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Posts Tagged ‘GraphicAudio’

Where things stand with my writing

October 16, 2021 3 comments

Well, the good news is, I’ve now been paid for the concluding volume of the Tangent Knights trilogy. It was cutting it a bit close, which is my own fault for running behind, but the money’s in the bank at last. Also, with TK done, I had time to finally finish revising a couple more Star Trek Adventures standalone games, and I’m awaiting approval and payment on those. So I daresay I’m probably okay for the next half-year or so now, barring disasters.

Things are still a bit iffy going forward, though. I’ve already pitched an idea for more Tangent Knights novels, and I’ve got a couple of new things tentatively lined up with Star Trek Adventures, all of which I’m waiting to hear back on. I expect my projects with both publishers to go forward, but I’m not sure when they’d be likely to pay out. So my long-term prospects are a little uncertain right now, but at least I have time to try to line up some additional sources of income to bridge the gap, if it proves necessary.

You’re probably wondering about Star Trek novels. Let’s just say things are up in the air with those right now, and I’ve learned over the past few years that it was unwise to rely too heavily on them as my primary source of income, given the unexpected delays and slow periods that tend to crop up. So until I hear otherwise, my current priorities are elsewhere — Tangent, STA, my other original work as time allows, and whatever else I can line up over the months ahead. Ideally, I hope to find the time to start writing a third Arachne novel.

Gaining more Patreon subscribers would certainly help. I fell behind on preparing new Patreon content while I was writing TK3, but I’ve been trying to catch up. I’m currently 3/4 of the way through a review of the 8-episode Japanese miniseries Miss Sherlock, which reinvents Sherlock Holmes and Dr. Watson as modern-day women in Tokyo. After that, starting on October 26, I’ll begin covering the mindbending 1998 cyberpunk anime series Serial Experiments Lain, in an edited repost of the detailed reviews I wrote in 2009 for a now-defunct incarnation of the ExIsle BBS, so they probably no longer exist online in their original form. That will carry my review series through to the end of the year, so I’ll hopefully have time to rebuild my inventory.

I’m also working on a new Patreon story that I hope to have ready by the end of October. It’s a character vignette (well, longer than a vignette) filling in a significant bit of overlooked backstory for one of my favorite characters from Arachne’s Crime. Some of it might find its way into the third Arachne novel if I ever get around to it, or at least it might help me flesh out ideas for that book.

Also, I now have an author copy of Tangent Knights 1: Caprice of Fate, so I’ll finally be able to do annotations, which I was waiting to do until I could hear the final version and get the timings for my notes. I want to get the Patreon story finished up before I tackle that, though.

I also have a new Troubleshooter story that I’ve been trying to sell, but a couple of the markets I was hoping to offer it to have dried up recently. If I run out of other options, it’ll end up on Patreon.

I’m wrestling with an idea for what might be a new Hub story. It’s a concept I’ve had in mind for years, a fairly dark comedy premise. I already tried writing it once as a standalone story, but I wasn’t satisfied with the result; it turned out less comedic than I intended. I have an idea for how to take another stab at the concept in the Hub setting, but I’m not sure if the plot specifics can really work there. So that’s still up in the air.

I keep a list taped to my door of the projects I plan to tackle in a given year, and I usually end up disappointed by how few of them I actually get done. I suppose it’s not as bad as it looks, though, since I got most of the biggest things done, except for Arachne 3. The things I haven’t checked off are mostly outlines or tentative short story ideas. My problem is that it’s hard for me to focus on more than one thing at a time. If I were better at multitasking, I could get some of these smaller things done during breaks in the bigger things. But it’s hard for me to split my focus that way. Indeed, part of why I was late with TK3 is because I took a break from it to finish an STA game and it took longer than intended. But then, almost all my writing takes longer than intended.

Maybe I’d do better if I were more financially secure and less stressed. I’m somewhat better off in that regard than I was last year, thanks to GraphicAudio and Tangent Knights. But it’s not as much of an improvement as I’d hoped for, due to various delays. So I’m hanging on, but the long-term uncertainty remains.

New Patreon fiction: “What Slender Threads”

Sorry it’s been a while since I posted a new story on my Patreon. I fell behind schedule on the conclusion of the Tangent Knights trilogy, so I tried to focus solely on that. But now I’ve finally posted a new story, “What Slender Threads,” which you can read here on the $10/mo Fiction tier:

Fiction: “What Slender Threads”

The annotations for the story are also up at the $12/mo Behind the Scenes tier:

“What Slender Threads” Annotations

I say “new,” but it’s more like “unsold.” As I mentioned on the Tangent Knights discussion page, I already had a rough idea for a trilogy I was planning to develop when GraphicAudio invited me to pitch an original trilogy or series, but I had to rework it to separate out the characters and concepts I’d already used in a prologue story I was shopping around at the time, splitting different aspects of the original premise into two separate continuities and two distinct approaches to the idea of parallel Earths. “What Slender Threads” is that story, a glimpse at my original approach, which would have been somewhat darker and more tragic than Tangent Knights turned out to be. In retrospect, I’m glad I ended up taking a different tack, because TK was enormous fun to write. But there are still aspects of “What Slender Threads” that I’m eager to share with my audience, particularly its distinctive take on the nature of parallel worlds. And people who’ve listened to Tangent Knights: Caprice of Fate might be interested to compare and contrast it with this alternative version of the concept (or vice versa).

