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Posts Tagged ‘My original fiction’

Book sale — buy autographed copies of my books!

I haven’t done this in years, but I really need to make some money right now, so I’m offering to sell autographed copies of some of my books. I don’t have that many copies left of the older books, but I’m offering most of what I have.

You can buy these books from me through PayPal (via the “Send Money” tag with payments to clbennett@fuse.net, or simply use the PayPal button to the right of this post) for the prices listed below.  Please use the PayPal “instructions to merchant” option (or e-mail me) to let me know which book(s) you’re ordering, provide your shipping address, and let me know if you want the book(s) inscribed to anyone in particular (or not autographed at all, as the case may be).

Here are the books I have available, their quantities, and the price per copy (in US dollars):

Hardcovers: $25

  • Only Superhuman (25 copies)

Trade paperbacks: $16

  • Star Trek: Mirror Universe — Shards and Shadows (5 copies)
  • ST: Myriad Universes — Infinity’s Prism (2 copies)
  • ST: Mere Anarchy (2 copies)
  • ST: The Next Generation — The Sky’s the Limit (2 copies)

Trade paperbacks: $14

  • ST: Voyager — Distant Shores (2 copies)

Mass-market paperbacks: $8

  • Star Trek: TOS — The Face of the Unknown (7 copies)
  • ST: Enterprise — Rise of the Federation: Tower of Babel (3 copies)
  • ST: ENT — Rise of the Federation: Live by the Code (5 copies)
  • ST: Department of Temporal Investigations — Forgotten History (2 copies)
  • ST:TNG: Greater Than the Sum (2 copies)
  • ST: Titan: Over a Torrent Sea (2 copies)

I’ll try to keep this list updated with regard to availability, but if you have doubts, query first. For buyers in the US, add $2.50 for postage.  For buyers outside the US, pay the book price and I’ll bill you for postage separately once I determine the amount.

If you have a PayPal account of your own, please pay through that instead of a credit card.  PayPal charges a fee for credit card use, so if you do use a credit card, I have to ask for an additional $0.25 per mass-market paperback or an additional $0.40 per trade paperback.

The Shore has been Left

This time, I’m sitting in cousins Barb & Mark’s house about an hour’s drive from the convention hotel, taking advantage of some quiet time to recover from the past few days of conventioneering, if that’s the word. So now’s my opportunity to gather my thoughts about Shore Leave and post my recollections.

My second day of driving was much better weather-wise than the first, nice and sunny all day. The one snag I hit was financial. I didn’t get cash before I left, figuring I had enough for the trip and would get more from my convention stipend and book sales — but I didn’t take into account that the Pennsylvania Turnpike tolls had increased. It occurred to me to check the tolls on my phone browser at a rest stop just before I had to get off, and I found I didn’t have enough cash and needed to use the ATM there (complete with $2.50 service fee). Okay, maybe they would’ve taken a credit card, but I didn’t want to chance it. I belatedly realized that they have the prices printed on the tickets — I don’t know why I didn’t consider before that all those numbers on the tickets might actually convey useful information. If I’d thought of that ahead of time, I would’ve gotten off the Turnpike earlier and taken the highway through Maryland instead. I’ll probably do that going  back. I generally stick to the Turnpike despite the tolls because the other route is tricky in bad weather, with all the mountains and fog and such, and there’d been a flood warning in that area the day before. But the weather was clear on Friday, so it probably would’ve been fine.

