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Posts Tagged ‘Marvel’

SPIDER-MAN: DROWNED IN THUNDER re-released!

I’m a bit late in announcing this, but last month, the 2013 GraphicAudio adaptation of my 2008 Marvel novel Spider-Man: Drowned in Thunder was re-released by Dreamscape Media. Apparently Dreamscape struck an audiobook distribution deal with Marvel earlier this year, and it seems that includes the right to republish Marvel audiobooks from other publishers like GraphicAudio. So if you want to buy the DiT audiobook now, Dreamscape is the place to get it, though of course it’s still available on Amazon, B&N, and other online stores as before. Also, Dreamscape is affiliated with the Hoopla digital library that lets you borrow audiobooks and e-books online, so DiT and other Marvel audiobooks are now available for borrowing on that service as well.

Here’s the cover for the new release:

Spider-Man Drowned in Thunder Dreamscape cover

The cover art is a reuse of Mike Deodato, Jr.’s cover to Amazing Spider-Man #520 from July 2005, modified to add rain and lightning in keeping with the original novel and audiobook covers. It’s an appropriate choice chronologically, since Drowned in Thunder is set shortly before that issue, most likely during the “time passing” montage in ASM #515.

Here are the ordering and borrowing links for the new audiobook:

Unfortunately, I don’t earn any new royalties from the re-release, since I wrote the book on a flat-fee contract. But I’m proud of the story, which didn’t sell very well in its paperback release, so I’m glad of anything that brings it to more readers/listeners. Plus the audiobook adaptation is excellent. So go check it out, true believers!

SPIDER-MAN: FAR FROM HOME thoughts (spoilers)

I finally saw Spider-Man: Far from Home yesterday, and as with Homecoming, I liked it up to a point but didn’t love it. It’s a bit problematical as a Spider-Man movie, because it’s so heavily rooted in dealing with the aftermath of Avengers: Endgame and the larger status quo of the MCU and Tony Stark’s legacy, so it’s more about using Peter Parker/Spider-Man to tell that story than it really is about telling a Spider-Man story.

I mean, sure, it tries to stay focused on Peter’s romantic pursuit of Michelle — sorry, “MJ” — and his travails with his classmates, evoking the classic formula where his duties as Spider-Man constantly get in the way of his personal life. But as I said in the Homecoming review, I don’t understand the movies’ love for putting Spidey back in high school, and I’m not a fan of the teen-comedy vibe these movies go for. I found most of the humor here clunky and mediocre, or a bit forced when it came to the antics of the teachers. And the romantic plot was pretty much totally devoid of tension or suspense, because it was pretty obvious that MJ was into Peter too and wasn’t into Brad, and it was less a question of “Can our hero overcome obstacles to win the girl of his dreams?” as “When will our hero catch on that she’s already chasing him?” — with the only obstacle being his own slowness on the uptake. Not that I can’t sympathize with that. In high school and college, I squandered at least two chances at romance because I was too dense to tell when I was being flirted with. But in this case, it felt like a foregone conclusion, so Peter’s anxiety about the outcome didn’t resonate.

There was an interesting premise in terms of Peter’s desire to be just a Friendly Neighborhood Spider-Man, a street-level hero, and to resist the pressures to fill Tony Stark’s shoes and take on global responsibilities he’s not ready for. And the movie did make pretty good use of Quentin Beck/Mysterio, doing a variation on his debut storyline of (spoiler alert) introducing himself as a hero and turning out to be a special-effects fraud, in a way that tied very cleverly into the larger MCU narrative. I guessed well in advance that the “Elementals” were a trick — anyone who’s seen more than zero previous Mysterio stories would see that coming — but I was totally unable to guess his real purpose and motives, and while the scene that finally explained it was a bit too stiltedly expository, the revelation of who Mysterio and his team were and why they were pulling this scam — basically that they were the Tony Stark Revenge Squad, so to speak — was totally surprising and totally effective, and bringing back a bit player from Iron Man as a core team member was a nifty touch, as was retconning Tony’s holotechnology from Civil War as Beck’s co-opted invention.

I also really liked the visualization of Mysterio’s illusions, the constantly shifting, surreal, dreamlike quality. It reminded me of something from the classic ’90s animated Spider-Man series, though I checked, and their own Mysterio episode didn’t have that kind of imagery; maybe I’m thinking of a dream sequence from another episode. In any case, it was quite visually striking.

