster’s ST publishing program, which began with the TMP novelization. October will also see David Mack’s Collateral Damage, culminating a storyline that’s been developing in the novels since the A Time to… miniseries 16 years ago. In November, IDW Comics will begin publishing a Star Trek: Picard — Countdown miniseries by Kirsten Beyer and Mike Johnson, and in February 2020, Uma McCormack delivers the first Picard prequel novel, The Last Best Hope. Dayton Ward’s TOS novel Agents of Influence arrives in April. We’ll also see a Discovery novel from John Jackson Miller, and Kirsten Beyer’s Voyager: To Lose the Earth (which has been delayed due to Kirsten’s work on the writing staffs of Discovery and Picard) will reportedly be out at last in 2020.

I’ve been so immersed in the TOS era for the past couple of years that I haven’t really sought out information about what my fellow authors were doing in the larger Trek narrative, so all these announcements come as something of a surprise to me. It’ll be interesting to see what develops going further, and what my part in it will be. But 2020 is going to be a remarkably diverse year for Trek literature.

STAR TREK: THE CAPTAIN’S OATH has arrived!

When I headed out to do my laundry this morning, I found a package from Simon & Schuster sitting outside my apartment door. Inside were my author copies of Star Trek: The Original Series — The Captain’s Oath, 15 substantial trade paperbacks. Here are a couple of copies on my bookshelf, so you can see how they compare in size to the old mass-market paperbacks:

Star Trek TOS The Captain's Oath

Sorry it’s a bit blurry — it was a choice between that and one that was in focus but with Kirk’s face washed out by the flash.

And hey, there’s a bit of my old stand-up/poster for Ex Machina peeking in at the corner. My first and most recent covers side by side — an appropriate pairing in some ways, given that both books fill in overlooked periods in Kirk’s career, and have a couple of other elements in common as well.

This is my first full Star Trek novel in trade paperback; all my previous Trek TPB appearances have been in multi-author anthologies and collections. But it seems that mass-market paperbacks are a dying breed; their place in the market has been largely supplanted by e-books. But I like the larger size. It makes it feel more prestigious and hefty. The price is higher, but that means I get a bigger royalty for each copy sold, which hopefully improves my chances of earning out my advance on the novel (something that, to date, I’ve only done with Only Superhuman). And really, the odd thing is that MMPB prices managed to stay fixed at $7.99 for about a dozen years, defying inflation. If their price had continued to increase at the same rate it did during the previous dozen years, they’d now cost nearly as much as a currrent trade paperback anyway.

For the rest of you, it’s still a few more weeks before the book goes on sale (May 28 is the official release date), but you can pre-order it at:

Note that there will also be an audiobook adaptation of the novel, read by Robert Petkoff. They consulted me about the pronunciation of alien and foreign-language names/terms in the book a couple of weeks ago, and they let me send them a recording of me pronouncing them aloud as well as a text file.

I’m currently reviewing my annotations for the novel, confirming that the page numbers match and making final tweaks; I should be able to post those not long after the book is released.

(In the meantime, please check out the Kickstarter for eSpec Books’ new anthologies including Footprints in the Stars, containing a new Troubleshooter story by me!)

My day at CLCC ’15

The Cincinnati Library Comic Con was today. I don’t have a picture of myself from there this time, and maybe that’s just as well, because I was kind of frazzled. The day didn’t start out well. First, I lost track of time and had to rush through lunch and hurry out to my car. Then I found that my car wouldn’t start — the battery must’ve died. The one other person in the lot didn’t know anything about jumpstarting cars, and in retrospect, that was just as well, since even if I’d made it downtown, I would’ve probably needed another jumpstart to get back home again. Anyway, I hurried down to the bus stop, lugging my bag of books to sell, and just barely made it in time to catch the bus. I made it in time — early, in fact — but it wasn’t an auspicious beginning.

For a while, too, it seemed like I wasn’t going to sell many books. As I said in my earlier post, I decided to focus on my superhero stuff this year based on what sold last year, bringing mainly copies of Only Superhuman and my last few leftover copies of my two Marvel novels, and as an afterthought I brought a few Trek novels: a couple of copies each of Ex Machina, The Buried Age, and Greater Than the Sum. But somehow, for the first hour or so, it was only the Trek novels that people were interested in buying. Perhaps it’s because I brought TOS and TNG books this time instead of the more unfamiliar stuff like DTI and Rise of the Federation. Anyway, after a while, I was afraid I wouldn’t move any of the OS hardcovers and would end up making substantially less money than I did last year. Fortunately, things picked up right near the end and I finally sold a couple of the OS hardcovers, as well as four of the five Marvel books. I made nearly as much as I did last year — though that new car battery is probably going to eat up all of it and then some.

Still, I wonder why I had more trouble getting people interested in OS this year. I suspect it’s because I wasn’t pitching it as well. The problems with my car and racing for the bus threw me off and tired me out, and I didn’t do that great a job talking it up. So even though I managed to come out of the day okay, I feel I could’ve done better.

Also, when one person asked me to write down my website address for them, I wasn’t thinking clearly and I put an “@” before “wordpress.com” instead of a period. I hope they figure out what it’s supposed to be.

The weirdest question I got from a convention guest today was when someone asked me if The Hunger Games had anything to do with Star Trek. I have no idea what led to that question. (The only connection I’ve been able to find is that Robert Knepper is in Mockingjay and was also in TNG: “Haven” and VGR: “Dragon’s Teeth.” Although you could get a degrees-of-separation thing with Jennifer Lawrence and Sir Patrick Stewart both being in X-Men: Days of Future Past, or Philip Seymour Hoffman and Simon Pegg both being in Mission: Impossible III.) I did have a couple of more constructive conversations with people interested in writing and wanting to learn about the process. Hopefully I was coherent enough to be helpful.

Thanks to LeeAnn and the library staff for their invitation to the event and their support while I was there!