Anyway, I made it to the hotel a bit poorer but otherwise intact, and once I checked in, I managed to find a free parking space right next to the closest entrance to my room, so I didn’t have to carry my bags very far. (I had the same parking luck at my motel the night before, although I’d unwisely asked for an upstairs room that turned out to be in back, so it was a bit more of a schlep even so.) I got in a bit late, so I only had a few hours before my first panel, but I managed to find a bunch of fellow writer guests in the bar, including Dave Mack (of course he’d be in the bar), his wife Kara, Aaron Rosenberg and his daughter, Bob Greenberger, and I think Keith DeCandido (sorry, I was tired so my memory’s fuzzy), and we sat around and listened to Dave regale us with stories about what’s going on behind the scenes in Star Trek, which are unrepeatable for two or three different reasons. Although Dave, who’s working closely with the Star Trek: Discovery producers on his tie-in novel Desperate Hours, did leave me reassured that the writing on the new show will be solid and that it won’t invalidate our vast tie-in continuity, at least not right away. It was a thrill to hear about how our friend and colleague, Voyager novelist Kirsten Beyer, is doing on the writing staff of the show. It’s awesome to see a friend achieve something like that, and it sounds like she’s already made herself indispensable. Although it’s too bad that her work out in Hollywood is keeping her too busy to attend Shore Leave this year.

My first panel was on Star Trek Literature as Science Fiction, ably moderated by Strange New Worlds author Derek Tyler Attico and including Dave Galanter and John Coffren, and we all had an interesting talk about what we think SF is and what makes ST’s brand of it distinctive. Later I had a quiet dinner in my room (finishing off the sandwich I’d bought on the road, along with a cup of hotel-room coffee) so I’d be nourished and alert enough for Meet the Pros that evening. As usual, I was seated next to my Only Superhuman editor Greg Cox, who was touting his new tie-in novels to TNT’s The Librarians and his novelization of War of the Planet of the Apes, which unfortunately was just a week away from being released so he couldn’t sell copies at Shore Leave. I was also across from Keith and his longtime girlfriend Wrenn, who recently got married at last, and they had a huge sign at their table saying “MARRIED LIFE IS PRETTY DANGED AWESOME,” no doubt pre-empting a question they knew they’d be getting asked a lot otherwise. As for myself, I signed a number of copies of The Face of the Unknown that they had for sale at the book vendor’s table, but only managed to sell three of the older books I had for sale at my own table. It was a pretty quiet evening — in fact, a pretty quiet con, in terms of guest attendance — but that just gave us writers more time to socialize and catch up with each other. It’s nice to connect with the fans, but it’s also nice when the event dies down and the writers can just wander the hall chatting with each other.

I had three panels on Saturday. First was “History for Fun and Profit,” where we talked about using history in our SF/fantasy writing — mostly involving writers of alternate history SF/F, but I talked about how my history studies helped me write about future events, first contacts, cross-cultural interactions, and so forth in my SF. After a quick lunch (a peanut butter sandwich I’d made for the trip), there was “Defending the Light Side,” which was about optimistic and/or humorous writing, refuting the attitude that such things are fluffy or insubstantial. Then I guess I just hung around with various people I ran into for a couple of hours — it’s all kind of blurred together about what conversations I had when — and I did my first hourlong stint in the “author chimney,” the narrow space between brick pillars that’s the only place the book vendors usually have for authors to sit and peddle our work. But it was a slow afternoon — most of the guests were probably in the big ballroom watching Marina Sirtis and Michael Dorn give their talk. So it was mainly just a chance to sit and rest between panels. Finally, we had the “Upcoming Star Trek Books” panel with me, Dave, Dayton Ward, and Scott Pearson. We didn’t really have much in the way of new Pocket novels to discuss beyond what’s already been announced, so I thought we might have to do a Q&A about our recent books to fill the time, but Scott also talked about all the other books and comics coming out from other publishers for the rest of the year, and that ended up occupying most of the hour after all. But I got to talk some about my upcoming Rise of the Federation: Patterns of Interference, and how it’s the climax for the Trip Tucker/Section 31 arc I inherited when I started doing the ENT novels.