How to find TANGENT KNIGHTS: CAPRICE OF FATE on Goodreads

It’s just come to my attention that the Goodreads page for Tangent Knights 1: Caprice of Fate is hard to find for people who want to leave ratings and reviews. Apparently it only shows up in my list of books on my Author Profile if you sort by title, not by other sorting methods. I’m not sure why that is, but maybe it’ll get more notice once it starts getting some ratings. To that end, here’s a direct link to its page on Goodreads, under Caprice of Fate (Tangent Knights #1):

https://www.goodreads.com/book/show/59026840-caprice-of-fate

 

Meanwhile, I’m in the final stages of polishing my draft of the Book 3 manuscript and will be turning it in any day now, completing the trilogy — although I’m hopeful that the series will continue beyond it. I haven’t updated my blog in a month because I’ve been so focused on getting it finished. In contrast to the first book, where I finished well ahead of schedule, I had a harder time with this one, since the storyline has grown substantially in complexity and scope, and I had to make sure all its threads came together properly and were worthy of the grand finale. So I fell well behind schedule and really had to buckle down to catch up. I ended up running a few weeks late, but the folks at GraphicAudio have been very understanding, giving me the time I needed to get it (hopefully) right.

Wasp update

After getting stung by a wasp in my car trunk a couple of weeks ago, I wasn’t sure what to do about it. Should I risk dealing with it myself or call an exterminator? I looked online for solutions, and one suggestion was to put a hunk of dry ice in the car and let the carbon dioxide smother the moths overnight. But I’d have to drive somewhere to get dry ice, so that was a Catch-22 of sorts.

It occurred to me that maybe the building maintenance people would have experience dealing with wasp nests and might be able to help me out, or at least recommend an exterminator. But when I asked the building manager, the only advice I got was to buy some wasp spray from the store, since an exterminator would be expensive. Eventually I decided to go ahead and try that, getting it when I walked to the store to get groceries. I was uneasy about all the warnings on the can about how toxic it was and how to avoid letting it get into the drains or on my clothes or skin, but I couldn’t see another option. Anything more environmentally friendly would require searching farther afield, which would require driving.

I had to wait for the right time to use it, though. It had to be early in the morning before the wasps were active, and it had to be on a day without rain in the forecast, since my car was parked fairly close to a storm drain. When the day came, I followed online advice and bundled up to cover my skin as much as possible — a turtleneck and buttoned-up jacket to protect my arms and throat (since getting stung in the throat area and having an allergic reaction could close off the windpipe, apparently), bike straps around my pant cuffs (they recommended boots, but I don’t have any), heavy gloves, a wool hat over my ears, and of course my glasses and a mask. Fortunately it was a cool morning.

The wool hat, by the way, is a gift GraphicAudio sent me after hiring me to write Tangent Knights for them. They sent it last winter, and it was very handy, since it often got cold in my apartment overnight.

I also took the long wooden bar that I’d used to knock away the nest the first time, using it to pry open the trunk from a distance. I spotted the nest after a moment; it was in a different place than before, a bit lower and attached to the body of the car rather than the trunk lid. Making sure the wind wasn’t blowing toward me, I sprayed it liberally with the spray, which was a thick white liquid, not the kind of bug spray I’m used to. I fear that I probably used rather more of it than I needed, since I wanted to make really sure. Once I saw no more wasp activity around the nest, I sprayed other areas around the rim of the trunk and a bit in the wheel wells, and even squirted a bit behind the side mirrors, since I’d seen a wasp crawl into the left mirror cowling (or whatever it’s called) some weeks before.

Then I walked away, since the instructions said to let it sit for at least 24 hours until the poison killed the queen and any returning wasps.  I was concerned that I’d left a significant puddle of the liquid on the pavement behind the car, but I really didn’t know what to do about it; I wasn’t supposed to wash it away or let it go down the drain, and I didn’t know how I could safely clean it up by any other means. The instructions said just to let it sit for a day, and I hoped that meant it would just break down naturally in the environment, and that any animals would avoid it. My car wasn’t parked very close to the building or to other cars, so I hoped it would be okay.

When I got up the next morning, there was light rain earlier than had been predicted, which was of some concern, but I hoped enough time had probably passed for the spray to break down or whatever it did. When I went to the car, though, not only did I see no trace of the puddle, but there was no residue of the liquid anywhere on the car where I’d sprayed it. I’d expected dried encrustations or something, but there was nothing at all. I don’t think the rain that morning was heavy enough to account for that, so I figure it must have evaporated on its own, hopefully well before the rain came.