Shore Leave: Over already? I just got there!

Wow, where did the weekend go? This year’s Shore Leave was a whirlwind, over so fast it hardly had time to sink in. Maybe it’s because I flew there this time. Not only did I get in later than usual on Friday and leave early on Sunday, making for a total of only about 48 hours spent in the hotel (c. 2 PM Friday to c. 2 PM Sunday), but maybe the quicker travel time made the whole thing feel more abrupt somehow.

But let’s see what I can extract from the sensory blur in my memories.

The flight out from Cincinnati to Baltimore went fairly well. I seemed to get through the airport amazingly quickly, in part because I got randomly assigned to the expedited TSA check which is simply a walk through a metal detector (along with everyone else around me — making it seem like an implicit admission that all the security theater of the past few years doesn’t really make much difference after all). I took a quick flight to Philadelphia on a medium-sized plane and then a short hop to Baltimore on a small turboprop — the first propeller plane I think I’ve ever been on, and the first plane where the cabin has been under the wing, so I could actually see the landing gear from my window. A little scary at first, but I reminded myself that if it weren’t a proven and reliable technology, it wouldn’t still be in use after a century. And the props were clearly made of carbon composite, which was reassuringly modern.

Then came the long ride on the Light Rail, literally from the very start to the very end of the route. But it didn’t feel like it took too long, even though I gave up trying to listen to music on my phone because the train was too noisy. (Maybe I should’ve brought my other earbuds, which block sound better. Plus they don’t get tangled as easily, I think because one earbud is on a shorter cord than the other so there’s less there to tangle.) The one hitch was that I got a sandwich at the airport planning to eat it on the train — and then saw that eating on the train is prohibited. So since I’m an extremely law-abiding sort, I had to wait another hour and a half to eat my lunch. I had half the sandwich while walking from the light rail station to the hotel, and the other half once I got into my room (which was quick and easy because I arrived late enough that it was already prepared).

When I visited the vendors’ area, I was pleased to run into Sally Malcolm and her husband, the founders of Fandemonium Books, the British company that publishes Stargate SG-1 and Stargate Atlantis tie-in novels. They were there along with New York writer Diana Dru Botsford, who’s done a number of SG novels for Fandemonium as well as having written for ST:TNG on television. I was glad that this year they were able to come to Shore Leave and bring the two tie-in franchises together, as it were. And now I know who to contact if and when I have a Stargate novel pitch… 😉

At dinnertime, I ran into Greg Cox and some other folks at the hotel’s little cafe/lounge place, which is now open for business again since the hotel came under new management. We had a nice talk there, and later we were seated together at Meet the Pros, though we had less time to talk there since it was really well-attended and busy — another reason it seemed to go by so fast. I signed a lot of copies of Tower of Babel. Unfortunately only one guest bought a copy of Only Superhuman for me to sign, since the book vendor only had it in hardcover. The dearth of mass-market paperbacks of OS continues to bewilder and frustrate me. (It’s still available by print-on-demand, but getting paperbacks in stores is better for getting casual readers interested. Or would have been…)

I also finally got to meet Australian uberfan Ian McLean, aka Therin of Andor, who’s probably the one person who loves Star Trek: The Motion Picture more than I do, and after whom I named an Andorian character in Ex Machina, a character who’s been picked up on by other authors and taken on a life of his own. He brought me an awesome gift, an Australian edition of the ST:TMP novelization from Futura Books, with a lovely photo insert section and a few bits of additional description in the text. He even got it autographed by Billy Van Zandt, the actor who played the Rhaandarite “alien ensign” in TMP, whom I made into a major character, Vaylin Zaand, in ExM. It is a cool thing to have.

Let’s see, panels… Before Meet the Pros, I was on a panel about comedy science fiction, in which I got to talk about my Hub stories, though my comedy contributions are fairly limited in comparison to fellow panelist Peter David — though he demurred that most of his overt comedy writing is fantasy rather than SF. Also in attendance were Aaron Rosenberg, co-founder of Crazy 8 Press, and two authors who’ve had comedies published by Crazy 8, Lorraine Anderson and Russ Colchamiro.

But the rest of my panels were on Saturday, so I was kept pretty busy that day. First was the panel on writing movie-era Trek, which was intended to focus on the original series’ movie era, but ended up being broadened to include TNG movie-era books. Greg and I were on that along with Peter David and Dayton Ward (who did In the Name of Honor in the post-ST V era as well as A Time to Sow/A Time to Reap with Kevin Dilmore in the TNG movie era). Greg pitched his upcoming Foul Deeds Will Rise, set in the post-ST V era, and I just talked about ExM.

Then came “60 Years of Godzilla,” with Greg again (since he novelized the recent movie) as well as Jeffrey Lang and Andrew Gaska. I got to do my spiel summarizing the history of the franchise, based on my posts on this blog, but I think I went a little too much in-depth, since people were walking out by the end. I was afraid that would happen.

I got a burger and fries for lunch in the cafe, where I’d previously gotten a breakfast of cereal, milk, orange juice, and a banana. Both meals cost me 9 dollars. Each. Hotels are so expensive! I also attended a “Writing Stargate” panel by the Fandemonium bunch, and learned some more about their approach and interests. Apparently they’ve been trying to convince MGM to let them do a post-finale series of SG-1 as they’re already doing for SGA, but with no luck as yet; and they don’t have a Stargate Universe license, which is too bad, since I woul’dve liked to write for that one. They explained that the new movie reboot that’s being developed has nothing to do with the show’s continuity and doesn’t affect the books. (I can’t understand MGM’s decision to let Devlin and Emmerich resume their vastly inferior version of Stargate rather than continuing the TV universe.) I also sat in the audience for a panel called “The Villain’s Journey,” with quite a few people including Kathleen David (Peter’s wife), David Mack, and Marco Palmieri exploring the question of whether there was a Villain’s Journey model to complement the standard Campbellian Hero’s Journey. An interesting talk, but it got a bit too philosophical for me at times.

