I’ve been making a bit more writing progress lately. Last week, I received, proofread, and returned galleys for both my upcoming Analog short story “Abductive Reasoning” and my third Star Trek: Department of Temporal Investigations e-novella Shield of the Gods. I’d been starting to wonder when “Abductive Reasoning” would show some movement toward publication, so this is a good sign, though I don’t know the release date yet. As for Patterns of Interference, I got the word last night that the manuscript has been approved by CBS and my final advance payment is routing for approval even now. I hope it arrives before tax day.
Meanwhile, I’ve been working on a review and polish of my previously published original stories with an eye toward putting them together into a collection. That entailed making sure my manuscripts were updated with all the changes made in the final printed versions, except in cases where I wanted to undo those changes or make additional changes. Mostly I tried to be faithful to the published versions, though. Anyway, I’ve gotten that done and now it’s a matter of getting a publisher interested. We’ll see how that goes. With that and the galleys out of the way, I’ve refocused on some new original stories I was working on last year but had to postpone in order to write Patterns of Interference. Well, I actually kind of got stuck because I started writing a story too hastily, before I really had the whole plot worked out. But coming back to it after a break has helped give me a new perspective, and I’ve worked out a couple of things I was stuck on before.
The new Kroger superstore nearby is open now, and I’ve been there three times already — once on foot, twice by car. It’s nice to be able to make smaller grocery trips when I need a few things, instead of just making 2-3 big trips a month and going without certain things for much of the interim. The new store isn’t as big as the other superstores I’ve been to, since its location is more constrained; in fact, they’ve actually had to put the “behind-the-scenes” employee areas up on the second floor, an unusual feature. There’s also an upstairs area for customers, but I haven’t visited it yet. And the shelf space is a bit less expansive. I read an article claiming that they’d compensate by restocking more frequently, but I’ve already noticed a couple of things that they didn’t have in stock while I was there — although there was one they did have in stock by the time I needed it. Anyway, it’s definitely a lot bigger than the old store, and has a lot more features like a pharmacy, deli, Starbucks, and pizza counter. The produce section is laid out pretty much exactly like the one in the gigantic Kroger that opened a year or two ago across from the movie theater I usually go to; I guess it makes sense that the two most recently built stores would use the same design. But it was kind of disorienting the first time I was there.
Reading-wise, I got a couple of new DC trade paperbacks from the library the other day, the second volumes of Batman: The Golden Age (reprinting all the original Batman comics in order from the start) and Wonder Woman ’77. The latter is theoretically based on the Lynda Carter TV show, but my problem with the first volume was that it didn’t feel like the show, just like generic Wonder Woman stories with the likenesses of Carter and Lyle Waggoner. Much of the second volume is like that too, but a couple of the later stories felt more like the show, or more ’70s-oriented at least. (One story brings back a major villain from the show, and another is steeped in ’70s nostalgia like funk music and CB radio.) As for the Batman volume, it’s good to get to see how quickly the character’s tropes fell into place within the first 2 years. These days, you’ll see a lot of people online claiming that the ’40s Batman was a dark, violent, gun-toting character until the Comics Code crackdown of the ’50s, but that’s just wrong. Even though the first year or two of stories were in a violent, pulpy vein, Batman only rarely used guns in them, though he did kill by other means like breaking a neck with a kick or flinging people off roofs. But as early as Batman #4 in December 1940, the dialogue and narration were insisting that Batman and Robin never killed or used weapons — although exceptions were still being made for causing recurring villains Hugo Strange and the Joker to fall to their apparent deaths, since of course they’d surely survive anyway. And B&R were portrayed in a pretty upbeat way, trading wisecracks and bad puns as they fought villains. Volume 2 shows other familiar Batman tropes emerging in 1941, like the Batmobile (a sleek red convertible with a small bat-shaped hood ornament) and the term “Dynamic Duo.” No Stately Wayne Manor or Batcave yet, though — Bruce and Dick live in a house in the suburbs, with a secret tunnel leading to the barn where the Batmobile is kept.
Food-wise, I serendipitously discovered a nice new way to make a sandwich last week. I decided to make a sandwich with tomato, sharp cheddar cheese, and Romaine lettuce on whole wheat bread with olive-oil mayonaisse and spicy brown mustard, served with a pickle spear and a small amount of olive oil potato chips. It was surprisingly yummy, and I’ve made that combo two more times since then, but somehow they weren’t as good as the first. I also recently discovered a second new type of sandwich that’s pretty good: cheddar cheese and apple butter.
Aside from that, I’ve mainly just been watching TV, but maybe I’ll talk about that later in another post.