Right after that came the annual tradition of Saturday dinner at Andy Nelson’s Barbecue a few miles from the hotel. In years past, I’ve always gotten a pulled turkey sandwich with cole slaw and cornbread as sides, because it’s so unique in my experience to have cole slaw and cornbread that are actually good, indeed really good. But this year, I finally decided to try something different — still the pulled turkey, but with macaroni & cheese and stewed tomatoes as my two sides. (I considered mac & cornbread, but I figured I needed a vegetable.) Right off the bat, I accidentally dropped a piece of macaroni into the tomatoes, which proved a happy accident that I did on purpose quite a bit thereafter. I also got to talk about a bunch of stuff with a bunch of people, some work-related, some not. I learned a lot about the comics business from Glenn Hauman, who’s done some Trek writing but mainly works in comics and knows a ton of the people in the industry, so it’s hard to talk to him and not learn a lot about comics. After dinner, back in the hotel lobby, he and Richard C. White (a comics author who then moved into prose) got to talking to me about an early Alan Moore/Dave Gibbons “Dragnet as time police” spoof from 2000 AD that was a master illustration of the economy of comic-book art, and also a sort of spiritual antecedent of my Department of Temporal Investigations novels. They both found the story on their smartphones to show it to me, but there was no easy way to call up the next page, so it became a two-phone bucket brigade operation — while I read one page on one of their phones, Glenn would navigate to the next page on the other, and we’d swap phones when I was ready. There’s got to be an easier way to read a comic, but luckily it was only five pages. And it was a cool story.

Sunday morning, I got up a bit late and had an 11 AM panel, and I had to have breakfast and check out of my room before the panel, so I didn’t have time for much else that morning. But it was a fun panel, called “Where No Tale Has Gone Before” — Dave, Keith, Dayton, Scott, and myself talking about whether there were still new Star Trek stories to tell after all these decades. Answer: Yes, of course. There are always untapped areas to explore, and every new story introduces new elements that can be explored further. But it was a good talk. Afterward (and after briefly running into my cousin Scott and his son, who’d arrived at the con too late to do more than say hello), it was time for lunch. Due to my tight finances, I was just about to settle for my remaining emergency peanut butter sandwich (now several days old, but it had spent the majority of the intervening time refrigerated), but Aaron Rosenberg was kind enough to treat me to a sandwich from the hotel Starbucks — a chicken sandwich with cranberry mayonnaise, of all things. I sat and talked with him and Greg for a while, and ultimately followed Greg to a panel on genre mashups which he did along with with Keith and Roberta Rogow. I could’ve easily joined them on the panel, since Only Superhuman counts as a hard-SF/superhero mashup (in fact, Glenn Hauman coined a good pitch line for it this weekend, “Superheroes meet The Expanse“), but I welcomed the chance to be an audience member and just be quiet and listen for a while. (Although I couldn’t resist asking one question.)

I was done with panels after that, but I hung around a few hours longer to talk to people, and I did an extended stint at the book vendors’ table — but fortunately there was a larger space available this time, so Greg and I sat together again and pitched our books to passersby. We were competing with Sirtis and Dorn again, but eventually their show ended and the crowd in the hall grew, and I finally managed to sell a couple more Only Superhuman copies. Later on, I briefly got to meet Marina Sirtis and give her a copy of Orion’s Hounds, which she insisted I sign for her. I hope she likes it.

All in all, a pretty good Shore Leave. I didn’t get to accomplish as much business-related, err, business as I’d hoped, but I got to socialize a lot with old friends and new, and I learned some interesting stuff. And then it was a reasonably easy drive to my cousins’ (aside from a brief traffic jam), and for once I didn’t get lost in the maze of streets around their house (GPS isn’t always helpful here), and as usual we had dinner at their friend Charles’s, and I had a really good turkey burger with a slice of remarkably good tomato. I’ve had good luck with tomatoes this weekend. And later today, I’m going to go visit Aunt Shirley and Uncle Harry at their retirement home, and tomorrow I’ll set off for home. Hopefully I can make it in one day this time.

Shore Leave 39 schedule

I’m sitting in a motel room in Western Pennsylvania right now, after driving through increasingly heavy rain throughout the day. I stopped about an hour earlier than I planned because I was fed up with the weather — and of course the rain stopped shortly after I checked into the motel. But then, I had a coupon for this motel (which I’ve stayed at before), it cost less than my other option, and my right foot felt like it was about to cramp if I didn’t rest it and get some dinner soon.