And then I was a member of two more consecutive panels. First was “Writing Action Scenes,” with Dave Mack, Kirsten Beyer, Keith R.A. DeCandido, and a couple of others I didn’t know. I felt a little out of place there, since my approach to action is a little more understated and less based on experience than that of some of the other panelists. But it was informative; Keith’s experience with karate brought some useful insights into the experience of being in a fight, which hopefully can be useful to me in future writing.

Finally was “Series in the Sandbox” with Dave, Kirsten, Dayton, and Kevin, focusing on ongoing single-author or single-team series in Trek (since SG author Jo Graham couldn’t make it). This was supposed to be my big chance to promote what I’m doing in Rise of the Federation, but I can’t remember whether I really talked about it much. By that point I was so frazzled that I wasn’t really sure what was going on.

But fortunately a bunch of us went out to dinner at that really good barbecue place near the hotel, Andy Nelson’s Barbecue Restaurant. It’s the second time I’ve been taken there, and I think I had the same thing I had the first time: a pulled turkey BBQ sandwich, cornbread, and cole slaw, along with a much-needed iced tea. I generally don’t like either cornbread or cole slaw that much, but both were excellent here. It was nice to get to hang out with the group, but the problem with being in such a large group at such a long table — especially since I was sitting at one end — is that you don’t really get to talk to everyone. I was hoping to get to talk more with Kirsten Beyer this weekend, for instance, just to catch up, but we only got to talk briefly a couple of times. (Usually, these past few years, Meet the Pros has died down early enough that the writers have had more time to wander the hall and socialize, but this year we were kept pretty busy throughout.)

I just went back to my room after that, since I needed the peace and quiet after that long, long day. By the time I got up Sunday morning, it was almost time for the author breakfast in the hotel bar. After that I attended the memorial service for the late Ann (A.C.) Crispin, though I’m not sure I really belonged there, since it turned out to be more of a private gathering for her friends, and I was never more than passingly acquainted with her. But I wanted to show my respects. It was a nice service, and the stories her friends told made me regret that I didn’t get to know her better.

I don’t remember what I did for the next hour — probably just went back to my room — but then I went to a panel about Orphan Black that Marco was on along with… oh, man, I totally don’t remember. I think Aaron Rosenberg was there? It was a fun panel, though. After that, I went to a presentation by artist Rob Caswell, whose art inspired the Star Trek: Seekers novel series that Dave, Dayton, and Kevin have just debuted. But halfway through that, I realized I’d been so caught up in panel after panel that I’d totally forgotten to go down to the book vendors’ table and do my stint in the author chimney, the little recessed space between brick columns where we authors sit for an hour or so to sign autographs. And I’d arranged to get a ride to the mall (where I could get lunch and wait for the light rail) right after that panel ended, so I was only able to give the book folks half an hour, during which it was almost totally dead because it was the afternoon of the last day and everyone had already spent whatever they had to spend. I regret that I let this slip my mind until it was almost too late.

So I got a good lunch at the mall, which Marco very nicely picked up the tab for, and then my light rail trip began. And this is where the fun ended. I got mixed messages about whether the train I caught was going to the airport, and it turned out not to be, so I realized I’d have to transfer. Although it became evident that if I’d waited 2-3 more minutes, I would’ve caught the airport train. And halfway through the trip on the train I was on, it got overloaded with Orioles fans who I guess were going home from a game, and it was hellishly noisy and crowded, and I wasn’t comfortable about being on the wrong train. I mean, logically I knew that the right train was behind this one on the same track so I couldn’t possibly miss it, but neurotically, all I knew was Oh my gawd I’m on the wrong train!!  And I was fatigued enough that neurosis won out over logic. I could’ve transferred much earlier, but I checked the MTA website and there was a travel advisory about a power outage on the tracks and the need to take a bus from a certain station, so I wanted to wait to transfer at that station just in case the problem was still around. And once the gaggle of fans boarded, I had to wait until the crowd thinned anyway. But once I finally got on the right train, it was so very empty compared to the one I’d been on. Oh, if only I’d waited those 2-3 minutes more! To add insult to injury, midway through the ride I discovered that I could access a tracking page on my smartphone which showed me exactly where the trains were. If I’d looked into that before my trip, I could’ve determined in advance which train I wanted.

And then I had to wait in a long line at the airport and do the whole rigmarole of taking everything out of my pockets and storing it in my bags and jacket — only to end up in the expedited line at the end of the process and learn too late that none of that had been necessary at all. You couldn’t have told us sooner, guys? By this point I was tired of spending extravagant prices on food, and my late lunch had been satisfying, so my “supper” consisted of a protein bar I bought at BWI and a smoothie I later bought at the Philly airport. The flight to Philly was uneventful but the taxiing took forever. For some reason, they used a huge plane for such a short hop (although it was going on to Dallas afterward) — it probably seated more people than both my Friday flights combined. The flight from Philly to CVG also took forever to get takeoff clearance, and we hit some bad weather along the way and there were some scary moments of turbulence. I was struck when I looked out the window and realized the flashing wing lights were illuminating a spray of raindrops streaking backward relative to the jet. No, I didn’t see a gremlin on the wing, but there was a moment there when I wouldn’t have been surprised to.

The weather delayed us just enough that I missed the last bus from CVG to downtown Cincy, and I learned that a taxi ride home would cost 42 bucks. So I caught an executive shuttle van for only 22 bucks to get to the bus stop downtown — only to learn at the last moment that I could have arranged a ride all the way home for a few bucks more, but that the driver couldn’t accept any additional payment at that point. Argh. And then it looked like I’d missed the bus I wanted and would have to wait 40 minutes, but then the bus came late, which was a relief. It didn’t get me as close to home as the later bus would’ve, though, so I had to walk a few blocks at night in what isn’t the best neighborhood, which wasn’t fun. By the time I finally got home well after midnight, I was too tired to do anything but shower off the travel sweat and go right to bed.