Anyway, I took the same precautions as the day before, just in case, and pried open the trunk to get rid of the nest. I wasn’t pleased to see that there was still one live wasp on the nest, but it was sluggish and I didn’t see any others. I used the wooden bar to deal with it and scrape off the nest, along with a couple of what looked like eggs stuck next to where the nest had been. Then I used my long-handled ice scraper to try to scrape away any residue of anything around the rest of the trunk, and then I applied a little more wasp spray to various crevices just to play it safe, then walked away for another day — actually a couple of days, as it turned out, since there was more rain the next day.

When I checked back again, I saw no sign of wasps, but I wanted to reduce the chances of a recurrence. So I drove up to the local gas station and used the window-cleaning squeegee and paper towels provided there to try to clean out all the accumulated plant matter around the edges of the trunk under the lid, to make it less inviting as a wasp habitat. (I probably should go to a proper car wash, but I didn’t feel ambitious enough to try that.) And when I came back, I parked in the front lot of the building rather than the rear, in hopes of altering as many variables as possible to prevent a recurrence.

Yesterday I drove to pick up groceries again, still bundling up in my jacket and wool hat just in case, but I saw no wasps around the car even though it was quite warm, so that’s a good sign. (I took off the jacket and hat once I got in the car.) Still, just to play it extra-safe, I asked the clerk to put the groceries in the back seat instead of the trunk. And when I got home (still parking in the front lot, even though that’s a longer schlep for the groceries), I found it’s actually a little easier to collect grocery bags from the back seat than from the trunk. So I may do that regularly from now on, even without wasps to worry about. Maybe some good came of this after all.

I wish I’d at least avoided being stung, though.

TANGENT KNIGHTS discussion page now up

I’ve just published a discussion page here on Written Worlds for my new Tangent Knights audiobook series, starting with Book 1, Caprice of Fate:

Tangent Knights

It includes non-spoiler discussion of my creative process and inspirations behind the series. Even though it’s a pastiche of Japanese tokusatsu superhero shows, I built it largely by cannibalizing and remixing elements from some old superhero concepts I shelved decades ago.

I don’t yet know when I might have spoiler annotations up, since I’m busy writing Book 3, and I don’t yet have a copy of the finished audio to refer to. Stay tuned.

TANGENT KNIGHTS 1: CAPRICE OF FATE is out today!

Today’s the day! The first book in my brand-new, original audiobook series Tangent Knights is now on sale from GraphicAudio, for an introductory price of just $4.99 if you buy digital!

https://www.graphicaudio.net/tangent-knights-1-caprice-of-fate.html

GraphicAudio introduces a spectacular original Super-heroic Action Series available in no other format!

In the year 2046, on the artificial-island arcology of New Avalon, Corazón “Cory” Kagami is a bright but impulsive college student who follows her passions, resisting the will of her mother, Morgan Herrera, head of a tech conglomerate responsible for astonishing breakthroughs. Morgan controls Catchfire Industries, and is effectively the ruler of New Avalon through her near-monopoly of its technology and through the numerous government officials she keeps in her pocket.

In a world where communication with parallel Tangent Earths has brought a disruptive influx of new beliefs and scientific innovation, Morgan promotes a strong defense against threats from within and beyond this world, developing advanced personal armor and weaponry for her cyborg peacekeeping team Fireforce.

When Cory is accidentally empowered with the most advanced armor system yet, Morgan tries to renew her bond with her daughter and train her to be a hero, a decision she may come to regret. Cory Kagami, a fan of Japanese tokusatsu action entertainment, has her own ideas about what it means to be a hero.

© & ℗ 2021 Graphic Audio, LLC. All rights reserved.

Like I said last month, Tangent Knights is my attempt to do for Japanese tokusatsu superheroes (e.g. Kamen Rider, Super Sentai/Power Rangers, and Ultraman) what I did for Western-style comic-book superheroes in Only Superhuman, capturing the colorful, fanciful fun and adventure while grounding it in plausible science and characterizations. Unlike Only Superhuman, it’s aimed at a general audience, age 13-up. I’ve had enormous fun writing it, and the folks at GraphicAudio have been great to work with.

And there’s plenty more to come! I’m currently in the middle of writing a huge, epic action sequence for Book 3, which is also the scene where the deep, shocking secret underlying all the events of the series so far is finally revealed. And I’m still only in the first half of the book!

I’ll have more to say about the creative process behind Tangent Knights later, but for now I’ll give folks a chance to hear Caprice of Fate for themselves. At only $4.99 during this introductory period, it’s a great time to get in on the ground floor!

Announcing TANGENT KNIGHTS 1: CAPRICE OF FATE!

That big super-secret project I’ve been hinting about for months has finally been announced!

GraphicAudio introduces a spectacular original Super-heroic Action Series available in no other format!

In the year 2046, on the artificial-island arcology of New Avalon, Corazón “Cory” Kagami is a bright but impulsive college student who follows her passions, resisting the will of her mother, Morgan Herrera, head of a tech conglomerate responsible for astonishing breakthroughs. Morgan controls Catchfire Industries, and is effectively the ruler of New Avalon through her near-monopoly of its technology and through the numerous government officials she keeps in her pocket.