Hello, everyone — sorry I haven’t been posting lately, but I’ve been really wrapped up in trying to finish Rise of the Federation: Patterns of Interference. This was kind of a rough one, since there were delays getting the contract and approvals through, so I was late getting started and I had to work fast. Which proved difficult, since I was suffering from a vitamin D deficiency that I think was causing me some mild depression and making it hard to focus. So I’ve spent the last month striving to finish the book, which left little mental attention for other writing such as blogging (though I still posted on my bulletin boards regularly because I’m addicted to those). I’m afraid I’ve really been neglecting this blog, and I need to try to refocus on it.
So anyway, PoI is finally done, and we’re expediting the editing process to make up for lost time. It helps that it came out relatively short, about 83,000 words. I figured that, after the big epic 2-part saga of Uncertain Logic and Live by the Code, it was good to do a story that was a bit more intimate in scope. I was influenced by The Next Generation‘s “Family” and Enterprise‘s “Home.” Although that’s only part of the novel’s story. Basically, there’s one really big adventure plotline at the heart of the novel, and a number of more character-driven subplots around it. But there are some major events and changes to the status quo on both scales. So it’s a smaller story, but with big consequences.
Another thing that helped with the tight writing schedule was that I’ve once again managed to recycle a concept from one of my old, unsold original stories as a subplot in PoI. It’s actually a double-recycle of sorts, because I was going to use the premise as the basis for a second Star Trek: Corps of Engineers novella, but that series was cancelled before I got a contract for it. For this version, I kept some of the new worldbuilding ideas I was going to add in the CoE tale, but I’ve actually been able to incorporate a lot more of the original story’s plot and dialogue in this version than I would’ve been able to do there, albeit revised to fit the new characters and relationships. So that saved me some time — although not as much as it could have, since there was a pair of supporting characters that were originally just names spouting dialogue in the material I copied, and I didn’t really work out who they should be and what motivated them until the revision phase, so parts of that sequence got rewritten several times.
I even got to the point where I was afraid that the book would run short, so I was looking through my old unsold fiction (just about all writers have a ton of early stuff they never sold, while they were learning the trade), trying to find some short story or subplot that I could adapt as a story arc for some supporting character to meet my word count. But I couldn’t find anything that was both adaptable to the 22nd-century Trek universe and well enough written to be usable — at least, not from the stuff I could remember, and taking the time to re-read a bunch of old stuff to refresh my memory would’ve defeated the purpose of trying to speed up the process. Fortunately, I managed to come up with enough new material to do the job, and it naturally worked better to add material that grew from the story and characters I had, rather than trying to shoehorn in some unrelated story. As a matter of fact, when I finally reached the end of the novel in the first draft, I was still a little bit short of 80,000 words, and I’d already decided there was one more scene I needed to go back and put in earlier. I did that later the same day, and it put me over the limit, and it wasn’t until I finished it that I finally felt the rush of euphoria and satisfaction that came from finally being finished. Although it didn’t last long, since I still needed to clean up and tighten the draft before I turned it in.
So now I’m finally done with PoI, and I’m free to resume work on some original projects that I’ve had to put off. Currently, I’m starting to explore the possibility of putting together a collection of my original stories, though it’s too early to say whether that will happen. Once that’s done, I need to get back to work on some new stories I have on the back burner, one of which is unfinished. Hopefully I can make some real progress on those and one or two other things before my next Trek project comes along — although I hope that next Trek project comes fairly soon, because I still need to make a living. That’s the paradox — my Trek work is what lets me make enough of a living to pursue the other stuff, but it tends to take up a lot of time that I could be spending on the other stuff instead. Well, I shouldn’t complain — I actually got a lot of original writing done in 2016 while waiting for the go-ahead on PoI. But there was some of it that I didn’t quite get to finish before I had to throw myself fully into Trek writing. Of course, it wouldn’t be as much of a problem if I were better at time management and self-discipline. But I’ve been telling myself that for ages and it hasn’t helped much.
Let’s see, I don’t have much to talk about beyond writing, because I haven’t had much of a life otherwise lately. One bit of good news — the fancy new Kroger they’ve been building next to the university for the past year and a half is finally opening in just a few days, so I’ll finally be able to get groceries from somewhere within walking distance again (although I doubt I’ll try biking there, since I don’t think the adjacent intersection is very safe for biking). And it’s a much larger, more elaborate superstore than the old one in that location, or than the next-nearest one in Walnut Hills, which I never liked going to, and which is actually closing the night before the new one opens. Makes sense, in a way — the store is twice as big, so it’s taking the place of two adjacent ones. Meanwhile, the local co-op store that replaced the old IGA up by Burnet Woods opened last month — nearly a year later than originally touted — and it’s not bad, though not as suited for my needs as the new Kroger will be. I hope it does well, though, since it’s good to have both options. After a year and a half with no grocery stores in the neighborhood, there are now going to be two. (Well, not really — the co-op is about the same distance from me as the Walnut Hills Kroger, but it feels closer to me, probably because I’m more familiar with its neighborhood.)