I decided to fly because I didn’t want to go through the long slog of spending 2 days driving each way and not getting any sleep at motels, and risking drives through terrible weather. But after all this, driving is looking a lot better. At least it’s a lot quieter, giving me a lot of time to think. Which can get boring, but it’s not as harrowing as all this. Maybe I’d have a better memory of the con this year if the trip home hadn’t been so hectic. Also — between buses, planes, and trains, my outgoing trip took over seven hours from home to hotel, and my return trip took over nine hours the other way. The drive to or from Shore Leave is 10-11 hours split over 2 days. So maybe I don’t save so much time by flying after all.

I don’t mean to sound negative. Shore Leave itself was great, and I got a lot out of it this year. It just went by so fast. Maybe next year I should use more restraint in volunteering for panels, so I have more downtime. Although I guess that wouldn’t rule out having most of my panels scheduled on one day.

And who knows? Maybe next year I’ll have more new work to promote and talk about. I certainly hope I will. To that end, though, I should probably get back to work…

Shore Leave 2014 tentative schedule

The official Shore Leave schedule hasn’t gone up on the site yet, but here’s a list of the panels I expect to be on:

FRIDAY 8/1

Comedy of Sci-Fi — 8 PM, Hunt Ballroom

I don’t know if I’m officially on this panel, but I’ve requested it as a chance to talk about my Hub series of comedy novelettes in Analog. Also featuring Aaron Rosenberg, Russ Colchamiro, Peter David, and Lorraine Anderson.

Tor Books : The Year Ahead — 9 PM, Hunt Ballroom

I don’t think I’ll actually be on this panel this time, since I don’t have anything new for Tor yet, but I figure I should mention it anyway, since I’ll at least be around for it. Tor editors Marco Palmieri and Greg Cox will give what’s become their regular preview of next year’s SF/fantasy slate from Tor, which I really wish I were on, but I’m not. Well, maybe next year.

Meet the Pros — 10 PM, Hunt/Valley Corridor

The annual 2-hour mass signing event where all the author guests will be available to autograph whatever you bring or buy.

SATURDAY 8/2

Star Trek Novels: Writing in the Movie Era — 10 AM, Derby Room

Pretty self-explanatory.  I’ll be the only one representing the post-TMP era of Ex Machina, The Darkness Drops Again, and Forgotten History, while the other panelists all represent the post-Final Frontier period: Dayton Ward (In the Name of Honor), Peter David (The Rift), and Greg Cox (the upcoming Foul Deeds Will Rise).

Sixty Years of Godzilla — 11 AM, Hunt Ballroom

Also self-explanatory, and also featuring Greg Cox and myself along with Jeffrey Lang, Andrew Gaska, Bob Greenberger, and Richard C. White. Greg, of course, wrote the novelization of the recent Godzilla movie, while Bob wrote a 2005 nonfiction book about the franchise. I’m there just because I’ve seen and reviewed most of the films within the past couple of years, as Written Worlds followers are aware.

Writing Action Scenes — 4 PM, Concierge Lounge

Something I have some experience with, particularly through Only Superhuman. With myself, Keith R.A. DeCandido, Kirsten Beyer, David Mack, Danielle Ackley-McPhail, and Eric Bakutis.

Series in the Sandbox — 5 PM, Derby Room

This one’s a little harder to explain. It’s basically devoted to single-author or single-team ongoing series in Trek and tie-in literature, with myself (representing Rise of the Federation), Kirsten Beyer (Voyager), the Vanguard/Seekers trio of David Mack, Dayton Ward, and Kevin Dilmore, and Stargate: SG-1/Atlantis novelist Jo Graham.

SUNDAY 8/3

Unfortunately, both the Sunday panels I wanted to be on are too late for me to attend, since I’m flying in and out this year for the first time, and I need to leave in mid-afternoon to get to the airport in time. So I probably won’t be on any panels on Sunday. But I’ll be generally around, and I’ll try to spend an hour in the Author Chimney at the book vendor’s table down below the escalators, so folks can drop by and find me.

And no, I’m not doing a personal Q&A panel this year. I don’t have enough going on this year to justify it, and the couple I did before were not well-attended. But I’ve tried to get on panels that will let me discuss my various works, so those would be the places to ask questions or just generally lavish praise upon me.

If any of this information is changed once the official schedule goes up, I’ll update this article. But there’s not much time to go!

This is my first Shore Leave with a smartphone, and I’m finding it useful for entering my schedule and important notes into. I’ve even entered my panels into the calendar app. It should also help me keep up with e-mail and Internet during the con, and to look up information if I need to (I’ve already got the Shore Leave page and the Baltimore Light Rail schedule bookmarked). And I’m remembering to bring my backup charger pack.

New podcast interview on Trek Mate

The Trek Mate Family Network in the UK has just released a podcast of an interview I did for their “Captain’s Table” feature in which they interview Star Trek prose authors. The discussion covers my Trek work, my Marvel novels and their audio adaptations, and Only Superhuman. You can find it here:

http://www.trekmate.org.uk/ten-forward-captains-table-interview-with-christopher-l-bennett/

 

A really nice STAR TREK: EX MACHINA review!

August 19, 2013 1 comment

This is going back quite a ways, but I just came across this really detailed and thoughtful review of Ex Machina on “The m0vie blog”:

http://them0vieblog.com/2013/08/02/star-trek-ex-machina-by-christopher-l-bennett-review/

It’s hard to pick just one pull quote, so I’ll go with the wrap-up paragraph:

Ex Machina is a worthy and joyful celebration of an esoteric and oft-overlooked period of Star Trek history, at once an ode to a by-gone age and yet a clever modernisation of some of the franchise’s core qualities. It’s a clever and fun debut from Christopher L. Bennett, and one well worth checking out for anybody who likes a bit of social commentary in their Star Trek or even just occasionally wonders what an expanded version of The Motion Picture might look like.