Unfortunately, the central MacGuffin around which the plot revolves is where the movie failed to earn my suspension of disbelief. The EDITH system is just far too powerful and destructive a thing for Tony Stark to leave to a high school kid, no matter how much he trusts him. Back in Homecoming, we saw that Tony equipped Spidey’s suit with a ton of “training wheels” limitations that wouldn’t unlock until he’d proved himself responsible enough to use them. The lack of any such precautions on EDITH is contradictory and out of character. Even granted that Peter’s earned Stark’s trust by now, you just do not build a highly lethal automated weapon system without putting in a ton of failsafes and redundant authentication checks. You don’t build it so completely devoid of safeguards that it almost kills a teenager because of a verbal misunderstanding. You don’t build a system that treats maximum lethality as its default setting in the absence of clarity. Tony Stark was famously irresponsible, sure, but not this irresponsible, not this reckless and cavalier about technology of this level of lethality. The whole EDITH concept was just bad plotting, a ludicrous and poorly thought out notion that pulled me out of the film.

Maybe it could’ve been better if EDITH hadn’t been so lethal. Drop the completely unfunny sequence where Peter almost kills his classmates with the first drone — that was just a horrible idea. The whole defining theme of Peter Parker’s narrative is responsibility, and having him so cavalierly make a mistake that almost murders his romantic rival undermines that deeply for the sake of an ill-conceived joke. Give EDITH more safeguards, and have it default to nonlethal options (Tony was supposed to be a hero, after all, not a mad scientist), requiring extra verification to escalate to more destructive methods. Have Beck’s tech people hack the system once he acquires it, breaking those safeguards. They’re ex-Stark employees, so some of them could’ve been involved in programming EDITH in the first place. Then have them modify the drones to be more lethal. Then you wouldn’t have the disturbing scenario of Tony Stark handing total control of a thousand kill-first drones to a 16-year-old kid.

For that matter, I just realized there’s an inconsistency in the premise. Beck’s team was able to fake the mass destruction of the Elementals before they had EDITH, so they already had some pretty darn powerful killer drones. So why the hell did they need EDITH? What did it really gain them that they didn’t already have, besides volume? Egad, so not only does the MacGuffin make no damn sense, but there’s no real reason for the villain to be so eager to obtain it.

Unfortunately, this is the movie we got, and we’re stuck with it. As flawed as the story is, the execution was good as far as the action went. Some of the character work was satisfying; Peter was pretty much in character, and MJ was more likeable this time now that we got to see her softer side. I particularly liked the close relationship that’s grown between Happy Hogan and Peter, a nice change from the icier relationship in Homecoming. They’ve both turned to each other to fill the void left by Tony. I think this may be Happy’s biggest role yet in an MCU film, and it’s ironic that it’s not in an Iron Man film.

But I do wish the film had given us more of Spidey’s life in New York. I read that several such scenes we glimpsed in the trailers, of Spidey catching thieves just like flies and bantering with the cops about doing their job for them, were cut because the director thought the film had too many beginnings. But seeing the film with that knowledge, I feel the opening was too abrupt and cursory, and those scenes should’ve been left in. Seeing Peter’s early cockiness would’ve made it more potent when we saw him start to be overwhelmed by the public’s demand that he fill Iron Man’s boots; without that groundwork being laid, it doesn’t have as much impact. Plus it would’ve given us a bit more of Spidey just being Spidey in New York before getting to the out-of-his-element stuff in Europe. I know they’re putting those scenes on the Blu-Ray as a short film, but the movie itself feels incomplete without them. If they thought the film had too many beginnings, they could’ve ditched the opening “school news broadcast” sequence, which was a mildly cute but (again) stilted way of conveying exposition that was given in dialogue elsewhere. (Also, why are they doing a retrospective of “the Blip” 8 months after it happened? Why 8 months?)

From the beginning, let’s turn to the ending — or rather, the endings. Perhaps the thing I liked best about Homecoming was that it let Spidey succeed in saving the villain’s life and actually benefit from doing so. So I’m disappointed that this film went the more standard Hollywood route of having the villain die through his own actions. It’s a more cliched, less satisfying ending, and doesn’t serve the Spider-Man character as well. Also, I don’t think Beck was really a villainous enough character for such a fate to feel dramatically warranted; he was unstable, sure, but he had some legitimate grievances against Stark. Nor, conversely, was he a sympathetic enough character for his death to feel all that tragic or meaningful to Peter. So it just seemed like they killed him because that’s the routine formula for movie villains, which makes it underwhelming.