In a world where communication with parallel Tangent Earths has brought a disruptive influx of new beliefs and scientific innovation, Morgan promotes a strong defense against threats from within and beyond this world, developing advanced personal armor and weaponry for her cyborg peacekeeping team Fireforce.

When Cory is accidentally empowered with the most advanced armor system yet, Morgan tries to renew her bond with her daughter and train her to be a hero, a decision she may come to regret. Cory Kagami, a fan of Japanese tokusatsu action entertainment, has her own ideas about what it means to be a hero.

© & ℗ 2021 Graphic Audio, LLC. All rights reserved.

https://www.graphicaudio.net/tangent-knights-1-caprice-of-fate.html

Tangent Knights is an original series which I’ve created and written for GraphicAudio — a trilogy to start, but hopefully ongoing. Like my previous GraphicAudio releases, Only Superhuman and Spider-Man: Drowned in Thunder, it’s a full-cast audio novel with music and sound effects. But while those were adaptations of prose novels, Tangent Knights will be available exclusively in audio form.

Tangent Knights is hard science fiction with a superhero theme, in the spirit of Only Superhuman. Aimed at a general audience (age 13-up), the series is inspired by the transforming armored heroes of Japanese live-action tokusatsu (special effects) series such as Kamen Rider, Super Sentai (the basis for Power Rangers), and Ultraman, embracing not only their distinctive approach to superhero action but their sophisticated story arcs and nuanced characterizations — yet grounding them in (relatively) plausible quantum theory and technological extrapolation, including a fresh approach to parallel-world narratives.

This project has been a life-saver for me, coming along when I was desperately in need of new work and helping to pull me out of the deep financial hole I’ve been in for the past few years. It’s also been one of the most enormously fun things I’ve ever written, as I’ve tried to capture the lively characters, wild action, zany humor, impassioned melodrama, and rich plotting of tokusatsu while keeping it grounded and plausible. It’s been enjoyable to work in a new medium, to learn how to write with sound effects and dialogue subtext cues as an alternative to narration. I’ve also been very self-indulgent, loading the books with in-jokes and homages that toku fans will hopefully recognize, as well as plenty of science fiction worldbuilding and social commentary that I hope will please fans of my previous works. I’m really proud of this one, and I hope people enjoy listening to it as much as I’ve enjoyed writing it.

Tangent Knights 1: Caprice of Fate will be released in CD and digital formats on August 3, 2021, with more to follow. You can hear an excerpt at the link above.

The SPIDER-MAN omnibus is out!

Today is the release date for the e-book edition of Marvel Classic Novels – Spider-Man: The Darkest Hours Omnibus, reprinting my 2008 novel Spider-Man: Drowned in Thunder along with Jim Butcher’s The Darkest Hours and Keith R.A. DeCandido’s Down These Mean Streets.

Collecting three classic fan-favorite Spider-Man novels together for the first time in a brand-new omnibus edition.

THE DARKEST HOURS by Jim Butcher

When Black Cat foils Spider-Man’s attempts to stop the Rhino rampaging through Times Square, she informs him the Rhino is just a distraction. The real threat comes from a group of Ancients, members of the same race as the being called Morlun, seeking revenge for Spider-Man defeating them years before. Spidey must rely on Black Cat if there’s any hope of stopping them again, before they can steal his life force.

DOWN THESE MEAN STREETS by Keith R.A. DeCandido

A mysterious drug known as Triple X has been giving users super-powers as well as rendering them mentally and physically unstable. Only by teaming up with a police force that hates him can Spider-Man find the source behind this lethal drug and protect people from those using it. But one of Spider-Man’s most fearsome enemies may be behind it all as part of a greater scheme to bring down the city.

DROWNED IN THUNDER by Christopher L. Bennett

The ongoing conflict between Spider-Man and his longtime outspoken nemesis, crusading newspaper publisher J. Jonah Jameson, reaches a whole new level when JJJ exploits several mysterious attacks on Manhattan island in his propaganda war against the web-slinger.

As expected, the omnibus contains the three novels in the order listed on the blurb, which is the correct chronological story order, though Keith’s novel was published first. The three books are standalone tales, but they all take place around the same period in the comics’ run, and mine makes brief allusions to the other two.

The trade paperback edition of the omnibus is still a few weeks away; it will be released on June 1st. Here’s the ordering info:

Buy from:

Also, it turns out that the audiobook edition of my other Marvel novel, X-Men: Watchers on the Walls, published by Dreamscape Media and read by Frankie Corzo, has been available digitally since April 26, and will be released on CD June 11.

WatchersAudioCvr

Buy from:

I’m glad to have both my Marvel novels back in release, one way or another. Of course, GraphicAudio’s full-cast audiobook of Drowned in Thunder is also available in a Dreamscape re-release; see my Marvel Fiction page for links.

Face front, true believers!

Cover for the SPIDER-MAN omnibus!