Well, that’s about all I have to report for now, and it’s lunchtime. I’ll try not to wait so long before posting again.
Just a heads-up that I’ll be at Joseph-Beth Booksellers in Cincinnati’s Rookwood Pavilion tomorrow, January 26th at 7:00 PM, to sign and discuss Star Trek: The Original Series — The Face of the Unknown and my Analog novelette “Twilight’s Captives.” Here are directions.
I’m going to be at Joseph-Beth Booksellers in Cincinnati’s Rookwood Pavilion for a book signing and discussion event next month. Here’s their events page with the announcement:
I figured that, since Star Trek: The Original Series — The Face of the Unknown and my Analog novelette “Twilight’s Captives” were both coming out around the same time, it would be a good opportunity for a signing, and the folks at Joseph-Beth agreed. It’ll begin at 7 PM on Thursday, January 26th at 2692 Madison Road in Rookwood Pavilion (directions are here). This will be my first signing at J-B since the one I did for Only Superhuman three years before. I’ll be talking about the new book and story and answering questions, so hopefully my voice will be in better shape than it was last time. I expect there will be copies of some of my older books available as well.
I’ve received my author copies of the January/February 2017 issue of Analog Science Fiction, containing my story “Twilight’s Captives” as the first novelette (second story overall) in the issue:
Okay, kind of a blurry picture, but I can’t find an online image of the cover yet. Anyway, I got my name on the cover once again — my third time in a row and my fourth overall (out of seven Analog appearances to date).
The Analog homepage is still showing the December issue, but I expect the new issue to be on sale fairly soon. Oh, and apparently this issue is the beginning of a format change for Analog and its sister magazine Asimov’s Science Fiction. Before, they’ve published ten issues per year, two of which were double issues. Starting with this issue, they’re moving to six double-length issues per year. So it’s the same amount of content, but coming out half as often. I’m not sure what that means in the long run, but in the short term, it means there should be twice as much opportunity for folks to find and buy this issue and read “Twilight’s Captives”!
Sometime soon, I’ll be posting notes about the story here on the site, including illustrations of the featured alien species in the story. Stay tuned!
Good news — even before my upcoming Analog Science Fiction and Fact story “Twilight’s Captives” is released, I get to announce my next Analog sale! The story is called “Abductive Reasoning,” and it’s quite a change of pace from the previous couple of stories, a humorous tale of a first contact between a UFO believer and a real alien, which doesn’t go at all the way either one expects.
This is a first for me in a couple of ways. For one, it’s the first actual short story I’ve ever sold! Everything else I’ve done has been at least novelette length (my previous shortest, “The Weight of Silence,” was 7600 words), but this one’s a cozy 4100 words. It’s also my first Analog story, and my second original work after “No Dominion,” that isn’t part of my default/Only Superhuman universe or my Hub universe. It’s a completely standalone tale, for now. (Well, technically there’s no reason it couldn’t share a universe with “No Dominion,” but they don’t exactly go together stylistically.)
Like my previous three original sales, this is another story I wrote ages ago, abandoned for years, and then revived. And this one’s a record-setter — I wrote the first version fully 20 years ago for a story contest, my longest interval yet between writing a story and getting a version of it published. But while “Twilight’s Captives” only needed a few tweaks, this one needed a top-to-bottom rewrite, including a title change, and it’s essentially a whole new story now. And to my surprise, I sold it on my very first try.
No word on publication date yet — I’ll let you know.
As visitors to my home page may have already noticed, I’ve learned that my upcoming novelette “Twilight’s Captives” will be appearing in the January/February 2017 issue of Analog Science Fiction and Fact. Since the October 2016 issue seems to be the current one on sale, I guess that means it should be out before the end of this year. That’s roughly the same time that my Star Trek: The Original Series novel The Face of the Unknown will be out, so that’ll be a big month for me.
Given that it’s been only six weeks since I sold the story, and given that it took nearly a year for my previous Analog story to see print, I’m surprised that it’s moving so fast. Two stories in Analog only 7 months apart is a new record for me; my previous record was 9 months between “The Hub of the Matter” and “Home is Where the Hub Is.” And that makes this only the second time I’ve had two Analog stories separated by under two years. Hopefully it won’t be the last.
I’ve already proofread the story’s galleys, which is how I know the publication date, so I know that this story will have an illustration — though I don’t know what it will look like or who the artist will be. I have my own design sketches for the featured aliens, which I’ll post with the story notes on publication, but Analog‘s artist may well take them in a different direction. This will be my fifth illustrated Analog story; the only ones without artwork are “The Hub of the Matter” and “Murder on the Cislunar Railroad” (although the former got a nifty illustration when it was republished in the Russian Esli magazine).