So here I am, and I see that a lot of other Shore Leave guests have posted their schedules for the con. I figure I’d better do the same. Here’s the overall, final schedule (as final as these things get, anyway):

https://www.shore-leave.com/programming/schedule.htm

And my schedule specifically (copying the panel descriptions from the pocket program because I’m tired):

FRIDAY 7/7

Star Trek Lit as Science Fiction — 7 PM, Salon A
Star Trek authors discuss how their work—and Star Trek literature in general—fits (or breaks) the mold of the science fiction genre. Do Star Trek stories draw on classic sci-fi? Do they advance the genre?
Derek Attico (M), Christopher L. Bennett, John Coffren, Dave Galanter

Meet the Pros — 10 PM to Midnight, Hunt/Valley Corridor

The usual mass signing event. As with last year, I intend to have copies of Only Superhuman and a few older Trek paperbacks for sale, and I take credit cards.

SATURDAY 7/8

History for Fun and Profit — 11 AM, Derby Lounge
Lots of SF/F stories explicitly use historical models, whether it’s the Victorian Age for steampunk or Age of Sail for original Star Trek. What pieces of the past are best for borrowing? How important is accuracy?
Jenifer Rosenberg (M), Christopher L. Bennett, Melissa Scott, Roberta Rogow, Richard C. White
Defending the Light Side — 1 PM, Chase Ballroom
In fiction, as in real life, upbeat and happy are often equated with silly fluff lacking substantial themes and intelligence. Or dismissed as childish. Those claims are often inaccurate, however.
Rigel Ailur (M), Christopher L. Bennett, Michael Critzer, Roberta Rogow, Andrew Hiller
Upcoming Star Trek Books — 5 PM, Belmont Lounge
A preview of forthcoming Star Trek novels from Simon & Schuster, with some of their authors as well as other Trek-related titles due out this fall and into 2018. (Note: It’s likely to be more a “Recent and Upcoming ST Books” panel, because there aren’t that many upcoming books currently scheduled. But the next upcoming book is my Rise of the Federation: Patterns of Interference, so I’ll have that to talk about.)
Scott Pearson (M), David Mack, Christopher L. Bennett, Dayton Ward
SUNDAY 7/9
Where No Tale Has Gone Before — 11 AM, Chase Ballroom
After over 50 years, how can there still be fresh stories to tell in Star Trek’s shared universe? Our panel of Trekspert storytellers discuss what they think makes for solid new Star Trek tales.
David Mack (M), Dayton Ward, Keith R.A. DeCandido, Christopher L. Bennett, Scott Pearson

DTI: SHIELD OF THE GODS is out today!

Yes, today’s the day that the concluding installment of my Department of Temporal Investigations e-novella trilogy, Shield of the Gods, is released. Here’s the blurb and ordering info:

DTI Shield of the Gods coverStar Trek: Department of Temporal Investigations — Shield of the Gods

The stalwart agents of the Department of Temporal Investigations have tracked down many dangerous artifacts, but now they face a greater, more personal challenge: retrieving a time-travel device stolen from their own vault by a rogue agent of the Aegis, a powerful, secretive group that uses its mastery of time to prevent young civilizations from destroying themselves. Blaming the Aegis itself for a tragedy yet to come, this renegade plans to use the stolen artifact to sabotage its efforts in the past, no matter what the cost to the timeline. Now the DTI’s agents must convince the enigmatic Aegis to work alongside them in order to protect history—but they must also wrestle with the potential consequences of their actions, for preserving the past could doom countless lives in the future!

Available at:

Simon & Schuster

Amazon

Barnes & Noble

Books-A-Million

iBookstore

Kobo

 

I’ve updated my home page to reflect its release, and to add the cover and blurb for Rise of the Federation: Patterns of Interference to the Upcoming Fiction section. Unfortunately I don’t yet have any new projects to add to Upcoming. “Abductive Reasoning” is still there, not yet scheduled by Analog as far as I know, but I’ve been going through kind of a lull lately when it comes to lining up new work. Hopefully I’ll have something to announce before too much longer.