September 29, 2020 3 comments

Last month, I reported that Titan Books would be publishing a reprint omnibus of my 2008 novel Spider-Man: Drowned in Thunder along with Jim Butcher’s The Darkest Hours and Keith R.A. DeCandido’s Down These Mean Streets. The cover art for Marvel Classic Novels – Spider-Man: The Darkest Hours Omnibus has now been released:

The cover art was originally a variant cover to Amazing Spider-Man Vol. 3 issue 19.1 (whatever that means) by the late Justin Ponsor (you can see his signature “J-Po” under Spidey’s left foot), though the background hues are different in the original. It’s a nice dynamic shot of Spidey, and the nighttime setting is a good fit for the “dark” theme of the titles (not that our books were any darker than the comics themselves at the period in which our stories took place).

Once again, here’s the official description and ordering links:

Collecting three classic fan-favorite Spider-Man novels together for the first time in a brand-new omnibus edition.

THE DARKEST HOURS by Jim Butcher

When Black Cat foils Spider-Man’s attempts to stop the Rhino rampaging through Times Square, she informs him the Rhino is just a distraction. The real threat comes from a group of Ancients, members of the same race as the being called Morlun, seeking revenge for Spider-Man defeating them years before. Spidey must rely on Black Cat if there’s any hope of stopping them again, before they can steal his life force.

DOWN THESE MEAN STREETS by Keith R.A. DeCandido

A mysterious drug known as Triple X has been giving users super-powers as well as rendering them mentally and physically unstable. Only by teaming up with a police force that hates him can Spider-Man find the source behind this lethal drug and protect people from those using it. But one of Spider-Man’s most fearsome enemies may be behind it all as part of a greater scheme to bring down the city.

DROWNED IN THUNDER by Christopher L. Bennett

The ongoing conflict between Spider-Man and his longtime outspoken nemesis, crusading newspaper publisher J. Jonah Jameson, reaches a whole new level when JJJ exploits several mysterious attacks on Manhattan island in his propaganda war against the web-slinger.

 

Amazon

Barnes & Noble

Indiebound

Penguin Random House

 

It’ll be out May 11, 2021. I can’t wait!

SPIDER-MAN: DROWNED IN THUNDER is being reprinted at last!

Great news! Titan Books has been doing a series called Marvel Classic Novels, comprising themed omnibus reprints of various past prose novels based on Marvel Comics superheroes. I just learned from Keith R.A. DeCandido that they’re doing one called Marvel Classic Novels – Spider-Man: The Darkest Hours Omnibus, which includes my 2008 novel Spider-Man: Drowned in Thunder along with Jim Butcher’s The Darkest Hours and Keith’s Down These Mean Streets.

No cover yet for the omnibus, but here’s the official description:

Collecting three classic fan-favorite Spider-Man novels together for the first time in a brand-new omnibus edition.

THE DARKEST HOURS by Jim Butcher

When Black Cat foils Spider-Man’s attempts to stop the Rhino rampaging through Times Square, she informs him the Rhino is just a distraction. The real threat comes from a group of Ancients, members of the same race as the being called Morlun, seeking revenge for Spider-Man defeating them years before. Spidey must rely on Black Cat if there’s any hope of stopping them again, before they can steal his life force.

DOWN THESE MEAN STREETS by Keith R.A. DeCandido

A mysterious drug known as Triple X has been giving users super-powers as well as rendering them mentally and physically unstable. Only by teaming up with a police force that hates him can Spider-Man find the source behind this lethal drug and protect people from those using it. But one of Spider-Man’s most fearsome enemies may be behind it all as part of a greater scheme to bring down the city.

DROWNED IN THUNDER by Christopher L. Bennett

The ongoing conflict between Spider-Man and his longtime outspoken nemesis, crusading newspaper publisher J. Jonah Jameson, reaches a whole new level when JJJ exploits several mysterious attacks on Manhattan island in his propaganda war against the web-slinger.

 

Drowned in Thunder was my second Marvel novel after the previous year’s X-Men: Watchers on the Walls, and my last one to date. It’s a book I’m very proud of, so I was disappointed when it turned out to be perhaps my weakest-selling novel, due to lack of promotion. I was pleased when it was re-released in audiobook form in 2013, in a full-cast audio drama adaptation by GraphicAudio, which was declared one of the Best Sci-Fi, Fantasy & Audio Theater Audiobooks of 2013 by AudioFile Magazine. But I always hoped the print edition would be republished someday, and now that’s finally happening.

These three novels are a natural fit for an omnibus, too. Not only are they all from Pocket Star’s mid-2000s Marvel line, but by chance, Keith, Jim, and I all chose to set our books at almost the exact same point in the timeline, between Mary Jane Watson starting a stage career and Spidey joining the Avengers — a period in which Peter and MJ were still married, Peter was teaching science at Midtown High, and Aunt May was aware that Peter was Spider-Man and had become his most ardent supporter. Indeed, I referenced both Keith’s and Jim’s novels in my own, explicitly tying them all together. If they appear in the order listed in the blurb, then they’re in the right chronological sequence too; Down These Mean Streets was actually published first, but The Darkest Hours apparently takes place a bit earlier, judging by the state of MJ’s theatrical career, at least. All in all, it’s looking pretty great.