I’m really impressed — the blogger, “Darren,” makes a lot of extrapolations about the motives and reasoning behind my creative choices, which can be a risky thing to do and runs the risk of projecting the reviewer’s own interpretations onto the writer; but in this case the reviewer is largely on the mark (although maybe that’s because I’ve written so much about my thinking in my annotations and such). Although he perceives a stronger connection to The Wrath of Khan than I’d intended.

And…. cue end credits!

Why have I got the Jerry Goldsmith Star Trek theme running through my head?  Because I just wrote the final scene of Star Trek: Department of Temporal Investigations: Forgotten History, and I’m imagining the movie-era Enterprise sailing majestically away from camera and leaping into a prismatic warp flash before the end titles roll.

It’s been a blast writing this novel, because it’s let me revisit the post-TMP era from Ex Machina, and also do my first real in-depth exploration of the 5-year-mission era and the period in between.  It turned out about half pre-TMP and half post-TMP, plus a frame story with Lucsly & Dulmur.  This book will probably be confusing for some people to shelve, since it’s both a Watching the Clock sequel (and prequel) and an Ex Machina sequel (and prequel).  And there’s another series heading that it could sort of fall under too, but that would be telling.  Anyway, this book may hold the record for containing the most things I’ve been wanting to work into a Trek novel, or at least the most eclectic assortment thereof.  Many of which fall under the category of getting to revisit the post-TMP period again.  Although I’ve been just as eager lately to do something in the timeframe of The Animated Series, and while Forgotten History only spends a brief amount of time in that era, it does have a lot of TAS references.

The first draft comes out to 83,600 words, just shy of the maximum 85K I was contracted for.  I think I’ve rarely come so close to a target length.  Of course, I still have revising and polishing to do, which will probably modify the word count.  And I’ve got just under a week to do that.  Hopefully that’ll be time to make two full passes.  I wish I hadn’t slowed down so much in the middle of the writing period, so that I’d have more time now for polishing.  But that’s just the way it always seems to go for me.  Even when I start out as strong as I did on this, with the words just pouring out, sooner or later I lose momentum and go into a down phase where it’s a lot harder to focus and decide what to write.  Usually I get back into an up phase toward the end, because I have to, but it’s been a bit more of a struggle this time, and the really good bursts of writing have been less frequent this month than they were in that first week.  However, I did manage to get more than half the book written within the past 24 days, so maybe slow and steady wins the race.

Oh, hey, I just remembered a minor story point I forgot to work in.  I don’t think it’s urgent, and I’m not sure there’s a place to work it in, but I guess I’ll go take a look.

Workbees!

September 9, 2011 1 comment

I’ve just written a scene in Forgotten History that was a lot of fun to write.  It was an action scene, but the kind of action scene I like, that’s more about clever problem-solving and finding imaginative ways to do things with available physical and technological resources than it is about shooting things.  And all the Mission: Impossible I’ve been watching lately had an influence on it as well.

But a lot of why it was fun is because I got to use workbees!  Workbees are cool.  They’re these little yellow maintenance vehicles — designed by Andrew Probert — that fly around ships in drydock, and they can be connected to grabber sleds or cargo trains or any number of other specialized attachments, like little one-person truck cabs that can be outfitted as various different types of truck.  But in space.  They’re one of those ideas introduced in the brilliantly conceived and designed world of Star Trek: The Motion Picture that unfortunately fell by the wayside in later Trek, even though the production and FX teams loved them and even managed to slip one into the Deep Space Nine main titles.  One of the things I’ve tried to do in my post-TMP fiction — Ex Machina, The Darkness Drops Again, and now this — is to use all those nifty designs and aliens and ideas that were glimpsed in that movie and never again.  One cool thing about getting to return to that milieu is the opportunity to reference things I didn’t get around to using in ExM or TDDA, like the observation lounge glimpsed only in miniature when Spock’s shuttle docked.  Or the workbees, which are just so darn cute.

I also like writing about workbees because I like saying the word “workbees.”  Go ahead.  Try it.  “Workbees.”

Workbees!

Moose!

(Yes, I managed to write a post that has tags for Star Trek, Mission: Impossible, and Freakazoid! all at once.)

 

 

 

 

 

 

Shore Leave stuff

I’m home!  I was going to make a second Shore Leave-related post on Saturday evening, but I still had three panels that day, and since I had pretty low turnout at my solo panel, I figured my news about Only Superhuman and my Trek projects would still be new information for a lot of people there, so I wanted to wait until I’d “debuted” the news a second time before posting it here.  And after I left on Sunday, I went to Cousin Barb’s in the DC area to stay overnight, and we went over to her friend’s house for dinner and a movie (the same friend who cooked us Thanksgiving dinner last year), and then I went to bed early and set out early the next morning and spent the whole lonnnnnngggg day driving home, so I didn’t get to post until now.

Here’s what I had in draft on Saturday night:

Well, my day feels like it’s been more eventful than it looks when I review my activity.  I didn’t go to that many panels — I sat in the audience on a writing-advice panel at 11 and a Star Trek Magazine panel at 1, then had lunch in my room and rested up, then spent half an hour or so talking to Paul Simpson about my 4 PM panel, as well as to Scott Pearson and Marco Palmieri when they showed up.  Then I rehearsed how I planned to talk about Only Superhuman a bit (and I fumbled it in the actual talk), then came the big event, my panel.  Well, big for me.  The audience was fairly small, maybe 8 people or so.  Still, it was fun to get to talk about OS at last, and I even did a dramatic reading of a scene from the book.  (Maybe I should’ve announced that in advance, but I wasn’t sure I’d go through with it.  I should’ve remembered that I’m an inveterate ham given the chance.)  I also revealed some exclusive info about my upcoming Trek projects.