I guess the main value of Mysterio’s death is that it sets up the mid-credits scene where Mysterio posthumously blames Spidey for his death (and all the others the drones inflicted) and destroys his reputation. But come on, he’s Mysterio, the master of deception — he could’ve faked his death and had the same effect. He could probably maintain the deception better in life than posthumously. Well, in any case, it was a hell of a way to introduce Jameson at last, and it was a hell of a surprise to hear that familiar voice. (I wonder why they didn’t try to replicate JJJ’s flattop haircut this time, though. Just to be different from the Raimi version?)

As for the post-credits scene, I have no idea what to make of it. Was there a point to it in the larger MCU narrative? Was it setting up some future film? (Given the lack of Captain Marvel 2 on the recently announced slate, it’s hard to see how.) And just how long has the imposture been going on? It seemed like an arbitrary bit of weirdness and it just kind of fizzled out.

All in all, then, I guess I still don’t feel the MCU has quite gotten a handle on how to do a Spider-Man movie. Hopefully the next one will finally get to be just a Spider-Man movie, with Peter dealing with the fallout from the mid-credits scene (though I wonder how they can possibly work out the timing on that, unless they get to work on it really fast) and generally just living his own life and dealing with his own issues, rather than being so heavily immersed in the larger MCU story arc.

Finally, my thoughts on CAPTAIN MARVEL (spoilers)

Since my advance check finally came last week, I finally got to see Captain Marvel yesterday (I still waited for the Tuesday discount). I wonder if it was just coincidence that the multiplex had Captain Marvel and Shazam! (based on the Fawcett/DC character I grew up knowing as Captain Marvel) running in adjacent theaters. I wonder if anyone’s gotten confused and asked for the wrong movie.

Anyway, Captain Marvel is a pretty good movie. I like its structure — the way it introduces us to the character of “Vers” in the present after she’s lost her memory and then gradually has her discover her origins (a nice break from the usual origin-story format), and the way it integrates the flashbacks into her real-time POV as dreams or memory-probe findings, which is deft and economical. And it’s effective in the way it handles the Kree and the Skrulls, setting us up to believe we know who the good guys and bad guys are, only to turn it around in a surprising way. I honestly didn’t see that twist coming. Which is partly because I’m used to seeing Jude Law in more or less heroic roles and know Ben Mendelsohn mainly as Rogue One‘s villain, so the casting helped to fool me. Also because the Skrulls are usually villains in the comics, although the loss of their homeworld is a plot point there too. (Come to think of it, if the MCU Skrulls have been reduced to scattered refugees in the 1990s, that explains why they’re not a significant presence in the 21st-century MCU.)

It was also a surprise, and a pretty nice touch, to tie the origin of Carol’s powers into the Tesseract, and along the way to explain how it ended up in SHIELD’s possession (although that’s a bit of a retcon from what we’d previously been shown about Howard Stark recovering it from the ocean floor; apparently the new version, according to the MCU Wiki, is that Stark helped found Lawson’s Project PEGASUS, although I don’t recall that being stated outright in the movie). They also connected their version to the original comics origin (of Carol getting her powers from Mar-Vell, the original Marvel character to use the Captain Marvel name) in an unexpected way, assigning the name Mar-Vell to Annette Bening’s scientist character.

Speaking of the project, it was weird to have the alien characters talking about a “lightspeed engine” created by a backward civilization like humans as some revolutionary breakthrough when they were already routinely far surpassing the speed of light by making hyperspace jumps. I mean, sure, we learned that the search for the lightspeed engine was just a cover for the (distinct) things that the Skrulls and the Kree were respectively searching for, but it’s implausible that it would even work as a cover story, because it doesn’t sound like something new or important to an already FTL-capable civilization.

As for the Earthbound stuff, it was interesting to get a look at a younger, more relaxed Nick Fury. It was more than just digital de-aging; he was a lot more whimsical and playful back then, which was an interesting choice, though kind of revisionist (but then, the character’s been revisionist since the moment Samuel L. Jackson was cast in the role). It was good to see Phil Coulson too, but he didn’t really serve that much role in the story beyond the indulgence of having him there. Well, I guess his actions do help lay the groundwork for why Fury placed so much trust in him later on, but aside from that one moment in the stairwell, he didn’t really have that much to do that any generic exposition-spouting subordinate couldn’t have done.