Unfortunately, it won’t be out until May 2021, but you can preorder it starting now. Here are the ordering links:

Amazon

Barnes & Noble

Indiebound

Penguin Random House

 

With the audiobook also back in print from Dreamscape Media, I’m really glad that Drowned in Thunder is getting a new life. Face front, True Believers!

SPIDER-MAN: DROWNED IN THUNDER re-released!

I’m a bit late in announcing this, but last month, the 2013 GraphicAudio adaptation of my 2008 Marvel novel Spider-Man: Drowned in Thunder was re-released by Dreamscape Media. Apparently Dreamscape struck an audiobook distribution deal with Marvel earlier this year, and it seems that includes the right to republish Marvel audiobooks from other publishers like GraphicAudio. So if you want to buy the DiT audiobook now, Dreamscape is the place to get it, though of course it’s still available on Amazon, B&N, and other online stores as before. Also, Dreamscape is affiliated with the Hoopla digital library that lets you borrow audiobooks and e-books online, so DiT and other Marvel audiobooks are now available for borrowing on that service as well.

Here’s the cover for the new release:

Spider-Man Drowned in Thunder Dreamscape cover

The cover art is a reuse of Mike Deodato, Jr.’s cover to Amazing Spider-Man #520 from July 2005, modified to add rain and lightning in keeping with the original novel and audiobook covers. It’s an appropriate choice chronologically, since Drowned in Thunder is set shortly before that issue, most likely during the “time passing” montage in ASM #515.

Here are the ordering and borrowing links for the new audiobook:

Unfortunately, I don’t earn any new royalties from the re-release, since I wrote the book on a flat-fee contract. But I’m proud of the story, which didn’t sell very well in its paperback release, so I’m glad of anything that brings it to more readers/listeners. Plus the audiobook adaptation is excellent. So go check it out, true believers!

GraphicAudio sale this weekend!

Heads up: GraphicAudio is running a sale this weekend on its comics/superhero-related audiobooks, with 20% off when you buy 2 or more. This sale includes their adaptations of two of my novels, Only Superhuman and Spider-Man: Drowned in Thunder, so that works out nicely. The ordering links are here:

Only Superhuman audiobook  Only Superhuman

Spider-Man: Drowned in Thunder audiobook  Spider-Man: Drowned in Thunder

It looks like OS is only available in digital audio formats, but DiT is still available in a 5-CD box set as well as digitally.

Admittedly, Only Superhuman has never been done in comics (not yet, anyway), but it’s a superhero story and is largely an homage to superhero comics, so GraphicAudio lists it along with their comics titles. Anyway, this is a good time to call new attention to OS, considering that my story collection Among the Wild Cybers: Tales Beyond the Superhuman, featuring the brand-new Only Superhuman prequel story “Aspiring to Be Angels,” is due out later this year.

SPIDER-MAN: DROWNED IN THUNDER makes AudioFile Magazine’s Best of 2013 list!

December 4, 2013 1 comment

The folks at GraphicAudio just sent me some excellent news: AudioFile Magazine listed their audiobook adaptation of Spider-Man: Drowned in Thunder as one of their Best Audiobooks of 2013 in the “Sci-Fi, Fantasy & Audio Theater” category.

Spider-Man: Drowned in Thunder audiobook

The list is here:

http://digital.audiofilemagazine.com/i/215700

It may take a few moments to load, but the entry is on page 11. And here it is at GraphicAudio’s Facebook page.

I’m really pleased by this. I’ve always been proud of Drowned in Thunder, but the paperback didn’t get as much attention as I’d hoped. I’m glad to see the story getting a new lease on life thanks to GraphicAudio, and I hope this attention may eventually lead to Marvel reissuing the book (since Pocket’s license has lapsed by now).

Oh, yeah, that Comic-Con thing

I really ought to post something about New York Comic-Con, but I’ve been too busy or too tired. I’ll try to keep it concise.

I ended up driving after all due to the cost of plane fare after waiting so long to buy tickets. I planned out my route carefully this time, so it went fairly smoothly — but I set out too early on the second day and had a hard time staying alert. I didn’t really feel recovered until after lunch. So on the way back, I think I’ll spend the morning of the second day in the motel just resting, then get a good lunch, then drive the rest of the way home.

I’ve been staying with friend and fellow author Keith R.A. DeCandido, his fiancee, a family friend, several cats, and a large Golden Retriever. I was nervous about the latter, but he’s a friendly dog and I’ve been getting used to having him around. Indeed, there’s something reassuring about knowing a dog that big is sleeping outside your bedroom door, on sentry duty as it were.