In the meantime, go buy Shield of the Gods!

DOCTOR WHO’s “Smile” seems a bit familiar… (Mild spoilers)

Sorry I haven’t been posting lately — again. I’ve been distracted by stuff including a hard drive crash, although I’ve gone back to the previous, potentially unstable hard drive and it’s working okay for now.

Anyway, I’m liking the new season of Doctor Who so far; Bill is a fun companion, she and the Doctor have a good relationship developing, and it seems like Moffat may be going for a classic-Who formula of having each story lead directly into the next one, one of several homages this season seems to have to the very first season of the original show. (“The Pilot” was basically an inversion of “An Unearthly Child,” with a student learning about her mysterious teacher instead of the other way around.)

But it’s a different parallel that struck me when watching the second episode, “Smile” by Frank Cottrell-Boyce, this past weekend. Okay, so this is a story where the Doctor and Bill go to a human colony world, only to find that the colonists sent a swarm of robots on ahead to build their colony for them so it’d be all ready when they arrived — but during the interim, the robots underwent evolution in their behavior and were no longer following their expected directives. And that led to a debate about whether to fight them or learn to coexist with them.

And that reminded me of the second story I ever got published, “Among the Wild Cybers of Cybele” from the December 2000 issue of Analog Science Fiction and Fact. That story, which I talk about a bit on my Original Short Fiction page, was about self-replicating “auxons” rather than nanobots, and the premise was more along the lines that the auxons had become essentially a new order of animal in the colony world’s ecosystem. So the robots weren’t a threat to the human colonists as in “Smile,” but rather posed a threat of extinction to the world’s native life, creating a dilemma over whether they should be destroyed or have their own right to exist protected.  It’s a story I’ve always been pretty proud of, and I’m hoping I can get it back into print in some form soon.

I doubt very much that Frank Cottrell-Boyce ever read my old story or was inspired by it in any way, but it’s nice to see a science fiction concept show up somewhere and realize that I did it first. Although my own story was inspired by Roger Zelazny’s “Last of the Wild Ones,” about self-driving cars that had gone rogue due to a computer virus and roamed the plains like wild horses or bison. (Which is a sequel to an earlier story called “Devil Car,” which I don’t think I ever read.)

General update

I’ve been making a bit more writing progress lately. Last week, I received, proofread, and returned galleys for both my upcoming Analog short story “Abductive Reasoning” and my third Star Trek: Department of Temporal Investigations e-novella Shield of the Gods. I’d been starting to wonder when “Abductive Reasoning” would show some movement toward publication, so this is a good sign, though I don’t know the release date yet. As for Patterns of Interference, I got the word last night that the manuscript has been approved by CBS and my final advance payment is routing for approval even now. I hope it arrives before tax day.

Meanwhile, I’ve been working on a review and polish of my previously published original stories with an eye toward putting them together into a collection. That entailed making sure my manuscripts were updated with all the changes made in the final printed versions, except in cases where I wanted to undo those changes or make additional changes. Mostly I tried to be faithful to the published versions, though. Anyway, I’ve gotten that done and now it’s a matter of getting a publisher interested. We’ll see how that goes.  With that and the galleys out of the way, I’ve refocused on some new original stories I was working on last year but had to postpone in order to write Patterns of Interference. Well, I actually kind of got stuck because I started writing a story too hastily, before I really had the whole plot worked out. But coming back to it after a break has helped give me a new perspective, and I’ve worked out a couple of things I was stuck on before.

The new Kroger superstore nearby is open now, and I’ve been there three times already — once on foot, twice by car. It’s nice to be able to make smaller grocery trips when I need a few things, instead of just making 2-3 big trips a month and going without certain things for much of the interim. The new store isn’t as big as the other superstores I’ve been to, since its location is more constrained; in fact, they’ve actually had to put the “behind-the-scenes” employee areas up on the second floor, an unusual feature. There’s also an upstairs area for customers, but I haven’t visited it yet. And the shelf space is a bit less expansive. I read an article claiming that they’d compensate by restocking more frequently, but I’ve already noticed a couple of things that they didn’t have in stock while I was there — although there was one they did have in stock by the time I needed it. Anyway, it’s definitely a lot bigger than the old store, and has a lot more features like a pharmacy, deli, Starbucks, and pizza counter. The produce section is laid out pretty much exactly like the one in the gigantic Kroger that opened a year or two ago across from the movie theater I usually go to; I guess it makes sense that the two most recently built stores would use the same design. But it was kind of disorienting the first time I was there.