The Only Superhuman news will be in a separate post following this one.  Here’s the Trek news:

Star Trek: Typhon Pact: The Struggle Within has two parallel plotlines, dealing with the least-explored species on both sides of the current political divide in the Trek Lit universe: on the Typhon Pact side, the Kinshaya (a species introduced in passing references in John M. Ford’s classic novel The Final Reflection and only seen to date in Keith R.A. DeCandido’s A Singular Destiny, the novel that introduced the Typhon Pact) and on the side of the expanded Khitomer Alliance, the Talarians from TNG’s “Suddenly Human.”  Most of the other Pact member species will also be featured to some extent.

Star Trek: Forgotten History (or Star Trek: DTI: Forgotten History, as it’s still being billed on the Simon & Schuster sites) is the “origin story” of the Department of Temporal Investigations, a group whose founding date was established in earlier works as 2270.  Naturally, the time-travel exploits of Kirk and the Enterprise are heavily involved in those foundational events.  The main body of the novel begins in 2267, exploring the Starfleet/Federation response to Kirk’s time-travel discoveries, but the bulk of it takes place in the era following Star Trek: The Motion Picture.  Yes, I’m finally getting to revisit the post-TMP timeframe I’ve previously explored in Ex Machina and Mere Anarchy: The Darkness Drops Again, and I’m very pleased about it.  Additionally, the novel has a frame story featuring the 24th-century DTI characters from Watching the Clock — and several of the DTI’s older members, the characters established as having been alive at the time, will play at least small roles in the main body of the story as well.

So to some extent, Forgotten History is both a prequel and a sequel to Watching the Clock, and both a prequel and a sequel to Ex Machina.   Yet I’m taking care to write it as a self-contained tale, something you can follow without having read either prior work.

I didn’t mention this at the con, since I didn’t know it yet, but Simon & Schuster’s site now has publication dates listed for both of these: The Struggle Within is listed for October 4, 2011 (eBook only), and Forgotten History is listed for April 24, 2012 (making it the May book for next year).

Announcing my new STAR TREK projects!

The contracts are signed, so I can now announce the two, yes, two Star Trek tie-in projects I have in the works.

First up is Star Trek: Typhon Pact: The Courage of Conscience.  This is an eBook-exclusive, novella-length epilogue of sorts to the recent Typhon Pact miniseries, focusing on the Next Generation cast.  Among other things, it will feature the Kinshaya, the one member of the Typhon Pact that was not featured in any of the four TP novels (though they were featured in A Singular Destiny, the novel that depicted the birth of the Pact).  This is already listed on Amazon.com under the title Typhon Pact: Civil Disobedience, which was its working title for about a day, but long enough to get into the system, I guess.  Amazon lists an October 2011 publication date, and I can neither confirm nor deny that at this point.

I also have a Trek novel in the works for sometime in 2012 which I think is going to be pretty interesting.  Its working title is Forgotten History, and it’s an original-series novel about Kirk and the Enterprise crew, but it also deals with the origins of the Department of Temporal Investigations.  It’s likely to show up on Amazon.com as Star Trek: Department of Temporal Investigations: Forgotten History, but I don’t know yet whether it will be released under the DTI subtitle or just as a straight-up TOS book.  It’s still being outlined, so I can’t offer any more details yet.

GARGOYLES and the lament of an amateur chronologist

February 26, 2011 7 comments

I was always a big fan of the ’90s animated series Gargoyles, for its intelligent, literate writing, high-quality animation, and superb voice cast, but also for its intricate, well-developed chronology and backstory.  So much of that backstory was revealed through flashbacks over the course of the series that it became confusing to keep track of it all, so I started to assemble a chronology of my own to help me sort out the sequence of events.  I managed to put together my best interpretation of how the show’s timeline fit together, which was great for my own satisfaction; but I also thought that maybe it would be nice to find someplace I could get it posted online so others could share in the results of my efforts.  However, I never got around to doing anything about it.

Recently, I discovered that the Gargoyles comic books by series creator Greg Weisman, which I had heard of a few years back but lost track of, have all been collected in three trade paperbacks, Clan-Building Volumes 1 & 2 and a spinoff title Bad Guys, which were all they got through before the publisher, Slave Labor Graphics, lost the license due to the high fees from Disney.  (Hmm… Disney owns Marvel now… be nice if something could be arranged.)  These comics continue the storylines that Weisman intended to tell had the show continued with his involvement — which it didn’t, since he was uninvolved in the retooled third season, The Goliath Chronicles, except for writing its first episode.  Fandom considers the rest of TGC to be non-canonical, and the comic ignores and contradicts it.

So anyway, I bought the comics, and since this was the “true” continuation of the saga at last, and since it had its own elaborate flashbacks and non-linear storytelling, I opened up my old chronology file and figured out where to put the comics and the events they depicted or mentioned, as best as I was able.  It was a satisfying exercise in problem-solving, as I’ve always found chronologies to be ever since I started compiling a Star Trek chronology way back in the early ’80s.

But then when I got to musing about the possibility of maybe posting it here or offering it to someone else to publish, I realized… there’s an extensive Gargoyles fan community, there’s a Wiki for it, so probably I’m far from the only person to try this.  I decided to check out the GargWiki and see if it had a timeline.

Which it did.

And it has the events of every single episode of the series listed… to the exact day.  Thanks to dating information provided by Weisman himself.  And it turns out I was wrong about a lot of my assumptions, though I got some things right.

I guess I should be glad to have such detailed, authoritative chronological info available.  But I went to so much trouble to put mine together, and now it feels like a wasted effort.  I didn’t have to do my own problem-solving because the show’s creator already had it all worked out to the day.

Well, I’ll get over it.  It’s certainly impressive that Weisman has worked it all out in such detail and provided that information to the audience.  And I still enjoyed the mental exercise of putting my version together, not to mention the pleasure of doing the historical research and discovering just how solidly grounded in real history the show was (notably portraying a far more historically accurate Macbeth than Shakespeare did).  And that should be satisfaction enough even without some more public payoff for my work.