The two days I spent at the con are kind of a blur right now, so to sum up: both my signings on Friday went pretty well. The GraphicAudio booth is in a good location and drew a lot of attention from passersby, and we got to sell a number of copies of my audiobooks, along with free copies of the prose books as a bonus — courtesy of Tor in the case of Only Superhuman, plus a few Spider-Man; Drowned in Thunder copies which I provided myself. I was expecting Tor to be offering the paperback, but their giveaway copies (half of which I took over to GA, the rest of which I signed for them to give out at Tor’s booth) were hardcovers instead. I guess that makes sense — they want to use up the stock now that people will mostly be buying the MMPB. But it made it more of a slog to carry them over to the GA booth through the Comic-Con crowd. Anyway, the giveaway copies moved pretty well, I was told. My A Choice of Futures signing at the SImon & Schuster booth went well too; this time people actually came to see me specifically rather than just happening to pass by.

I got to talk with a number of colleagues — Keith, of course, and the GA people, and fellow Trek author Kevin Dilmore, who works for Hallmark and was manning their display. It was nice to catch up with him. Unfortunately my former Trek editor Marco Palmieri, now at Tor, was too busy to talk much. I also had fun meeting Lilly, a friend of Keith’s who’s a professional balloon artist, and who performed at his booth to attract passersby. It’s an interesting craft, improvisational yet requiring a lot of meticulous manual control and precision.

Today I just stayed in and rested while Keith et al. went in to the con. I needed a day of quiet to recover before undertaking the drive home tomorrow. I did go down to the local pizza place for lunch, though, and had an excellent slice of white pizza with spinach.

That’s all for now. Maybe I’ll mention more details later, if any come to mind.

Discussing my superhero novels on Sci-Fi Bulletin

October 7, 2013 1 comment

Sci-Fi Bulletin, a British genre site edited by my former Star Trek Magazine editor Paul Simpson, has just published an essay I wrote for them comparing the writing of Only Superhuman and Spider-Man: Drowned in Thunder, timed to coincide with the release of the OS paperback in the UK. You can read it here:

The Science of Writing Superheroes

Oddly enough, it’s indexed on the site under “Fantasy.” I guess that’s because superheroes are generally treated as a subset of fantasy; my hard-SF approach to the subject seems to be pretty unusual, though as the article points out, sometimes there was more science in Stan Lee and his Marvel cohorts’ creations than you might think.

Only Superhuman MMPB cover    Spider-Man: Drowned in Thunder audiobook

NYCC badges are here!

In my last post, I voiced some concern about whether my New York Comic-Con tickets (or badges, I should call them) would arrive in time. I actually e-mailed their customer service over the weekend to ask about the delay, but I only got a response this morning, telling me that they’d been mailed last week and would arrive “any day now.” And a few hours later, there they both were in the mail. So if I’d just been a little more patient… Oh, well. I got a few extra hours of reassurance out of it.

So now I know I can get into the con, and I registered the badges so they can be replaced if I should lose them, so as long as I don’t have any travel problems, I’m now confident that I’ll be there for my signings on Friday the 11th (GraphicAudio, Booth 838, 11 AM and Simon & Schuster, Booth 1828, 4 PM). I’m still waffling a bit on whether to fly or drive, but I’ll probably fly, since it’s a rather long drive. The main advantage of driving — aside from getting to avoid airport security, which is awfully tempting — is that it’s cheaper. But I got my final advance check for Rise of the Federation: Tower of Babel today, and I have some other work lined up that I can’t talk about yet, so money isn’t particularly tight for me at the moment.

Speaking of tightness, apparently part of the reason NYCC was so unbearably crowded last year was rampant badge counterfeiting and lax security that let lots of people sneak in without badges. That seems to be why badges were in such short supply this year — they’ve really tightened up access. Also they’ve put RFID chips in every badge as a security feature against counterfeiting, hence the online registration. Hopefully this means the crowds will be more manageable this year, but it has put some limits on access. Apparently I’m not the only professional creator who missed their chance to get a pro badge because they ran out prematurely. They should work to refine the system so that doesn’t happen again.

My (tentative) New York Comic-Con schedule

September 25, 2013 1 comment

Well, it’s been a bit of a mess trying to make arrangements for New York Comic-Con, since apparently they didn’t have enough tickets or something. They actually sold out of professional passes prematurely, before I could get one, so I had to buy regular tickets, and all they had left were Thursday and Friday tickets. So I’ll only be in attendance at NYCC on those two days — well, assuming my tickets ever arrive. The paperwork said they’d begin mailing them in mid-September, but I haven’t gotten mine yet. But there’s still two weeks to go, so I’m hopeful.

Anyway, I have two signings tentatively scheduled, both on Friday, October 11.

11 AM, Booth 838: GraphicAudio hosts a combined signing for the Only Superhuman audiobook, which will be on sale at the booth, and the mass-market paperback. which will be a free giveaway. There might be copies of the Spider-Man: Drowned in Thunder audiobook on hand too, though I’m not sure.

Only Superhuman MMPB cover      Only Superhuman audiobook      Spider-Man: Drowned in Thunder audiobook

4 PM, Booth 1828: Simon & Schuster’s booth hosts a Star Trek signing, which was hoped to be a group signing but so far is just me. I assume I’ll be signing copies of Rise of the Federation: A Choice of Futures.