I’m not sure the friendship between Carol and Maria Rambeau came through as strongly as it was meant to, since most of it was just glimpsed in flashbacks, and most of the present-day (well, 1990s present) Maria’s role in the film was dominated by exposition and action. But young Monica and her relationship with Carol rather stole the show, which is good because Monica’s presumably the one we’ll see again in the sequel, although she’ll no doubt be played by a different actress.

As far as actors go, I’d say the standout here was Ben Mendelsohn, who did a great job making Talos a complex and engaging character and working equally well when we thought he was the villain and when he turned out to be the nice guy in need of help. Jackson and Gregg did their usual good jobs with what they had to work with. Law was effective too, although Lee Pace was just as wasted as Ronan here as he was in Guardians of the Galaxy, and Djimon Hounsou only had a little more to do here than there. Gemma Chan was also sadly underutilized.

As for Brie Larson herself, she was reasonably effective, but I’m afraid I find her a little bland. Carol/Captain Marvel in the comics has been a breakout character, impressive in her strength of character, charisma, and heroism as well as her physical power. I haven’t read many comics she’s been in, but I’ve read a fair amount of Ms. Marvel and seen her through Kamala Khan’s admiring eyes, and I remember Jennifer Hale’s effectively strong performance as Carol in the animated The Avengers: Earth’s Mightiest Heroes. Animation and gaming fans know that Hale is a pretty hard act to follow, and I’m afraid I find Larson a little underwhelming in comparison. She’s not bad in any way, but her performance just doesn’t really grab me the way Scarlett Johansson, Hayley Atwell, Gal Gadot, and others have grabbed me. (Like just a couple of nights ago, I was watching Caity Lotz in a guest appearance on Arrow as Sara Lance/White Canary, and there was a moment where just her facial expression and a single line reading made me think “Damn, she’s a compelling performer.” I’ve never had such a moment with Brie Larson in anything I’ve seen her in.)

I also feel the film was maybe a bit too humorous and light in the later portions. As a rule, I like most things that involve cats, but the business with Goose in the climactic portions of the film got a little too silly for me, and the explanation for how Fury lost his eye was a bit dumb.

Anyway, now I’m inevitably speculating about what role Carol will play in Avengers: Endgame. Since her powers come from the Tesseract/Space Stone, that kind of makes her a walking Infinity Stone, which is probably why she could be the key to beating Thanos. Too bad Fury never actually told the Avengers who it was they were named after and what she could do — it might’ve saved some trouble if they’d known to call her in sooner. (And if Goose had been there, he probably could’ve just swallowed the Infinity Gauntlet right off of Thanos’s arm.)

Oh, I almost forgot — the opening tribute to Stan Lee. That was beautiful. It brought tears to my eyes. “Thank you, Stan.”

Two million words!

February 15, 2019 2 comments

It’s time to do another one of my overview posts of the word count of my published works, since it’s been nearly three years since the last one and I’ve gained a significant number of original published works in the interim. Plus, as you can tell from the title, I’ve just achieved another milestone! With the recent release of my second Star Trek Adventures game campaign The Gravity of the Crime, I have now surpassed 2 million words of paid, published fiction!

The list below includes all my paid fiction that has been published as of February 2019, plus two upcoming releases that have already been copyedited so that I have final word counts, namely Crimes of the Hub and Star Trek: The Original Series — The Captain’s Oath. It excludes the sold stories “The Melody Lingers” (Galaxy’s Edge magazine) and “The Stuff That Dreams Are Made Of” (the Footprints in the Stars anthology) because they haven’t been copyedited yet, but they should be around 4400 and 5000 words, respectively. There’s another story for which I’m currently waiting for a contract and copyedits, so I may update this list once that or the others come together. I’ve left out the unpaid essays I’ve contributed to various sites, since it’s hard to keep track of them all, and I do so much unsolicited blathering online as it is.