Reading-wise, I got a couple of new DC trade paperbacks from the library the other day, the second volumes of Batman: The Golden Age (reprinting all the original Batman comics in order from the start) and Wonder Woman ’77. The latter is theoretically based on the Lynda Carter TV show, but my problem with the first volume was that it didn’t feel like the show, just like generic Wonder Woman stories with the likenesses of Carter and Lyle Waggoner. Much of the second volume is like that too, but a couple of the later stories felt more like the show, or more ’70s-oriented at least. (One story brings back a major villain from the show, and another is steeped in ’70s nostalgia like funk music and CB radio.) As for the Batman volume, it’s good to get to see how quickly the character’s tropes fell into place within the first 2 years. These days, you’ll see a lot of people online claiming that the ’40s Batman was a dark, violent, gun-toting character until the Comics Code crackdown of the ’50s, but that’s just wrong. Even though the first year or two of stories were in a violent, pulpy vein, Batman only rarely used guns in them, though he did kill by other means like breaking a neck with a kick or flinging people off roofs. But as early as Batman #4 in December 1940, the dialogue and narration were insisting that Batman and Robin never killed or used weapons — although exceptions were still being made for causing recurring villains Hugo Strange and the Joker to fall to their apparent deaths, since of course they’d surely survive anyway. And B&R were portrayed in a pretty upbeat way, trading wisecracks and bad puns as they fought villains. Volume 2 shows other familiar Batman tropes emerging in 1941, like the Batmobile (a sleek red convertible with a small bat-shaped hood ornament) and the term “Dynamic Duo.” No Stately Wayne Manor or Batcave yet, though — Bruce and Dick live in a house in the suburbs, with a secret tunnel leading to the barn where the Batmobile is kept.

Food-wise, I serendipitously discovered a nice new way to make a sandwich last week. I decided to make a sandwich with tomato, sharp cheddar cheese, and Romaine lettuce on whole wheat bread with olive-oil mayonaisse and spicy brown mustard, served with a pickle spear and a small amount of olive oil potato chips. It was surprisingly yummy, and I’ve made that combo two more times since then, but somehow they weren’t as good as the first. I also recently discovered a second new type of sandwich that’s pretty good: cheddar cheese and apple butter.

Aside from that, I’ve mainly just been watching TV, but maybe I’ll talk about that later in another post.

Resurfacing at last

Hello, everyone — sorry I haven’t been posting lately, but I’ve been really wrapped up in trying to finish Rise of the Federation: Patterns of Interference. This was kind of a rough one, since there were delays getting the contract and approvals through, so I was late getting started and I had to work fast. Which proved difficult, since I was suffering from a vitamin D deficiency that I think was causing me some mild depression and making it hard to focus. So I’ve spent the last month striving to finish the book, which left little mental attention for other writing such as blogging (though I still posted on my bulletin boards regularly because I’m addicted to those). I’m afraid I’ve really been neglecting this blog, and I need to try to refocus on it.

So anyway, PoI is finally done, and we’re expediting the editing process to make up for lost time. It helps that it came out relatively short, about 83,000 words. I figured that, after the big epic 2-part saga of Uncertain Logic and Live by the Code, it was good to do a story that was a bit more intimate in scope. I was influenced by The Next Generation‘s “Family” and Enterprise‘s “Home.” Although that’s only part of the novel’s story. Basically, there’s one really big adventure plotline at the heart of the novel, and a number of more character-driven subplots around it. But there are some major events and changes to the status quo on both scales. So it’s a smaller story, but with big consequences.