Choice of Futures cover

There won’t be any scheduled event for me at the Tor booth (2223), which is why I’ll be doubling up on the MMPB and audiobook at the GraphicAudio event (and I’m very grateful to the GA folks for accommodating me). But I’ll surely be hanging around the Tor booth for a fair amount of time on Thursday and Friday, and there will be signed copies of Only Superhuman there as giveaways. No doubt I’ll drop by the S&S and GA booths on Thursday as well. Ticket gods willing, that is.

If there are any changes to the schedule, I will of course announce them promptly.

SPIDER-MAN: DROWNED IN THUNDER annotations updated

September 19, 2013 2 comments

Spider-Man: Drowned in Thunder audiobook

I’ve just recently finished listening to my copy of GraphicAudio’s adaptation of Spider-Man: Drowned in Thunder, which was really well-done. Tim Getman did an excellent job as Peter/Spidey, with a voice reminiscent of ’90s animated Spidey Christopher Daniel Barnes and The Spectacular Spider-Man‘s Josh Keaton, and with a good grasp of both Spidey’s wisecracking side and his more angsty, bitter side. Terence Aselford’s Stan Lee-esque J. Jonah Jameson is very different from what I imagined when I wrote the book, but I quickly got used to it and it worked very well. Alyssa Wilmoth, who starred as Emerald Blair in Only Superhuman‘s audio adaptation, played Mary Jane Watson-Parker (the book is set before their marriage was erased from Marvel continuity), and it was interesting to hear how her characterization differed, painting MJ in lighter, subtler strokes than Emry. Lily Beacon was a fantastic Aunt May, reminding me at times of Nichelle Nichols’s voice. The rest of the cast, which has only a few overlaps with the Only Superhuman cast, was effective as well. Here’s the full cast list I was given:

Tim Getman as Spider-Man
Terence Aselford as J. Jonah Jameson
Alyssa Wilmoth as Mary Jane Watson
Lily Beacon as Aunt May
David Jourdan as Electro
KenYatta Rogers as Robbie Robertson
Regen Wilson as Ben Urich and Phineas Mason
Steven Carpenter as Alistaire Smythe
Jeff Allin as Reed Richards
Kimberly Gilbert as Dawn Lukens
Nora Achrati as Marla Jameson and Jill Stacy
Gabriela Fernandez-Coffey as Betty Brant
Mark Halpern as Blush Barrass and Bobby Ribeiro
Ren Kasey as Liz Allan

with Bradley Smith, Joe Brack, Casie Platt, Joel David Santner,
David Harris, Patrick Bussink, Thomas Penny, Christopher Scheeren,
Scott McCormick, Thomas Keegan, and Tim Pabon

Further credits are at the link above.

Anyway, I took notes while I listened so I could update my novel annotations to include the audio edition as well, as I recently did with Only Superhuman. I’ll have to listen again sometime so I can experience it with fewer interruptions. The annotations can be accessed from my Marvel Fiction page here:

http://home.fuse.net/ChristopherLBennett/Marvelfiction.html#DiT

I’m going to be doing a signing at GraphicAudio’s booth at New York Comic-Con next month, probably on Friday Oct. 11, although we’re still sorting out the schedule. I’ll post the info when I can.

 

By the way, while listening to the DiT audiobook so soon after my most recent listen to the OS audiobook, I realized something. Both Only Superhuman and Drowned in Thunder have scenes where an elderly female relative of the protagonist gives a speech that explains the thematic significance behind the novel’s title and contains a paraphrase thereof. I didn’t realize I was repeating that trope. Well, it’s surely not the only trope I’ve repeated in my career.

GraphicAudio podcast is now up!

The interview I did for GraphicAudio’s “All in Your Mind” newsletter/podcast is now available. I had a nice chat with directors Richard Rohan and Nanette Savard about Only Superhuman, Spider-Man: Drowned in Thunder, my work in general, and other stuff, running a bit under 40 minutes.

Here’s the direct link:

And if that doesn’t work, there’s also an MP3 link:

ONLY SUPERHUMAN paperbacks are here!

Look what just got delivered to my door:

Only Superhuman MMPBs

It looks good. I’m a bit surprised that the spine is still green, since I’ve gotten used to the brown background of the front cover.

The books officially go on sale tomorrow (8/27), so there may be some on bookstore shelves even now.

And now that I have my copies of the MMPB, I’ll be able to double-check the page numbering and go live with my expanded annotations, which will encompass the hardcover, paperback, and audiobook editions of OS. There are a few minor textual adjustments, meaning that the paperback is now slightly more final and authoritative than the hardcover (although we’re talking, like, three single-word factual errors corrected, a missing number in the appendix restored, and a couple of typos fixed).

Here are some ordering links:

Macmillan

Amazon

Barnes & Noble

And here’s the link for the audiobook:

GraphicAudio

I do hope the book performs well in MMPB. I always felt it was more a paperback sort of tale anyway.

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