Careful attention to chronology seems to be a trademark of Greg Weisman’s shows.  The Spectacular Spider-Man maintained a conscientious progression through the school year, with the first season being fall and the second being winter.  Most TV shows only feature winter weather when it’s a plot point, but here it was included as a background element throughout the season, and there was a clear progression of dates through the series from the start of school to Halloween to Thanksgiving to Christmas to New Year’s.  And in Weisman’s current Young Justice, every scene of every episode has a date given onscreen, although there was an error in the third episode (the 2-part pilot was on July 4-5, but the next episode’s captions erroneously said “June”).  It seems he takes great care to work out exactly when every episode happens.

And I can certainly identify with that, because I do the same with my novels — I work out every scene to the day.  Partly just because I’m a chronologist at heart, but also because when I wrote Star Trek: Ex Machina, I accidentally introduced a major chronological error, a scene that had to be simultaneously two days after a earlier scene and immediately after it, because I lost track of the relationship of my story threads.  I fixed it in the second draft, but ever since, I’ve maintained careful timelines for every book so it doesn’t happen again.

But now I’m starting to wonder if posting detailed online annotations about my fiction may be taking the fun out of it for people like me who prefer to do their own research and timeline-solving.  Well, I guess they don’t have to read my notes.

Chronological order?

September 16, 2010 1 comment

I’ve just finished rereading my two Marvel Comics novels (the ones I wrote, that is, X-Men: Watchers on the Walls and Spider-Man: Drowned in Thunder), and I realized that for some reason I like to reread them a lot more than I do my Trek fiction.  Maybe because I’ve usually got a new Trek project in the works and that holds my attention.  Anyway, I’ve been giving some thought to rereading my Trek stuff, just to keep my memory fresh about it, and I thought it might be nice to read it all in chronological order.  So I thought I’d put together a list of the chronological order for my fiction (going by the main portion of the work as opposed to any flashbacks or prologues or what-have-you).  And I figured I’d kill two birds with one stone if I made the list here, since I haven’t done much posting lately.

So here goes, the chronological order of all published Star Trek fiction by Christopher L. Bennett, based on the assumptions I make in my own chronology, and numbered in the order they were published:

  • 6: TOS: “As Others See Us”: August 2269
  • 3: TOS: Ex Machina: October-November 2273
  • 7: TOS: Mere Anarchy: The Darkness Drops Again: January 2274; November 2279; December 2282; September 2283
  • 8: TNG: The Buried Age: May-August 2355; October 2358-May 2360; June 2363-January 2364
  • 9: TNG: “Friends With the Sparrows”: October-November 2371
  • 2: DS9: “Lov’d I Not Honor More”: January 2374
  • 10: VGR: Places of Exile: January-February 2374; August-November 2374; June-September 2375; February 2376 (alternate timeline)
  • 4: VGR: “Brief Candle”: February 2376
  • 1:  SCE: Aftermath: August 2376
  • 12: TTN: “Empathy”: October 2376 (Mirror Universe)
  • 5: TTN: Orion’s Hounds: February-March 2380
  • 11: TNG: Greater Than the Sum: September 2380-January 2381
  • 13: TTN: Over a Torrent Sea: (Prologue) February-April 2381; (body) July-August 2381

I didn’t include Seek a Newer World because it hasn’t been published and I can’t know how it might change if it ever does get the go-ahead; however, the version I wrote is set in October-December 2258, which would put it at the beginning of the list.  As for DTI: Watching the Clock, I don’t want to give too much away yet, but the main portion of the narrative takes place overlapping and after Over a Torrent Sea, in 2381-82.

So the most recent thing I’ve had published is also the most recent chronologically, and that will still be true once DTI comes out.  However, if SaNW had come out on schedule, then my most recent published work would’ve been set the earliest.

Some interesting patterns there.  I’ve got a block of three works, from #7 to #9, where the writing order and chronological order match up.  Moreover, of the first three things I wrote, each took place earlier than the last, and everything from #6 to #11 was moving forward chronologically.

In the coincidence department, my chronology lists Places of Exile as starting two days before “Lov’d I Not Honor More” begins and ending two days after “Brief Candle” ends.  Other than that, the shortest gap between two works set in the same timeline is between GTTS and OaTS, with only seven weeks separating them.  To date, I have no overlaps between works set in the same timeline, but that will change when DTI comes out.

So am I going to reread all my stuff?  I don’t know.  If so, probably not all in one clump.  But if anyone out there wants to read it all in chronological order, there’s your reading list.

How many words? (UPDATED)

Today in a thread on the TrekBBS, someone asked my colleague David Mack whether his published word count to date had topped one million words.  That got me wondering how many words I’ve gotten published (i.e. stuff I’ve been paid for).   It might also just be useful for my future reference to have a list of all my word counts.  So here goes:

ORIGINAL FICTION

  • “Aggravated Vehicular Genocide”: 12,000 words
  • “Among the Wild Cybers of Cybele”: 9400
  • “The Hub of the Matter”: 9300
  • “The Weight of Silence”: 7600
  • “No Dominion” (upcoming): 7900
  • “Home is Where the Hub Is” (upcoming): 9800

Total original fiction count: 56,000 words

MARVEL NOVELS

  • X-Men: Watchers on the Walls: 83,500
  • Spider-Man: Drowned in Thunder:  71,000

Total Marvel novel count: 154,500 words

STAR TREK NOVELS

  • Ex Machina: 110,000
  • Orion’s Hounds: 105,000
  • The Buried Age: 132,000
  • Places of Exile: 55,000
  • Greater Than the Sum: 78,500
  • Over a Torrent Sea: 89,000
  • Seek a Newer World (sold but unpublished): 82,000