ORIGINAL FICTION

Default/”Only Superhuman” universe:

Novels:

  • Only Superhuman: 118,000 words

Stories:

  • “Aggravated Vehicular Genocide” (revised): 12,100
  • “Among the Wild Cybers of Cybele”: 9400
  • “The Weight of Silence”: 7600
  •  “The Caress of a Butterfly’s Wing”: 8900
  •  “Murder on the Cislunar Railroad”: 8200
  • “Twilight’s Captives”: 10500
  • “Aspiring to Be Angels”: 7900

Total story count: 64,600 words

Additional material:

  • Among the Wild Cybers Historical Overview, Glossary, and Afterword: 6500

Total default universe: 189,100 words

Hub universe:

  • “The Hub of the Matter”: 9300
  •  “Home is Where the Hub Is”: 9800
  •  “Make Hub, Not War”: 9800
  •  Hub Space: Tales from the Greater Galaxy: 33,300 (preceding stories + 4400 words new material)
  • “Hubpoint of No Return”: 12,400
  • “…And He Built a Crooked Hub”: 12,500
  • “Hubstitute Creatures”: 14,200
  • Crimes of the Hub: 45,600 (preceding stories + 6500 words new material)

Total: 78,900 words

Other:

  •  “No Dominion”: 7900
  • “Abductive Reasoning”: 4100

Total: 12,000 words

Total original fiction count:  280,000 words

MARVEL FICTION

  • X-Men: Watchers on the Walls: 83,500
  • Spider-Man: Drowned in Thunder: 71,000

Total Marvel novel count: 154,500 words

STAR TREK FICTION

Novels:

  • Ex Machina: 110,000
  • Orion’s Hounds: 105,000
  • The Buried Age: 132,000
  • Places of Exile: 55,000
  • Greater Than the Sum: 78,500
  • Over a Torrent Sea: 89,000
  •  Watching the Clock: 125,000
  • Forgotten History: 85,500
  • A Choice of Futures: 81,000
  • Tower of Babel: 84,000
  • Uncertain Logic: 109,000
  • Live by the Code: 106,000
  • The Face of the Unknown: 95,000
  • Patterns of Interference: 85,500
  • The Captain’s Oath: 106,000

Total ST novel count: 1,446,500 words

Novellas:

  • Aftermath: 26,000
  • Mere Anarchy: The Darkness Drops Again: 28,900
  • Typhon Pact: The Struggle Within: 25,400
  • The Collectors: 35,400
  • Time Lock: 26,500
  • Shield of the Gods: 28,700

Total: 170,900

Novelettes:

  • “…Lov’d I Not Honor More “: 12,000
  • “Brief Candle”: 9800
  • “As Others See Us”: 9100
  • “Friends With the Sparrows”: 10,300
  • “Empathy”: 11,000

Total: 52,200

Total ST short fiction count: 223,100 words

Star Trek Adventures RPG campaigns:

  • “Call Back Yesterday”: 8200
  • “The Gravity of the Crime”: 10,500

Total ST RPG count: 18,700

Total ST fiction count: 1,688,300 words

STAR TREK MAGAZINE ARTICLES

  •  “Points of Contention”: 1040
  •  “Catsuits are Irrelevant”: 1250
  • “Top 10 Villains #8: Shinzon”: 820
  • “Almost a Completely New Enterprise”: 800
  • “The Remaking of Star Trek“: 1350
  • “Vulcan Special: T’Pau”: 910
  • “The Ultimate Guide: Voyager Season 3″: 1170 (not counting episode guide)
  • “Star Trek 45s #11: Concerning Flight”: 1000

Total article count: about 8350 words

All told:

  •  Novels: 1,719,000 words
  • Short fiction: 385,100 words
  • RPG campaigns: 18,700 words
  • Nonfiction: 8350 words

Total fiction: 2,122,800 words

Total overall: 2,131,150 words

 

(And just a reminder — if you enjoy any of my books, please post reviews of them on Amazon or other sites where books are sold. The more reviews they have, the more notice they can attract.)

“Crooked Hub” now on sale!

It’s a few days ahead of the nominal release date, but Analog Science Fiction and Fact has updated their homepage to show the September/October issue, featuring “…And He Built a Crooked Hub,” part 2 of my ongoing Hub trilogy. Here’s the issue cover:

I’ve updated my home page with ordering links.