Another thing that helped with the tight writing schedule was that I’ve once again managed to recycle a concept from one of my old, unsold original stories as a subplot in PoI. It’s actually a double-recycle of sorts, because I was going to use the premise as the basis for a second Star Trek: Corps of Engineers novella, but that series was cancelled before I got a contract for it. For this version, I kept some of the new worldbuilding ideas I was going to add in the CoE tale, but I’ve actually been able to incorporate a lot more of the original story’s plot and dialogue in this version than I would’ve been able to do there, albeit revised to fit the new characters and relationships. So that saved me some time — although not as much as it could have, since there was a pair of supporting characters that were originally just names spouting dialogue in the material I copied, and I didn’t really work out who they should be and what motivated them until the revision phase, so parts of that sequence got rewritten several times.

I even got to the point where I was afraid that the book would run short, so I was looking through my old unsold fiction (just about all writers have a ton of early stuff they never sold, while they were learning the trade), trying to find some short story or subplot that I could adapt as a story arc for some supporting character to meet my word count. But I couldn’t find anything that was both adaptable to the 22nd-century Trek universe and well enough written to be usable — at least, not from the stuff I could remember, and taking the time to re-read a bunch of old stuff to refresh my memory would’ve defeated the purpose of trying to speed up the process. Fortunately, I managed to come up with enough new material to do the job, and it naturally worked better to add material that grew from the story and characters I had, rather than trying to shoehorn in some unrelated story. As a matter of fact, when I finally reached the end of the novel in the first draft, I was still a little bit short of 80,000 words, and I’d already decided there was one more scene I needed to go back and put in earlier. I did that later the same day, and it put me over the limit, and it wasn’t until I finished it that I finally felt the rush of euphoria and satisfaction that came from finally being finished. Although it didn’t last long, since I still needed to clean up and tighten the draft before I turned it in.

So now I’m finally done with PoI, and I’m free to resume work on some original projects that I’ve had to put off. Currently, I’m starting to explore the possibility of putting together a collection of my original stories, though it’s too early to say whether that will happen. Once that’s done, I need to get back to work on some new stories I have on the back burner, one of which is unfinished. Hopefully I can make some real progress on those and one or two other things before my next Trek project comes along — although I hope that next Trek project comes fairly soon, because I still need to make a living. That’s the paradox — my Trek work is what lets me make enough of a living to pursue the other stuff, but it tends to take up a lot of time that I could be spending on the other stuff instead. Well, I shouldn’t complain — I actually got a lot of original writing done in 2016 while waiting for the go-ahead on PoI. But there was some of it that I didn’t quite get to finish before I had to throw myself fully into Trek writing. Of course, it wouldn’t be as much of a problem if I were better at time management and self-discipline. But I’ve been telling myself that for ages and it hasn’t helped much.

Let’s see, I don’t have much to talk about beyond writing, because I haven’t had much of a life otherwise lately. One bit of good news — the fancy new Kroger they’ve been building next to the university for the past year and a half is finally opening in just a few days, so I’ll finally be able to get groceries from somewhere within walking distance again (although I doubt I’ll try biking there, since I don’t think the adjacent intersection is very safe for biking). And it’s a much larger, more elaborate superstore than the old one in that location, or than the next-nearest one in Walnut Hills, which I never liked going to, and which is actually closing the night before the new one opens. Makes sense, in a way — the store is twice as big, so it’s taking the place of two adjacent ones. Meanwhile, the local co-op store that replaced the old IGA up by Burnet Woods opened last month — nearly a year later than originally touted — and it’s not bad, though not as suited for my needs as the new Kroger will be. I hope it does well, though, since it’s good to have both options. After a year and a half with no grocery stores in the neighborhood, there are now going to be two. (Well, not really — the co-op is about the same distance from me as the Walnut Hills Kroger, but it feels closer to me, probably because I’m more familiar with its neighborhood.)

Well, that’s about all I have to report for now, and it’s lunchtime. I’ll try not to wait so long before posting again.