Total ST novel count: 651,500 words

STAR TREK SHORT FICTION

  • “Aftermath”: 26,000
  • “…Lov’d I Not Honor More “: 12,000
  • “Brief Candle”: 9800
  • “As Others See Us”: 9100
  • Mere Anarchy: “The Darkness Drops Again”: 28,900
  • “Friends With the Sparrows”: 10,300
  • “Empathy”: 11,000

Total ST short fiction count: 107,100 words

STAR TREK MAGAZINE ARTICLES

  • “Points of Contention”: 1040
  • “Catsuits are Irrelevant”: 1250
  • “Top 10 Villains #8: Shinzon”: 820
  • “Almost a Completely New Enterprise”: 800
  • “The Remaking of Star Trek“: 1350

Total article count: 5260 words

All told:

  • Novels: 806,000 words (724,000 to date)
  • Short fiction: 163,100 words (145,400 to date)

Total fiction: 969,100 words (869,400 to date)

Add in nonfiction and the total goes to 974,360 words sold,  874,660 published to date.  Include everything but Seek a Newer World and I’ll have at least 892,360 words in print by the end of the year, probably more.

So I’m within 110,000 words of my million-word mark.  As it happens, I’m aiming for 100K with my Star Trek DTI novel, and I have stories on the market that could add another 12K if they sell.  So there’s a very good chance that DTI could put me over the top.

EDITED TO ADD: What about breakdowns by word count?  It comes out to 9 novels (over 40,000 words), 2 novellas (over 17,500 wds), 11 novelettes (over 7,500 words), and 0 short stories.  I guess “The Weight of Silence” is right on the borderline, though; the magazine it appears in, Alternative Coordinates, technically has a cutoff of 7,500 words, but I guess it’s not absolutely rigid.  So TWoS might end up being classed as a short story in bibliographies, if anyone considers it worth cataloguing.  The two stories I currently have on the market are both short stories, at 6900 words and 5200 words.  Another I’ve been shopping lately is 4200 words, but a recent rejection letter suggests that the opening could use some revisions which might add to that.  (I’ve been trying to produce shorter fiction lately because there are more markets for shorter works.)

Autographed books — New sale prices!

February 18, 2010 7 comments

I’m dropping prices once again, but I feel this is as low as I can reasonably go and still get any decent return on this.

You can buy these books from me through PayPal (via the “Send Money” tag with payments to clbennett@fuse.net, or simply use the PayPal button on my homepage) for the prices listed below.  Please use the PayPal “instructions to merchant” option (or e-mail me) to let me know which book(s) you’re ordering, provide your shipping address, and let me know if you want the book(s) inscribed to anyone in particular (or not autographed at all, as the case may be).

Mass-market paperback novels: All now $5 each

  • Star Trek: Ex Machina (15 12 copies)
  • Star Trek The Next Generation: Greater Than the Sum (13 copies)
  • Star Trek Titan: Over a Torrent Sea (13 12 copies)
  • Spider-Man: Drowned in Thunder (20 17 copies)

Trade paperback collections: All now $10 each

  • Star Trek  Deep Space Nine: Prophecy and Change (5 4 copies)
  • Star Trek Voyager: Distant Shores (8 7 copies)
  • Star Trek: Constellations (6 copies)
  • Star Trek The Next Generation: The Sky’s the Limit (8 7 copies)
  • Star Trek Myriad Universes: Infinity’s Prism (contains Places of Exile) (4 3 copies)
  • Star Trek Mirror Universe: Shards and Shadows (7 copies)
  • Star Trek: Mere Anarchy (contains “The Darkness Drops Again” (6 4 copies)

I’ll try to keep this list updated with regard to availability, but if you have doubts, query first. For buyers in the US, postage is $2 if you buy only one mass-market paperback, free for trade paperbacks or larger orders.  For buyers outside the US, pay the book price and I’ll bill you for postage separately once I determine the amount.

Autographed books ON sale

January 28, 2010 4 comments

Note: Prices have been changed again.  See new post.

The response to my book sale has been underwhelming (though I’m very grateful for what response I’ve gotten so far — you know who you are), and I really, really need to make some money, so I’m cutting prices on my books.

You can buy them from me through PayPal (via the “Send Money” tag with payments to clbennett@fuse.net, or simply use the PayPal button on my homepage) for the prices listed below.  Please use the PayPal “instructions to merchant” option (or e-mail me) to let me know which book(s) you’re ordering, provide your shipping address, and let me know if you want the book(s) inscribed to anyone in particular (or not autographed at all, as the case may be).

Here are the books I have available, their quantities, and the sale price per copy, which is 25% off the cover price (in US dollars) except where otherwise noted:

Mass-market paperback novels

  • Star Trek: Ex Machina (15 13 copies): $5.25
  • Star Trek The Next Generation: Greater Than the Sum (13 copies): $6
  • Star Trek Titan: Over a Torrent Sea (13 copies): $6
  • Spider-Man: Drowned in Thunder (20 18 copies): $5.25 Over 1/3 off!

Trade paperback collections

  • Star Trek  Deep Space Nine: Prophecy and Change (5 copies): $10.50
  • Star Trek Voyager: Distant Shores (8 7 copies): $10.50
  • Star Trek: Constellations (6 copies): $11.25
  • Star Trek The Next Generation: The Sky’s the Limit (8 7 copies): $12
  • Star Trek Myriad Universes: Infinity’s Prism (4 3 copies): $12
  • Star Trek Mirror Universe: Shards and Shadows (7 copies): $12
  • Star Trek: Mere Anarchy (6 5 copies): $12

I’ll try to keep this list updated with regard to availability, but if you have doubts, query first. For buyers in the US, postage is $2 if you buy only one mass-market paperback, free for trade paperbacks or larger orders.  For buyers outside the US, pay the book price and I’ll bill you for postage separately once I determine the amount.  I’m dropping the extra credit-card fee for PayPal payments, but I’d still appreciate it if you could pay through your own PayPal account, if applicable.