What’s more, the Next Issue page at the Analog site reveals that the concluding story, “Hubstitute Creatures,” will be in the very next issue, November/December 2018, going on sale October 23. That’s sooner than I expected, since the first two installments were four months apart. But then, it makes sense, since there was a delay between my sales of the first story and the other two. Anyway, I’m glad we won’t have to wait much longer for the trilogy to be complete.

But I’ve belatedly realized that “…And He Built a Crooked Hub” is a career milestone in itself (I seem to be achieving a number of those recently). It’s my 10th Analog story! (Yippee!! Cue celebratory sound effects.) Which seems like a lot until you consider that it took me almost exactly 20 years to achieve it, since my first story was in November 1998. Although there was a gap of over 9 years between my second and third Analog stories, so this is also my 8th story in the past 8 1/2 years, which is nearly twice as good. It’s also my 5th story in the past 2 1/2 years, which is yet another doubling of the pace. I doubt I’ll be able to continue accelerating, though, since with this story and the next one, I’m already up to one story per issue. I’d say that’s about as good as it can get.

For what it’s worth, “Crooked Hub” is also my 15th distinct published work of original fiction overall, not counting reprint collections (the non-Analog ones being “No Dominion,” “The Weight of Silence,” Only Superhuman, “The Caress of a Butterfly’s Wing,” and “Aspiring to Be Angels”). I have 3 more coming up with “Hubstitute Creatures,” my fantasy story “The Melody Lingers” in Galaxy’s Edge, and the story I’ll be writing for the Footprints in the Stars anthology. Two more sales and I’ll be up to 20 works of original fiction. For comparison, my tie-in tally currently stands at 27 novels and stories, two Marvel and the rest Star Trek. At this rate, it may only be a few more years before I can say that more than half of my published works are in my own original universes — although since all but one of my original works to date are short fiction while close to 60% of my tie-in works are novels, I’m still a long way from balancing the scales in terms of word count. But that’s another post…

My check came!

I can’t yet say what it’s for, but I got a nice hefty advance check at last. It came Monday afternoon, too late to go to the bank, but I deposited it early Tuesday morning, and this morning the funds cleared and I was finally able to pay off my entire line of credit attached to that account, after which I paid off my other remaining late bills. It’s a good feeling. I’m still dealing with a substantially larger load of credit card debt, but I should be getting a second advance before too long that will help me somewhat with that.

The timing was good, since Tuesdays are discount days at the movie theater, so I decided to splurge 5 bucks and take in Ant-Man and the Wasp to celebrate. I don’t feel like writing a full review, but it was a pretty good movie, a nice change of pace after Infinity War. I liked the smaller, more personal stakes. Hannah John-Kamen’s Ghost struck me as the kind of villain that might show up in an episode of Agents of SHIELD, and I mean that in a good way, in that it’s a more intimate, character-driven kind of conflict. (Not to mention a backstory that ties directly into SHIELD’s past, probably the Hydra side of it.) This was a movie about family for most of the major characters, and that made it meaningful and effective. (And Michelle Pfeiffer still looks pretty amazing.) Also, an excellent plot-relevant use of Luis’s chaotic storytelling style.

I kind of wish I’d gone on a different day, though, because I was stuck sitting near a woman who was very impatient with the characters. Whenever they were in a hurry but paused for a moment to exchange some meaningful dialogue, or even just to wait for their equipment to warm up before they could get underway, she’d loudly complain to her seatmate with “They’re still there?” or “Just go already!” or the like. She didn’t comment on much else (though she was vocally confused at first about the mid-credits scene until it finally sank in), but she really had an issue with people dawdling. Granted, she kind of had a point, since the characters’ delays usually meant that they ended up getting caught or surrounded, but still, it got kind of distracting.

I think I’ll re-subscribe to Netflix soon so I can catch up with the Marvel shows and other stuff I’ve missed over the past several months, including the second seasons of both Jessica Jones and Luke Cage. Still, I need to save most of my expenditures for important things. I’m way overdue for new eyeglasses, and could use some new clothes, plus maybe a couple of new skillets for the kitchen and a new set of drinking glasses. I actually went to the small local Target by the university this morning to see if they had more of the jeans I bought a pair of there last year, but the only ones they had of that brand were pre-faded, and I hate that. I’ll have to try a bigger department store.

In other news, I’m arranging a radio interview with a local public radio station, probably for September or October. I’d hoped to do it in conjunction with the release of Among the Wild Cybers, but I’ve been so preoccupied with my money woes that I waited too long to schedule it, so now it’ll have to just be a general overview of my work, including that book. Although the good news is that I should be able to talk about my new thing by then. Anyway, I went down to the station yesterday to deliver a copy of AtWC to the interviewer. It’s the same building that houses the radio station where my father worked, though it’s been a few years since I was down there and they’ve taken away the streetside parking meters to make a bike lane. So I had to try to contend with the garage, and I didn’t have 3 singles and the machine at the gate wouldn’t take my $5 bill, and finally an attendant came over and tried to direct me around the block to the rear garage, which took a while since I’m bad at understanding directions. And then it took me a while to find my way into the building proper, since I’d never parked in the rear garage before. After that, the attendant was very solicitous about making sure I knew where to go, since he apparently figured I was an idiot. Anyway, I don’t get why the attendant wasn’t just in the booth and able to make change himself. Anyway, the machine at the rear entrance did take my fiver, but as change it gave me back two $1 coins (one Susan B. Anthony and one Sacagawea). What the heck do I do with those? I’ll probably just trade them in for singles or quarters the next time I go to the bank.

Meanwhile, though, I really do need to refocus on writing the thing I’m getting paid to write. Hopefully it won’t be much longer before I can say what it is.

Not having a great week

The universe isn’t done screwing with me yet, it seems.

It looked like I was finally close to getting out of this financial pit I’ve been in all year, or at least making significant strides uphill. I’m waiting on something that should pay off soon, probably next month, and ease my burden a great deal. But in the meantime, it looks like the profits from the Kickstarter campaign for Among the Wild Cybers are lower than I’d hoped due to the costs of printing, shipping, etc., and I probably won’t see them right away. At the moment, I’m still very close to being out of money, biding my time and hoping I can make it through the next month or so with what little I have.

I thought it would help if I took advantage of my soon-to-be-improved fortune to apply for new credit at my banks, either a new card or a credit line increase or whatever. I was turned down before when my income was practically nonexistent, and the bankers advised me to try again when my situation improved, which it’s now just about to do. I tried applying at one bank last week, but it turned out my credit score was just a hair too low for them. I was literally off by 1 point. So I figured I’d go to my other bank and retry the things I tried there before. Hopefully one of them would pay off. If I could get more credit, I thought, it’d give me enough leeway to get some car maintenance done before I have to drive to Shore Leave.

So I went out to my car to drive over to that bank, the nearest branch of which is 5 miles away.

And I couldn’t start the car. My battery was dead.

I could get a jump start and drive to the garage pretty easily, but the new battery would run me up to a couple hundred dollars, and that’s a sizeable chunk of what I currently have left. If I’d already succeeded in getting new credit, that wouldn’t be such a problem, but I didn’t know if I would. This was the worst possible time for this to have happened. Especially knowing that, one way or another, I needed to get my car up and running within the next 20 days.

As it happens, though, a family member who recently moved to the DC/Baltimore area was willing to pay my expenses to pick up some belongings from their former home and bring them when I came to the area for Shore Leave. I realized that would be a way to pay for the new battery, since that would definitely count as a necessary expense. So I made those arrangements through my always-helpful cousin, and once I got the check in the mail, I was able to take the car in and get a new battery. Once that happened, I finally drove over to the other bank and applied for both a new credit card and a credit line extension, hoping I’d get at least one approved.

Guess what. They were both rejected, because my current debt load is too high. Which is frustrating, since I’m within a month or so of being able to start paying down that debt, but I may just need a little more help to make it until then. I know that I will be able to make good on my debt before much longer, that I just need to bridge the gap for another month or two at most, but I can’t convince the faceless decision-makers of that, because it’s all so rigid and by the numbers, so on paper I’m too great a risk. I mean, I understand the reason it’s all so strict these days — the rules were put in place to protect against fraud after the banking crisis a decade ago. So I can respect that. But it doesn’t do me any good in a situation where I could really use some wiggle room.

There’s still a chance that the big thing I’m waiting on will come through soon enough that I won’t need the additional credit cushion, but at the moment I have no idea how long it’ll take. I’d actually expected it to have happened already — I was told “very shortly” over 2 weeks ago. And I have several stories out at various magazines, so something else might pay off at any time, or it might not. I’m stuck just not knowing again, and afraid of what might happen if at least something doesn’t pay off in July. I really thought this would’ve all been wrapped up by now, but I got overconfident. Things are finally moving, but they’re still taking longer than anticipated. I just hate not knowing.

I’m wondering if, instead of applying for a bank credit card, I should just use one of those card applications that come in the mail. Maybe the approval standards would be different. But I just don’t know.

Well, at least I’ll have some books for sale at Shore Leave, copies of Only Superhuman and such. Between that and the convention stipend, maybe I’ll make at least a couple of hundred to help tide me over. Of course, my book sale is still on as always. And who knows? I could get good news from somebody or other any day now. I just hope I don’t have any other unanticipated expenses like the car battery.

Meanwhile, it’s not just the battery that unexpectedly failed me. The pull chain for my ceiling-fan light fixture in the living room broke off the other day, right after I turned it on. It broke off right at the base deep inside the fixture, so there was no way I could fix it myself. I had to wait a while for the maintenance guy to come fix it. At first I thought it was lucky that the light was on when the chain broke, since I could still use the wall switch to turn it on or off. But that meant that I couldn’t use the ceiling fan without the light also being on, and the fan is kind of necessary in hot weather, even when I don’t need the light. I might’ve preferred it if the ceiling light had been stuck in the off position, since I could’ve used my torchiere lamp to fill in. If the situation had gone on longer, I might’ve decided to unscrew the light bulb. But it turned out that it only took a couple of days to get it repaired, so it’s resolved now.

I also asked the maintenance guy to look at the spray nozzle on my kitchen sink’s hose attachment, which was sometimes sticking in the on position. Which was weird, since it was a replacement for the previous nozzle that also stuck in the on position. In trying to fix it, he got it stuck permanently in the on position, meaning all the water was coming through the spray hose instead of the faucet. He had to go out and buy a new nozzle, since he didn’t have any spares. Apparently, I’m the only tenant who still has a spray hose, since I’ve been living here so long that I’m the last one with an un-remodeled kitchen. Anyway, I thought he’d be gone for a while, so I channeled my inner MacGyver and used some long twist ties (from my drawer for spare electronics cords and such) to secure the spray hose to the faucet so I could use it as a makeshift faucet. But he came back less than half an hour later. I could’ve just waited and saved the effort. And the new spray nozzle has a different kind of lever to turn it on, so hopefully it won’t stick like the others.

Oh, one other way the universe messed with me, this time with my unwitting assistance: Yesterday when I drove to that bank 5 miles away, I turned out to get there shortly after the banker I’d been working with went to lunch. I guess I’d given her the impression on the phone that I’d be coming later in the day than I did (we didn’t make a formal appointment or anything). So I went over to the nearby library to wait it out. While there, I came upon several trade paperback volumes of Marvel’s hilarious The Unbeatable Squirrel Girl which I haven’t read yet. I tried to remember which ones I had already read and picked the two I knew I hadn’t, volumes 6 & 7 of the trade collections. Volume 5 was there too, but I got the impression I’d already read it and put it back on the shelf. But when I got home and started in on volume 6, it referred to a previous story I didn’t remember, so I went online to check, and it turned out I’d only read up to volume 4. So I went on the library website to request that volume 5 be shipped to my local branch.

Only to see that the list of volumes available for requesting included volumes 1, 2, 3, 4, 6, and 7.

This didn’t make sense, since I’d literally held volume 5 in my hands less than 2 hours previously. Apparently there was some catalog glitch or mislabeling or something. That meant there was no way to request it electronically, at least not from the local library. I could request a copy from another Ohio library through OhioLink, but that tends to take the better part of a week, at least. But, guys, it’s Squirrel Girl. It’s awesome. And the one place where I knew I could find it was the very branch I’d been in before. So, yes, I actually hopped in the car and drove the 5 miles back to the library to pick up volume 5. I knew exactly where I’d left it 2 hours before. And what were the odds that someone else had checked it out during those 2 hours?

Guess what. Someone else had checked it out during those 2 hours. I made that whole second 10-mile round trip for nothing.

Once I got home, I did the only thing I could and requested it through OhioLink. But that means I won’t see it until sometime next week at the earliest. Whereas I could’ve read all three volumes already and saved myself a pointless drive if I’d just checked more closely when I had the darn thing in my hand.

This is just not my week.